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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #367232 it is the complementary color #C98DCD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #367232. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #367232 shade: #3B722D, #4C8440, #5D9653, #6EA866 and #7FBA79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #367232. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #367232 shade: #367232, #25601F, #144E0C, #033C00 and #002A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #367232 shade: #367132, #477132, #587132, #697132 and #716832

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #367232 shade: #367132, #32713F, #327150, #327161 and #327071

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #367232 shade matches the following richer shades: #367132, #2A7F25, #1F8C17 and #13990A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #367232 shade: #367132, #41643F, #4D574C, #584A59 and #643D67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #367232 shade: #587132, #477132, #367132, #32713F and #32714F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #367232 shade: #1B3819, #285525, #367132, #438E3E and #51AB4B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #367232 shade: #367232, #326971 and #71324F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #367232 shade: #367232, #323671 and #713236

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #367232 shade: #367232, #326971, #6D3271 and #713A32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #367232 shade: #367232, #325671, #6D3271 and #714D32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 56 / 55

HEX #367232

RGB 54 114 50

HSL 116.25, 0.39%, 0.32%

LAB 42.84, -33.45, 29.31

 

Complementary color

CMYK 2 / 31 / 0 / 20

HEX #C98DCD

RGB 201 141 205

HSL 296.25, 0.39%, 0.68%

LAB 66.42, 33.35, -23.95

 

CMYK 48 / 0 / 61 / 55

HEX #3B722D

RGB 59 114 45

HSL 107.83, 0.43%, 0.31%

LAB 42.99, -32.51, 32.14

 

CMYK 42 / 0 / 52 / 48

HEX #4C8440

RGB 76 132 64

HSL 109.41, 0.35%, 0.38%

LAB 49.99, -32.51, 30.84

 

CMYK 38 / 0 / 45 / 41

HEX #5D9653

RGB 93 150 83

HSL 111.04, 0.29%, 0.46%

LAB 56.85, -32.37, 29.52

 

CMYK 35 / 0 / 39 / 34

HEX #6EA866

RGB 110 168 102

HSL 112.73, 0.28%, 0.53%

LAB 63.57, -32.17, 28.25

 

CMYK 32 / 0 / 35 / 27

HEX #7FBA79

RGB 127 186 121

HSL 114.46, 0.32%, 0.6%

LAB 70.18, -31.95, 27.05

 

CMYK 53 / 0 / 56 / 55

HEX #367232

RGB 54 114 50

HSL 116.25, 0.39%, 0.32%

LAB 42.84, -33.45, 29.31

 

CMYK 61 / 0 / 68 / 62

HEX #25601F

RGB 37 96 31

HSL 114.46, 0.51%, 0.25%

LAB 35.71, -33.16, 30.6

 

CMYK 74 / 0 / 85 / 69

HEX #144E0C

RGB 20 78 12

HSL 112.73, 0.73%, 0.18%

LAB 28.44, -32.17, 31.26

 

CMYK 95 / 0 / 100 / 76

HEX #033C00

RGB 3 60 0

HSL 117, 1%, 0.12%

LAB 21.02, -30.03, 28.52

 

CMYK 100 / 0 / 100 / 84

HEX #002A00

RGB 0 42 0

HSL 120, 1%, 0.08%

LAB 13.57, -24.56, 19.44

 

CMYK 52 / 0 / 56 / 56

HEX #367132

RGB 54 113 50

HSL 116.19, 0.39%, 0.32%

LAB 42.5, -33, 28.9

 

CMYK 37 / 0 / 56 / 56

HEX #477132

RGB 71 113 50

HSL 100, 0.39%, 0.32%

LAB 43.33, -27.17, 30.1

 

CMYK 22 / 0 / 56 / 56

HEX #587132

RGB 88 113 50

HSL 83.81, 0.39%, 0.32%

LAB 44.4, -20.38, 31.63

 

CMYK 7 / 0 / 56 / 56

HEX #697132

RGB 105 113 50

HSL 67.62, 0.39%, 0.32%

LAB 45.69, -12.97, 33.47

 

CMYK 0 / 8 / 56 / 56

HEX #716832

RGB 113 104 50

HSL 51.43, 0.39%, 0.32%

LAB 43.71, -4.24, 31.33

 

CMYK 52 / 0 / 56 / 56

HEX #367132

RGB 54 113 50

HSL 116.19, 0.39%, 0.32%

LAB 42.5, -33, 28.9

 

CMYK 56 / 0 / 44 / 56

HEX #32713F

RGB 50 113 63

HSL 132.38, 0.39%, 0.32%

LAB 42.53, -32.1, 21.74

 

CMYK 56 / 0 / 29 / 56

HEX #327150

RGB 50 113 80

HSL 148.57, 0.39%, 0.32%

LAB 42.86, -28.66, 12.31

 

CMYK 56 / 0 / 14 / 56

HEX #327161

RGB 50 113 97

HSL 164.76, 0.39%, 0.32%

LAB 43.29, -24.51, 2.76

 

CMYK 56 / 1 / 0 / 56

HEX #327071

RGB 50 112 113

HSL 180.95, 0.39%, 0.32%

LAB 43.45, -19.48, -6.64

 

CMYK 52 / 0 / 56 / 56

HEX #367132

RGB 54 113 50

HSL 116.19, 0.39%, 0.32%

LAB 42.5, -33, 28.9

 

CMYK 67 / 0 / 71 / 50

HEX #2A7F25

RGB 42 127 37

HSL 116.67, 0.55%, 0.32%

LAB 46.72, -43.47, 39.85

 

CMYK 78 / 0 / 84 / 45

HEX #1F8C17

RGB 31 140 23

HSL 115.9, 0.72%, 0.32%

LAB 50.81, -51.19, 48.9

 

CMYK 88 / 0 / 93 / 40

HEX #13990A

RGB 19 153 10

HSL 116.22, 0.88%, 0.32%

LAB 55.01, -57.26, 55.41

 

CMYK 52 / 0 / 56 / 56

HEX #367132

RGB 54 113 50

HSL 116.19, 0.39%, 0.32%

LAB 42.5, -33, 28.9

 

CMYK 35 / 0 / 37 / 61

HEX #41643F

RGB 65 100 63

HSL 116.76, 0.23%, 0.32%

LAB 38.89, -20.88, 17.1

 

CMYK 11 / 0 / 13 / 66

HEX #4D574C

RGB 77 87 76

HSL 114.55, 0.07%, 0.32%

LAB 35.82, -6.34, 5.07

 

CMYK 1 / 17 / 0 / 65

HEX #584A59

RGB 88 74 89

HSL 296, 0.09%, 0.32%

LAB 33.34, 8.96, -6.65

 

CMYK 3 / 41 / 0 / 60

HEX #643D67

RGB 100 61 103

HSL 295.71, 0.26%, 0.32%

LAB 31.87, 24.68, -17.68

 

CMYK 22 / 0 / 56 / 56

HEX #587132

RGB 88 113 50

HSL 83.81, 0.39%, 0.32%

LAB 44.4, -20.38, 31.63

 

CMYK 37 / 0 / 56 / 56

HEX #477132

RGB 71 113 50

HSL 100, 0.39%, 0.32%

LAB 43.33, -27.17, 30.1

 

CMYK 52 / 0 / 56 / 56

HEX #367132

RGB 54 113 50

HSL 116.19, 0.39%, 0.32%

LAB 42.5, -33, 28.9

 

CMYK 56 / 0 / 44 / 56

HEX #32713F

RGB 50 113 63

HSL 132.38, 0.39%, 0.32%

LAB 42.53, -32.1, 21.74

 

CMYK 56 / 0 / 30 / 56

HEX #32714F

RGB 50 113 79

HSL 147.62, 0.39%, 0.32%

LAB 42.84, -28.89, 12.87

 

CMYK 52 / 0 / 55 / 78

HEX #1B3819

RGB 27 56 25

HSL 116.13, 0.38%, 0.16%

LAB 20.56, -18.61, 16

 

CMYK 53 / 0 / 56 / 67

HEX #285525

RGB 40 85 37

HSL 116.25, 0.39%, 0.24%

LAB 31.99, -26.55, 23.14

 

CMYK 52 / 0 / 56 / 56

HEX #367132

RGB 54 113 50

HSL 116.19, 0.39%, 0.32%

LAB 42.5, -33, 28.9

 

CMYK 53 / 0 / 56 / 44

HEX #438E3E

RGB 67 142 62

HSL 116.25, 0.39%, 0.4%

LAB 52.83, -39.99, 35.21

 

CMYK 53 / 0 / 56 / 33

HEX #51AB4B

RGB 81 171 75

HSL 116.25, 0.39%, 0.48%

LAB 62.83, -46.27, 40.83

 

CMYK 53 / 0 / 56 / 55

HEX #367232

RGB 54 114 50

HSL 116.25, 0.39%, 0.32%

LAB 42.84, -33.45, 29.31

 

CMYK 56 / 7 / 0 / 56

HEX #326971

RGB 50 105 113

HSL 187.62, 0.39%, 0.32%

LAB 41.17, -15.65, -10.04

 

CMYK 0 / 56 / 30 / 56

HEX #71324F

RGB 113 50 79

HSL 332.38, 0.39%, 0.32%

LAB 30.29, 31.37, -4.4

 

CMYK 53 / 0 / 56 / 55

HEX #367232

RGB 54 114 50

HSL 116.25, 0.39%, 0.32%

LAB 42.84, -33.45, 29.31

 

CMYK 56 / 52 / 0 / 56

HEX #323671

RGB 50 54 113

HSL 236.19, 0.39%, 0.32%

LAB 25.29, 16.78, -34.79

 

CMYK 0 / 56 / 52 / 56

HEX #713236

RGB 113 50 54

HSL 356.19, 0.39%, 0.32%

LAB 29.56, 28.24, 10.95

 

CMYK 53 / 0 / 56 / 55

HEX #367232

RGB 54 114 50

HSL 116.25, 0.39%, 0.32%

LAB 42.84, -33.45, 29.31

 

CMYK 56 / 7 / 0 / 56

HEX #326971

RGB 50 105 113

HSL 187.62, 0.39%, 0.32%

LAB 41.17, -15.65, -10.04

 

CMYK 4 / 56 / 0 / 56

HEX #6D3271

RGB 109 50 113

HSL 296.19, 0.39%, 0.32%

LAB 31.17, 36.04, -25.02

 

CMYK 0 / 49 / 56 / 56

HEX #713A32

RGB 113 58 50

HSL 7.62, 0.39%, 0.32%

LAB 31.27, 23.29, 15.83

 

CMYK 53 / 0 / 56 / 55

HEX #367232

RGB 54 114 50

HSL 116.25, 0.39%, 0.32%

LAB 42.84, -33.45, 29.31

 

CMYK 56 / 24 / 0 / 56

HEX #325671

RGB 50 86 113

HSL 205.71, 0.39%, 0.32%

LAB 35.06, -4.43, -19.39

 

CMYK 4 / 56 / 0 / 56

HEX #6D3271

RGB 109 50 113

HSL 296.19, 0.39%, 0.32%

LAB 31.17, 36.04, -25.02

 

CMYK 0 / 32 / 56 / 56

HEX #714D32

RGB 113 77 50

HSL 25.71, 0.39%, 0.32%

LAB 36.08, 11.88, 22.03

 

Description

Color code: HEX #367232 | qconv.com Color code: HEX #367232 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 114 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 114 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 56 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 56% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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