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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #366DAC it is the complementary color #C99253. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #366DAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #366DAC shade: #3B6DA7, #4C7FBA, #5D91CD, #6EA3E0 and #7FB5F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #366DAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #366DAC shade: #366DAC, #255B99, #144986, #033773 and #002560

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #366DAC shade: #366CAB, #364DAB, #3E36AB, #5E36AB and #7D36AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #366DAC shade: #366CAB, #364DAB and #3636AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #366DAC shade matches the following richer shades: #366CAB, #246BBD and #126ACF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #366DAC shade: #366CAB, #486D98, #5A6F86, #6C7074 and #7E7162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #366DAC shade: #36ABAB, #368BAB, #366CAB, #364DAB and #3E36AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #366DAC shade: #22446C, #2C588B, #366CAB, #4581C4 and #6596CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #366DAC shade: #366DAC, #8B36AB and #9BAB36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #366DAC shade: #366DAC, #AB366C and #6CAB36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #366DAC shade: #366DAC, #8B36AB, #AB7436 and #55AB36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #366DAC shade: #366DAC, #AB36A7, #AB7436 and #36AB3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 37 / 0 / 33

HEX #366DAC

RGB 54 109 172

HSL 212.03, 0.52%, 0.44%

LAB 45.22, 2.89, -39

 

Complementary color

CMYK 0 / 27 / 59 / 21

HEX #C99253

RGB 201 146 83

HSL 32.03, 0.52%, 0.56%

LAB 64.64, 13.92, 41.13

 

CMYK 65 / 35 / 0 / 35

HEX #3B6DA7

RGB 59 109 167

HSL 212.22, 0.48%, 0.44%

LAB 45.16, 1.98, -36.14

 

CMYK 59 / 32 / 0 / 27

HEX #4C7FBA

RGB 76 127 186

HSL 212.18, 0.44%, 0.51%

LAB 52.13, 0.89, -36.15

 

CMYK 55 / 29 / 0 / 20

HEX #5D91CD

RGB 93 145 205

HSL 212.14, 0.53%, 0.58%

LAB 58.96, 0.04, -36.18

 

CMYK 51 / 27 / 0 / 12

HEX #6EA3E0

RGB 110 163 224

HSL 212.11, 0.65%, 0.65%

LAB 65.66, -0.64, -36.24

 

CMYK 48 / 26 / 0 / 5

HEX #7FB5F3

RGB 127 181 243

HSL 212.07, 0.83%, 0.73%

LAB 72.25, -1.2, -36.31

 

CMYK 69 / 37 / 0 / 33

HEX #366DAC

RGB 54 109 172

HSL 212.03, 0.52%, 0.44%

LAB 45.22, 2.89, -39

 

CMYK 76 / 41 / 0 / 40

HEX #255B99

RGB 37 91 153

HSL 212.07, 0.61%, 0.37%

LAB 38.16, 4.59, -38.99

 

CMYK 85 / 46 / 0 / 47

HEX #144986

RGB 20 73 134

HSL 212.11, 0.74%, 0.3%

LAB 30.96, 6.91, -38.95

 

CMYK 97 / 52 / 0 / 55

HEX #033773

RGB 3 55 115

HSL 212.14, 0.95%, 0.23%

LAB 23.64, 10.01, -38.83

 

CMYK 100 / 61 / 0 / 62

HEX #002560

RGB 0 37 96

HSL 216.88, 1%, 0.19%

LAB 16.34, 14.51, -38.33

 

CMYK 68 / 37 / 0 / 33

HEX #366CAB

RGB 54 108 171

HSL 212.31, 0.52%, 0.44%

LAB 44.87, 3.15, -38.96

 

CMYK 68 / 55 / 0 / 33

HEX #364DAB

RGB 54 77 171

HSL 228.21, 0.52%, 0.44%

LAB 36.05, 23.15, -53.1

 

CMYK 64 / 68 / 0 / 33

HEX #3E36AB

RGB 62 54 171

HSL 244.1, 0.52%, 0.44%

LAB 30.88, 39.01, -61.49

 

CMYK 45 / 68 / 0 / 33

HEX #5E36AB

RGB 94 54 171

HSL 260.51, 0.52%, 0.44%

LAB 33.9, 44.42, -56.45

 

CMYK 27 / 68 / 0 / 33

HEX #7D36AB

RGB 125 54 171

HSL 276.41, 0.52%, 0.44%

LAB 37.73, 50.81, -50.05

 

CMYK 68 / 37 / 0 / 33

HEX #366CAB

RGB 54 108 171

HSL 212.31, 0.52%, 0.44%

LAB 44.87, 3.15, -38.96

 

CMYK 68 / 55 / 0 / 33

HEX #364DAB

RGB 54 77 171

HSL 228.21, 0.52%, 0.44%

LAB 36.05, 23.15, -53.1

 

CMYK 68 / 68 / 0 / 33

HEX #3636AB

RGB 54 54 171

HSL 240, 0.52%, 0.44%

LAB 30.31, 37.92, -62.46

 

CMYK 68 / 37 / 0 / 33

HEX #366CAB

RGB 54 108 171

HSL 212.31, 0.52%, 0.44%

LAB 44.87, 3.15, -38.96

 

CMYK 81 / 43 / 0 / 26

HEX #246BBD

RGB 36 107 189

HSL 212.16, 0.68%, 0.44%

LAB 45.03, 8.15, -49.23

 

CMYK 91 / 49 / 0 / 19

HEX #126ACF

RGB 18 106 207

HSL 212.06, 0.84%, 0.44%

LAB 45.55, 14.54, -58.78

 

CMYK 68 / 37 / 0 / 33

HEX #366CAB

RGB 54 108 171

HSL 212.31, 0.52%, 0.44%

LAB 44.87, 3.15, -38.96

 

CMYK 53 / 28 / 0 / 40

HEX #486D98

RGB 72 109 152

HSL 212.25, 0.36%, 0.44%

LAB 45.06, -0.32, -27.41

 

CMYK 33 / 17 / 0 / 47

HEX #5A6F86

RGB 90 111 134

HSL 211.36, 0.2%, 0.44%

LAB 45.99, -1.88, -15.18

 

CMYK 7 / 3 / 0 / 55

HEX #6C7074

RGB 108 112 116

HSL 210, 0.04%, 0.44%

LAB 47.02, -0.67, -2.75

 

CMYK 0 / 10 / 22 / 51

HEX #7E7162

RGB 126 113 98

HSL 32.14, 0.13%, 0.44%

LAB 48.42, 2.45, 10.17

 

CMYK 68 / 0 / 0 / 33

HEX #36ABAB

RGB 54 171 171

HSL 180, 0.52%, 0.44%

LAB 64.04, -31.47, -9.45

 

CMYK 68 / 19 / 0 / 33

HEX #368BAB

RGB 54 139 171

HSL 196.41, 0.52%, 0.44%

LAB 54.23, -15.02, -24.34

 

CMYK 68 / 37 / 0 / 33

HEX #366CAB

RGB 54 108 171

HSL 212.31, 0.52%, 0.44%

LAB 44.87, 3.15, -38.96

 

CMYK 68 / 55 / 0 / 33

HEX #364DAB

RGB 54 77 171

HSL 228.21, 0.52%, 0.44%

LAB 36.05, 23.15, -53.1

 

CMYK 64 / 68 / 0 / 33

HEX #3E36AB

RGB 62 54 171

HSL 244.1, 0.52%, 0.44%

LAB 30.88, 39.01, -61.49

 

CMYK 69 / 37 / 0 / 58

HEX #22446C

RGB 34 68 108

HSL 212.43, 0.52%, 0.28%

LAB 28.27, 1.81, -26.91

 

CMYK 68 / 37 / 0 / 45

HEX #2C588B

RGB 44 88 139

HSL 212.21, 0.52%, 0.36%

LAB 36.7, 2.31, -32.82

 

CMYK 68 / 37 / 0 / 33

HEX #366CAB

RGB 54 108 171

HSL 212.31, 0.52%, 0.44%

LAB 44.87, 3.15, -38.96

 

CMYK 65 / 34 / 0 / 23

HEX #4581C4

RGB 69 129 196

HSL 211.65, 0.52%, 0.52%

LAB 52.9, 1.75, -40.69

 

CMYK 51 / 27 / 0 / 19

HEX #6596CE

RGB 101 150 206

HSL 212, 0.52%, 0.6%

LAB 60.81, -0.74, -33.82

 

CMYK 69 / 37 / 0 / 33

HEX #366DAC

RGB 54 109 172

HSL 212.03, 0.52%, 0.44%

LAB 45.22, 2.89, -39

 

CMYK 19 / 68 / 0 / 33

HEX #8B36AB

RGB 139 54 171

HSL 283.59, 0.52%, 0.44%

LAB 39.69, 53.91, -46.79

 

CMYK 9 / 0 / 68 / 33

HEX #9BAB36

RGB 155 171 54

HSL 68.21, 0.52%, 0.44%

LAB 66.79, -21.25, 55.65

 

CMYK 69 / 37 / 0 / 33

HEX #366DAC

RGB 54 109 172

HSL 212.03, 0.52%, 0.44%

LAB 45.22, 2.89, -39

 

CMYK 0 / 68 / 37 / 33

HEX #AB366C

RGB 171 54 108

HSL 332.31, 0.52%, 0.44%

LAB 41.81, 52.22, -4.71

 

CMYK 37 / 0 / 68 / 33

HEX #6CAB36

RGB 108 171 54

HSL 92.31, 0.52%, 0.44%

LAB 63.82, -39.81, 51.64

 

CMYK 69 / 37 / 0 / 33

HEX #366DAC

RGB 54 109 172

HSL 212.03, 0.52%, 0.44%

LAB 45.22, 2.89, -39

 

CMYK 19 / 68 / 0 / 33

HEX #8B36AB

RGB 139 54 171

HSL 283.59, 0.52%, 0.44%

LAB 39.69, 53.91, -46.79

 

CMYK 0 / 32 / 68 / 33

HEX #AB7436

RGB 171 116 54

HSL 31.79, 0.52%, 0.44%

LAB 53.4, 15.59, 42

 

CMYK 50 / 0 / 68 / 33

HEX #55AB36

RGB 85 171 54

HSL 104.1, 0.52%, 0.44%

LAB 62.78, -47.34, 50.23

 

CMYK 69 / 37 / 0 / 33

HEX #366DAC

RGB 54 109 172

HSL 212.03, 0.52%, 0.44%

LAB 45.22, 2.89, -39

 

CMYK 0 / 68 / 2 / 33

HEX #AB36A7

RGB 171 54 167

HSL 302.05, 0.52%, 0.44%

LAB 44.36, 60.58, -36.69

 

CMYK 0 / 32 / 68 / 33

HEX #AB7436

RGB 171 116 54

HSL 31.79, 0.52%, 0.44%

LAB 53.4, 15.59, 42

 

CMYK 68 / 0 / 66 / 33

HEX #36AB3A

RGB 54 171 58

HSL 122.05, 0.52%, 0.44%

LAB 61.84, -54.65, 47.26

 

Description

Color code: HEX #366DAC | qconv.com Color code: HEX #366DAC | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 109 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 109 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 37 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 37% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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