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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #366ED2 it is the complementary color #C9912D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #366ED2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #366ED2 shade: #3B6ECD, #4C80E0, #5D92F3, #6EA4FF and #7FB6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #366ED2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #366ED2 shade: #366ED2, #255CBF, #144AAC, #033899 and #002686

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #366ED2 shade: #376FD2, #3745D2, #5337D2, #7D37D2 and #A637D2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #366ED2 shade: #376FD2, #3745D2 and #3737D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #366ED2 shade matches the following richer shades: #376FD2, #2469E6 and #1064F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #366ED2 shade: #376FD2, #4B74BE, #5F7AAA, #738096 and #878582

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #366ED2 shade: #37C2D2, #3799D2, #3770D2, #3747D2 and #5137D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #366ED2 shade: #224B95, #295CB7, #376FD2, #5987D9 and #7B9FE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #366ED2 shade: #366ED2, #B837D2 and #AED237

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #366ED2 shade: #366ED2, #D23770 and #70D237

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #366ED2 shade: #366ED2, #B837D2, #D29937 and #51D237

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #366ED2 shade: #366ED2, #D237BD, #D29937 and #37D24C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 48 / 0 / 18

HEX #366ED2

RGB 54 110 210

HSL 218.46, 0.63%, 0.52%

LAB 47.74, 16.23, -56.93

 

Complementary color

CMYK 0 / 28 / 78 / 21

HEX #C9912D

RGB 201 145 45

HSL 38.46, 0.63%, 0.48%

LAB 64.05, 12.28, 57.9

 

CMYK 71 / 46 / 0 / 20

HEX #3B6ECD

RGB 59 110 205

HSL 219.04, 0.59%, 0.52%

LAB 47.61, 15.06, -54.27

 

CMYK 66 / 43 / 0 / 12

HEX #4C80E0

RGB 76 128 224

HSL 218.92, 0.7%, 0.59%

LAB 54.4, 13.24, -54.11

 

CMYK 62 / 40 / 0 / 5

HEX #5D92F3

RGB 93 146 243

HSL 218.8, 0.86%, 0.66%

LAB 61.09, 11.76, -53.96

 

CMYK 57 / 36 / 0 / 0

HEX #6EA4FF

RGB 110 164 255

HSL 217.66, 1%, 0.72%

LAB 67.34, 8.32, -50.57

 

CMYK 50 / 29 / 0 / 0

HEX #7FB6FF

RGB 127 182 255

HSL 214.22, 1%, 0.75%

LAB 73.02, 1.72, -41.6

 

CMYK 74 / 48 / 0 / 18

HEX #366ED2

RGB 54 110 210

HSL 218.46, 0.63%, 0.52%

LAB 47.74, 16.23, -56.93

 

CMYK 81 / 52 / 0 / 25

HEX #255CBF

RGB 37 92 191

HSL 218.57, 0.68%, 0.45%

LAB 40.91, 18.71, -57.03

 

CMYK 88 / 57 / 0 / 33

HEX #144AAC

RGB 20 74 172

HSL 218.68, 0.79%, 0.38%

LAB 34.03, 21.81, -57.02

 

CMYK 98 / 63 / 0 / 40

HEX #033899

RGB 3 56 153

HSL 218.8, 0.96%, 0.31%

LAB 27.15, 25.58, -56.82

 

CMYK 100 / 72 / 0 / 47

HEX #002686

RGB 0 38 134

HSL 222.99, 1%, 0.26%

LAB 20.47, 30.1, -56.04

 

CMYK 74 / 47 / 0 / 18

HEX #376FD2

RGB 55 111 210

HSL 218.32, 0.63%, 0.52%

LAB 48.05, 15.72, -56.42

 

CMYK 74 / 67 / 0 / 18

HEX #3745D2

RGB 55 69 210

HSL 234.58, 0.63%, 0.52%

LAB 37.34, 42.3, -73.84

 

CMYK 60 / 74 / 0 / 18

HEX #5337D2

RGB 83 55 210

HSL 250.84, 0.63%, 0.52%

LAB 36.41, 53.38, -75.3

 

CMYK 40 / 74 / 0 / 18

HEX #7D37D2

RGB 125 55 210

HSL 267.1, 0.63%, 0.52%

LAB 40.81, 59.58, -67.92

 

CMYK 21 / 74 / 0 / 18

HEX #A637D2

RGB 166 55 210

HSL 282.97, 0.63%, 0.52%

LAB 46.3, 67, -58.75

 

CMYK 74 / 47 / 0 / 18

HEX #376FD2

RGB 55 111 210

HSL 218.32, 0.63%, 0.52%

LAB 48.05, 15.72, -56.42

 

CMYK 74 / 67 / 0 / 18

HEX #3745D2

RGB 55 69 210

HSL 234.58, 0.63%, 0.52%

LAB 37.34, 42.3, -73.84

 

CMYK 74 / 74 / 0 / 18

HEX #3737D2

RGB 55 55 210

HSL 240, 0.63%, 0.52%

LAB 34.39, 50.42, -78.7

 

CMYK 74 / 47 / 0 / 18

HEX #376FD2

RGB 55 111 210

HSL 218.32, 0.63%, 0.52%

LAB 48.05, 15.72, -56.42

 

CMYK 84 / 54 / 0 / 10

HEX #2469E6

RGB 36 105 230

HSL 218.66, 0.8%, 0.52%

LAB 47.22, 25.18, -69.12

 

CMYK 94 / 60 / 0 / 2

HEX #1064F9

RGB 16 100 249

HSL 218.37, 0.95%, 0.52%

LAB 47.06, 34.58, -80.06

 

CMYK 74 / 47 / 0 / 18

HEX #376FD2

RGB 55 111 210

HSL 218.32, 0.63%, 0.52%

LAB 48.05, 15.72, -56.42

 

CMYK 61 / 39 / 0 / 25

HEX #4B74BE

RGB 75 116 190

HSL 218.61, 0.47%, 0.52%

LAB 49.14, 8.7, -43.18

 

CMYK 44 / 28 / 0 / 33

HEX #5F7AAA

RGB 95 122 170

HSL 218.4, 0.31%, 0.52%

LAB 50.98, 3.3, -28.64

 

CMYK 23 / 15 / 0 / 41

HEX #738096

RGB 115 128 150

HSL 217.71, 0.14%, 0.52%

LAB 53.26, 0.31, -13.41

 

CMYK 0 / 1 / 4 / 47

HEX #878582

RGB 135 133 130

HSL 36, 0.02%, 0.52%

LAB 55.62, 0.17, 1.87

 

CMYK 74 / 8 / 0 / 18

HEX #37C2D2

RGB 55 194 210

HSL 186.19, 0.63%, 0.52%

LAB 72.26, -30.8, -18.58

 

CMYK 74 / 27 / 0 / 18

HEX #3799D2

RGB 55 153 210

HSL 202.06, 0.63%, 0.52%

LAB 60.11, -9.43, -37.29

 

CMYK 74 / 47 / 0 / 18

HEX #3770D2

RGB 55 112 210

HSL 217.94, 0.63%, 0.52%

LAB 48.33, 15.09, -55.98

 

CMYK 74 / 66 / 0 / 18

HEX #3747D2

RGB 55 71 210

HSL 233.81, 0.63%, 0.52%

LAB 37.79, 41.08, -73.1

 

CMYK 61 / 74 / 0 / 18

HEX #5137D2

RGB 81 55 210

HSL 250.06, 0.63%, 0.52%

LAB 36.24, 53.13, -75.58

 

CMYK 77 / 50 / 0 / 42

HEX #224B95

RGB 34 75 149

HSL 218.61, 0.63%, 0.36%

LAB 33.01, 13.22, -44.82

 

CMYK 78 / 50 / 0 / 28

HEX #295CB7

RGB 41 92 183

HSL 218.45, 0.63%, 0.44%

LAB 40.48, 16.05, -53.04

 

CMYK 74 / 47 / 0 / 18

HEX #376FD2

RGB 55 111 210

HSL 218.32, 0.63%, 0.52%

LAB 48.05, 15.72, -56.42

 

CMYK 59 / 38 / 0 / 15

HEX #5987D9

RGB 89 135 217

HSL 218.44, 0.63%, 0.6%

LAB 56.55, 8.97, -46.73

 

CMYK 45 / 29 / 0 / 12

HEX #7B9FE1

RGB 123 159 225

HSL 218.82, 0.63%, 0.68%

LAB 65.31, 4.99, -37.28

 

CMYK 74 / 48 / 0 / 18

HEX #366ED2

RGB 54 110 210

HSL 218.46, 0.63%, 0.52%

LAB 47.74, 16.23, -56.93

 

CMYK 12 / 74 / 0 / 18

HEX #B837D2

RGB 184 55 210

HSL 289.94, 0.63%, 0.52%

LAB 48.98, 70.51, -54.31

 

CMYK 17 / 0 / 74 / 18

HEX #AED237

RGB 174 210 55

HSL 73.94, 0.63%, 0.52%

LAB 79.25, -32.19, 67.99

 

CMYK 74 / 48 / 0 / 18

HEX #366ED2

RGB 54 110 210

HSL 218.46, 0.63%, 0.52%

LAB 47.74, 16.23, -56.93

 

CMYK 0 / 74 / 47 / 18

HEX #D23770

RGB 210 55 112

HSL 337.94, 0.63%, 0.52%

LAB 49.01, 63.46, 4.18

 

CMYK 47 / 0 / 74 / 18

HEX #70D237

RGB 112 210 55

HSL 97.94, 0.63%, 0.52%

LAB 75.95, -54.35, 63.66

 

CMYK 74 / 48 / 0 / 18

HEX #366ED2

RGB 54 110 210

HSL 218.46, 0.63%, 0.52%

LAB 47.74, 16.23, -56.93

 

CMYK 12 / 74 / 0 / 18

HEX #B837D2

RGB 184 55 210

HSL 289.94, 0.63%, 0.52%

LAB 48.98, 70.51, -54.31

 

CMYK 0 / 27 / 74 / 18

HEX #D29937

RGB 210 153 55

HSL 37.94, 0.63%, 0.52%

LAB 67.1, 12.29, 57.22

 

CMYK 61 / 0 / 74 / 18

HEX #51D237

RGB 81 210 55

HSL 109.94, 0.63%, 0.52%

LAB 74.9, -62.6, 62.26

 

CMYK 74 / 48 / 0 / 18

HEX #366ED2

RGB 54 110 210

HSL 218.46, 0.63%, 0.52%

LAB 47.74, 16.23, -56.93

 

CMYK 0 / 74 / 10 / 18

HEX #D237BD

RGB 210 55 189

HSL 308.13, 0.63%, 0.52%

LAB 51.96, 72.58, -37.2

 

CMYK 0 / 27 / 74 / 18

HEX #D29937

RGB 210 153 55

HSL 37.94, 0.63%, 0.52%

LAB 67.1, 12.29, 57.22

 

CMYK 74 / 0 / 64 / 18

HEX #37D24C

RGB 55 210 76

HSL 128.13, 0.63%, 0.52%

LAB 74.46, -65.65, 53.54

 

Description

Color code: HEX #366ED2 | qconv.com Color code: HEX #366ED2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 110 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 110 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 48 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 48% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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