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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #366976 it is the complementary color #C99689. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #366976. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #366976 shade: #3B6971, #4C7B84, #5D8D97, #6E9FAA and #7FB1BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #366976. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #366976 shade: #366976, #255763, #144550, #03333D and #00212A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #366976 shade: #376A77, #375877, #374777, #373777 and #493777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #366976 shade: #376A77, #375877, #374777 and #373777

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #366976 shade matches the following richer shades: #376A77, #297285, #1B7A93 and #0D83A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #366976 shade: #376A77, #456169, #53595B, #61514D and #6F483F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #366976 shade: #377761, #377773, #376A77, #375977 and #374877

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #366976 shade: #1D373E, #2A515B, #376A77, #448393 and #519CAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #366976 shade: #366976, #503777 and #776A37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #366976 shade: #366976, #77376A and #6A7737

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #366976 shade: #366976, #503777, #774337 and #5D7737

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #366976 shade: #366976, #643777, #774337 and #4A7737

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 11 / 0 / 54

HEX #366976

RGB 54 105 118

HSL 192.19, 0.37%, 0.34%

LAB 41.53, -13.15, -12.53

 

Complementary color

CMYK 0 / 25 / 32 / 21

HEX #C99689

RGB 201 150 137

HSL 12.19, 0.37%, 0.66%

LAB 66.55, 17.35, 14.33

 

CMYK 48 / 7 / 0 / 56

HEX #3B6971

RGB 59 105 113

HSL 188.89, 0.31%, 0.34%

LAB 41.57, -13.41, -9.4

 

CMYK 42 / 7 / 0 / 48

HEX #4C7B84

RGB 76 123 132

HSL 189.64, 0.27%, 0.41%

LAB 48.72, -13.48, -9.95

 

CMYK 38 / 7 / 0 / 41

HEX #5D8D97

RGB 93 141 151

HSL 190.34, 0.24%, 0.48%

LAB 55.7, -13.51, -10.46

 

CMYK 35 / 6 / 0 / 33

HEX #6E9FAA

RGB 110 159 170

HSL 191, 0.26%, 0.55%

LAB 62.52, -13.52, -10.95

 

CMYK 33 / 6 / 0 / 26

HEX #7FB1BD

RGB 127 177 189

HSL 191.61, 0.32%, 0.62%

LAB 69.21, -13.52, -11.42

 

CMYK 54 / 11 / 0 / 54

HEX #366976

RGB 54 105 118

HSL 192.19, 0.37%, 0.34%

LAB 41.53, -13.15, -12.53

 

CMYK 63 / 12 / 0 / 61

HEX #255763

RGB 37 87 99

HSL 191.61, 0.46%, 0.27%

LAB 34.21, -12.77, -11.99

 

CMYK 75 / 14 / 0 / 69

HEX #144550

RGB 20 69 80

HSL 191, 0.6%, 0.2%

LAB 26.69, -12.07, -11.36

 

CMYK 95 / 16 / 0 / 76

HEX #03333D

RGB 3 51 61

HSL 190.34, 0.91%, 0.13%

LAB 18.9, -10.95, -10.63

 

CMYK 100 / 21 / 0 / 84

HEX #00212A

RGB 0 33 42

HSL 192.86, 1%, 0.08%

LAB 10.96, -8.04, -9.46

 

CMYK 54 / 11 / 0 / 53

HEX #376A77

RGB 55 106 119

HSL 192.19, 0.37%, 0.34%

LAB 41.93, -13.17, -12.53

 

CMYK 54 / 26 / 0 / 53

HEX #375877

RGB 55 88 119

HSL 209.06, 0.37%, 0.34%

LAB 36.22, -2.42, -21.28

 

CMYK 54 / 40 / 0 / 53

HEX #374777

RGB 55 71 119

HSL 225, 0.37%, 0.34%

LAB 31, 8.58, -29.46

 

CMYK 54 / 54 / 0 / 53

HEX #373777

RGB 55 55 119

HSL 240, 0.37%, 0.34%

LAB 26.38, 19.37, -36.83

 

CMYK 39 / 54 / 0 / 53

HEX #493777

RGB 73 55 119

HSL 256.88, 0.37%, 0.34%

LAB 28.06, 23.99, -34.04

 

CMYK 54 / 11 / 0 / 53

HEX #376A77

RGB 55 106 119

HSL 192.19, 0.37%, 0.34%

LAB 41.93, -13.17, -12.53

 

CMYK 54 / 26 / 0 / 53

HEX #375877

RGB 55 88 119

HSL 209.06, 0.37%, 0.34%

LAB 36.22, -2.42, -21.28

 

CMYK 54 / 40 / 0 / 53

HEX #374777

RGB 55 71 119

HSL 225, 0.37%, 0.34%

LAB 31, 8.58, -29.46

 

CMYK 54 / 54 / 0 / 53

HEX #373777

RGB 55 55 119

HSL 240, 0.37%, 0.34%

LAB 26.38, 19.37, -36.83

 

CMYK 54 / 11 / 0 / 53

HEX #376A77

RGB 55 106 119

HSL 192.19, 0.37%, 0.34%

LAB 41.93, -13.17, -12.53

 

CMYK 69 / 14 / 0 / 48

HEX #297285

RGB 41 114 133

HSL 192.39, 0.53%, 0.34%

LAB 44.52, -15.97, -17.04

 

CMYK 82 / 17 / 0 / 42

HEX #1B7A93

RGB 27 122 147

HSL 192.5, 0.69%, 0.34%

LAB 47.31, -17.43, -21.09

 

CMYK 92 / 19 / 0 / 37

HEX #0D83A1

RGB 13 131 161

HSL 192.16, 0.85%, 0.34%

LAB 50.56, -18.41, -24.29

 

CMYK 54 / 11 / 0 / 53

HEX #376A77

RGB 55 106 119

HSL 192.19, 0.37%, 0.34%

LAB 41.93, -13.17, -12.53

 

CMYK 34 / 8 / 0 / 59

HEX #456169

RGB 69 97 105

HSL 193.33, 0.21%, 0.34%

LAB 39.3, -8.14, -7.87

 

CMYK 9 / 2 / 0 / 64

HEX #53595B

RGB 83 89 91

HSL 195, 0.05%, 0.34%

LAB 37.37, -1.91, -1.97

 

CMYK 0 / 16 / 21 / 62

HEX #61514D

RGB 97 81 77

HSL 12, 0.11%, 0.34%

LAB 35.91, 5.92, 4.82

 

CMYK 0 / 35 / 43 / 56

HEX #6F483F

RGB 111 72 63

HSL 11.25, 0.28%, 0.34%

LAB 34.75, 15.48, 12.23

 

CMYK 54 / 0 / 18 / 53

HEX #377761

RGB 55 119 97

HSL 159.38, 0.37%, 0.34%

LAB 45.45, -26.28, 5.9

 

CMYK 54 / 0 / 3 / 53

HEX #377773

RGB 55 119 115

HSL 176.25, 0.37%, 0.34%

LAB 45.97, -21.48, -4.07

 

CMYK 54 / 11 / 0 / 53

HEX #376A77

RGB 55 106 119

HSL 192.19, 0.37%, 0.34%

LAB 41.93, -13.17, -12.53

 

CMYK 54 / 25 / 0 / 53

HEX #375977

RGB 55 89 119

HSL 208.13, 0.37%, 0.34%

LAB 36.53, -3.04, -20.79

 

CMYK 54 / 39 / 0 / 53

HEX #374877

RGB 55 72 119

HSL 224.06, 0.37%, 0.34%

LAB 31.3, 7.91, -28.99

 

CMYK 53 / 11 / 0 / 76

HEX #1D373E

RGB 29 55 62

HSL 192.73, 0.36%, 0.18%

LAB 21.36, -7.69, -7.48

 

CMYK 54 / 11 / 0 / 64

HEX #2A515B

RGB 42 81 91

HSL 192.24, 0.37%, 0.26%

LAB 32.11, -10.67, -10.12

 

CMYK 54 / 11 / 0 / 53

HEX #376A77

RGB 55 106 119

HSL 192.19, 0.37%, 0.34%

LAB 41.93, -13.17, -12.53

 

CMYK 54 / 11 / 0 / 42

HEX #448393

RGB 68 131 147

HSL 192.15, 0.37%, 0.42%

LAB 51.35, -15.55, -14.82

 

CMYK 54 / 11 / 0 / 31

HEX #519CAF

RGB 81 156 175

HSL 192.13, 0.37%, 0.5%

LAB 60.45, -17.84, -17.03

 

CMYK 54 / 11 / 0 / 54

HEX #366976

RGB 54 105 118

HSL 192.19, 0.37%, 0.34%

LAB 41.53, -13.15, -12.53

 

CMYK 33 / 54 / 0 / 53

HEX #503777

RGB 80 55 119

HSL 263.44, 0.37%, 0.34%

LAB 28.82, 25.95, -32.78

 

CMYK 0 / 11 / 54 / 53

HEX #776A37

RGB 119 106 55

HSL 47.81, 0.37%, 0.34%

LAB 44.95, -2.15, 30.25

 

CMYK 54 / 11 / 0 / 54

HEX #366976

RGB 54 105 118

HSL 192.19, 0.37%, 0.34%

LAB 41.53, -13.15, -12.53

 

CMYK 0 / 54 / 11 / 53

HEX #77376A

RGB 119 55 106

HSL 312.19, 0.37%, 0.34%

LAB 33.34, 35.17, -17.09

 

CMYK 11 / 0 / 54 / 53

HEX #6A7737

RGB 106 119 55

HSL 72.19, 0.37%, 0.34%

LAB 47.67, -15.3, 33.21

 

CMYK 54 / 11 / 0 / 54

HEX #366976

RGB 54 105 118

HSL 192.19, 0.37%, 0.34%

LAB 41.53, -13.15, -12.53

 

CMYK 33 / 54 / 0 / 53

HEX #503777

RGB 80 55 119

HSL 263.44, 0.37%, 0.34%

LAB 28.82, 25.95, -32.78

 

CMYK 0 / 44 / 54 / 53

HEX #774337

RGB 119 67 55

HSL 11.25, 0.37%, 0.34%

LAB 34.42, 21.08, 16.99

 

CMYK 22 / 0 / 54 / 53

HEX #5D7737

RGB 93 119 55

HSL 84.38, 0.37%, 0.34%

LAB 46.71, -20.85, 31.83

 

CMYK 54 / 11 / 0 / 54

HEX #366976

RGB 54 105 118

HSL 192.19, 0.37%, 0.34%

LAB 41.53, -13.15, -12.53

 

CMYK 16 / 54 / 0 / 53

HEX #643777

RGB 100 55 119

HSL 282.19, 0.37%, 0.34%

LAB 31.29, 31.84, -28.72

 

CMYK 0 / 44 / 54 / 53

HEX #774337

RGB 119 67 55

HSL 11.25, 0.37%, 0.34%

LAB 34.42, 21.08, 16.99

 

CMYK 38 / 0 / 54 / 53

HEX #4A7737

RGB 74 119 55

HSL 102.19, 0.37%, 0.34%

LAB 45.53, -28.31, 30.14

 

Description

Color code: HEX #366976 | qconv.com Color code: HEX #366976 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 105 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 105 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 11 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 11% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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