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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #364572 it is the complementary color #C9BA8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #364572. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #364572 shade: #3B456D, #4C5780, #5D6993, #6E7BA6 and #7F8DB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #364572. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #364572 shade: #364572, #25335F, #14214C, #030F39 and #000026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #364572 shade: #364572, #373672, #473672, #583672 and #683672

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #364572 shade: #364572 and #363672

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #364572 shade matches the following richer shades: #364572, #283E80, #1B378E and #0D319B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #364572 shade: #364572, #434C65, #515357, #5F594A and #6C603C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #364572 shade: #366572, #365572, #364572, #373672 and #473672

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #364572 shade: #1B233A, #293456, #364572, #43568F and #5067AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #364572 shade: #364572, #6F3672 and #5D7236

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #364572 shade: #364572, #723645 and #457236

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #364572 shade: #364572, #6F3672, #726336 and #397236

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #364572 shade: #364572, #723663, #726336 and #367245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 39 / 0 / 55

HEX #364572

RGB 54 69 114

HSL 225, 0.36%, 0.33%

LAB 30.05, 7.93, -27.82

 

Complementary color

CMYK 0 / 7 / 30 / 21

HEX #C9BA8D

RGB 201 186 141

HSL 45, 0.36%, 0.67%

LAB 75.74, -1.56, 24.78

 

CMYK 46 / 37 / 0 / 57

HEX #3B456D

RGB 59 69 109

HSL 228, 0.3%, 0.33%

LAB 30.13, 7.61, -24.5

 

CMYK 41 / 32 / 0 / 50

HEX #4C5780

RGB 76 87 128

HSL 227.31, 0.25%, 0.4%

LAB 37.68, 6.87, -24.43

 

CMYK 37 / 29 / 0 / 42

HEX #5D6993

RGB 93 105 147

HSL 226.67, 0.23%, 0.47%

LAB 44.99, 6.29, -24.44

 

CMYK 34 / 26 / 0 / 35

HEX #6E7BA6

RGB 110 123 166

HSL 226.07, 0.24%, 0.54%

LAB 52.1, 5.81, -24.51

 

CMYK 31 / 24 / 0 / 27

HEX #7F8DB9

RGB 127 141 185

HSL 225.52, 0.29%, 0.61%

LAB 59.03, 5.4, -24.62

 

CMYK 53 / 39 / 0 / 55

HEX #364572

RGB 54 69 114

HSL 225, 0.36%, 0.33%

LAB 30.05, 7.93, -27.82

 

CMYK 61 / 46 / 0 / 63

HEX #25335F

RGB 37 51 95

HSL 225.52, 0.44%, 0.26%

LAB 22.26, 9.2, -28.05

 

CMYK 74 / 57 / 0 / 70

HEX #14214C

RGB 20 33 76

HSL 226.07, 0.58%, 0.19%

LAB 14.16, 11.1, -28.36

 

CMYK 95 / 74 / 0 / 78

HEX #030F39

RGB 3 15 57

HSL 226.67, 0.9%, 0.12%

LAB 5.93, 13.06, -28.39

 

CMYK 100 / 100 / 0 / 85

HEX #000026

RGB 0 0 38

HSL 240, 1%, 0.07%

LAB 1.26, 8.88, -21.58

 

CMYK 53 / 39 / 0 / 55

HEX #364572

RGB 54 69 114

HSL 225, 0.36%, 0.33%

LAB 30.05, 7.93, -27.82

 

CMYK 52 / 53 / 0 / 55

HEX #373672

RGB 55 54 114

HSL 241, 0.36%, 0.33%

LAB 25.76, 18.33, -34.64

 

CMYK 38 / 53 / 0 / 55

HEX #473672

RGB 71 54 114

HSL 257, 0.36%, 0.33%

LAB 27.28, 22.59, -32.13

 

CMYK 23 / 53 / 0 / 55

HEX #583672

RGB 88 54 114

HSL 274, 0.36%, 0.33%

LAB 29.23, 27.59, -28.91

 

CMYK 9 / 53 / 0 / 55

HEX #683672

RGB 104 54 114

HSL 290, 0.36%, 0.33%

LAB 31.34, 32.51, -25.44

 

CMYK 53 / 39 / 0 / 55

HEX #364572

RGB 54 69 114

HSL 225, 0.36%, 0.33%

LAB 30.05, 7.93, -27.82

 

CMYK 53 / 53 / 0 / 55

HEX #363672

RGB 54 54 114

HSL 240, 0.36%, 0.33%

LAB 25.68, 18.09, -34.78

 

CMYK 53 / 39 / 0 / 55

HEX #364572

RGB 54 69 114

HSL 225, 0.36%, 0.33%

LAB 30.05, 7.93, -27.82

 

CMYK 69 / 52 / 0 / 50

HEX #283E80

RGB 40 62 128

HSL 225, 0.52%, 0.33%

LAB 27.99, 14.78, -39.95

 

CMYK 81 / 61 / 0 / 44

HEX #1B378E

RGB 27 55 142

HSL 225.39, 0.68%, 0.33%

LAB 26.5, 23.36, -51.1

 

CMYK 92 / 68 / 0 / 39

HEX #0D319B

RGB 13 49 155

HSL 224.79, 0.85%, 0.33%

LAB 25.71, 31.59, -60.4

 

CMYK 53 / 39 / 0 / 55

HEX #364572

RGB 54 69 114

HSL 225, 0.36%, 0.33%

LAB 30.05, 7.93, -27.82

 

CMYK 34 / 25 / 0 / 60

HEX #434C65

RGB 67 76 101

HSL 224.12, 0.2%, 0.33%

LAB 32.48, 3.05, -15.74

 

CMYK 7 / 5 / 0 / 66

HEX #515357

RGB 81 83 87

HSL 220, 0.04%, 0.33%

LAB 35.25, 0.09, -2.62

 

CMYK 0 / 6 / 22 / 63

HEX #5F594A

RGB 95 89 74

HSL 42.86, 0.12%, 0.33%

LAB 37.97, -0.37, 9.57

 

CMYK 0 / 11 / 44 / 58

HEX #6C603C

RGB 108 96 60

HSL 45, 0.29%, 0.33%

LAB 41.02, -0.79, 22.3

 

CMYK 53 / 11 / 0 / 55

HEX #366572

RGB 54 101 114

HSL 193, 0.36%, 0.33%

LAB 40.09, -12.1, -12.27

 

CMYK 53 / 25 / 0 / 55

HEX #365572

RGB 54 85 114

HSL 209, 0.36%, 0.33%

LAB 35, -2.46, -20.08

 

CMYK 53 / 39 / 0 / 55

HEX #364572

RGB 54 69 114

HSL 225, 0.36%, 0.33%

LAB 30.05, 7.93, -27.82

 

CMYK 52 / 53 / 0 / 55

HEX #373672

RGB 55 54 114

HSL 241, 0.36%, 0.33%

LAB 25.76, 18.33, -34.64

 

CMYK 38 / 53 / 0 / 55

HEX #473672

RGB 71 54 114

HSL 257, 0.36%, 0.33%

LAB 27.28, 22.59, -32.13

 

CMYK 53 / 40 / 0 / 77

HEX #1B233A

RGB 27 35 58

HSL 224.52, 0.36%, 0.17%

LAB 14.06, 4.11, -15.98

 

CMYK 52 / 40 / 0 / 66

HEX #293456

RGB 41 52 86

HSL 225.33, 0.35%, 0.25%

LAB 22.3, 6.22, -22.04

 

CMYK 53 / 39 / 0 / 55

HEX #364572

RGB 54 69 114

HSL 225, 0.36%, 0.33%

LAB 30.05, 7.93, -27.82

 

CMYK 53 / 40 / 0 / 44

HEX #43568F

RGB 67 86 143

HSL 225, 0.36%, 0.41%

LAB 37.54, 9.9, -33.84

 

CMYK 53 / 40 / 0 / 33

HEX #5067AB

RGB 80 103 171

HSL 224.84, 0.36%, 0.49%

LAB 44.73, 11.48, -39.11

 

CMYK 53 / 39 / 0 / 55

HEX #364572

RGB 54 69 114

HSL 225, 0.36%, 0.33%

LAB 30.05, 7.93, -27.82

 

CMYK 3 / 53 / 0 / 55

HEX #6F3672

RGB 111 54 114

HSL 297, 0.36%, 0.33%

LAB 32.33, 34.69, -23.81

 

CMYK 18 / 0 / 53 / 55

HEX #5D7236

RGB 93 114 54

HSL 81, 0.36%, 0.33%

LAB 45.12, -18.34, 30.46

 

CMYK 53 / 39 / 0 / 55

HEX #364572

RGB 54 69 114

HSL 225, 0.36%, 0.33%

LAB 30.05, 7.93, -27.82

 

CMYK 0 / 53 / 39 / 55

HEX #723645

RGB 114 54 69

HSL 345, 0.36%, 0.33%

LAB 30.99, 28.15, 3.16

 

CMYK 39 / 0 / 53 / 55

HEX #457236

RGB 69 114 54

HSL 105, 0.36%, 0.33%

LAB 43.6, -27.86, 28.27

 

CMYK 53 / 39 / 0 / 55

HEX #364572

RGB 54 69 114

HSL 225, 0.36%, 0.33%

LAB 30.05, 7.93, -27.82

 

CMYK 3 / 53 / 0 / 55

HEX #6F3672

RGB 111 54 114

HSL 297, 0.36%, 0.33%

LAB 32.33, 34.69, -23.81

 

CMYK 0 / 13 / 53 / 55

HEX #726336

RGB 114 99 54

HSL 45, 0.36%, 0.33%

LAB 42.41, -0.47, 27.6

 

CMYK 50 / 0 / 53 / 55

HEX #397236

RGB 57 114 54

HSL 117, 0.36%, 0.33%

LAB 43.02, -31.94, 27.42

 

CMYK 53 / 39 / 0 / 55

HEX #364572

RGB 54 69 114

HSL 225, 0.36%, 0.33%

LAB 30.05, 7.93, -27.82

 

CMYK 0 / 53 / 13 / 55

HEX #723663

RGB 114 54 99

HSL 315, 0.36%, 0.33%

LAB 32.07, 32.79, -14.64

 

CMYK 0 / 13 / 53 / 55

HEX #726336

RGB 114 99 54

HSL 45, 0.36%, 0.33%

LAB 42.41, -0.47, 27.6

 

CMYK 53 / 0 / 39 / 55

HEX #367245

RGB 54 114 69

HSL 135, 0.36%, 0.33%

LAB 43.14, -30.31, 19.13

 

Description

Color code: HEX #364572 | qconv.com Color code: HEX #364572 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 69 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 69 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 39 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 39% 0% 55% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

22% - КГБ live! — клубная ...
Link: http://kgb-live.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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