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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #363ABCCE it is the complementary color #C9C543CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #363ABCCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #363ABCCE shade: #3B3AB7CE, #4C4CCACE, #5D5EDDCE, #6E70F0CE and #7F82FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #363ABCCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #363ABCCE shade: #363ABCCE, #2528A9CE, #141696CE, #030483CE and #000070CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #363ABCCE shade: #363ABA, #5636BA, #7936BA, #9D36BA and #BA36B3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #363ABCCE shade: #363ABA and #3636BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #363ABCCE shade matches the following richer shades: #363ABA, #2328CD and #0F15E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #363ABCCE shade: #363ABA, #494CA6, #5D5E93, #707180 and #83836C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #363ABCCE shade: #3681BA, #365DBA, #363ABA, #5536BA and #7836BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #363ABCCE shade: #23267A, #2D309A, #363ABA, #4D51CB and #6D71D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #363ABCCE shade: #363ABC, #BA36A4 and #6FBA36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #363ABCCE shade: #363ABC, #BA363A and #3ABA36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #363ABCCE shade: #363ABC, #BA36A4, #BAB536 and #36BA4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #363ABCCE shade: #363ABC, #BA367C, #BAB536 and #36BA73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 56 / 0 / 21

HEX #363ABCCE

RGBA 54 58 188 0.81

HSLA 238.21, 0.55%, 0.47%, 0.81

LABA 32.79, 41.3, -68.49, 0.81

 

Complementary color

CMYK 0 / 2 / 54 / 17

HEX #C9C543CE

RGBA 201 197 67 0.81

HSLA 58.21, 0.55%, 0.53%, 0.81

LABA 77.73, -14.12, 62.83, 0.81

 

CMYK 55 / 55 / 0 / 23

HEX #3B3AB7CE

RGBA 59 58 183 0.81

HSLA 240.48, 0.52%, 0.47%, 0.81

LABA 32.65, 40.2, -65.76, 0.81

 

CMYK 51 / 51 / 0 / 17

HEX #4C4CCACE

RGBA 76 76 202 0.81

HSLA 240, 0.54%, 0.55%, 0.81

LABA 39.53, 38.02, -65.58, 0.81

 

CMYK 47 / 47 / 0 / 11

HEX #5D5EDDCE

RGBA 93 94 221 0.81

HSLA 239.53, 0.65%, 0.62%, 0.81

LABA 46.38, 36.08, -65.28, 0.81

 

CMYK 44 / 43 / 0 / 5

HEX #6E70F0CE

RGBA 110 112 240 0.81

HSLA 239.08, 0.81%, 0.69%, 0.81

LABA 53.16, 34.39, -64.95, 0.81

 

CMYK 41 / 40 / 0 / 0

HEX #7F82FFCE

RGBA 127 130 255 0.81

HSLA 238.59, 1%, 0.75%, 0.81

LABA 59.61, 31.72, -62.81, 0.81

 

CMYK 58 / 56 / 0 / 21

HEX #363ABCCE

RGBA 54 58 188 0.81

HSLA 238.21, 0.55%, 0.47%, 0.81

LABA 32.79, 41.3, -68.49, 0.81

 

CMYK 63 / 62 / 0 / 27

HEX #2528A9CE

RGBA 37 40 169 0.81

HSLA 238.64, 0.64%, 0.4%, 0.81

LABA 26.09, 43.79, -68.25, 0.81

 

CMYK 70 / 69 / 0 / 33

HEX #141696CE

RGBA 20 22 150 0.81

HSLA 239.08, 0.76%, 0.33%, 0.81

LABA 19.74, 45.92, -67.21, 0.81

 

CMYK 79 / 79 / 0 / 39

HEX #030483CE

RGBA 3 4 131 0.81

HSLA 239.53, 0.96%, 0.26%, 0.81

LABA 14.09, 46.77, -64.75, 0.81

 

CMYK 81 / 81 / 0 / 45

HEX #000070CE

RGBA 0 0 112 0.81

HSLA 240, 1%, 0.22%, 0.81

LABA 10.33, 43.18, -58.8, 0.81

 

CMYK 71 / 69 / 0 / 27

HEX #363ABA

RGB 54 58 186

HSL 238.18, 0.55%, 0.47%

LAB 32.6, 40.62, -67.62

 

CMYK 54 / 71 / 0 / 27

HEX #5636BA

RGB 86 54 186

HSL 254.55, 0.55%, 0.47%

LAB 34.32, 47.3, -64.71

 

CMYK 35 / 71 / 0 / 27

HEX #7936BA

RGB 121 54 186

HSL 270.45, 0.55%, 0.47%

LAB 38.28, 53.5, -58.07

 

CMYK 16 / 71 / 0 / 27

HEX #9D36BA

RGB 157 54 186

HSL 286.82, 0.55%, 0.47%

LAB 43.29, 60.86, -49.74

 

CMYK 0 / 71 / 4 / 27

HEX #BA36B3

RGB 186 54 179

HSL 303.18, 0.55%, 0.47%

LAB 47.41, 66.01, -38.8

 

CMYK 71 / 69 / 0 / 27

HEX #363ABA

RGB 54 58 186

HSL 238.18, 0.55%, 0.47%

LAB 32.6, 40.62, -67.62

 

CMYK 71 / 71 / 0 / 27

HEX #3636BA

RGB 54 54 186

HSL 240, 0.55%, 0.47%

LAB 31.73, 43, -69.05

 

CMYK 71 / 69 / 0 / 27

HEX #363ABA

RGB 54 58 186

HSL 238.18, 0.55%, 0.47%

LAB 32.6, 40.62, -67.62

 

CMYK 83 / 80 / 0 / 20

HEX #2328CD

RGB 35 40 205

HSL 238.24, 0.71%, 0.47%

LAB 30.11, 55.3, -82.91

 

CMYK 93 / 91 / 0 / 12

HEX #0F15E1

RGB 15 21 225

HSL 238.29, 0.88%, 0.47%

LAB 29.6, 67.86, -95.35

 

CMYK 71 / 69 / 0 / 27

HEX #363ABA

RGB 54 58 186

HSL 238.18, 0.55%, 0.47%

LAB 32.6, 40.62, -67.62

 

CMYK 56 / 54 / 0 / 35

HEX #494CA6

RGB 73 76 166

HSL 238.06, 0.39%, 0.47%

LAB 36.63, 25.48, -49.12

 

CMYK 37 / 36 / 0 / 42

HEX #5D5E93

RGB 93 94 147

HSL 238.89, 0.23%, 0.47%

LAB 41.91, 13.1, -29.25

 

CMYK 13 / 12 / 0 / 50

HEX #707180

RGB 112 113 128

HSL 236.25, 0.07%, 0.47%

LAB 48.02, 2.86, -8.38

 

CMYK 0 / 0 / 18 / 49

HEX #83836C

RGB 131 131 108

HSL 60, 0.1%, 0.47%

LAB 54.18, -4.18, 12.47

 

CMYK 71 / 31 / 0 / 27

HEX #3681BA

RGB 54 129 186

HSL 205.91, 0.55%, 0.47%

LAB 51.87, -4.17, -36.62

 

CMYK 71 / 50 / 0 / 27

HEX #365DBA

RGB 54 93 186

HSL 222.27, 0.55%, 0.47%

LAB 41.47, 18.22, -53.19

 

CMYK 71 / 69 / 0 / 27

HEX #363ABA

RGB 54 58 186

HSL 238.18, 0.55%, 0.47%

LAB 32.6, 40.62, -67.62

 

CMYK 54 / 71 / 0 / 27

HEX #5536BA

RGB 85 54 186

HSL 254.09, 0.55%, 0.47%

LAB 34.22, 47.14, -64.87

 

CMYK 35 / 71 / 0 / 27

HEX #7836BA

RGB 120 54 186

HSL 270, 0.55%, 0.47%

LAB 38.16, 53.31, -58.28

 

CMYK 71 / 69 / 0 / 52

HEX #23267A

RGB 35 38 122

HSL 237.93, 0.55%, 0.31%

LAB 20.63, 28.19, -48.14

 

CMYK 71 / 69 / 0 / 40

HEX #2D309A

RGB 45 48 154

HSL 238.35, 0.55%, 0.39%

LAB 26.75, 34.6, -58.03

 

CMYK 71 / 69 / 0 / 27

HEX #363ABA

RGB 54 58 186

HSL 238.18, 0.55%, 0.47%

LAB 32.6, 40.62, -67.62

 

CMYK 62 / 60 / 0 / 20

HEX #4D51CB

RGB 77 81 203

HSL 238.1, 0.55%, 0.55%

LAB 40.86, 35.44, -64

 

CMYK 49 / 47 / 0 / 16

HEX #6D71D5

RGB 109 113 213

HSL 237.69, 0.55%, 0.63%

LAB 51.68, 25.26, -52.14

 

CMYK 71 / 69 / 0 / 26

HEX #363ABC

RGB 54 58 188

HSL 238.21, 0.55%, 0.47%

LAB 32.79, 41.3, -68.49

 

CMYK 0 / 71 / 12 / 27

HEX #BA36A4

RGB 186 54 164

HSL 310, 0.55%, 0.47%

LAB 46.66, 63.69, -31.13

 

CMYK 40 / 0 / 71 / 27

HEX #6FBA36

RGB 111 186 54

HSL 94.09, 0.55%, 0.47%

LAB 68.58, -45.15, 56.61

 

CMYK 71 / 69 / 0 / 26

HEX #363ABC

RGB 54 58 188

HSL 238.21, 0.55%, 0.47%

LAB 32.79, 41.3, -68.49

 

CMYK 0 / 71 / 69 / 27

HEX #BA363A

RGB 186 54 58

HSL 358.18, 0.55%, 0.47%

LAB 43.33, 52.78, 28.78

 

CMYK 69 / 0 / 71 / 27

HEX #3ABA36

RGB 58 186 54

HSL 118.18, 0.55%, 0.47%

LAB 66.74, -59.38, 54.13

 

CMYK 71 / 69 / 0 / 26

HEX #363ABC

RGB 54 58 188

HSL 238.21, 0.55%, 0.47%

LAB 32.79, 41.3, -68.49

 

CMYK 0 / 71 / 12 / 27

HEX #BA36A4

RGB 186 54 164

HSL 310, 0.55%, 0.47%

LAB 46.66, 63.69, -31.13

 

CMYK 0 / 3 / 71 / 27

HEX #BAB536

RGB 186 181 54

HSL 57.73, 0.55%, 0.47%

LAB 72.06, -13.06, 61.71

 

CMYK 71 / 0 / 59 / 27

HEX #36BA4C

RGB 54 186 76

HSL 130, 0.55%, 0.47%

LAB 66.84, -57.79, 44.87

 

CMYK 71 / 69 / 0 / 26

HEX #363ABC

RGB 54 58 188

HSL 238.21, 0.55%, 0.47%

LAB 32.79, 41.3, -68.49

 

CMYK 0 / 71 / 33 / 27

HEX #BA367C

RGB 186 54 124

HSL 328.18, 0.55%, 0.47%

LAB 44.99, 58.36, -9.56

 

CMYK 0 / 3 / 71 / 27

HEX #BAB536

RGB 186 181 54

HSL 57.73, 0.55%, 0.47%

LAB 72.06, -13.06, 61.71

 

CMYK 71 / 0 / 38 / 27

HEX #36BA73

RGB 54 186 115

HSL 147.73, 0.55%, 0.47%

LAB 67.38, -51.6, 26.01

 

Description

Color code: HEX #363ABCCE | qconv.com Color code: HEX #363ABCCE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 58 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 58 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 56 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 56% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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