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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #366374 it is the complementary color #C99C8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #366374. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #366374 shade: #3B636F, #4C7582, #5D8795, #6E99A8 and #7FABBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #366374. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #366374 shade: #366374, #255161, #143F4E, #032D3B and #001B28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #366374 shade: #366272, #365172, #364172, #3B3672 and #4B3672

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #366374 shade: #366272, #365172, #364172 and #363672

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #366374 shade matches the following richer shades: #366272, #286880, #1B6E8E and #0D749B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #366374 shade: #366272, #435C65, #515657, #5F4F4A and #6C493C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #366374 shade: #367262, #367272, #366272, #365272 and #364272

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #366374 shade: #1B323A, #294A56, #366272, #437A8F and #5092AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #366374 shade: #366374, #523672 and #726A36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #366374 shade: #366374, #723662 and #627236

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #366374 shade: #366374, #523672, #724636 and #567236

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #366374 shade: #366374, #643672, #724636 and #447236

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 15 / 0 / 55

HEX #366374

RGB 54 99 116

HSL 196.45, 0.36%, 0.33%

LAB 39.53, -10.31, -14.35

 

Complementary color

CMYK 0 / 22 / 31 / 21

HEX #C99C8B

RGB 201 156 139

HSL 16.45, 0.36%, 0.67%

LAB 68.06, 14.33, 15.33

 

CMYK 47 / 11 / 0 / 56

HEX #3B636F

RGB 59 99 111

HSL 193.85, 0.31%, 0.33%

LAB 39.58, -10.55, -11.18

 

CMYK 42 / 10 / 0 / 49

HEX #4C7582

RGB 76 117 130

HSL 194.44, 0.26%, 0.4%

LAB 46.8, -10.67, -11.65

 

CMYK 38 / 9 / 0 / 42

HEX #5D8795

RGB 93 135 149

HSL 195, 0.23%, 0.47%

LAB 53.84, -10.74, -12.09

 

CMYK 35 / 9 / 0 / 34

HEX #6E99A8

RGB 110 153 168

HSL 195.52, 0.25%, 0.55%

LAB 60.72, -10.78, -12.53

 

CMYK 32 / 9 / 0 / 27

HEX #7FABBB

RGB 127 171 187

HSL 196, 0.31%, 0.62%

LAB 67.45, -10.82, -12.96

 

CMYK 53 / 15 / 0 / 55

HEX #366374

RGB 54 99 116

HSL 196.45, 0.36%, 0.33%

LAB 39.53, -10.31, -14.35

 

CMYK 62 / 16 / 0 / 62

HEX #255161

RGB 37 81 97

HSL 196, 0.45%, 0.26%

LAB 32.13, -9.88, -13.91

 

CMYK 74 / 19 / 0 / 69

HEX #143F4E

RGB 20 63 78

HSL 195.52, 0.59%, 0.19%

LAB 24.49, -9.13, -13.42

 

CMYK 95 / 24 / 0 / 77

HEX #032D3B

RGB 3 45 59

HSL 195, 0.9%, 0.12%

LAB 16.56, -7.94, -12.86

 

CMYK 100 / 33 / 0 / 84

HEX #001B28

RGB 0 27 40

HSL 199.5, 1%, 0.08%

LAB 8.46, -4.7, -11.87

 

CMYK 53 / 14 / 0 / 55

HEX #366272

RGB 54 98 114

HSL 196, 0.36%, 0.33%

LAB 39.13, -10.36, -13.73

 

CMYK 53 / 29 / 0 / 55

HEX #365172

RGB 54 81 114

HSL 213, 0.36%, 0.33%

LAB 33.74, 0.07, -22.03

 

CMYK 53 / 43 / 0 / 55

HEX #364172

RGB 54 65 114

HSL 229, 0.36%, 0.33%

LAB 28.85, 10.61, -29.72

 

CMYK 48 / 53 / 0 / 55

HEX #3B3672

RGB 59 54 114

HSL 245, 0.36%, 0.33%

LAB 26.11, 19.34, -34.07

 

CMYK 34 / 53 / 0 / 55

HEX #4B3672

RGB 75 54 114

HSL 261, 0.36%, 0.33%

LAB 27.71, 23.74, -31.42

 

CMYK 53 / 14 / 0 / 55

HEX #366272

RGB 54 98 114

HSL 196, 0.36%, 0.33%

LAB 39.13, -10.36, -13.73

 

CMYK 53 / 29 / 0 / 55

HEX #365172

RGB 54 81 114

HSL 213, 0.36%, 0.33%

LAB 33.74, 0.07, -22.03

 

CMYK 53 / 43 / 0 / 55

HEX #364172

RGB 54 65 114

HSL 229, 0.36%, 0.33%

LAB 28.85, 10.61, -29.72

 

CMYK 53 / 53 / 0 / 55

HEX #363672

RGB 54 54 114

HSL 240, 0.36%, 0.33%

LAB 25.68, 18.09, -34.78

 

CMYK 53 / 14 / 0 / 55

HEX #366272

RGB 54 98 114

HSL 196, 0.36%, 0.33%

LAB 39.13, -10.36, -13.73

 

CMYK 69 / 19 / 0 / 50

HEX #286880

RGB 40 104 128

HSL 196.36, 0.52%, 0.33%

LAB 41.07, -12.17, -19.33

 

CMYK 81 / 23 / 0 / 44

HEX #1B6E8E

RGB 27 110 142

HSL 196.7, 0.68%, 0.33%

LAB 43.27, -12.47, -24.37

 

CMYK 92 / 25 / 0 / 39

HEX #0D749B

RGB 13 116 155

HSL 196.48, 0.85%, 0.33%

LAB 45.56, -12.23, -28.54

 

CMYK 53 / 14 / 0 / 55

HEX #366272

RGB 54 98 114

HSL 196, 0.36%, 0.33%

LAB 39.13, -10.36, -13.73

 

CMYK 34 / 9 / 0 / 60

HEX #435C65

RGB 67 92 101

HSL 195.88, 0.2%, 0.33%

LAB 37.46, -6.91, -8.18

 

CMYK 7 / 1 / 0 / 66

HEX #515657

RGB 81 86 87

HSL 190, 0.04%, 0.33%

LAB 36.16, -1.76, -1.27

 

CMYK 0 / 17 / 22 / 63

HEX #5F4F4A

RGB 95 79 74

HSL 14.29, 0.12%, 0.33%

LAB 35.04, 5.77, 5.43

 

CMYK 0 / 32 / 44 / 58

HEX #6C493C

RGB 108 73 60

HSL 16.25, 0.29%, 0.33%

LAB 34.56, 13.16, 13.79

 

CMYK 53 / 0 / 14 / 55

HEX #367262

RGB 54 114 98

HSL 164, 0.36%, 0.33%

LAB 43.8, -23.76, 2.92

 

CMYK 53 / 0 / 0 / 55

HEX #367272

RGB 54 114 114

HSL 180, 0.36%, 0.33%

LAB 44.28, -19.34, -5.98

 

CMYK 53 / 14 / 0 / 55

HEX #366272

RGB 54 98 114

HSL 196, 0.36%, 0.33%

LAB 39.13, -10.36, -13.73

 

CMYK 53 / 28 / 0 / 55

HEX #365272

RGB 54 82 114

HSL 212, 0.36%, 0.33%

LAB 34.05, -0.57, -21.55

 

CMYK 53 / 42 / 0 / 55

HEX #364272

RGB 54 66 114

HSL 228, 0.36%, 0.33%

LAB 29.15, 9.94, -29.25

 

CMYK 53 / 14 / 0 / 77

HEX #1B323A

RGB 27 50 58

HSL 195.48, 0.36%, 0.17%

LAB 19.31, -6.39, -7.88

 

CMYK 52 / 14 / 0 / 66

HEX #294A56

RGB 41 74 86

HSL 196, 0.35%, 0.25%

LAB 29.52, -8.3, -10.86

 

CMYK 53 / 14 / 0 / 55

HEX #366272

RGB 54 98 114

HSL 196, 0.36%, 0.33%

LAB 39.13, -10.36, -13.73

 

CMYK 53 / 15 / 0 / 44

HEX #437A8F

RGB 67 122 143

HSL 196.58, 0.36%, 0.41%

LAB 48.38, -11.99, -16.99

 

CMYK 53 / 15 / 0 / 33

HEX #5092AB

RGB 80 146 171

HSL 196.48, 0.36%, 0.49%

LAB 57.27, -13.86, -19.59

 

CMYK 53 / 15 / 0 / 55

HEX #366374

RGB 54 99 116

HSL 196.45, 0.36%, 0.33%

LAB 39.53, -10.31, -14.35

 

CMYK 28 / 53 / 0 / 55

HEX #523672

RGB 82 54 114

HSL 268, 0.36%, 0.33%

LAB 28.5, 25.79, -30.1

 

CMYK 0 / 7 / 53 / 55

HEX #726A36

RGB 114 106 54

HSL 52, 0.36%, 0.33%

LAB 44.45, -4.54, 30.07

 

CMYK 53 / 15 / 0 / 55

HEX #366374

RGB 54 99 116

HSL 196.45, 0.36%, 0.33%

LAB 39.53, -10.31, -14.35

 

CMYK 0 / 53 / 14 / 55

HEX #723662

RGB 114 54 98

HSL 316, 0.36%, 0.33%

LAB 32.03, 32.61, -14.07

 

CMYK 14 / 0 / 53 / 55

HEX #627236

RGB 98 114 54

HSL 76, 0.36%, 0.33%

LAB 45.49, -16.19, 31

 

CMYK 53 / 15 / 0 / 55

HEX #366374

RGB 54 99 116

HSL 196.45, 0.36%, 0.33%

LAB 39.53, -10.31, -14.35

 

CMYK 28 / 53 / 0 / 55

HEX #523672

RGB 82 54 114

HSL 268, 0.36%, 0.33%

LAB 28.5, 25.79, -30.1

 

CMYK 0 / 39 / 53 / 55

HEX #724636

RGB 114 70 54

HSL 16, 0.36%, 0.33%

LAB 34.45, 16.99, 17.51

 

CMYK 25 / 0 / 53 / 55

HEX #567236

RGB 86 114 54

HSL 88, 0.36%, 0.33%

LAB 44.63, -21.27, 29.76

 

CMYK 53 / 15 / 0 / 55

HEX #366374

RGB 54 99 116

HSL 196.45, 0.36%, 0.33%

LAB 39.53, -10.31, -14.35

 

CMYK 12 / 53 / 0 / 55

HEX #643672

RGB 100 54 114

HSL 286, 0.36%, 0.33%

LAB 30.79, 31.27, -26.34

 

CMYK 0 / 39 / 53 / 55

HEX #724636

RGB 114 70 54

HSL 16, 0.36%, 0.33%

LAB 34.45, 16.99, 17.51

 

CMYK 40 / 0 / 53 / 55

HEX #447236

RGB 68 114 54

HSL 106, 0.36%, 0.33%

LAB 43.55, -28.22, 28.19

 

Description

Color code: HEX #366374 | qconv.com Color code: HEX #366374 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 99 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 99 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 15 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 15% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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