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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #366DFE it is the complementary color #C99201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #366DFE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #366DFE shade: #3B6DF9, #4C7FFF, #5D91FF, #6EA3FF and #7FB5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #366DFE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #366DFE shade: #366DFE, #255BEB, #1449D8, #0337C5 and #0025B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #366DFE shade: #346CFE, #3435FE, #6934FE, #A034FE and #D634FE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #366DFE shade: #346CFE, #3435FE and #3434FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #366DFE shade matches the following richer shades: #346CFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #366DFE shade: #346CFE, #4573ED, #557ADD, #6682CC and #7689BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #366DFE shade: #34D9FE, #34A3FE, #346DFE, #3437FE and #6734FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #366DFE shade: #013EDE, #0B4EFE, #346CFE, #5D89FE and #86A7FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #366DFE shade: #366DFE, #ED34FE and #BEFE34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #366DFE shade: #366DFE, #FE346D and #6DFE34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #366DFE shade: #366DFE, #ED34FE, #FEC534 and #45FE34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #366DFE shade: #366DFE, #FE34D2, #FEC534 and #34FE60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 57 / 0 / 0

HEX #366DFE

RGB 54 109 254

HSL 223.5, 0.99%, 0.6%

LAB 50.54, 33.02, -77.11

 

Complementary color

CMYK 0 / 27 / 100 / 21

HEX #C99201

RGB 201 146 1

HSL 43.5, 0.99%, 0.4%

LAB 64.14, 10.78, 68.61

 

CMYK 76 / 56 / 0 / 2

HEX #3B6DF9

RGB 59 109 249

HSL 224.21, 0.94%, 0.6%

LAB 50.34, 31.69, -74.66

 

CMYK 70 / 50 / 0 / 0

HEX #4C7FFF

RGB 76 127 255

HSL 222.91, 1%, 0.65%

LAB 56.02, 24.69, -68.74

 

CMYK 64 / 43 / 0 / 0

HEX #5D91FF

RGB 93 145 255

HSL 220.74, 1%, 0.68%

LAB 61.48, 16.35, -59.93

 

CMYK 57 / 36 / 0 / 0

HEX #6EA3FF

RGB 110 163 255

HSL 218.07, 1%, 0.72%

LAB 67.07, 8.9, -50.99

 

CMYK 50 / 29 / 0 / 0

HEX #7FB5FF

RGB 127 181 255

HSL 214.69, 1%, 0.75%

LAB 72.75, 2.28, -42.02

 

CMYK 79 / 57 / 0 / 0

HEX #366DFE

RGB 54 109 254

HSL 223.5, 0.99%, 0.6%

LAB 50.54, 33.02, -77.11

 

CMYK 84 / 61 / 0 / 8

HEX #255BEB

RGB 37 91 235

HSL 223.64, 0.83%, 0.53%

LAB 44.05, 36.05, -77.12

 

CMYK 91 / 66 / 0 / 15

HEX #1449D8

RGB 20 73 216

HSL 223.78, 0.83%, 0.46%

LAB 37.61, 39.51, -76.89

 

CMYK 98 / 72 / 0 / 23

HEX #0337C5

RGB 3 55 197

HSL 223.92, 0.97%, 0.39%

LAB 31.31, 43.26, -76.28

 

CMYK 100 / 79 / 0 / 30

HEX #0025B2

RGB 0 37 178

HSL 227.53, 1%, 0.35%

LAB 25.37, 46.98, -74.87

 

CMYK 80 / 57 / 0 / 0

HEX #346CFE

RGB 52 108 254

HSL 223.37, 0.99%, 0.6%

LAB 50.23, 33.47, -77.63

 

CMYK 80 / 79 / 0 / 0

HEX #3435FE

RGB 52 53 254

HSL 239.7, 0.99%, 0.6%

LAB 38.61, 64.86, -96.76

 

CMYK 59 / 80 / 0 / 0

HEX #6934FE

RGB 105 52 254

HSL 255.74, 0.99%, 0.6%

LAB 42.18, 69.35, -90.73

 

CMYK 37 / 80 / 0 / 0

HEX #A034FE

RGB 160 52 254

HSL 272.08, 0.99%, 0.6%

LAB 48.37, 76.14, -80.33

 

CMYK 16 / 80 / 0 / 0

HEX #D634FE

RGB 214 52 254

HSL 288.12, 0.99%, 0.6%

LAB 56, 84.64, -67.59

 

CMYK 80 / 57 / 0 / 0

HEX #346CFE

RGB 52 108 254

HSL 223.37, 0.99%, 0.6%

LAB 50.23, 33.47, -77.63

 

CMYK 80 / 79 / 0 / 0

HEX #3435FE

RGB 52 53 254

HSL 239.7, 0.99%, 0.6%

LAB 38.61, 64.86, -96.76

 

CMYK 80 / 80 / 0 / 0

HEX #3434FE

RGB 52 52 254

HSL 240, 0.99%, 0.6%

LAB 38.45, 65.32, -97.02

 

CMYK 80 / 57 / 0 / 0

HEX #346CFE

RGB 52 108 254

HSL 223.37, 0.99%, 0.6%

LAB 50.23, 33.47, -77.63

 

CMYK 80 / 57 / 0 / 0

HEX #346CFE

RGB 52 108 254

HSL 223.37, 0.99%, 0.6%

LAB 50.23, 33.47, -77.63

 

CMYK 71 / 51 / 0 / 7

HEX #4573ED

RGB 69 115 237

HSL 223.57, 0.82%, 0.6%

LAB 51.43, 24.82, -66.19

 

CMYK 62 / 45 / 0 / 13

HEX #557ADD

RGB 85 122 221

HSL 223.68, 0.67%, 0.6%

LAB 53.03, 17.43, -54.6

 

CMYK 50 / 36 / 0 / 20

HEX #6682CC

RGB 102 130 204

HSL 223.53, 0.5%, 0.6%

LAB 55.23, 10.6, -41.45

 

CMYK 37 / 27 / 0 / 26

HEX #7689BC

RGB 118 137 188

HSL 223.71, 0.34%, 0.6%

LAB 57.44, 5.91, -28.84

 

CMYK 80 / 15 / 0 / 0

HEX #34D9FE

RGB 52 217 254

HSL 190.99, 0.99%, 0.6%

LAB 80.47, -28.67, -29.72

 

CMYK 80 / 36 / 0 / 0

HEX #34A3FE

RGB 52 163 254

HSL 207.03, 0.99%, 0.6%

LAB 65.03, 0.04, -53.82

 

CMYK 80 / 57 / 0 / 0

HEX #346DFE

RGB 52 109 254

HSL 223.07, 0.99%, 0.6%

LAB 50.48, 32.84, -77.22

 

CMYK 80 / 78 / 0 / 0

HEX #3437FE

RGB 52 55 254

HSL 239.11, 0.99%, 0.6%

LAB 38.93, 63.92, -96.22

 

CMYK 59 / 80 / 0 / 0

HEX #6734FE

RGB 103 52 254

HSL 255.15, 0.99%, 0.6%

LAB 41.99, 69.15, -91.04

 

CMYK 100 / 72 / 0 / 13

HEX #013EDE

RGB 1 62 222

HSL 223.44, 0.99%, 0.44%

LAB 35.45, 47.95, -83.91

 

CMYK 96 / 69 / 0 / 0

HEX #0B4EFE

RGB 11 78 254

HSL 223.46, 0.99%, 0.52%

LAB 42.27, 49.91, -90.72

 

CMYK 80 / 57 / 0 / 0

HEX #346CFE

RGB 52 108 254

HSL 223.37, 0.99%, 0.6%

LAB 50.23, 33.47, -77.63

 

CMYK 63 / 46 / 0 / 0

HEX #5D89FE

RGB 93 137 254

HSL 223.6, 0.99%, 0.68%

LAB 59.32, 20.81, -62.84

 

CMYK 47 / 34 / 0 / 0

HEX #86A7FE

RGB 134 167 254

HSL 223.5, 0.98%, 0.76%

LAB 69.37, 11.46, -46.74

 

CMYK 79 / 57 / 0 / 0

HEX #366DFE

RGB 54 109 254

HSL 223.5, 0.99%, 0.6%

LAB 50.54, 33.02, -77.11

 

CMYK 7 / 80 / 0 / 0

HEX #ED34FE

RGB 237 52 254

HSL 294.95, 0.99%, 0.6%

LAB 59.54, 88.62, -61.7

 

CMYK 25 / 0 / 80 / 0

HEX #BEFE34

RGB 190 254 52

HSL 79.01, 0.99%, 0.6%

LAB 92.61, -45.77, 81.56

 

CMYK 79 / 57 / 0 / 0

HEX #366DFE

RGB 54 109 254

HSL 223.5, 0.99%, 0.6%

LAB 50.54, 33.02, -77.11

 

CMYK 0 / 80 / 57 / 0

HEX #FE346D

RGB 254 52 109

HSL 343.07, 0.99%, 0.6%

LAB 56.71, 75.87, 17.98

 

CMYK 57 / 0 / 80 / 0

HEX #6DFE34

RGB 109 254 52

HSL 103.07, 0.99%, 0.6%

LAB 89.1, -71.08, 77.07

 

CMYK 79 / 57 / 0 / 0

HEX #366DFE

RGB 54 109 254

HSL 223.5, 0.99%, 0.6%

LAB 50.54, 33.02, -77.11

 

CMYK 7 / 80 / 0 / 0

HEX #ED34FE

RGB 237 52 254

HSL 294.95, 0.99%, 0.6%

LAB 59.54, 88.62, -61.7

 

CMYK 0 / 22 / 80 / 0

HEX #FEC534

RGB 254 197 52

HSL 43.07, 0.99%, 0.6%

LAB 82.51, 7.74, 74.41

 

CMYK 73 / 0 / 80 / 0

HEX #45FE34

RGB 69 254 52

HSL 114.95, 0.99%, 0.6%

LAB 88.16, -78.96, 75.85

 

CMYK 79 / 57 / 0 / 0

HEX #366DFE

RGB 54 109 254

HSL 223.5, 0.99%, 0.6%

LAB 50.54, 33.02, -77.11

 

CMYK 0 / 80 / 17 / 0

HEX #FE34D2

RGB 254 52 210

HSL 313.07, 0.99%, 0.6%

LAB 60.05, 85.63, -36.04

 

CMYK 0 / 22 / 80 / 0

HEX #FEC534

RGB 254 197 52

HSL 43.07, 0.99%, 0.6%

LAB 82.51, 7.74, 74.41

 

CMYK 80 / 0 / 62 / 0

HEX #34FE60

RGB 52 254 96

HSL 133.07, 0.99%, 0.6%

LAB 88.19, -77.64, 60.53

 

Description

Color code: HEX #366DFE | qconv.com Color code: HEX #366DFE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 109 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 109 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 57 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 57% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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