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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #362EB5 it is the complementary color #C9D14A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #362EB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #362EB5 shade: #3B2EB0, #4C40C3, #5D52D6, #6E64E9 and #7F76FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #362EB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #362EB5 shade: #362EB5, #251CA2, #140A8F, #03007C and #000069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #362EB5 shade: #372FB6, #5C2FB6, #802FB6, #A52FB6 and #B62FA4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #362EB5 shade: #372FB6 and #2F2FB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #362EB5 shade matches the following richer shades: #372FB6, #271CC9 and #160ADC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #362EB5 shade: #372FB6, #4742A4, #585491, #68677F and #79796C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #362EB5 shade: #2F70B6, #2F4CB6, #362FB6, #5A2FB6 and #7E2FB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #362EB5 shade: #231E75, #2D2796, #372FB6, #4941CE and #6962D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #362EB5 shade: #362EB5, #B62F95 and #5EB62F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #362EB5 shade: #362EB5, #B6362F and #2FB636

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #362EB5 shade: #362EB5, #B62F95, #B0B62F and #2FB651

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #362EB5 shade: #362EB5, #B62F6C, #B0B62F and #2FB67A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 75 / 0 / 29

HEX #362EB5

RGB 54 46 181

HSL 243.56, 0.59%, 0.45%

LAB 29.6, 45.92, -69.6

 

Complementary color

CMYK 4 / 0 / 65 / 18

HEX #C9D14A

RGB 201 209 74

HSL 63.56, 0.59%, 0.55%

LAB 81.02, -19.69, 63.45

 

CMYK 66 / 74 / 0 / 31

HEX #3B2EB0

RGB 59 46 176

HSL 246, 0.59%, 0.44%

LAB 29.46, 44.86, -66.84

 

CMYK 61 / 67 / 0 / 24

HEX #4C40C3

RGB 76 64 195

HSL 245.5, 0.52%, 0.51%

LAB 36.26, 42.92, -66.85

 

CMYK 57 / 62 / 0 / 16

HEX #5D52D6

RGB 93 82 214

HSL 245, 0.62%, 0.58%

LAB 43.09, 41.06, -66.64

 

CMYK 53 / 57 / 0 / 9

HEX #6E64E9

RGB 110 100 233

HSL 244.51, 0.75%, 0.65%

LAB 49.87, 39.37, -66.35

 

CMYK 50 / 53 / 0 / 1

HEX #7F76FC

RGB 127 118 252

HSL 244.03, 0.96%, 0.73%

LAB 56.58, 37.86, -66.03

 

CMYK 70 / 75 / 0 / 29

HEX #362EB5

RGB 54 46 181

HSL 243.56, 0.59%, 0.45%

LAB 29.6, 45.92, -69.6

 

CMYK 77 / 83 / 0 / 36

HEX #251CA2

RGB 37 28 162

HSL 244.03, 0.71%, 0.37%

LAB 23.11, 47.77, -68.94

 

CMYK 86 / 93 / 0 / 44

HEX #140A8F

RGB 20 10 143

HSL 244.51, 0.87%, 0.3%

LAB 17.22, 48.48, -67.05

 

CMYK 98 / 100 / 0 / 51

HEX #03007C

RGB 3 0 124

HSL 241.45, 1%, 0.24%

LAB 12.45, 46.47, -63.03

 

CMYK 100 / 100 / 0 / 59

HEX #000069

RGB 0 0 105

HSL 240, 1%, 0.21%

LAB 9.16, 41.25, -56.18

 

CMYK 70 / 74 / 0 / 29

HEX #372FB6

RGB 55 47 182

HSL 243.56, 0.59%, 0.45%

LAB 29.97, 45.79, -69.58

 

CMYK 49 / 74 / 0 / 29

HEX #5C2FB6

RGB 92 47 182

HSL 260, 0.59%, 0.45%

LAB 33.32, 50.68, -63.95

 

CMYK 30 / 74 / 0 / 29

HEX #802FB6

RGB 128 47 182

HSL 276, 0.59%, 0.45%

LAB 37.84, 56.97, -56.39

 

CMYK 9 / 74 / 0 / 29

HEX #A52FB6

RGB 165 47 182

HSL 292.44, 0.59%, 0.45%

LAB 43.37, 64.34, -47.19

 

CMYK 0 / 74 / 10 / 29

HEX #B62FA4

RGB 182 47 164

HSL 308, 0.59%, 0.45%

LAB 45.16, 65.09, -33.52

 

CMYK 70 / 74 / 0 / 29

HEX #372FB6

RGB 55 47 182

HSL 243.56, 0.59%, 0.45%

LAB 29.97, 45.79, -69.58

 

CMYK 74 / 74 / 0 / 29

HEX #2F2FB6

RGB 47 47 182

HSL 240, 0.59%, 0.45%

LAB 29.45, 45.01, -70.46

 

CMYK 70 / 74 / 0 / 29

HEX #372FB6

RGB 55 47 182

HSL 243.56, 0.59%, 0.45%

LAB 29.97, 45.79, -69.58

 

CMYK 81 / 86 / 0 / 21

HEX #271CC9

RGB 39 28 201

HSL 243.82, 0.76%, 0.45%

LAB 28.06, 59.49, -83.99

 

CMYK 90 / 95 / 0 / 14

HEX #160ADC

RGB 22 10 220

HSL 243.43, 0.91%, 0.45%

LAB 28.26, 69.18, -94.71

 

CMYK 70 / 74 / 0 / 29

HEX #372FB6

RGB 55 47 182

HSL 243.56, 0.59%, 0.45%

LAB 29.97, 45.79, -69.58

 

CMYK 57 / 60 / 0 / 36

HEX #4742A4

RGB 71 66 164

HSL 243.06, 0.43%, 0.45%

LAB 33.81, 30.79, -52.49

 

CMYK 39 / 42 / 0 / 43

HEX #585491

RGB 88 84 145

HSL 243.93, 0.27%, 0.45%

LAB 38.66, 17.36, -33.19

 

CMYK 18 / 19 / 0 / 50

HEX #68677F

RGB 104 103 127

HSL 242.5, 0.1%, 0.45%

LAB 44.48, 5.78, -13.18

 

CMYK 0 / 0 / 11 / 53

HEX #79796C

RGB 121 121 108

HSL 60, 0.06%, 0.45%

LAB 50.48, -2.48, 7.13

 

CMYK 74 / 38 / 0 / 29

HEX #2F70B6

RGB 47 112 182

HSL 211.11, 0.59%, 0.45%

LAB 46.41, 3.65, -42.96

 

CMYK 74 / 58 / 0 / 29

HEX #2F4CB6

RGB 47 76 182

HSL 227.11, 0.59%, 0.45%

LAB 36.27, 26.91, -59.27

 

CMYK 70 / 74 / 0 / 29

HEX #362FB6

RGB 54 47 182

HSL 243.11, 0.59%, 0.45%

LAB 29.9, 45.69, -69.7

 

CMYK 51 / 74 / 0 / 29

HEX #5A2FB6

RGB 90 47 182

HSL 259.11, 0.59%, 0.45%

LAB 33.1, 50.37, -64.32

 

CMYK 31 / 74 / 0 / 29

HEX #7E2FB6

RGB 126 47 182

HSL 275.11, 0.59%, 0.45%

LAB 37.56, 56.59, -56.85

 

CMYK 70 / 74 / 0 / 54

HEX #231E75

RGB 35 30 117

HSL 243.45, 0.59%, 0.29%

LAB 18.23, 31.54, -48.87

 

CMYK 70 / 74 / 0 / 41

HEX #2D2796

RGB 45 39 150

HSL 243.24, 0.59%, 0.37%

LAB 24.36, 38.71, -59.51

 

CMYK 70 / 74 / 0 / 29

HEX #372FB6

RGB 55 47 182

HSL 243.56, 0.59%, 0.45%

LAB 29.97, 45.79, -69.58

 

CMYK 65 / 68 / 0 / 19

HEX #4941CE

RGB 73 65 206

HSL 243.4, 0.59%, 0.53%

LAB 37.21, 45.43, -71.7

 

CMYK 51 / 54 / 0 / 16

HEX #6962D6

RGB 105 98 214

HSL 243.62, 0.59%, 0.61%

LAB 47.74, 33.77, -59.05

 

CMYK 70 / 75 / 0 / 29

HEX #362EB5

RGB 54 46 181

HSL 243.56, 0.59%, 0.45%

LAB 29.6, 45.92, -69.6

 

CMYK 0 / 74 / 18 / 29

HEX #B62F95

RGB 182 47 149

HSL 314.67, 0.59%, 0.45%

LAB 44.44, 62.92, -25.65

 

CMYK 48 / 0 / 74 / 29

HEX #5EB62F

RGB 94 182 47

HSL 99.11, 0.59%, 0.45%

LAB 66.55, -49.49, 56.87

 

CMYK 70 / 75 / 0 / 29

HEX #362EB5

RGB 54 46 181

HSL 243.56, 0.59%, 0.45%

LAB 29.6, 45.92, -69.6

 

CMYK 0 / 70 / 74 / 29

HEX #B6362F

RGB 182 54 47

HSL 3.11, 0.59%, 0.45%

LAB 42.44, 50.95, 34.03

 

CMYK 74 / 0 / 70 / 29

HEX #2FB636

RGB 47 182 54

HSL 123.11, 0.59%, 0.45%

LAB 65.22, -59.98, 52.47

 

CMYK 70 / 75 / 0 / 29

HEX #362EB5

RGB 54 46 181

HSL 243.56, 0.59%, 0.45%

LAB 29.6, 45.92, -69.6

 

CMYK 0 / 74 / 18 / 29

HEX #B62F95

RGB 182 47 149

HSL 314.67, 0.59%, 0.45%

LAB 44.44, 62.92, -25.65

 

CMYK 3 / 0 / 74 / 29

HEX #B0B62F

RGB 176 182 47

HSL 62.67, 0.59%, 0.45%

LAB 71.48, -18.2, 63.34

 

CMYK 74 / 0 / 55 / 29

HEX #2FB651

RGB 47 182 81

HSL 135.11, 0.59%, 0.45%

LAB 65.48, -56.88, 40.87

 

CMYK 70 / 75 / 0 / 29

HEX #362EB5

RGB 54 46 181

HSL 243.56, 0.59%, 0.45%

LAB 29.6, 45.92, -69.6

 

CMYK 0 / 74 / 41 / 29

HEX #B62F6C

RGB 182 47 108

HSL 332.89, 0.59%, 0.45%

LAB 42.85, 57.96, -2.94

 

CMYK 3 / 0 / 74 / 29

HEX #B0B62F

RGB 176 182 47

HSL 62.67, 0.59%, 0.45%

LAB 71.48, -18.2, 63.34

 

CMYK 74 / 0 / 33 / 29

HEX #2FB67A

RGB 47 182 122

HSL 153.33, 0.59%, 0.45%

LAB 66.11, -49.68, 20.54

 

Description

Color code: HEX #362EB5 | qconv.com Color code: HEX #362EB5 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 46 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 46 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 75 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 75% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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