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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #36488ACE it is the complementary color #C9B775CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #36488ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #36488ACE shade: #3B4885CE, #4C5A98CE, #5D6CABCE, #6E7EBECE and #7F90D1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #36488ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #36488ACE shade: #36488ACE, #253677CE, #142464CE, #031251CE and #00003ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #36488ACE shade: #36498C, #3B368C, #52368C, #69368C and #80368C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #36488ACE shade: #36498C and #36368C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #36488ACE shade matches the following richer shades: #36498C, #27409B, #1737AB and #072EBB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #36488ACE shade: #36498C, #46517C, #565A6C, #65635D and #756C4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #36488ACE shade: #36768C, #365F8C, #36498C, #3B368C and #51368C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #36488ACE shade: #1F2A50, #2B396E, #36498C, #4258A9 and #576DBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #36488ACE shade: #36488A, #8A368C and #6B8C36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #36488ACE shade: #36488A, #8C3649 and #498C36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #36488ACE shade: #36488A, #8A368C, #8C7936 and #388C36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #36488ACE shade: #36488A, #8C3673, #8C7936 and #368C4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 39 / 0 / 37

HEX #36488ACE

RGBA 54 72 138 0.81

HSLA 227.14, 0.44%, 0.38%, 0.81

LABA 32.38, 14.42, -39.06, 0.81

 

Complementary color

CMYK 0 / 7 / 34 / 17

HEX #C9B775CE

RGBA 201 183 117 0.81

HSLA 47.14, 0.44%, 0.62%, 0.81

LABA 74.55, -2.84, 35.85, 0.81

 

CMYK 45 / 37 / 0 / 39

HEX #3B4885CE

RGBA 59 72 133 0.81

HSLA 229.46, 0.39%, 0.38%, 0.81

LABA 32.39, 13.75, -35.94, 0.81

 

CMYK 41 / 33 / 0 / 33

HEX #4C5A98CE

RGBA 76 90 152 0.81

HSLA 228.95, 0.33%, 0.45%, 0.81

LABA 39.77, 12.53, -35.69, 0.81

 

CMYK 37 / 30 / 0 / 27

HEX #5D6CABCE

RGBA 93 108 171 0.81

HSLA 228.46, 0.32%, 0.52%, 0.81

LABA 46.96, 11.56, -35.52, 0.81

 

CMYK 34 / 27 / 0 / 21

HEX #6E7EBECE

RGBA 110 126 190 0.81

HSLA 228, 0.38%, 0.59%, 0.81

LABA 53.98, 10.78, -35.41, 0.81

 

CMYK 32 / 25 / 0 / 15

HEX #7F90D1CE

RGBA 127 144 209 0.81

HSLA 227.56, 0.47%, 0.66%, 0.81

LABA 60.84, 10.13, -35.35, 0.81

 

CMYK 49 / 39 / 0 / 37

HEX #36488ACE

RGBA 54 72 138 0.81

HSLA 227.14, 0.44%, 0.38%, 0.81

LABA 32.38, 14.42, -39.06, 0.81

 

CMYK 56 / 44 / 0 / 43

HEX #253677CE

RGBA 37 54 119 0.81

HSLA 227.56, 0.53%, 0.31%, 0.81

LABA 24.84, 16.33, -39.37, 0.81

 

CMYK 65 / 52 / 0 / 49

HEX #142464CE

RGBA 20 36 100 0.81

HSLA 228, 0.67%, 0.24%, 0.81

LABA 17.13, 18.96, -39.65, 0.81

 

CMYK 78 / 63 / 0 / 55

HEX #031251CE

RGBA 3 18 81 0.81

HSLA 228.46, 0.93%, 0.16%, 0.81

LABA 9.37, 22.4, -39.66, 0.81

 

CMYK 81 / 81 / 0 / 61

HEX #00003ECE

RGBA 0 0 62 0.81

HSLA 240, 1%, 0.12%, 0.81

LABA 3.14, 22.06, -36.55, 0.81

 

CMYK 61 / 48 / 0 / 45

HEX #36498C

RGB 54 73 140

HSL 226.74, 0.44%, 0.38%

LAB 32.79, 14.47, -39.62

 

CMYK 58 / 61 / 0 / 45

HEX #3B368C

RGB 59 54 140

HSL 243.49, 0.44%, 0.38%

LAB 28.01, 28.1, -47.32

 

CMYK 41 / 61 / 0 / 45

HEX #52368C

RGB 82 54 140

HSL 259.53, 0.44%, 0.38%

LAB 30.22, 33.08, -43.64

 

CMYK 25 / 61 / 0 / 45

HEX #69368C

RGB 105 54 140

HSL 275.58, 0.44%, 0.38%

LAB 33, 38.8, -39.03

 

CMYK 9 / 61 / 0 / 45

HEX #80368C

RGB 128 54 140

HSL 291.63, 0.44%, 0.38%

LAB 36.22, 44.86, -33.71

 

CMYK 61 / 48 / 0 / 45

HEX #36498C

RGB 54 73 140

HSL 226.74, 0.44%, 0.38%

LAB 32.79, 14.47, -39.62

 

CMYK 61 / 61 / 0 / 45

HEX #36368C

RGB 54 54 140

HSL 240, 0.44%, 0.38%

LAB 27.62, 27.16, -47.98

 

CMYK 61 / 48 / 0 / 45

HEX #36498C

RGB 54 73 140

HSL 226.74, 0.44%, 0.38%

LAB 32.79, 14.47, -39.62

 

CMYK 75 / 59 / 0 / 39

HEX #27409B

RGB 39 64 155

HSL 227.07, 0.6%, 0.38%

LAB 30.56, 23.68, -52.43

 

CMYK 87 / 68 / 0 / 33

HEX #1737AB

RGB 23 55 171

HSL 227.03, 0.76%, 0.38%

LAB 29.04, 34.34, -64.59

 

CMYK 96 / 75 / 0 / 27

HEX #072EBB

RGB 7 46 187

HSL 227, 0.93%, 0.38%

LAB 28.35, 45.17, -75.29

 

CMYK 61 / 48 / 0 / 45

HEX #36498C

RGB 54 73 140

HSL 226.74, 0.44%, 0.38%

LAB 32.79, 14.47, -39.62

 

CMYK 44 / 35 / 0 / 51

HEX #46517C

RGB 70 81 124

HSL 227.78, 0.28%, 0.38%

LAB 35.29, 7.73, -25.75

 

CMYK 20 / 17 / 0 / 58

HEX #565A6C

RGB 86 90 108

HSL 229.09, 0.11%, 0.38%

LAB 38.5, 2.68, -10.8

 

CMYK 0 / 2 / 8 / 60

HEX #65635D

RGB 101 99 93

HSL 45, 0.04%, 0.38%

LAB 41.97, -0.41, 3.68

 

CMYK 0 / 8 / 34 / 54

HEX #756C4D

RGB 117 108 77

HSL 46.5, 0.21%, 0.38%

LAB 45.69, -1.62, 18.65

 

CMYK 61 / 16 / 0 / 45

HEX #36768C

RGB 54 118 140

HSL 195.35, 0.44%, 0.38%

LAB 46.49, -13.52, -18.15

 

CMYK 61 / 32 / 0 / 45

HEX #365F8C

RGB 54 95 140

HSL 211.4, 0.44%, 0.38%

LAB 39.35, 0.18, -29.23

 

CMYK 61 / 48 / 0 / 45

HEX #36498C

RGB 54 73 140

HSL 226.74, 0.44%, 0.38%

LAB 32.79, 14.47, -39.62

 

CMYK 58 / 61 / 0 / 45

HEX #3B368C

RGB 59 54 140

HSL 243.49, 0.44%, 0.38%

LAB 28.01, 28.1, -47.32

 

CMYK 42 / 61 / 0 / 45

HEX #51368C

RGB 81 54 140

HSL 258.84, 0.44%, 0.38%

LAB 30.11, 32.85, -43.82

 

CMYK 61 / 48 / 0 / 69

HEX #1F2A50

RGB 31 42 80

HSL 226.53, 0.44%, 0.22%

LAB 18.04, 8.46, -24.83

 

CMYK 61 / 48 / 0 / 57

HEX #2B396E

RGB 43 57 110

HSL 227.46, 0.44%, 0.3%

LAB 25.46, 12, -32.62

 

CMYK 61 / 48 / 0 / 45

HEX #36498C

RGB 54 73 140

HSL 226.74, 0.44%, 0.38%

LAB 32.79, 14.47, -39.62

 

CMYK 61 / 48 / 0 / 34

HEX #4258A9

RGB 66 88 169

HSL 227.18, 0.44%, 0.46%

LAB 39.58, 17.35, -46.18

 

CMYK 54 / 43 / 0 / 25

HEX #576DBE

RGB 87 109 190

HSL 227.18, 0.44%, 0.54%

LAB 47.86, 15.53, -45.17

 

CMYK 61 / 48 / 0 / 46

HEX #36488A

RGB 54 72 138

HSL 227.14, 0.44%, 0.38%

LAB 32.38, 14.42, -39.06

 

CMYK 1 / 61 / 0 / 45

HEX #8A368C

RGB 138 54 140

HSL 298.6, 0.44%, 0.38%

LAB 37.73, 47.54, -31.22

 

CMYK 24 / 0 / 61 / 45

HEX #6B8C36

RGB 107 140 54

HSL 83.02, 0.44%, 0.38%

LAB 54.18, -25.82, 41.21

 

CMYK 61 / 48 / 0 / 46

HEX #36488A

RGB 54 72 138

HSL 227.14, 0.44%, 0.38%

LAB 32.38, 14.42, -39.06

 

CMYK 0 / 61 / 48 / 45

HEX #8C3649

RGB 140 54 73

HSL 346.74, 0.44%, 0.38%

LAB 35.39, 38.31, 7.43

 

CMYK 48 / 0 / 61 / 45

HEX #498C36

RGB 73 140 54

HSL 106.74, 0.44%, 0.38%

LAB 52.33, -38.29, 38.61

 

CMYK 61 / 48 / 0 / 46

HEX #36488A

RGB 54 72 138

HSL 227.14, 0.44%, 0.38%

LAB 32.38, 14.42, -39.06

 

CMYK 1 / 61 / 0 / 45

HEX #8A368C

RGB 138 54 140

HSL 298.6, 0.44%, 0.38%

LAB 37.73, 47.54, -31.22

 

CMYK 0 / 14 / 61 / 45

HEX #8C7936

RGB 140 121 54

HSL 46.74, 0.44%, 0.38%

LAB 51.29, -1.21, 38.69

 

CMYK 60 / 0 / 61 / 45

HEX #388C36

RGB 56 140 54

HSL 118.6, 0.44%, 0.38%

LAB 51.68, -43.19, 37.7

 

CMYK 61 / 48 / 0 / 46

HEX #36488A

RGB 54 72 138

HSL 227.14, 0.44%, 0.38%

LAB 32.38, 14.42, -39.06

 

CMYK 0 / 61 / 18 / 45

HEX #8C3673

RGB 140 54 115

HSL 317.44, 0.44%, 0.38%

LAB 36.84, 43.81, -17.1

 

CMYK 0 / 14 / 61 / 45

HEX #8C7936

RGB 140 121 54

HSL 46.74, 0.44%, 0.38%

LAB 51.29, -1.21, 38.69

 

CMYK 61 / 0 / 44 / 45

HEX #368C4E

RGB 54 140 78

HSL 136.74, 0.44%, 0.38%

LAB 51.94, -40.11, 25.6

 

Description

Color code: HEX #36488ACE | qconv.com Color code: HEX #36488ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 72 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 72 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 39 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 39% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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