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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #36531D it is the complementary color #C9ACE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #36531D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #36531D shade: #3B5318, #4C652B, #5D773E, #6E8951 and #7F9B64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #36531D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #36531D shade: #36531D, #25410A, #142F00, #031D00 and #000B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #36531D shade: #36531D, #45531D, #53531D, #53441D and #53361D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #36531D shade: #36531D, #28531D, #1D5321, #1D5330 and #1D533E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #36531D shade matches the following richer shades: #36531D, #355C14, #35650B and #346E02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #36531D shade: #36531D, #374A26, #37412F, #383838 and #392F41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #36531D shade: #53531D, #45531D, #36531D, #28531D and #1D5321

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #36531D shade: #0E1608, #223412, #36531D, #4A7228 and #5E9033

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #36531D shade: #36531D, #1D5345 and #531D4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #36531D shade: #36531D, #1D3653 and #531D36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #36531D shade: #36531D, #1D5345, #3A1D53 and #531D2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #36531D shade: #36531D, #1D5153, #3A1D53 and #531F1D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 65 / 67

HEX #36531D

RGB 54 83 29

HSL 92.22, 0.48%, 0.22%

LAB 31.94, -21.37, 27.61

 

Complementary color

CMYK 11 / 24 / 0 / 11

HEX #C9ACE2

RGB 201 172 226

HSL 272.22, 0.48%, 0.78%

LAB 74.45, 20.53, -23.25

 

CMYK 29 / 0 / 71 / 67

HEX #3B5318

RGB 59 83 24

HSL 84.41, 0.55%, 0.21%

LAB 32.22, -19.72, 30.51

 

CMYK 25 / 0 / 57 / 60

HEX #4C652B

RGB 76 101 43

HSL 85.86, 0.4%, 0.28%

LAB 39.61, -19.94, 29.47

 

CMYK 22 / 0 / 48 / 53

HEX #5D773E

RGB 93 119 62

HSL 87.37, 0.31%, 0.35%

LAB 46.8, -20, 28.2

 

CMYK 20 / 0 / 41 / 46

HEX #6E8951

RGB 110 137 81

HSL 88.93, 0.26%, 0.43%

LAB 53.81, -19.98, 26.93

 

CMYK 18 / 0 / 35 / 39

HEX #7F9B64

RGB 127 155 100

HSL 90.55, 0.22%, 0.5%

LAB 60.67, -19.92, 25.72

 

CMYK 35 / 0 / 65 / 67

HEX #36531D

RGB 54 83 29

HSL 92.22, 0.48%, 0.22%

LAB 31.94, -21.37, 27.61

 

CMYK 43 / 0 / 85 / 75

HEX #25410A

RGB 37 65 10

HSL 90.55, 0.73%, 0.15%

LAB 24.31, -21.03, 28.26

 

CMYK 57 / 0 / 100 / 82

HEX #142F00

RGB 20 47 0

HSL 94.47, 1%, 0.09%

LAB 16.41, -19.99, 23.26

 

CMYK 90 / 0 / 100 / 89

HEX #031D00

RGB 3 29 0

HSL 113.79, 1%, 0.06%

LAB 8.11, -15.43, 11.87

 

CMYK 100 / 0 / 100 / 96

HEX #000B00

RGB 0 11 0

HSL 120, 1%, 0.02%

LAB 2.16, -4.42, 3.16

 

CMYK 35 / 0 / 65 / 67

HEX #36531D

RGB 54 83 29

HSL 92.22, 0.48%, 0.22%

LAB 31.94, -21.37, 27.61

 

CMYK 17 / 0 / 65 / 67

HEX #45531D

RGB 69 83 29

HSL 75.56, 0.48%, 0.22%

LAB 33.01, -14.74, 29.1

 

CMYK 0 / 0 / 65 / 67

HEX #53531D

RGB 83 83 29

HSL 60, 0.48%, 0.22%

LAB 34.22, -8.06, 30.78

 

CMYK 0 / 18 / 65 / 67

HEX #53441D

RGB 83 68 29

HSL 43.33, 0.48%, 0.22%

LAB 29.57, 1.07, 25.59

 

CMYK 0 / 35 / 65 / 67

HEX #53361D

RGB 83 54 29

HSL 27.78, 0.48%, 0.22%

LAB 25.46, 9.98, 20.78

 

CMYK 35 / 0 / 65 / 67

HEX #36531D

RGB 54 83 29

HSL 92.22, 0.48%, 0.22%

LAB 31.94, -21.37, 27.61

 

CMYK 52 / 0 / 65 / 67

HEX #28531D

RGB 40 83 29

HSL 107.78, 0.48%, 0.22%

LAB 31.18, -26.71, 26.54

 

CMYK 65 / 0 / 60 / 67

HEX #1D5321

RGB 29 83 33

HSL 124.44, 0.48%, 0.22%

LAB 30.78, -29.55, 23.8

 

CMYK 65 / 0 / 42 / 67

HEX #1D5330

RGB 29 83 48

HSL 141.11, 0.48%, 0.22%

LAB 31.02, -26.85, 15.35

 

CMYK 65 / 0 / 25 / 67

HEX #1D533E

RGB 29 83 62

HSL 156.67, 0.48%, 0.22%

LAB 31.34, -23.57, 7.09

 

CMYK 35 / 0 / 65 / 67

HEX #36531D

RGB 54 83 29

HSL 92.22, 0.48%, 0.22%

LAB 31.94, -21.37, 27.61

 

CMYK 42 / 0 / 78 / 64

HEX #355C14

RGB 53 92 20

HSL 92.5, 0.64%, 0.22%

LAB 34.93, -27.04, 34.95

 

CMYK 48 / 0 / 89 / 60

HEX #35650B

RGB 53 101 11

HSL 92, 0.8%, 0.22%

LAB 38, -31.68, 40.89

 

CMYK 53 / 0 / 98 / 57

HEX #346E02

RGB 52 110 2

HSL 92.22, 0.96%, 0.22%

LAB 41.03, -36.23, 45.72

 

CMYK 35 / 0 / 65 / 67

HEX #36531D

RGB 54 83 29

HSL 92.22, 0.48%, 0.22%

LAB 31.94, -21.37, 27.61

 

CMYK 26 / 0 / 49 / 71

HEX #374A26

RGB 55 74 38

HSL 91.67, 0.32%, 0.22%

LAB 29.03, -14.92, 19.08

 

CMYK 15 / 0 / 28 / 75

HEX #37412F

RGB 55 65 47

HSL 93.33, 0.16%, 0.22%

LAB 26.15, -8.08, 9.66

 

CMYK 0 / 0 / 0 / 78

HEX #383838

RGB 56 56 56

HSL 0, 0%, 0.22%

LAB 23.52, 0, -0

 

CMYK 12 / 28 / 0 / 75

HEX #392F41

RGB 57 47 65

HSL 273.33, 0.16%, 0.22%

LAB 21.15, 8.69, -9.62

 

CMYK 0 / 0 / 65 / 67

HEX #53531D

RGB 83 83 29

HSL 60, 0.48%, 0.22%

LAB 34.22, -8.06, 30.78

 

CMYK 17 / 0 / 65 / 67

HEX #45531D

RGB 69 83 29

HSL 75.56, 0.48%, 0.22%

LAB 33.01, -14.74, 29.1

 

CMYK 35 / 0 / 65 / 67

HEX #36531D

RGB 54 83 29

HSL 92.22, 0.48%, 0.22%

LAB 31.94, -21.37, 27.61

 

CMYK 52 / 0 / 65 / 67

HEX #28531D

RGB 40 83 29

HSL 107.78, 0.48%, 0.22%

LAB 31.18, -26.71, 26.54

 

CMYK 65 / 0 / 60 / 67

HEX #1D5321

RGB 29 83 33

HSL 124.44, 0.48%, 0.22%

LAB 30.78, -29.55, 23.8

 

CMYK 36 / 0 / 64 / 91

HEX #0E1608

RGB 14 22 8

HSL 94.29, 0.47%, 0.06%

LAB 6.18, -5.69, 5.87

 

CMYK 35 / 0 / 65 / 80

HEX #223412

RGB 34 52 18

HSL 91.76, 0.49%, 0.14%

LAB 19.39, -14.58, 18.92

 

CMYK 35 / 0 / 65 / 67

HEX #36531D

RGB 54 83 29

HSL 92.22, 0.48%, 0.22%

LAB 31.94, -21.37, 27.61

 

CMYK 35 / 0 / 65 / 55

HEX #4A7228

RGB 74 114 40

HSL 92.43, 0.48%, 0.3%

LAB 43.72, -27.63, 35.63

 

CMYK 35 / 0 / 65 / 44

HEX #5E9033

RGB 94 144 51

HSL 92.26, 0.48%, 0.38%

LAB 54.62, -33.08, 42.85

 

CMYK 35 / 0 / 65 / 67

HEX #36531D

RGB 54 83 29

HSL 92.22, 0.48%, 0.22%

LAB 31.94, -21.37, 27.61

 

CMYK 65 / 0 / 17 / 67

HEX #1D5345

RGB 29 83 69

HSL 164.44, 0.48%, 0.22%

LAB 31.53, -21.67, 2.94

 

CMYK 0 / 65 / 8 / 67

HEX #531D4C

RGB 83 29 76

HSL 307.78, 0.48%, 0.22%

LAB 20.98, 31.76, -17.06

 

CMYK 35 / 0 / 65 / 67

HEX #36531D

RGB 54 83 29

HSL 92.22, 0.48%, 0.22%

LAB 31.94, -21.37, 27.61

 

CMYK 65 / 35 / 0 / 67

HEX #1D3653

RGB 29 54 83

HSL 212.22, 0.48%, 0.22%

LAB 22.03, 0.61, -20.52

 

CMYK 0 / 65 / 35 / 67

HEX #531D36

RGB 83 29 54

HSL 332.22, 0.48%, 0.22%

LAB 19.98, 28.08, -3.44

 

CMYK 35 / 0 / 65 / 67

HEX #36531D

RGB 54 83 29

HSL 92.22, 0.48%, 0.22%

LAB 31.94, -21.37, 27.61

 

CMYK 65 / 0 / 17 / 67

HEX #1D5345

RGB 29 83 69

HSL 164.44, 0.48%, 0.22%

LAB 31.53, -21.67, 2.94

 

CMYK 30 / 65 / 0 / 67

HEX #3A1D53

RGB 58 29 83

HSL 272.22, 0.48%, 0.22%

LAB 17.47, 25.87, -27.6

 

CMYK 0 / 65 / 47 / 67

HEX #531D2C

RGB 83 29 44

HSL 343.33, 0.48%, 0.22%

LAB 19.64, 26.75, 3.07

 

CMYK 35 / 0 / 65 / 67

HEX #36531D

RGB 54 83 29

HSL 92.22, 0.48%, 0.22%

LAB 31.94, -21.37, 27.61

 

CMYK 65 / 2 / 0 / 67

HEX #1D5153

RGB 29 81 83

HSL 182.22, 0.48%, 0.22%

LAB 31.28, -16.31, -6.33

 

CMYK 30 / 65 / 0 / 67

HEX #3A1D53

RGB 58 29 83

HSL 272.22, 0.48%, 0.22%

LAB 17.47, 25.87, -27.6

 

CMYK 0 / 63 / 65 / 67

HEX #531F1D

RGB 83 31 29

HSL 2.22, 0.48%, 0.22%

LAB 19.67, 24.12, 13.58

 

Description

Color code: HEX #36531D | qconv.com Color code: HEX #36531D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 83 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 83 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 65 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 65% 67% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

85% - Lower Merion Conserv...
Link: http://lmconservancy.org

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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