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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #366D83 it is the complementary color #C9927C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #366D83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #366D83 shade: #3B6D7E, #4C7F91, #5D91A4, #6EA3B7 and #7FB5CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #366D83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #366D83 shade: #366D83, #255B70, #14495D, #03374A and #002537

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #366D83 shade: #356C82, #355882, #354382, #3D3582 and #513582

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #366D83 shade: #356C82, #355882, #354382 and #353582

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #366D83 shade matches the following richer shades: #356C82, #267391, #1879A0 and #097FAF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #366D83 shade: #356C82, #446674, #536065, #625956 and #715347

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #366D83 shade: #35826F, #358182, #356D82, #355882 and #354382

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #366D83 shade: #1D3C48, #295465, #356C82, #4185A0 and #529BB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #366D83 shade: #366D83, #5B3582 and #827935

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #366D83 shade: #366D83, #82356D and #6D8235

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #366D83 shade: #366D83, #5B3582, #824B35 and #5D8235

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #366D83 shade: #366D83, #723582, #824B35 and #468235

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 17 / 0 / 49

HEX #366D83

RGB 54 109 131

HSL 197.14, 0.42%, 0.36%

LAB 43.3, -11.31, -17.67

 

Complementary color

CMYK 0 / 27 / 38 / 21

HEX #C9927C

RGB 201 146 124

HSL 17.14, 0.42%, 0.64%

LAB 65.3, 17.91, 19.85

 

CMYK 53 / 13 / 0 / 51

HEX #3B6D7E

RGB 59 109 126

HSL 195.22, 0.36%, 0.36%

LAB 43.32, -11.75, -14.62

 

CMYK 48 / 12 / 0 / 43

HEX #4C7F91

RGB 76 127 145

HSL 195.65, 0.31%, 0.43%

LAB 50.4, -12, -15.04

 

CMYK 43 / 12 / 0 / 36

HEX #5D91A4

RGB 93 145 164

HSL 196.06, 0.28%, 0.5%

LAB 57.33, -12.17, -15.46

 

CMYK 40 / 11 / 0 / 28

HEX #6EA3B7

RGB 110 163 183

HSL 196.44, 0.34%, 0.57%

LAB 64.1, -12.28, -15.86

 

CMYK 37 / 10 / 0 / 21

HEX #7FB5CA

RGB 127 181 202

HSL 196.8, 0.41%, 0.65%

LAB 70.75, -12.37, -16.25

 

CMYK 59 / 17 / 0 / 49

HEX #366D83

RGB 54 109 131

HSL 197.14, 0.42%, 0.36%

LAB 43.3, -11.31, -17.67

 

CMYK 67 / 19 / 0 / 56

HEX #255B70

RGB 37 91 112

HSL 196.8, 0.5%, 0.29%

LAB 36.07, -10.67, -17.24

 

CMYK 78 / 22 / 0 / 64

HEX #14495D

RGB 20 73 93

HSL 196.44, 0.65%, 0.22%

LAB 28.65, -9.64, -16.75

 

CMYK 96 / 26 / 0 / 71

HEX #03374A

RGB 3 55 74

HSL 196.06, 0.92%, 0.15%

LAB 21, -8.08, -16.19

 

CMYK 100 / 33 / 0 / 78

HEX #002537

RGB 0 37 55

HSL 199.64, 1%, 0.11%

LAB 13.22, -4.84, -15.27

 

CMYK 59 / 17 / 0 / 49

HEX #356C82

RGB 53 108 130

HSL 197.14, 0.42%, 0.36%

LAB 42.9, -11.27, -17.68

 

CMYK 59 / 32 / 0 / 49

HEX #355882

RGB 53 88 130

HSL 212.73, 0.42%, 0.36%

LAB 36.65, 0.87, -27.38

 

CMYK 59 / 48 / 0 / 49

HEX #354382

RGB 53 67 130

HSL 229.09, 0.42%, 0.36%

LAB 30.36, 14.68, -37.35

 

CMYK 53 / 59 / 0 / 49

HEX #3D3582

RGB 61 53 130

HSL 246.23, 0.42%, 0.36%

LAB 27.16, 25.8, -42.47

 

CMYK 38 / 59 / 0 / 49

HEX #513582

RGB 81 53 130

HSL 261.82, 0.42%, 0.36%

LAB 29.18, 30.57, -39.11

 

CMYK 59 / 17 / 0 / 49

HEX #356C82

RGB 53 108 130

HSL 197.14, 0.42%, 0.36%

LAB 42.9, -11.27, -17.68

 

CMYK 59 / 32 / 0 / 49

HEX #355882

RGB 53 88 130

HSL 212.73, 0.42%, 0.36%

LAB 36.65, 0.87, -27.38

 

CMYK 59 / 48 / 0 / 49

HEX #354382

RGB 53 67 130

HSL 229.09, 0.42%, 0.36%

LAB 30.36, 14.68, -37.35

 

CMYK 59 / 59 / 0 / 49

HEX #353582

RGB 53 53 130

HSL 240, 0.42%, 0.36%

LAB 26.49, 24.12, -43.58

 

CMYK 59 / 17 / 0 / 49

HEX #356C82

RGB 53 108 130

HSL 197.14, 0.42%, 0.36%

LAB 42.9, -11.27, -17.68

 

CMYK 74 / 21 / 0 / 43

HEX #267391

RGB 38 115 145

HSL 196.82, 0.58%, 0.36%

LAB 45.25, -12.87, -23.08

 

CMYK 85 / 24 / 0 / 37

HEX #1879A0

RGB 24 121 160

HSL 197.21, 0.74%, 0.36%

LAB 47.5, -12.47, -28.43

 

CMYK 95 / 27 / 0 / 31

HEX #097FAF

RGB 9 127 175

HSL 197.35, 0.9%, 0.36%

LAB 49.9, -11.22, -33.44

 

CMYK 59 / 17 / 0 / 49

HEX #356C82

RGB 53 108 130

HSL 197.14, 0.42%, 0.36%

LAB 42.9, -11.27, -17.68

 

CMYK 41 / 12 / 0 / 55

HEX #446674

RGB 68 102 116

HSL 197.5, 0.26%, 0.36%

LAB 41.2, -8.29, -11.74

 

CMYK 18 / 5 / 0 / 60

HEX #536065

RGB 83 96 101

HSL 196.67, 0.1%, 0.36%

LAB 39.82, -3.79, -4.53

 

CMYK 0 / 9 / 12 / 62

HEX #625956

RGB 98 89 86

HSL 15, 0.07%, 0.36%

LAB 38.57, 3.06, 3.05

 

CMYK 0 / 27 / 37 / 56

HEX #715347

RGB 113 83 71

HSL 17.14, 0.23%, 0.36%

LAB 38.11, 10.71, 11.91

 

CMYK 59 / 0 / 15 / 49

HEX #35826F

RGB 53 130 111

HSL 165.19, 0.42%, 0.36%

LAB 49.34, -28.59, 3.21

 

CMYK 59 / 1 / 0 / 49

HEX #358182

RGB 53 129 130

HSL 180.78, 0.42%, 0.36%

LAB 49.58, -22.78, -7.58

 

CMYK 59 / 16 / 0 / 49

HEX #356D82

RGB 53 109 130

HSL 196.36, 0.42%, 0.36%

LAB 43.22, -11.85, -17.2

 

CMYK 59 / 32 / 0 / 49

HEX #355882

RGB 53 88 130

HSL 212.73, 0.42%, 0.36%

LAB 36.65, 0.87, -27.38

 

CMYK 59 / 48 / 0 / 49

HEX #354382

RGB 53 67 130

HSL 229.09, 0.42%, 0.36%

LAB 30.36, 14.68, -37.35

 

CMYK 60 / 17 / 0 / 72

HEX #1D3C48

RGB 29 60 72

HSL 196.74, 0.43%, 0.2%

LAB 23.54, -7.45, -10.87

 

CMYK 59 / 17 / 0 / 60

HEX #295465

RGB 41 84 101

HSL 197, 0.42%, 0.28%

LAB 33.46, -9.42, -14.38

 

CMYK 59 / 17 / 0 / 49

HEX #356C82

RGB 53 108 130

HSL 197.14, 0.42%, 0.36%

LAB 42.9, -11.27, -17.68

 

CMYK 59 / 17 / 0 / 37

HEX #4185A0

RGB 65 133 160

HSL 197.05, 0.42%, 0.44%

LAB 52.33, -13.29, -20.89

 

CMYK 55 / 16 / 0 / 28

HEX #529BB8

RGB 82 155 184

HSL 197.06, 0.42%, 0.52%

LAB 60.51, -14.42, -22

 

CMYK 59 / 17 / 0 / 49

HEX #366D83

RGB 54 109 131

HSL 197.14, 0.42%, 0.36%

LAB 43.3, -11.31, -17.67

 

CMYK 30 / 59 / 0 / 49

HEX #5B3582

RGB 91 53 130

HSL 269.61, 0.42%, 0.36%

LAB 30.36, 33.17, -37.16

 

CMYK 0 / 7 / 59 / 49

HEX #827935

RGB 130 121 53

HSL 52.99, 0.42%, 0.36%

LAB 50.31, -5.84, 37.82

 

CMYK 59 / 17 / 0 / 49

HEX #366D83

RGB 54 109 131

HSL 197.14, 0.42%, 0.36%

LAB 43.3, -11.31, -17.67

 

CMYK 0 / 59 / 16 / 49

HEX #82356D

RGB 130 53 109

HSL 316.36, 0.42%, 0.36%

LAB 34.79, 40.24, -16.61

 

CMYK 16 / 0 / 59 / 49

HEX #6D8235

RGB 109 130 53

HSL 76.36, 0.42%, 0.36%

LAB 51.24, -20.02, 38.41

 

CMYK 59 / 17 / 0 / 49

HEX #366D83

RGB 54 109 131

HSL 197.14, 0.42%, 0.36%

LAB 43.3, -11.31, -17.67

 

CMYK 30 / 59 / 0 / 49

HEX #5B3582

RGB 91 53 130

HSL 269.61, 0.42%, 0.36%

LAB 30.36, 33.17, -37.16

 

CMYK 0 / 42 / 59 / 49

HEX #824B35

RGB 130 75 53

HSL 17.14, 0.42%, 0.36%

LAB 37.91, 21, 23.01

 

CMYK 28 / 0 / 59 / 49

HEX #5D8235

RGB 93 130 53

HSL 88.83, 0.42%, 0.36%

LAB 50.16, -26.62, 36.89

 

CMYK 59 / 17 / 0 / 49

HEX #366D83

RGB 54 109 131

HSL 197.14, 0.42%, 0.36%

LAB 43.3, -11.31, -17.67

 

CMYK 12 / 59 / 0 / 49

HEX #723582

RGB 114 53 130

HSL 287.53, 0.42%, 0.36%

LAB 33.43, 39.47, -32.08

 

CMYK 0 / 42 / 59 / 49

HEX #824B35

RGB 130 75 53

HSL 17.14, 0.42%, 0.36%

LAB 37.91, 21, 23.01

 

CMYK 46 / 0 / 59 / 49

HEX #468235

RGB 70 130 53

HSL 106.75, 0.42%, 0.36%

LAB 48.91, -35.03, 35.13

 

Description

Color code: HEX #366D83 | qconv.com Color code: HEX #366D83 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 109 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 109 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 17 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 17% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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