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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #365797 it is the complementary color #C9A868. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #365797. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #365797 shade: #3B5792, #4C69A5, #5D7BB8, #6E8DCB and #7F9FDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #365797. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #365797 shade: #365797, #254584, #143371, #03215E and #000F4B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #365797 shade: #365796, #363D96, #493696, #633696 and #7D3696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #365797 shade: #365796, #363D96 and #363696

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #365797 shade matches the following richer shades: #365796, #2651A6, #154CB7 and #0547C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #365797 shade: #365796, #475C85, #576175, #686764 and #786C54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #365797 shade: #368B96, #367196, #365896, #363E96 and #483696

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #365797 shade: #203459, #2B4578, #365796, #4168B4 and #5B7EC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #365797 shade: #365797, #883696 and #7E9636

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #365797 shade: #365797, #963658 and #589636

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #365797 shade: #365797, #883696, #967436 and #449636

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #365797 shade: #365797, #963688, #967436 and #369644

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 42 / 0 / 41

HEX #365797

RGB 54 87 151

HSL 219.59, 0.47%, 0.4%

LAB 37.54, 9.23, -38.72

 

Complementary color

CMYK 0 / 16 / 48 / 21

HEX #C9A868

RGB 201 168 104

HSL 39.59, 0.47%, 0.6%

LAB 70.47, 3.8, 37.42

 

CMYK 60 / 40 / 0 / 43

HEX #3B5792

RGB 59 87 146

HSL 220.69, 0.42%, 0.4%

LAB 37.52, 8.46, -35.72

 

CMYK 54 / 36 / 0 / 35

HEX #4C69A5

RGB 76 105 165

HSL 220.45, 0.37%, 0.47%

LAB 44.74, 7.33, -35.58

 

CMYK 49 / 33 / 0 / 28

HEX #5D7BB8

RGB 93 123 184

HSL 220.22, 0.39%, 0.54%

LAB 51.78, 6.45, -35.48

 

CMYK 46 / 31 / 0 / 20

HEX #6E8DCB

RGB 110 141 203

HSL 220, 0.47%, 0.61%

LAB 58.67, 5.73, -35.44

 

CMYK 43 / 28 / 0 / 13

HEX #7F9FDE

RGB 127 159 222

HSL 219.79, 0.59%, 0.68%

LAB 65.42, 5.14, -35.44

 

CMYK 64 / 42 / 0 / 41

HEX #365797

RGB 54 87 151

HSL 219.59, 0.47%, 0.4%

LAB 37.54, 9.23, -38.72

 

CMYK 72 / 48 / 0 / 48

HEX #254584

RGB 37 69 132

HSL 219.79, 0.56%, 0.33%

LAB 30.19, 11.02, -38.9

 

CMYK 82 / 55 / 0 / 56

HEX #143371

RGB 20 51 113

HSL 220, 0.7%, 0.26%

LAB 22.68, 13.51, -39.07

 

CMYK 97 / 65 / 0 / 63

HEX #03215E

RGB 3 33 94

HSL 220.22, 0.94%, 0.19%

LAB 15.04, 16.91, -39.13

 

CMYK 100 / 80 / 0 / 71

HEX #000F4B

RGB 0 15 75

HSL 228, 1%, 0.15%

LAB 7.67, 21.7, -38.32

 

CMYK 64 / 42 / 0 / 41

HEX #365796

RGB 54 87 150

HSL 219.38, 0.47%, 0.4%

LAB 37.49, 8.87, -38.21

 

CMYK 64 / 59 / 0 / 41

HEX #363D96

RGB 54 61 150

HSL 235.63, 0.47%, 0.4%

LAB 30.22, 26.09, -49.9

 

CMYK 51 / 64 / 0 / 41

HEX #493696

RGB 73 54 150

HSL 251.88, 0.47%, 0.4%

LAB 30.05, 34.13, -50.1

 

CMYK 34 / 64 / 0 / 41

HEX #633696

RGB 99 54 150

HSL 268.13, 0.47%, 0.4%

LAB 32.9, 39.83, -45.35

 

CMYK 17 / 64 / 0 / 41

HEX #7D3696

RGB 125 54 150

HSL 284.38, 0.47%, 0.4%

LAB 36.37, 46.16, -39.6

 

CMYK 64 / 42 / 0 / 41

HEX #365796

RGB 54 87 150

HSL 219.38, 0.47%, 0.4%

LAB 37.49, 8.87, -38.21

 

CMYK 64 / 59 / 0 / 41

HEX #363D96

RGB 54 61 150

HSL 235.63, 0.47%, 0.4%

LAB 30.22, 26.09, -49.9

 

CMYK 64 / 64 / 0 / 41

HEX #363696

RGB 54 54 150

HSL 240, 0.47%, 0.4%

LAB 28.44, 30.66, -52.79

 

CMYK 64 / 42 / 0 / 41

HEX #365796

RGB 54 87 150

HSL 219.38, 0.47%, 0.4%

LAB 37.49, 8.87, -38.21

 

CMYK 77 / 51 / 0 / 35

HEX #2651A6

RGB 38 81 166

HSL 219.84, 0.63%, 0.4%

LAB 36.08, 16.37, -50.1

 

CMYK 89 / 58 / 0 / 28

HEX #154CB7

RGB 21 76 183

HSL 219.63, 0.79%, 0.4%

LAB 35.49, 24.92, -61.16

 

CMYK 97 / 64 / 0 / 22

HEX #0547C7

RGB 5 71 199

HSL 219.59, 0.95%, 0.4%

LAB 35.33, 33.88, -70.83

 

CMYK 64 / 42 / 0 / 41

HEX #365796

RGB 54 87 150

HSL 219.38, 0.47%, 0.4%

LAB 37.49, 8.87, -38.21

 

CMYK 47 / 31 / 0 / 48

HEX #475C85

RGB 71 92 133

HSL 219.68, 0.3%, 0.4%

LAB 39.05, 3.84, -25.38

 

CMYK 26 / 17 / 0 / 54

HEX #576175

RGB 87 97 117

HSL 220, 0.15%, 0.4%

LAB 40.99, 1.04, -12.54

 

CMYK 0 / 1 / 4 / 59

HEX #686764

RGB 104 103 100

HSL 45, 0.02%, 0.4%

LAB 43.6, -0.22, 1.82

 

CMYK 0 / 10 / 30 / 53

HEX #786C54

RGB 120 108 84

HSL 40, 0.18%, 0.4%

LAB 46.12, 0.68, 15.17

 

CMYK 64 / 7 / 0 / 41

HEX #368B96

RGB 54 139 150

HSL 186.88, 0.47%, 0.4%

LAB 53.44, -21.75, -13.44

 

CMYK 64 / 25 / 0 / 41

HEX #367196

RGB 54 113 150

HSL 203.13, 0.47%, 0.4%

LAB 45.35, -7.3, -25.83

 

CMYK 64 / 41 / 0 / 41

HEX #365896

RGB 54 88 150

HSL 218.75, 0.47%, 0.4%

LAB 37.78, 8.22, -37.74

 

CMYK 64 / 59 / 0 / 41

HEX #363E96

RGB 54 62 150

HSL 235, 0.47%, 0.4%

LAB 30.48, 25.43, -49.48

 

CMYK 52 / 64 / 0 / 41

HEX #483696

RGB 72 54 150

HSL 251.25, 0.47%, 0.4%

LAB 29.96, 33.93, -50.26

 

CMYK 64 / 42 / 0 / 65

HEX #203459

RGB 32 52 89

HSL 218.95, 0.47%, 0.24%

LAB 21.89, 5.02, -24.71

 

CMYK 64 / 43 / 0 / 53

HEX #2B4578

RGB 43 69 120

HSL 219.74, 0.47%, 0.32%

LAB 29.73, 7.52, -32.15

 

CMYK 64 / 42 / 0 / 41

HEX #365796

RGB 54 87 150

HSL 219.38, 0.47%, 0.4%

LAB 37.49, 8.87, -38.21

 

CMYK 64 / 42 / 0 / 29

HEX #4168B4

RGB 65 104 180

HSL 219.65, 0.47%, 0.48%

LAB 44.69, 10.81, -44.49

 

CMYK 54 / 36 / 0 / 23

HEX #5B7EC4

RGB 91 126 196

HSL 220, 0.47%, 0.56%

LAB 53.09, 7.96, -40.31

 

CMYK 64 / 42 / 0 / 41

HEX #365797

RGB 54 87 151

HSL 219.59, 0.47%, 0.4%

LAB 37.54, 9.23, -38.72

 

CMYK 9 / 64 / 0 / 41

HEX #883696

RGB 136 54 150

HSL 291.25, 0.47%, 0.4%

LAB 37.98, 48.93, -36.94

 

CMYK 16 / 0 / 64 / 41

HEX #7E9636

RGB 126 150 54

HSL 75, 0.47%, 0.4%

LAB 58.52, -22.95, 46.34

 

CMYK 64 / 42 / 0 / 41

HEX #365797

RGB 54 87 151

HSL 219.59, 0.47%, 0.4%

LAB 37.54, 9.23, -38.72

 

CMYK 0 / 64 / 41 / 41

HEX #963658

RGB 150 54 88

HSL 338.75, 0.47%, 0.4%

LAB 37.53, 43.36, 1.15

 

CMYK 41 / 0 / 64 / 41

HEX #589636

RGB 88 150 54

HSL 98.75, 0.47%, 0.4%

LAB 56.24, -37.65, 43.19

 

CMYK 64 / 42 / 0 / 41

HEX #365797

RGB 54 87 151

HSL 219.59, 0.47%, 0.4%

LAB 37.54, 9.23, -38.72

 

CMYK 9 / 64 / 0 / 41

HEX #883696

RGB 136 54 150

HSL 291.25, 0.47%, 0.4%

LAB 37.98, 48.93, -36.94

 

CMYK 0 / 23 / 64 / 41

HEX #967436

RGB 150 116 54

HSL 38.75, 0.47%, 0.4%

LAB 50.97, 6.18, 38.61

 

CMYK 55 / 0 / 64 / 41

HEX #449636

RGB 68 150 54

HSL 111.25, 0.47%, 0.4%

LAB 55.39, -43.93, 42.01

 

CMYK 64 / 42 / 0 / 41

HEX #365797

RGB 54 87 151

HSL 219.59, 0.47%, 0.4%

LAB 37.54, 9.23, -38.72

 

CMYK 0 / 64 / 9 / 41

HEX #963688

RGB 150 54 136

HSL 308.75, 0.47%, 0.4%

LAB 39.41, 50.09, -25.99

 

CMYK 0 / 23 / 64 / 41

HEX #967436

RGB 150 116 54

HSL 38.75, 0.47%, 0.4%

LAB 50.97, 6.18, 38.61

 

CMYK 64 / 0 / 55 / 41

HEX #369644

RGB 54 150 68

HSL 128.75, 0.47%, 0.4%

LAB 55.09, -45.72, 34.8

 

Description

Color code: HEX #365797 | qconv.com Color code: HEX #365797 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 87 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 87 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 42 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 42% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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