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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #363C0C it is the complementary color #C9C3F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #363C0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #363C0C shade: #3B3C07, #4C4E1A, #5D602D, #6E7240 and #7F8453

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #363C0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #363C0C shade: #363C0C, #252A00, #141800, #030600 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #363C0C shade: #363C0C, #3C350C, #3C280C, #3C1B0C and #3C0E0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #363C0C shade: #363C0C, #293C0C, #1C3C0C, #0F3C0C and #0C3C16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #363C0C shade matches the following richer shades: #363C0C, #3A4106 and #3E4700

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #363C0C shade: #363C0C, #313612, #2D3017, #292A1D and #242523

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #363C0C shade: #3C280C, #3C340C, #363C0C, #293C0C and #1D3C0C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #363C0C shade: #000000, #171905, #363C0C, #555E13 and #748119

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #363C0C shade: #363C0C, #0C3C1B and #2E0C3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #363C0C shade: #363C0C, #0C363C and #3C0C36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #363C0C shade: #363C0C, #0C3C1B, #110C3C and #3C0C2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #363C0C shade: #363C0C, #0C3C29, #110C3C and #3C0C1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 80 / 76

HEX #363C0C

RGB 54 60 12

HSL 67.5, 0.67%, 0.14%

LAB 23.81, -10.09, 27.33

 

Complementary color

CMYK 17 / 20 / 0 / 5

HEX #C9C3F3

RGB 201 195 243

HSL 247.5, 0.67%, 0.86%

LAB 80.69, 11.61, -22.93

 

CMYK 2 / 0 / 88 / 76

HEX #3B3C07

RGB 59 60 7

HSL 61.13, 0.79%, 0.13%

LAB 24.25, -7.81, 30.01

 

CMYK 3 / 0 / 67 / 69

HEX #4C4E1A

RGB 76 78 26

HSL 62.31, 0.5%, 0.2%

LAB 31.94, -8.77, 29.63

 

CMYK 3 / 0 / 53 / 62

HEX #5D602D

RGB 93 96 45

HSL 63.53, 0.36%, 0.28%

LAB 39.38, -9.39, 28.45

 

CMYK 4 / 0 / 44 / 55

HEX #6E7240

RGB 110 114 64

HSL 64.8, 0.28%, 0.35%

LAB 46.6, -9.79, 27.14

 

CMYK 4 / 0 / 37 / 48

HEX #7F8453

RGB 127 132 83

HSL 66.12, 0.23%, 0.42%

LAB 53.64, -10.08, 25.86

 

CMYK 10 / 0 / 80 / 76

HEX #363C0C

RGB 54 60 12

HSL 67.5, 0.67%, 0.14%

LAB 23.81, -10.09, 27.33

 

CMYK 12 / 0 / 100 / 84

HEX #252A00

RGB 37 42 0

HSL 67.14, 1%, 0.08%

LAB 15.74, -8.93, 22.69

 

CMYK 17 / 0 / 100 / 91

HEX #141800

RGB 20 24 0

HSL 70, 1%, 0.05%

LAB 7.24, -6.03, 10.74

 

CMYK 50 / 0 / 100 / 98

HEX #030600

RGB 3 6 0

HSL 90, 1%, 0.01%

LAB 1.35, -1.62, 1.99

 

CMYK 10 / 0 / 80 / 76

HEX #363C0C

RGB 54 60 12

HSL 67.5, 0.67%, 0.14%

LAB 23.81, -10.09, 27.33

 

CMYK 0 / 12 / 80 / 76

HEX #3C350C

RGB 60 53 12

HSL 51.25, 0.67%, 0.14%

LAB 22.06, -2.57, 25.73

 

CMYK 0 / 33 / 80 / 76

HEX #3C280C

RGB 60 40 12

HSL 35, 0.67%, 0.14%

LAB 17.94, 6.05, 21.07

 

CMYK 0 / 55 / 80 / 76

HEX #3C1B0C

RGB 60 27 12

HSL 18.75, 0.67%, 0.14%

LAB 14.24, 14.75, 16.43

 

CMYK 0 / 77 / 80 / 76

HEX #3C0E0C

RGB 60 14 12

HSL 2.5, 0.67%, 0.14%

LAB 11.28, 22.4, 12.46

 

CMYK 10 / 0 / 80 / 76

HEX #363C0C

RGB 54 60 12

HSL 67.5, 0.67%, 0.14%

LAB 23.81, -10.09, 27.33

 

CMYK 32 / 0 / 80 / 76

HEX #293C0C

RGB 41 60 12

HSL 83.75, 0.67%, 0.14%

LAB 22.76, -16.47, 25.92

 

CMYK 53 / 0 / 80 / 76

HEX #1C3C0C

RGB 28 60 12

HSL 100, 0.67%, 0.14%

LAB 21.96, -21.98, 24.84

 

CMYK 75 / 0 / 80 / 76

HEX #0F3C0C

RGB 15 60 12

HSL 116.25, 0.67%, 0.14%

LAB 21.43, -26.14, 24.12

 

CMYK 80 / 0 / 63 / 76

HEX #0C3C16

RGB 12 60 22

HSL 132.5, 0.67%, 0.14%

LAB 21.46, -25.48, 18.78

 

CMYK 10 / 0 / 80 / 76

HEX #363C0C

RGB 54 60 12

HSL 67.5, 0.67%, 0.14%

LAB 23.81, -10.09, 27.33

 

CMYK 11 / 0 / 91 / 75

HEX #3A4106

RGB 58 65 6

HSL 67.12, 0.83%, 0.14%

LAB 25.84, -11.39, 31.9

 

CMYK 13 / 0 / 100 / 72

HEX #3E4700

RGB 62 71 0

HSL 67.61, 1%, 0.14%

LAB 28.2, -13.17, 36.54

 

CMYK 10 / 0 / 80 / 76

HEX #363C0C

RGB 54 60 12

HSL 67.5, 0.67%, 0.14%

LAB 23.81, -10.09, 27.33

 

CMYK 9 / 0 / 67 / 79

HEX #313612

RGB 49 54 18

HSL 68.33, 0.5%, 0.14%

LAB 21.34, -8.47, 21.49

 

CMYK 6 / 0 / 52 / 81

HEX #2D3017

RGB 45 48 23

HSL 67.2, 0.35%, 0.14%

LAB 18.94, -6.13, 15.53

 

CMYK 2 / 0 / 31 / 84

HEX #292A1D

RGB 41 42 29

HSL 64.62, 0.18%, 0.14%

LAB 16.58, -3.23, 8.38

 

CMYK 3 / 0 / 5 / 85

HEX #242523

RGB 36 37 35

HSL 90, 0.03%, 0.14%

LAB 14.51, -0.94, 1.17

 

CMYK 0 / 33 / 80 / 76

HEX #3C280C

RGB 60 40 12

HSL 35, 0.67%, 0.14%

LAB 17.94, 6.05, 21.07

 

CMYK 0 / 13 / 80 / 76

HEX #3C340C

RGB 60 52 12

HSL 50, 0.67%, 0.14%

LAB 21.74, -1.92, 25.38

 

CMYK 10 / 0 / 80 / 76

HEX #363C0C

RGB 54 60 12

HSL 67.5, 0.67%, 0.14%

LAB 23.81, -10.09, 27.33

 

CMYK 32 / 0 / 80 / 76

HEX #293C0C

RGB 41 60 12

HSL 83.75, 0.67%, 0.14%

LAB 22.76, -16.47, 25.92

 

CMYK 52 / 0 / 80 / 76

HEX #1D3C0C

RGB 29 60 12

HSL 98.75, 0.67%, 0.14%

LAB 22.01, -21.6, 24.91

 

CMYK 8 / 0 / 80 / 90

HEX #171905

RGB 23 25 5

HSL 66, 0.67%, 0.06%

LAB 8.02, -4.75, 9.88

 

CMYK 10 / 0 / 80 / 76

HEX #363C0C

RGB 54 60 12

HSL 67.5, 0.67%, 0.14%

LAB 23.81, -10.09, 27.33

 

CMYK 10 / 0 / 80 / 63

HEX #555E13

RGB 85 94 19

HSL 67.2, 0.66%, 0.22%

LAB 37.81, -14.06, 38.9

 

CMYK 10 / 0 / 81 / 49

HEX #748119

RGB 116 129 25

HSL 67.5, 0.68%, 0.3%

LAB 51.25, -18.3, 50.14

 

CMYK 10 / 0 / 80 / 76

HEX #363C0C

RGB 54 60 12

HSL 67.5, 0.67%, 0.14%

LAB 23.81, -10.09, 27.33

 

CMYK 80 / 0 / 55 / 76

HEX #0C3C1B

RGB 12 60 27

HSL 138.75, 0.67%, 0.14%

LAB 21.54, -24.57, 15.86

 

CMYK 23 / 80 / 0 / 76

HEX #2E0C3C

RGB 46 12 60

HSL 282.5, 0.67%, 0.14%

LAB 10.33, 26.21, -23.18

 

CMYK 10 / 0 / 80 / 76

HEX #363C0C

RGB 54 60 12

HSL 67.5, 0.67%, 0.14%

LAB 23.81, -10.09, 27.33

 

CMYK 80 / 10 / 0 / 76

HEX #0C363C

RGB 12 54 60

HSL 187.5, 0.67%, 0.14%

LAB 20.21, -11.76, -7.93

 

CMYK 0 / 80 / 10 / 76

HEX #3C0C36

RGB 60 12 54

HSL 307.5, 0.67%, 0.14%

LAB 12.54, 28.79, -15.2

 

CMYK 10 / 0 / 80 / 76

HEX #363C0C

RGB 54 60 12

HSL 67.5, 0.67%, 0.14%

LAB 23.81, -10.09, 27.33

 

CMYK 80 / 0 / 55 / 76

HEX #0C3C1B

RGB 12 60 27

HSL 138.75, 0.67%, 0.14%

LAB 21.54, -24.57, 15.86

 

CMYK 72 / 80 / 0 / 76

HEX #110C3C

RGB 17 12 60

HSL 246.25, 0.67%, 0.14%

LAB 6.4, 19.17, -29.75

 

CMYK 0 / 80 / 27 / 76

HEX #3C0C2C

RGB 60 12 44

HSL 320, 0.67%, 0.14%

LAB 11.99, 27.03, -8.77

 

CMYK 10 / 0 / 80 / 76

HEX #363C0C

RGB 54 60 12

HSL 67.5, 0.67%, 0.14%

LAB 23.81, -10.09, 27.33

 

CMYK 80 / 0 / 32 / 76

HEX #0C3C29

RGB 12 60 41

HSL 156.25, 0.67%, 0.14%

LAB 21.84, -21.29, 7.25

 

CMYK 72 / 80 / 0 / 76

HEX #110C3C

RGB 17 12 60

HSL 246.25, 0.67%, 0.14%

LAB 6.4, 19.17, -29.75

 

CMYK 0 / 80 / 50 / 76

HEX #3C0C1E

RGB 60 12 30

HSL 337.5, 0.67%, 0.14%

LAB 11.4, 25.04, 0.77

 

Description

Color code: HEX #363C0C | qconv.com Color code: HEX #363C0C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 60 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 60 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 80 yellow and 76 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 80% 76% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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