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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #363D5E it is the complementary color #C9C2A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #363D5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #363D5E shade: #3B3D59, #4C4F6C, #5D617F, #6E7392 and #7F85A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #363D5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #363D5E shade: #363D5E, #252B4B, #141938, #030725 and #000012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #363D5E shade: #363D5E, #3A365E, #45365E, #4F365E and #5A365E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #363D5E shade: #363D5E and #36365E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #363D5E shade matches the following richer shades: #363D5E, #2A356A, #1E2D76, #122682 and #061E8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #363D5E shade: #363D5E, #424552, #4E4D46, #5A543A and #665C2E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #363D5E shade: #36535E, #36485E, #363D5E, #39365E and #44365E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #363D5E shade: #181B2A, #272C44, #363D5E, #454E78 and #545F92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #363D5E shade: #363D5E, #5E365D and #4D5E36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #363D5E shade: #363D5E, #5E363D and #3D5E36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #363D5E shade: #363D5E, #5E365D, #5E5736 and #365E37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #363D5E shade: #363D5E, #5E3651, #5E5736 and #365E43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 35 / 0 / 63

HEX #363D5E

RGB 54 61 94

HSL 229.5, 0.27%, 0.29%

LAB 26.53, 6.6, -20.56

 

Complementary color

CMYK 0 / 3 / 20 / 21

HEX #C9C2A1

RGB 201 194 161

HSL 49.5, 0.27%, 0.71%

LAB 78.21, -2.97, 17.5

 

CMYK 34 / 31 / 0 / 65

HEX #3B3D59

RGB 59 61 89

HSL 236, 0.2%, 0.29%

LAB 26.7, 6.67, -17.02

 

CMYK 30 / 27 / 0 / 58

HEX #4C4F6C

RGB 76 79 108

HSL 234.38, 0.17%, 0.36%

LAB 34.42, 6.13, -17.11

 

CMYK 27 / 24 / 0 / 50

HEX #5D617F

RGB 93 97 127

HSL 232.94, 0.15%, 0.43%

LAB 41.86, 5.69, -17.26

 

CMYK 25 / 21 / 0 / 43

HEX #6E7392

RGB 110 115 146

HSL 231.67, 0.14%, 0.5%

LAB 49.07, 5.31, -17.47

 

CMYK 23 / 19 / 0 / 35

HEX #7F85A5

RGB 127 133 165

HSL 230.53, 0.17%, 0.57%

LAB 56.09, 4.99, -17.7

 

CMYK 43 / 35 / 0 / 63

HEX #363D5E

RGB 54 61 94

HSL 229.5, 0.27%, 0.29%

LAB 26.53, 6.6, -20.56

 

CMYK 51 / 43 / 0 / 71

HEX #252B4B

RGB 37 43 75

HSL 230.53, 0.34%, 0.22%

LAB 18.49, 7.51, -20.69

 

CMYK 64 / 55 / 0 / 78

HEX #141938

RGB 20 25 56

HSL 231.67, 0.47%, 0.15%

LAB 10.03, 8.9, -20.99

 

CMYK 92 / 81 / 0 / 85

HEX #030725

RGB 3 7 37

HSL 232.94, 0.85%, 0.08%

LAB 2.75, 6.46, -18.48

 

CMYK 100 / 100 / 0 / 93

HEX #000012

RGB 0 0 18

HSL 240, 1%, 0.04%

LAB 0.39, 2.77, -7.54

 

CMYK 43 / 35 / 0 / 63

HEX #363D5E

RGB 54 61 94

HSL 229.5, 0.27%, 0.29%

LAB 26.53, 6.6, -20.56

 

CMYK 38 / 43 / 0 / 63

HEX #3A365E

RGB 58 54 94

HSL 246, 0.27%, 0.29%

LAB 24.78, 12.6, -23.28

 

CMYK 27 / 43 / 0 / 63

HEX #45365E

RGB 69 54 94

HSL 262.5, 0.27%, 0.29%

LAB 25.9, 16.19, -21.46

 

CMYK 16 / 43 / 0 / 63

HEX #4F365E

RGB 79 54 94

HSL 277.5, 0.27%, 0.29%

LAB 27.04, 19.61, -19.58

 

CMYK 4 / 43 / 0 / 63

HEX #5A365E

RGB 90 54 94

HSL 294, 0.27%, 0.29%

LAB 28.43, 23.47, -17.31

 

CMYK 43 / 35 / 0 / 63

HEX #363D5E

RGB 54 61 94

HSL 229.5, 0.27%, 0.29%

LAB 26.53, 6.6, -20.56

 

CMYK 43 / 43 / 0 / 63

HEX #36365E

RGB 54 54 94

HSL 240, 0.27%, 0.29%

LAB 24.42, 11.37, -23.88

 

CMYK 43 / 35 / 0 / 63

HEX #363D5E

RGB 54 61 94

HSL 229.5, 0.27%, 0.29%

LAB 26.53, 6.6, -20.56

 

CMYK 60 / 50 / 0 / 58

HEX #2A356A

RGB 42 53 106

HSL 229.69, 0.43%, 0.29%

LAB 23.93, 13.08, -32.5

 

CMYK 75 / 62 / 0 / 54

HEX #1E2D76

RGB 30 45 118

HSL 229.77, 0.59%, 0.29%

LAB 21.8, 21.15, -43.68

 

CMYK 86 / 71 / 0 / 49

HEX #122682

RGB 18 38 130

HSL 229.29, 0.76%, 0.29%

LAB 20.54, 29.48, -53.39

 

CMYK 96 / 79 / 0 / 44

HEX #061E8E

RGB 6 30 142

HSL 229.41, 0.92%, 0.29%

LAB 19.72, 38.5, -62.28

 

CMYK 43 / 35 / 0 / 63

HEX #363D5E

RGB 54 61 94

HSL 229.5, 0.27%, 0.29%

LAB 26.53, 6.6, -20.56

 

CMYK 20 / 16 / 0 / 68

HEX #424552

RGB 66 69 82

HSL 228.75, 0.11%, 0.29%

LAB 29.47, 1.95, -8.18

 

CMYK 0 / 1 / 10 / 69

HEX #4E4D46

RGB 78 77 70

HSL 52.5, 0.05%, 0.29%

LAB 32.63, -1.04, 4.3

 

CMYK 0 / 7 / 36 / 65

HEX #5A543A

RGB 90 84 58

HSL 48.75, 0.22%, 0.29%

LAB 35.63, -2.08, 16.11

 

CMYK 0 / 10 / 55 / 60

HEX #665C2E

RGB 102 92 46

HSL 49.29, 0.38%, 0.29%

LAB 39.03, -2.74, 27.69

 

CMYK 43 / 12 / 0 / 63

HEX #36535E

RGB 54 83 94

HSL 196.5, 0.27%, 0.29%

LAB 33.52, -7.57, -9.82

 

CMYK 43 / 23 / 0 / 63

HEX #36485E

RGB 54 72 94

HSL 213, 0.27%, 0.29%

LAB 29.98, -0.67, -15.22

 

CMYK 43 / 35 / 0 / 63

HEX #363D5E

RGB 54 61 94

HSL 229.5, 0.27%, 0.29%

LAB 26.53, 6.6, -20.56

 

CMYK 39 / 43 / 0 / 63

HEX #39365E

RGB 57 54 94

HSL 244.5, 0.27%, 0.29%

LAB 24.69, 12.29, -23.44

 

CMYK 28 / 43 / 0 / 63

HEX #44365E

RGB 68 54 94

HSL 261, 0.27%, 0.29%

LAB 25.79, 15.85, -21.63

 

CMYK 43 / 36 / 0 / 84

HEX #181B2A

RGB 24 27 42

HSL 230, 0.27%, 0.13%

LAB 10.15, 3.29, -10.6

 

CMYK 43 / 35 / 0 / 73

HEX #272C44

RGB 39 44 68

HSL 229.66, 0.27%, 0.21%

LAB 18.58, 5, -15.77

 

CMYK 43 / 35 / 0 / 63

HEX #363D5E

RGB 54 61 94

HSL 229.5, 0.27%, 0.29%

LAB 26.53, 6.6, -20.56

 

CMYK 43 / 35 / 0 / 53

HEX #454E78

RGB 69 78 120

HSL 229.41, 0.27%, 0.37%

LAB 34.13, 8.13, -25.09

 

CMYK 42 / 35 / 0 / 43

HEX #545F92

RGB 84 95 146

HSL 229.35, 0.27%, 0.45%

LAB 41.44, 9.59, -29.42

 

CMYK 43 / 35 / 0 / 63

HEX #363D5E

RGB 54 61 94

HSL 229.5, 0.27%, 0.29%

LAB 26.53, 6.6, -20.56

 

CMYK 0 / 43 / 1 / 63

HEX #5E365D

RGB 94 54 93

HSL 301.5, 0.27%, 0.29%

LAB 28.92, 24.67, -15.86

 

CMYK 18 / 0 / 43 / 63

HEX #4D5E36

RGB 77 94 54

HSL 85.5, 0.27%, 0.29%

LAB 37.57, -14.29, 20.82

 

CMYK 43 / 35 / 0 / 63

HEX #363D5E

RGB 54 61 94

HSL 229.5, 0.27%, 0.29%

LAB 26.53, 6.6, -20.56

 

CMYK 0 / 43 / 35 / 63

HEX #5E363D

RGB 94 54 61

HSL 349.5, 0.27%, 0.29%

LAB 27.72, 18.88, 3.33

 

CMYK 35 / 0 / 43 / 63

HEX #3D5E36

RGB 61 94 54

HSL 109.5, 0.27%, 0.29%

LAB 36.49, -20.8, 19.21

 

CMYK 43 / 35 / 0 / 63

HEX #363D5E

RGB 54 61 94

HSL 229.5, 0.27%, 0.29%

LAB 26.53, 6.6, -20.56

 

CMYK 0 / 43 / 1 / 63

HEX #5E365D

RGB 94 54 93

HSL 301.5, 0.27%, 0.29%

LAB 28.92, 24.67, -15.86

 

CMYK 0 / 7 / 43 / 63

HEX #5E5736

RGB 94 87 54

HSL 49.5, 0.27%, 0.29%

LAB 36.86, -2.59, 20.2

 

CMYK 43 / 0 / 41 / 63

HEX #365E37

RGB 54 94 55

HSL 121.5, 0.27%, 0.29%

LAB 36.11, -23.19, 18.05

 

CMYK 43 / 35 / 0 / 63

HEX #363D5E

RGB 54 61 94

HSL 229.5, 0.27%, 0.29%

LAB 26.53, 6.6, -20.56

 

CMYK 0 / 43 / 14 / 63

HEX #5E3651

RGB 94 54 81

HSL 319.5, 0.27%, 0.29%

LAB 28.41, 22.27, -8.83

 

CMYK 0 / 7 / 43 / 63

HEX #5E5736

RGB 94 87 54

HSL 49.5, 0.27%, 0.29%

LAB 36.86, -2.59, 20.2

 

CMYK 43 / 0 / 29 / 63

HEX #365E43

RGB 54 94 67

HSL 139.5, 0.27%, 0.29%

LAB 36.36, -20.82, 11.15

 

Description

Color code: HEX #363D5E | qconv.com Color code: HEX #363D5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 61 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 61 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 35 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 35% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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