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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #366E9B it is the complementary color #C99164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #366E9B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #366E9B shade: #3B6E96, #4C80A9, #5D92BC, #6EA4CF and #7FB6E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #366E9B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #366E9B shade: #366E9B, #255C88, #144A75, #033862 and #00264F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #366E9B shade: #366E9B, #36539B, #36389B, #50369B and #6B369B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #366E9B shade: #366E9B, #36539B, #36389B and #36369B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #366E9B shade matches the following richer shades: #366E9B, #2570AC, #1572BD and #0474CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #366E9B shade: #366E9B, #476C8A, #586A79, #696868 and #7A6757

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #366E9B shade: #369B91, #368A9B, #366F9B, #36549B and #363A9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #366E9B shade: #21435E, #2C587C, #366E9B, #4184B9 and #5D98C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #366E9B shade: #366E9B, #76369B and #979B36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #366E9B shade: #366E9B, #9B366F and #6F9B36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #366E9B shade: #366E9B, #76369B, #9B6236 and #5B9B36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #366E9B shade: #366E9B, #94369B, #9B6236 and #3D9B36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 29 / 0 / 39

HEX #366E9B

RGB 54 110 155

HSL 206.73, 0.48%, 0.41%

LAB 44.66, -3.78, -29.87

 

Complementary color

CMYK 0 / 28 / 50 / 21

HEX #C99164

RGB 201 145 100

HSL 26.73, 0.48%, 0.59%

LAB 64.63, 15.91, 32.15

 

CMYK 61 / 27 / 0 / 41

HEX #3B6E96

RGB 59 110 150

HSL 206.37, 0.44%, 0.41%

LAB 44.64, -4.52, -26.93

 

CMYK 55 / 24 / 0 / 34

HEX #4C80A9

RGB 76 128 169

HSL 206.45, 0.38%, 0.48%

LAB 51.66, -5.23, -27.1

 

CMYK 51 / 22 / 0 / 26

HEX #5D92BC

RGB 93 146 188

HSL 206.53, 0.41%, 0.55%

LAB 58.52, -5.76, -27.28

 

CMYK 47 / 21 / 0 / 19

HEX #6EA4CF

RGB 110 164 207

HSL 206.6, 0.5%, 0.62%

LAB 65.26, -6.18, -27.47

 

CMYK 44 / 19 / 0 / 11

HEX #7FB6E2

RGB 127 182 226

HSL 206.67, 0.63%, 0.69%

LAB 71.87, -6.53, -27.67

 

CMYK 65 / 29 / 0 / 39

HEX #366E9B

RGB 54 110 155

HSL 206.73, 0.48%, 0.41%

LAB 44.66, -3.78, -29.87

 

CMYK 73 / 32 / 0 / 47

HEX #255C88

RGB 37 92 136

HSL 206.67, 0.57%, 0.34%

LAB 37.53, -2.54, -29.71

 

CMYK 83 / 37 / 0 / 54

HEX #144A75

RGB 20 74 117

HSL 206.6, 0.71%, 0.27%

LAB 30.23, -0.76, -29.52

 

CMYK 97 / 43 / 0 / 62

HEX #033862

RGB 3 56 98

HSL 206.53, 0.94%, 0.2%

LAB 22.76, 1.73, -29.29

 

CMYK 100 / 52 / 0 / 69

HEX #00264F

RGB 0 38 79

HSL 211.14, 1%, 0.15%

LAB 15.23, 5.8, -28.73

 

CMYK 65 / 29 / 0 / 39

HEX #366E9B

RGB 54 110 155

HSL 206.73, 0.48%, 0.41%

LAB 44.66, -3.78, -29.87

 

CMYK 65 / 46 / 0 / 39

HEX #36539B

RGB 54 83 155

HSL 222.77, 0.48%, 0.41%

LAB 36.63, 13.31, -42.59

 

CMYK 65 / 64 / 0 / 39

HEX #36389B

RGB 54 56 155

HSL 238.81, 0.48%, 0.41%

LAB 29.36, 31.12, -54.35

 

CMYK 48 / 65 / 0 / 39

HEX #50369B

RGB 80 54 155

HSL 255.45, 0.48%, 0.41%

LAB 31.14, 37.06, -51.35

 

CMYK 31 / 65 / 0 / 39

HEX #6B369B

RGB 107 54 155

HSL 271.49, 0.48%, 0.41%

LAB 34.25, 42.96, -46.16

 

CMYK 65 / 29 / 0 / 39

HEX #366E9B

RGB 54 110 155

HSL 206.73, 0.48%, 0.41%

LAB 44.66, -3.78, -29.87

 

CMYK 65 / 46 / 0 / 39

HEX #36539B

RGB 54 83 155

HSL 222.77, 0.48%, 0.41%

LAB 36.63, 13.31, -42.59

 

CMYK 65 / 64 / 0 / 39

HEX #36389B

RGB 54 56 155

HSL 238.81, 0.48%, 0.41%

LAB 29.36, 31.12, -54.35

 

CMYK 65 / 65 / 0 / 39

HEX #36369B

RGB 54 54 155

HSL 240, 0.48%, 0.41%

LAB 28.87, 32.4, -55.14

 

CMYK 65 / 29 / 0 / 39

HEX #366E9B

RGB 54 110 155

HSL 206.73, 0.48%, 0.41%

LAB 44.66, -3.78, -29.87

 

CMYK 78 / 35 / 0 / 33

HEX #2570AC

RGB 37 112 172

HSL 206.67, 0.65%, 0.41%

LAB 45.58, -1.35, -38.46

 

CMYK 89 / 40 / 0 / 26

HEX #1572BD

RGB 21 114 189

HSL 206.79, 0.8%, 0.41%

LAB 46.8, 2.55, -46.42

 

CMYK 98 / 43 / 0 / 20

HEX #0474CD

RGB 4 116 205

HSL 206.57, 0.96%, 0.41%

LAB 48.16, 6.87, -53.44

 

CMYK 65 / 29 / 0 / 39

HEX #366E9B

RGB 54 110 155

HSL 206.73, 0.48%, 0.41%

LAB 44.66, -3.78, -29.87

 

CMYK 49 / 22 / 0 / 46

HEX #476C8A

RGB 71 108 138

HSL 206.87, 0.32%, 0.41%

LAB 44.09, -4.41, -20.58

 

CMYK 27 / 12 / 0 / 53

HEX #586A79

RGB 88 106 121

HSL 207.27, 0.16%, 0.41%

LAB 43.89, -3.01, -10.58

 

CMYK 0 / 1 / 1 / 59

HEX #696868

RGB 105 104 104

HSL 0, 0%, 0.41%

LAB 44.09, 0.39, 0.13

 

CMYK 0 / 16 / 29 / 52

HEX #7A6757

RGB 122 103 87

HSL 27.43, 0.17%, 0.41%

LAB 44.98, 4.92, 11.84

 

CMYK 65 / 0 / 6 / 39

HEX #369B91

RGB 54 155 145

HSL 174.06, 0.48%, 0.41%

LAB 58.29, -31.23, -3.33

 

CMYK 65 / 11 / 0 / 39

HEX #368A9B

RGB 54 138 155

HSL 190.1, 0.48%, 0.41%

LAB 53.31, -19.66, -16.53

 

CMYK 65 / 28 / 0 / 39

HEX #366F9B

RGB 54 111 155

HSL 206.14, 0.48%, 0.41%

LAB 44.97, -4.38, -29.39

 

CMYK 65 / 46 / 0 / 39

HEX #36549B

RGB 54 84 155

HSL 222.18, 0.48%, 0.41%

LAB 36.91, 12.66, -42.13

 

CMYK 65 / 63 / 0 / 39

HEX #363A9B

RGB 54 58 155

HSL 237.62, 0.48%, 0.41%

LAB 29.85, 29.83, -53.54

 

CMYK 65 / 29 / 0 / 63

HEX #21435E

RGB 33 67 94

HSL 206.56, 0.48%, 0.25%

LAB 27.15, -3.04, -19.7

 

CMYK 65 / 29 / 0 / 51

HEX #2C587C

RGB 44 88 124

HSL 207, 0.48%, 0.33%

LAB 35.93, -3.19, -24.86

 

CMYK 65 / 29 / 0 / 39

HEX #366E9B

RGB 54 110 155

HSL 206.73, 0.48%, 0.41%

LAB 44.66, -3.78, -29.87

 

CMYK 65 / 29 / 0 / 27

HEX #4184B9

RGB 65 132 185

HSL 206.5, 0.48%, 0.49%

LAB 53.09, -4.49, -34.11

 

CMYK 53 / 23 / 0 / 22

HEX #5D98C6

RGB 93 152 198

HSL 206.29, 0.48%, 0.57%

LAB 60.66, -6.12, -29.61

 

CMYK 65 / 29 / 0 / 39

HEX #366E9B

RGB 54 110 155

HSL 206.73, 0.48%, 0.41%

LAB 44.66, -3.78, -29.87

 

CMYK 24 / 65 / 0 / 39

HEX #76369B

RGB 118 54 155

HSL 278.02, 0.48%, 0.41%

LAB 35.71, 45.56, -43.75

 

CMYK 3 / 0 / 65 / 39

HEX #979B36

RGB 151 155 54

HSL 62.38, 0.48%, 0.41%

LAB 61.9, -14.79, 50.51

 

CMYK 65 / 29 / 0 / 39

HEX #366E9B

RGB 54 110 155

HSL 206.73, 0.48%, 0.41%

LAB 44.66, -3.78, -29.87

 

CMYK 0 / 65 / 28 / 39

HEX #9B366F

RGB 155 54 111

HSL 326.14, 0.48%, 0.41%

LAB 39.16, 47.78, -10.83

 

CMYK 28 / 0 / 65 / 39

HEX #6F9B36

RGB 111 155 54

HSL 86.14, 0.48%, 0.41%

LAB 59.06, -31.46, 46.63

 

CMYK 65 / 29 / 0 / 39

HEX #366E9B

RGB 54 110 155

HSL 206.73, 0.48%, 0.41%

LAB 44.66, -3.78, -29.87

 

CMYK 24 / 65 / 0 / 39

HEX #76369B

RGB 118 54 155

HSL 278.02, 0.48%, 0.41%

LAB 35.71, 45.56, -43.75

 

CMYK 0 / 37 / 65 / 39

HEX #9B6236

RGB 155 98 54

HSL 26.14, 0.48%, 0.41%

LAB 46.94, 18.76, 34.16

 

CMYK 41 / 0 / 65 / 39

HEX #5B9B36

RGB 91 155 54

HSL 98.02, 0.48%, 0.41%

LAB 57.97, -38.8, 45.14

 

CMYK 65 / 29 / 0 / 39

HEX #366E9B

RGB 54 110 155

HSL 206.73, 0.48%, 0.41%

LAB 44.66, -3.78, -29.87

 

CMYK 5 / 65 / 0 / 39

HEX #94369B

RGB 148 54 155

HSL 295.84, 0.48%, 0.41%

LAB 40.08, 52.9, -36.51

 

CMYK 0 / 37 / 65 / 39

HEX #9B6236

RGB 155 98 54

HSL 26.14, 0.48%, 0.41%

LAB 46.94, 18.76, 34.16

 

CMYK 61 / 0 / 65 / 39

HEX #3D9B36

RGB 61 155 54

HSL 115.84, 0.48%, 0.41%

LAB 56.78, -47.72, 43.49

 

Description

Color code: HEX #366E9B | qconv.com Color code: HEX #366E9B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 110 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 110 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 29 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 29% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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