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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #364A31 it is the complementary color #C9B5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #364A31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #364A31 shade: #3B4A2C, #4C5C3F, #5D6E52, #6E8065 and #7F9278

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #364A31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #364A31 shade: #364A31, #25381E, #14260B, #031400 and #000200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #364A31 shade: #364931, #3C4931, #434931, #494931 and #494331

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #364A31 shade: #364931, #314933, #314939, #314940 and #314946

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #364A31 shade matches the following richer shades: #364931, #305327, #2A5D1D, #246713 and #1E7109

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #364A31 shade: #364931, #3C403B, #423645, #482C4F and #4E2259

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #364A31 shade: #434931, #3C4931, #364931, #314933 and #314939

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #364A31 shade: #121810, #243120, #364931, #486241 and #5A7B52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #364A31 shade: #364A31, #314949 and #493140

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #364A31 shade: #364A31, #313649 and #493136

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #364A31 shade: #364A31, #314949, #453149 and #493131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #364A31 shade: #364A31, #314249, #453149 and #493831

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 34 / 71

HEX #364A31

RGB 54 74 49

HSL 108, 0.2%, 0.24%

LAB 29.17, -13.48, 12.48

 

Complementary color

CMYK 2 / 12 / 0 / 19

HEX #C9B5CE

RGB 201 181 206

HSL 288, 0.2%, 0.76%

LAB 76.02, 11.64, -10

 

CMYK 20 / 0 / 41 / 71

HEX #3B4A2C

RGB 59 74 44

HSL 90, 0.25%, 0.23%

LAB 29.44, -12.23, 16.01

 

CMYK 17 / 0 / 32 / 64

HEX #4C5C3F

RGB 76 92 63

HSL 93.1, 0.19%, 0.3%

LAB 37.02, -12.15, 14.72

 

CMYK 15 / 0 / 25 / 57

HEX #5D6E52

RGB 93 110 82

HSL 96.43, 0.15%, 0.38%

LAB 44.36, -12.06, 13.56

 

CMYK 14 / 0 / 21 / 50

HEX #6E8065

RGB 110 128 101

HSL 100, 0.12%, 0.45%

LAB 51.49, -11.98, 12.51

 

CMYK 13 / 0 / 18 / 43

HEX #7F9278

RGB 127 146 120

HSL 103.85, 0.11%, 0.52%

LAB 58.44, -11.92, 11.54

 

CMYK 27 / 0 / 34 / 71

HEX #364A31

RGB 54 74 49

HSL 108, 0.2%, 0.24%

LAB 29.17, -13.48, 12.48

 

CMYK 34 / 0 / 46 / 78

HEX #25381E

RGB 37 56 30

HSL 103.85, 0.3%, 0.17%

LAB 21.27, -13.7, 13.86

 

CMYK 47 / 0 / 71 / 85

HEX #14260B

RGB 20 38 11

HSL 100, 0.55%, 0.1%

LAB 12.98, -13.84, 14.33

 

CMYK 85 / 0 / 100 / 92

HEX #031400

RGB 3 20 0

HSL 111, 1%, 0.04%

LAB 4.69, -8.45, 6.88

 

CMYK 100 / 0 / 100 / 99

HEX #000200

RGB 0 2 0

HSL 120, 1%, 0%

LAB 0.39, -0.8, 0.57

 

CMYK 26 / 0 / 33 / 71

HEX #364931

RGB 54 73 49

HSL 107.5, 0.2%, 0.24%

LAB 28.83, -12.9, 12.02

 

CMYK 18 / 0 / 33 / 71

HEX #3C4931

RGB 60 73 49

HSL 92.5, 0.2%, 0.24%

LAB 29.28, -10.35, 12.71

 

CMYK 8 / 0 / 33 / 71

HEX #434931

RGB 67 73 49

HSL 75, 0.2%, 0.24%

LAB 29.86, -7.24, 13.59

 

CMYK 0 / 0 / 33 / 71

HEX #494931

RGB 73 73 49

HSL 60, 0.2%, 0.24%

LAB 30.41, -4.5, 14.41

 

CMYK 0 / 8 / 33 / 71

HEX #494331

RGB 73 67 49

HSL 45, 0.2%, 0.24%

LAB 28.52, -0.76, 11.88

 

CMYK 26 / 0 / 33 / 71

HEX #364931

RGB 54 73 49

HSL 107.5, 0.2%, 0.24%

LAB 28.83, -12.9, 12.02

 

CMYK 33 / 0 / 30 / 71

HEX #314933

RGB 49 73 51

HSL 125, 0.2%, 0.24%

LAB 28.53, -14.52, 10.29

 

CMYK 33 / 0 / 22 / 71

HEX #314939

RGB 49 73 57

HSL 140, 0.2%, 0.24%

LAB 28.68, -13.21, 6.66

 

CMYK 33 / 0 / 12 / 71

HEX #314940

RGB 49 73 64

HSL 157.5, 0.2%, 0.24%

LAB 28.87, -11.54, 2.43

 

CMYK 33 / 0 / 4 / 71

HEX #314946

RGB 49 73 70

HSL 172.5, 0.2%, 0.24%

LAB 29.06, -9.98, -1.18

 

CMYK 26 / 0 / 33 / 71

HEX #364931

RGB 54 73 49

HSL 107.5, 0.2%, 0.24%

LAB 28.83, -12.9, 12.02

 

CMYK 42 / 0 / 53 / 67

HEX #305327

RGB 48 83 39

HSL 107.73, 0.36%, 0.24%

LAB 31.72, -22.44, 21.76

 

CMYK 55 / 0 / 69 / 64

HEX #2A5D1D

RGB 42 93 29

HSL 107.81, 0.52%, 0.24%

LAB 34.82, -30.58, 30.65

 

CMYK 65 / 0 / 82 / 60

HEX #246713

RGB 36 103 19

HSL 107.86, 0.69%, 0.24%

LAB 38.06, -37.37, 38.17

 

CMYK 73 / 0 / 92 / 56

HEX #1E7109

RGB 30 113 9

HSL 107.88, 0.85%, 0.24%

LAB 41.38, -42.98, 44.03

 

CMYK 26 / 0 / 33 / 71

HEX #364931

RGB 54 73 49

HSL 107.5, 0.2%, 0.24%

LAB 28.83, -12.9, 12.02

 

CMYK 6 / 0 / 8 / 75

HEX #3C403B

RGB 60 64 59

HSL 108, 0.04%, 0.24%

LAB 26.57, -2.8, 2.48

 

CMYK 4 / 22 / 0 / 73

HEX #423645

RGB 66 54 69

HSL 288, 0.12%, 0.24%

LAB 24.41, 8.58, -7.28

 

CMYK 9 / 44 / 0 / 69

HEX #482C4F

RGB 72 44 79

HSL 288, 0.28%, 0.24%

LAB 22.8, 19.89, -16.36

 

CMYK 12 / 62 / 0 / 65

HEX #4E2259

RGB 78 34 89

HSL 288, 0.45%, 0.24%

LAB 21.89, 30.28, -24.4

 

CMYK 8 / 0 / 33 / 71

HEX #434931

RGB 67 73 49

HSL 75, 0.2%, 0.24%

LAB 29.86, -7.24, 13.59

 

CMYK 18 / 0 / 33 / 71

HEX #3C4931

RGB 60 73 49

HSL 92.5, 0.2%, 0.24%

LAB 29.28, -10.35, 12.71

 

CMYK 26 / 0 / 33 / 71

HEX #364931

RGB 54 73 49

HSL 107.5, 0.2%, 0.24%

LAB 28.83, -12.9, 12.02

 

CMYK 33 / 0 / 30 / 71

HEX #314933

RGB 49 73 51

HSL 125, 0.2%, 0.24%

LAB 28.53, -14.52, 10.29

 

CMYK 33 / 0 / 22 / 71

HEX #314939

RGB 49 73 57

HSL 140, 0.2%, 0.24%

LAB 28.68, -13.21, 6.66

 

CMYK 25 / 0 / 33 / 91

HEX #121810

RGB 18 24 16

HSL 105, 0.2%, 0.08%

LAB 7.4, -4.47, 3.99

 

CMYK 27 / 0 / 35 / 81

HEX #243120

RGB 36 49 32

HSL 105.88, 0.21%, 0.16%

LAB 18.7, -9.55, 9.13

 

CMYK 26 / 0 / 33 / 71

HEX #364931

RGB 54 73 49

HSL 107.5, 0.2%, 0.24%

LAB 28.83, -12.9, 12.02

 

CMYK 27 / 0 / 34 / 62

HEX #486241

RGB 72 98 65

HSL 107.27, 0.2%, 0.32%

LAB 38.72, -16.77, 15.75

 

CMYK 27 / 0 / 33 / 52

HEX #5A7B52

RGB 90 123 82

HSL 108.29, 0.2%, 0.4%

LAB 48.2, -20.27, 18.74

 

CMYK 27 / 0 / 34 / 71

HEX #364A31

RGB 54 74 49

HSL 108, 0.2%, 0.24%

LAB 29.17, -13.48, 12.48

 

CMYK 33 / 0 / 0 / 71

HEX #314949

RGB 49 73 73

HSL 180, 0.2%, 0.24%

LAB 29.16, -9.16, -2.97

 

CMYK 0 / 33 / 12 / 71

HEX #493140

RGB 73 49 64

HSL 322.5, 0.2%, 0.24%

LAB 23.62, 13.69, -5.03

 

CMYK 27 / 0 / 34 / 71

HEX #364A31

RGB 54 74 49

HSL 108, 0.2%, 0.24%

LAB 29.17, -13.48, 12.48

 

CMYK 33 / 26 / 0 / 71

HEX #313649

RGB 49 54 73

HSL 227.5, 0.2%, 0.24%

LAB 22.9, 3.11, -12.4

 

CMYK 0 / 33 / 26 / 71

HEX #493136

RGB 73 49 54

HSL 347.5, 0.2%, 0.24%

LAB 23.27, 11.78, 1.21

 

CMYK 27 / 0 / 34 / 71

HEX #364A31

RGB 54 74 49

HSL 108, 0.2%, 0.24%

LAB 29.17, -13.48, 12.48

 

CMYK 33 / 0 / 0 / 71

HEX #314949

RGB 49 73 73

HSL 180, 0.2%, 0.24%

LAB 29.16, -9.16, -2.97

 

CMYK 5 / 33 / 0 / 71

HEX #453149

RGB 69 49 73

HSL 290, 0.2%, 0.24%

LAB 23.48, 14.06, -11.33

 

CMYK 0 / 33 / 33 / 71

HEX #493131

RGB 73 49 49

HSL 0, 0.2%, 0.24%

LAB 23.12, 10.93, 4.38

 

CMYK 27 / 0 / 34 / 71

HEX #364A31

RGB 54 74 49

HSL 108, 0.2%, 0.24%

LAB 29.17, -13.48, 12.48

 

CMYK 33 / 10 / 0 / 71

HEX #314249

RGB 49 66 73

HSL 197.5, 0.2%, 0.24%

LAB 26.82, -4.81, -6.45

 

CMYK 5 / 33 / 0 / 71

HEX #453149

RGB 69 49 73

HSL 290, 0.2%, 0.24%

LAB 23.48, 14.06, -11.33

 

CMYK 0 / 23 / 33 / 71

HEX #493831

RGB 73 56 49

HSL 17.5, 0.2%, 0.24%

LAB 25.16, 6.33, 7.25

 

Description

Color code: HEX #364A31 | qconv.com Color code: HEX #364A31 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 74 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 74 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 34 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 34% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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