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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3669C4 it is the complementary color #C9963B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3669C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3669C4 shade: #3B69BF, #4C7BD2, #5D8DE5, #6E9FF8 and #7FB1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3669C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3669C4 shade: #3669C4, #2557B1, #14459E, #03338B and #002178

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3669C4 shade: #3669C4, #3642C4, #4F36C4, #7636C4 and #9C36C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3669C4 shade: #3669C4, #3642C4 and #3636C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3669C4 shade matches the following richer shades: #3669C4, #2263D8 and #0D5EED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3669C4 shade: #3669C4, #4A6FB0, #5E749C, #727A88 and #878073

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3669C4 shade: #36B6C4, #3690C4, #366AC4, #3644C4 and #4D36C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3669C4 shade: #244683, #2D58A4, #3669C4, #5380D0 and #7498D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3669C4 shade: #3669C4, #AC36C4 and #A3C436

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3669C4 shade: #3669C4, #C4366A and #6AC436

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3669C4 shade: #3669C4, #AC36C4, #C49036 and #4DC436

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3669C4 shade: #3669C4, #C436B1, #C49036 and #36C449

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 46 / 0 / 23

HEX #3669C4

RGB 54 105 196

HSL 218.45, 0.57%, 0.49%

LAB 45.46, 14.22, -52.56

 

Complementary color

CMYK 0 / 25 / 71 / 21

HEX #C9963B

RGB 201 150 59

HSL 38.45, 0.57%, 0.51%

LAB 65.39, 10.2, 53.47

 

CMYK 69 / 45 / 0 / 25

HEX #3B69BF

RGB 59 105 191

HSL 219.09, 0.53%, 0.49%

LAB 45.35, 13.11, -49.84

 

CMYK 64 / 41 / 0 / 18

HEX #4C7BD2

RGB 76 123 210

HSL 218.96, 0.6%, 0.56%

LAB 52.24, 11.45, -49.67

 

CMYK 59 / 38 / 0 / 10

HEX #5D8DE5

RGB 93 141 229

HSL 218.82, 0.72%, 0.63%

LAB 59.01, 10.11, -49.53

 

CMYK 56 / 36 / 0 / 3

HEX #6E9FF8

RGB 110 159 248

HSL 218.7, 0.91%, 0.7%

LAB 65.66, 9.01, -49.41

 

CMYK 50 / 31 / 0 / 0

HEX #7FB1FF

RGB 127 177 255

HSL 216.56, 1%, 0.75%

LAB 71.67, 4.51, -43.7

 

CMYK 72 / 46 / 0 / 23

HEX #3669C4

RGB 54 105 196

HSL 218.45, 0.57%, 0.49%

LAB 45.46, 14.22, -52.56

 

CMYK 79 / 51 / 0 / 31

HEX #2557B1

RGB 37 87 177

HSL 218.57, 0.65%, 0.42%

LAB 38.52, 16.56, -52.69

 

CMYK 87 / 56 / 0 / 38

HEX #14459E

RGB 20 69 158

HSL 218.7, 0.78%, 0.35%

LAB 31.52, 19.55, -52.72

 

CMYK 98 / 63 / 0 / 45

HEX #03338B

RGB 3 51 139

HSL 218.82, 0.96%, 0.28%

LAB 24.48, 23.26, -52.56

 

CMYK 100 / 73 / 0 / 53

HEX #002178

RGB 0 33 120

HSL 223.5, 1%, 0.24%

LAB 17.66, 27.86, -51.8

 

CMYK 72 / 46 / 0 / 23

HEX #3669C4

RGB 54 105 196

HSL 218.45, 0.57%, 0.49%

LAB 45.46, 14.22, -52.56

 

CMYK 72 / 66 / 0 / 23

HEX #3642C4

RGB 54 66 196

HSL 234.93, 0.57%, 0.49%

LAB 35.33, 39.18, -69.01

 

CMYK 60 / 72 / 0 / 23

HEX #4F36C4

RGB 79 54 196

HSL 250.56, 0.57%, 0.49%

LAB 34.57, 49.23, -70.19

 

CMYK 40 / 72 / 0 / 23

HEX #7636C4

RGB 118 54 196

HSL 267.04, 0.57%, 0.49%

LAB 38.68, 55.39, -63.3

 

CMYK 20 / 72 / 0 / 23

HEX #9C36C4

RGB 156 54 196

HSL 283.1, 0.57%, 0.49%

LAB 43.79, 62.63, -54.79

 

CMYK 72 / 46 / 0 / 23

HEX #3669C4

RGB 54 105 196

HSL 218.45, 0.57%, 0.49%

LAB 45.46, 14.22, -52.56

 

CMYK 72 / 66 / 0 / 23

HEX #3642C4

RGB 54 66 196

HSL 234.93, 0.57%, 0.49%

LAB 35.33, 39.18, -69.01

 

CMYK 72 / 72 / 0 / 23

HEX #3636C4

RGB 54 54 196

HSL 240, 0.57%, 0.49%

LAB 32.72, 46.32, -73.31

 

CMYK 72 / 46 / 0 / 23

HEX #3669C4

RGB 54 105 196

HSL 218.45, 0.57%, 0.49%

LAB 45.46, 14.22, -52.56

 

CMYK 84 / 54 / 0 / 15

HEX #2263D8

RGB 34 99 216

HSL 218.57, 0.73%, 0.49%

LAB 44.55, 23.55, -65.54

 

CMYK 95 / 60 / 0 / 7

HEX #0D5EED

RGB 13 94 237

HSL 218.3, 0.9%, 0.49%

LAB 44.53, 33.78, -77.49

 

CMYK 72 / 46 / 0 / 23

HEX #3669C4

RGB 54 105 196

HSL 218.45, 0.57%, 0.49%

LAB 45.46, 14.22, -52.56

 

CMYK 58 / 37 / 0 / 31

HEX #4A6FB0

RGB 74 111 176

HSL 218.24, 0.41%, 0.49%

LAB 46.92, 6.84, -38.58

 

CMYK 40 / 26 / 0 / 39

HEX #5E749C

RGB 94 116 156

HSL 218.71, 0.25%, 0.49%

LAB 48.6, 2.5, -24.17

 

CMYK 16 / 10 / 0 / 47

HEX #727A88

RGB 114 122 136

HSL 218.18, 0.09%, 0.49%

LAB 51.01, 0.12, -8.62

 

CMYK 0 / 5 / 15 / 47

HEX #878073

RGB 135 128 115

HSL 39, 0.08%, 0.49%

LAB 53.84, 0.29, 8

 

CMYK 72 / 7 / 0 / 23

HEX #36B6C4

RGB 54 182 196

HSL 185.92, 0.57%, 0.49%

LAB 68.19, -29.34, -17.08

 

CMYK 72 / 27 / 0 / 23

HEX #3690C4

RGB 54 144 196

HSL 201.97, 0.57%, 0.49%

LAB 56.8, -9.33, -34.6

 

CMYK 72 / 46 / 0 / 23

HEX #366AC4

RGB 54 106 196

HSL 218.03, 0.57%, 0.49%

LAB 45.74, 13.58, -52.11

 

CMYK 72 / 65 / 0 / 23

HEX #3644C4

RGB 54 68 196

HSL 234.08, 0.57%, 0.49%

LAB 35.8, 37.94, -68.24

 

CMYK 61 / 72 / 0 / 23

HEX #4D36C4

RGB 77 54 196

HSL 249.72, 0.57%, 0.49%

LAB 34.4, 48.96, -70.48

 

CMYK 73 / 47 / 0 / 49

HEX #244683

RGB 36 70 131

HSL 218.53, 0.57%, 0.33%

LAB 30.39, 9.79, -37.98

 

CMYK 73 / 46 / 0 / 36

HEX #2D58A4

RGB 45 88 164

HSL 218.32, 0.57%, 0.41%

LAB 38.23, 11.91, -45.43

 

CMYK 72 / 46 / 0 / 23

HEX #3669C4

RGB 54 105 196

HSL 218.45, 0.57%, 0.49%

LAB 45.46, 14.22, -52.56

 

CMYK 60 / 38 / 0 / 18

HEX #5380D0

RGB 83 128 208

HSL 218.4, 0.57%, 0.57%

LAB 53.85, 9.02, -45.96

 

CMYK 47 / 30 / 0 / 15

HEX #7498D9

RGB 116 152 217

HSL 218.61, 0.57%, 0.65%

LAB 62.66, 4.96, -37.02

 

CMYK 72 / 46 / 0 / 23

HEX #3669C4

RGB 54 105 196

HSL 218.45, 0.57%, 0.49%

LAB 45.46, 14.22, -52.56

 

CMYK 12 / 72 / 0 / 23

HEX #AC36C4

RGB 172 54 196

HSL 289.86, 0.57%, 0.49%

LAB 46.17, 65.89, -50.83

 

CMYK 17 / 0 / 72 / 23

HEX #A3C436

RGB 163 196 54

HSL 73.94, 0.57%, 0.49%

LAB 74.53, -30.1, 63.52

 

CMYK 72 / 46 / 0 / 23

HEX #3669C4

RGB 54 105 196

HSL 218.45, 0.57%, 0.49%

LAB 45.46, 14.22, -52.56

 

CMYK 0 / 72 / 46 / 23

HEX #C4366A

RGB 196 54 106

HSL 338.03, 0.57%, 0.49%

LAB 46.2, 59.31, 3.48

 

CMYK 46 / 0 / 72 / 23

HEX #6AC436

RGB 106 196 54

HSL 98.03, 0.57%, 0.49%

LAB 71.43, -50.81, 59.42

 

CMYK 72 / 46 / 0 / 23

HEX #3669C4

RGB 54 105 196

HSL 218.45, 0.57%, 0.49%

LAB 45.46, 14.22, -52.56

 

CMYK 12 / 72 / 0 / 23

HEX #AC36C4

RGB 172 54 196

HSL 289.86, 0.57%, 0.49%

LAB 46.17, 65.89, -50.83

 

CMYK 0 / 27 / 72 / 23

HEX #C49036

RGB 196 144 54

HSL 38.03, 0.57%, 0.49%

LAB 63.3, 11.04, 53.32

 

CMYK 61 / 0 / 72 / 23

HEX #4DC436

RGB 77 196 54

HSL 110.28, 0.57%, 0.49%

LAB 70.4, -58.75, 58.05

 

CMYK 72 / 46 / 0 / 23

HEX #3669C4

RGB 54 105 196

HSL 218.45, 0.57%, 0.49%

LAB 45.46, 14.22, -52.56

 

CMYK 0 / 72 / 10 / 23

HEX #C436B1

RGB 196 54 177

HSL 308.03, 0.57%, 0.49%

LAB 48.94, 67.98, -35.1

 

CMYK 0 / 27 / 72 / 23

HEX #C49036

RGB 196 144 54

HSL 38.03, 0.57%, 0.49%

LAB 63.3, 11.04, 53.32

 

CMYK 72 / 0 / 63 / 23

HEX #36C449

RGB 54 196 73

HSL 128.03, 0.57%, 0.49%

LAB 70, -61.54, 49.83

 

Description

Color code: HEX #3669C4 | qconv.com Color code: HEX #3669C4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 105 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 105 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 46 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 46% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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