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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #367851 it is the complementary color #C987AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #367851. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #367851 shade: #3B784C, #4C8A5F, #5D9C72, #6EAE85 and #7FC098

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #367851. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #367851 shade: #367851, #25663E, #14542B, #034218 and #003005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #367851 shade: #367851, #36783F, #3E7836, #507836 and #627836

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #367851 shade: #367851, #367862, #367874, #366978 and #365878

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #367851 shade matches the following richer shades: #367851, #28864E, #1A944C and #0CA249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #367851 shade: #367851, #446A53, #525C56, #604E58 and #6E405B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #367851 shade: #3F7836, #36783F, #367850, #367862 and #367873

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #367851 shade: #1C3F2A, #295B3E, #367851, #439464 and #50B077

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #367851 shade: #367851, #365078 and #783636

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #367851 shade: #367851, #503678 and #785036

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #367851 shade: #367851, #365078, #78365D and #785D36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #367851 shade: #367851, #363C78, #78365D and #787136

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 33 / 53

HEX #367851

RGB 54 120 81

HSL 144.55, 0.38%, 0.34%

LAB 45.37, -30.7, 15.19

 

Complementary color

CMYK 0 / 33 / 13 / 21

HEX #C987AE

RGB 201 135 174

HSL 324.55, 0.38%, 0.66%

LAB 64, 31.09, -10.21

 

CMYK 51 / 0 / 37 / 53

HEX #3B784C

RGB 59 120 76

HSL 136.72, 0.34%, 0.35%

LAB 45.48, -30.33, 18.25

 

CMYK 45 / 0 / 31 / 46

HEX #4C8A5F

RGB 76 138 95

HSL 138.39, 0.29%, 0.42%

LAB 52.44, -30.11, 16.95

 

CMYK 40 / 0 / 27 / 39

HEX #5D9C72

RGB 93 156 114

HSL 140, 0.25%, 0.49%

LAB 59.27, -29.84, 15.77

 

CMYK 37 / 0 / 24 / 32

HEX #6EAE85

RGB 110 174 133

HSL 141.56, 0.28%, 0.56%

LAB 65.97, -29.56, 14.69

 

CMYK 34 / 0 / 21 / 25

HEX #7FC098

RGB 127 192 152

HSL 143.08, 0.34%, 0.63%

LAB 72.55, -29.29, 13.69

 

CMYK 55 / 0 / 33 / 53

HEX #367851

RGB 54 120 81

HSL 144.55, 0.38%, 0.34%

LAB 45.37, -30.7, 15.19

 

CMYK 64 / 0 / 39 / 60

HEX #25663E

RGB 37 102 62

HSL 143.08, 0.47%, 0.27%

LAB 38.28, -30.71, 16.64

 

CMYK 76 / 0 / 49 / 67

HEX #14542B

RGB 20 84 43

HSL 141.56, 0.62%, 0.2%

LAB 31.03, -30.33, 18.31

 

CMYK 95 / 0 / 64 / 74

HEX #034218

RGB 3 66 24

HSL 140, 0.91%, 0.14%

LAB 23.61, -29.32, 20.14

 

CMYK 100 / 0 / 90 / 81

HEX #003005

RGB 0 48 5

HSL 126.25, 1%, 0.09%

LAB 16.13, -25.93, 20.71

 

CMYK 55 / 0 / 33 / 53

HEX #367851

RGB 54 120 81

HSL 144.55, 0.38%, 0.34%

LAB 45.37, -30.7, 15.19

 

CMYK 55 / 0 / 48 / 53

HEX #36783F

RGB 54 120 63

HSL 128.18, 0.38%, 0.34%

LAB 45.05, -34.11, 25

 

CMYK 48 / 0 / 55 / 53

HEX #3E7836

RGB 62 120 54

HSL 112.73, 0.38%, 0.34%

LAB 45.25, -33.05, 30.19

 

CMYK 33 / 0 / 55 / 53

HEX #507836

RGB 80 120 54

HSL 96.36, 0.38%, 0.34%

LAB 46.18, -26.68, 31.53

 

CMYK 18 / 0 / 55 / 53

HEX #627836

RGB 98 120 54

HSL 80, 0.38%, 0.34%

LAB 47.36, -19.38, 33.22

 

CMYK 55 / 0 / 33 / 53

HEX #367851

RGB 54 120 81

HSL 144.55, 0.38%, 0.34%

LAB 45.37, -30.7, 15.19

 

CMYK 55 / 0 / 18 / 53

HEX #367862

RGB 54 120 98

HSL 160, 0.38%, 0.34%

LAB 45.77, -26.77, 5.75

 

CMYK 55 / 0 / 3 / 53

HEX #367874

RGB 54 120 116

HSL 176.36, 0.38%, 0.34%

LAB 46.28, -21.95, -4.2

 

CMYK 55 / 13 / 0 / 53

HEX #366978

RGB 54 105 120

HSL 193.64, 0.38%, 0.34%

LAB 41.6, -12.53, -13.63

 

CMYK 55 / 27 / 0 / 53

HEX #365878

RGB 54 88 120

HSL 209.09, 0.38%, 0.34%

LAB 36.21, -2.33, -21.91

 

CMYK 55 / 0 / 33 / 53

HEX #367851

RGB 54 120 81

HSL 144.55, 0.38%, 0.34%

LAB 45.37, -30.7, 15.19

 

CMYK 70 / 0 / 42 / 47

HEX #28864E

RGB 40 134 78

HSL 144.26, 0.54%, 0.34%

LAB 49.56, -40.59, 22.42

 

CMYK 82 / 0 / 49 / 42

HEX #1A944C

RGB 26 148 76

HSL 144.59, 0.7%, 0.34%

LAB 53.94, -48.43, 29.11

 

CMYK 93 / 0 / 55 / 36

HEX #0CA249

RGB 12 162 73

HSL 144.4, 0.86%, 0.34%

LAB 58.41, -54.98, 36.16

 

CMYK 55 / 0 / 33 / 53

HEX #367851

RGB 54 120 81

HSL 144.55, 0.38%, 0.34%

LAB 45.37, -30.7, 15.19

 

CMYK 36 / 0 / 22 / 58

HEX #446A53

RGB 68 106 83

HSL 143.68, 0.22%, 0.34%

LAB 41.47, -18.99, 8.7

 

CMYK 11 / 0 / 7 / 64

HEX #525C56

RGB 82 92 86

HSL 144, 0.06%, 0.34%

LAB 38.06, -5.22, 2.12

 

CMYK 0 / 19 / 8 / 62

HEX #604E58

RGB 96 78 88

HSL 326.67, 0.1%, 0.34%

LAB 35.28, 9.44, -3.03

 

CMYK 0 / 42 / 17 / 57

HEX #6E405B

RGB 110 64 91

HSL 324.78, 0.26%, 0.34%

LAB 33.43, 24.18, -7.52

 

CMYK 48 / 0 / 55 / 53

HEX #3F7836

RGB 63 120 54

HSL 111.82, 0.38%, 0.34%

LAB 45.3, -32.73, 30.26

 

CMYK 55 / 0 / 48 / 53

HEX #36783F

RGB 54 120 63

HSL 128.18, 0.38%, 0.34%

LAB 45.05, -34.11, 25

 

CMYK 55 / 0 / 33 / 53

HEX #367850

RGB 54 120 80

HSL 143.64, 0.38%, 0.34%

LAB 45.35, -30.91, 15.74

 

CMYK 55 / 0 / 18 / 53

HEX #367862

RGB 54 120 98

HSL 160, 0.38%, 0.34%

LAB 45.77, -26.77, 5.75

 

CMYK 55 / 0 / 4 / 53

HEX #367873

RGB 54 120 115

HSL 175.45, 0.38%, 0.34%

LAB 46.25, -22.23, -3.65

 

CMYK 56 / 0 / 33 / 75

HEX #1C3F2A

RGB 28 63 42

HSL 144, 0.38%, 0.18%

LAB 23.57, -18.48, 9.08

 

CMYK 55 / 0 / 32 / 64

HEX #295B3E

RGB 41 91 62

HSL 145.2, 0.38%, 0.26%

LAB 34.6, -24.43, 11.7

 

CMYK 55 / 0 / 33 / 53

HEX #367851

RGB 54 120 81

HSL 144.55, 0.38%, 0.34%

LAB 45.37, -30.7, 15.19

 

CMYK 55 / 0 / 32 / 42

HEX #439464

RGB 67 148 100

HSL 144.44, 0.38%, 0.42%

LAB 55.37, -36.22, 18.07

 

CMYK 55 / 0 / 32 / 31

HEX #50B077

RGB 80 176 119

HSL 144.38, 0.38%, 0.5%

LAB 65.03, -41.52, 20.83

 

CMYK 55 / 0 / 33 / 53

HEX #367851

RGB 54 120 81

HSL 144.55, 0.38%, 0.34%

LAB 45.37, -30.7, 15.19

 

CMYK 55 / 33 / 0 / 53

HEX #365078

RGB 54 80 120

HSL 216.36, 0.38%, 0.34%

LAB 33.73, 2.76, -25.79

 

CMYK 0 / 55 / 55 / 53

HEX #783636

RGB 120 54 54

HSL 0, 0.38%, 0.34%

LAB 31.57, 28.85, 13.87

 

CMYK 55 / 0 / 33 / 53

HEX #367851

RGB 54 120 81

HSL 144.55, 0.38%, 0.34%

LAB 45.37, -30.7, 15.19

 

CMYK 33 / 55 / 0 / 53

HEX #503678

RGB 80 54 120

HSL 263.64, 0.38%, 0.34%

LAB 28.64, 26.86, -33.7

 

CMYK 0 / 33 / 55 / 53

HEX #785036

RGB 120 80 54

HSL 23.64, 0.38%, 0.34%

LAB 37.84, 13.66, 22.05

 

CMYK 55 / 0 / 33 / 53

HEX #367851

RGB 54 120 81

HSL 144.55, 0.38%, 0.34%

LAB 45.37, -30.7, 15.19

 

CMYK 55 / 33 / 0 / 53

HEX #365078

RGB 54 80 120

HSL 216.36, 0.38%, 0.34%

LAB 33.73, 2.76, -25.79

 

CMYK 0 / 55 / 23 / 53

HEX #78365D

RGB 120 54 93

HSL 324.55, 0.38%, 0.34%

LAB 32.75, 33.84, -9.68

 

CMYK 0 / 23 / 55 / 53

HEX #785D36

RGB 120 93 54

HSL 35.45, 0.38%, 0.34%

LAB 41.36, 5.86, 26.45

 

CMYK 55 / 0 / 33 / 53

HEX #367851

RGB 54 120 81

HSL 144.55, 0.38%, 0.34%

LAB 45.37, -30.7, 15.19

 

CMYK 55 / 50 / 0 / 53

HEX #363C78

RGB 54 60 120

HSL 234.55, 0.38%, 0.34%

LAB 27.77, 16.09, -35.23

 

CMYK 0 / 55 / 23 / 53

HEX #78365D

RGB 120 54 93

HSL 324.55, 0.38%, 0.34%

LAB 32.75, 33.84, -9.68

 

CMYK 0 / 6 / 55 / 53

HEX #787136

RGB 120 113 54

HSL 53.64, 0.38%, 0.34%

LAB 47.07, -5.8, 33.32

 

Description

Color code: HEX #367851 | qconv.com Color code: HEX #367851 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 120 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 120 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 33 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 33% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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