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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3628CACE it is the complementary color #C9D735CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3628CACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3628CACE shade: #3B28C5CE, #4C3AD8CE, #5D4CEBCE, #6E5EFECE and #7F70FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3628CACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3628CACE shade: #3628CACE, #2516B7CE, #1404A4CE, #030091CE and #00007ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3628CACE shade: #3528C8, #6128C8, #8C28C8, #B728C8 and #C828AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3628CACE shade: #3528C8 and #2828C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3628CACE shade matches the following richer shades: #3528C8, #2514DC and #1501EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3628CACE shade: #3528C8, #453BB5, #564EA1, #66628E and #76757B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3628CACE shade: #2870C8, #2845C8, #3528C8, #6028C8 and #8B28C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3628CACE shade: #231A83, #2C21A6, #3528C8, #4D40D9 and #6D62E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3628CACE shade: #3628CA, #C8289B and #5AC828

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3628CACE shade: #3628CA, #C83528 and #28C835

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3628CACE shade: #3628CA, #C8289B, #BBC828 and #28C855

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3628CACE shade: #3628CA, #C8286A, #BBC828 and #28C885

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 65 / 0 / 17

HEX #3628CACE

RGBA 54 40 202 0.81

HSLA 245.19, 0.67%, 0.47%, 0.81

LABA 30.8, 55.51, -79.99, 0.81

 

Complementary color

CMYK 5 / 0 / 61 / 13

HEX #C9D735CE

RGBA 201 215 53 0.81

HSLA 65.19, 0.67%, 0.53%, 0.81

LABA 82.53, -23.68, 72.38, 0.81

 

CMYK 57 / 65 / 0 / 18

HEX #3B28C5CE

RGBA 59 40 197 0.81

HSLA 247.26, 0.66%, 0.46%, 0.81

LABA 30.59, 54.4, -77.4, 0.81

 

CMYK 53 / 59 / 0 / 12

HEX #4C3AD8CE

RGBA 76 58 216 0.81

HSLA 246.84, 0.67%, 0.54%, 0.81

LABA 36.97, 52.79, -77.86, 0.81

 

CMYK 49 / 55 / 0 / 6

HEX #5D4CEBCE

RGBA 93 76 235 0.81

HSLA 246.42, 0.8%, 0.61%, 0.81

LABA 43.5, 50.97, -77.91, 0.81

 

CMYK 46 / 51 / 0 / 0

HEX #6E5EFECE

RGBA 110 94 254 0.81

HSLA 246, 0.99%, 0.68%, 0.81

LABA 50.07, 49.19, -77.76, 0.81

 

CMYK 41 / 45 / 0 / 0

HEX #7F70FFCE

RGBA 127 112 255 0.81

HSLA 246.29, 1%, 0.72%, 0.81

LABA 55.4, 42.22, -69.6, 0.81

 

CMYK 59 / 65 / 0 / 17

HEX #3628CACE

RGBA 54 40 202 0.81

HSLA 245.19, 0.67%, 0.47%, 0.81

LABA 30.8, 55.51, -79.99, 0.81

 

CMYK 65 / 71 / 0 / 23

HEX #2516B7CE

RGBA 37 22 183 0.81

HSLA 245.59, 0.79%, 0.4%, 0.81

LABA 24.91, 56.5, -78.6, 0.81

 

CMYK 71 / 79 / 0 / 29

HEX #1404A4CE

RGBA 20 4 164 0.81

HSLA 246, 0.95%, 0.33%, 0.81

LABA 19.7, 56.01, -75.85, 0.81

 

CMYK 79 / 81 / 0 / 35

HEX #030091CE

RGBA 3 0 145 0.81

HSLA 241.24, 1%, 0.28%, 0.81

LABA 15.82, 52.04, -70.66, 0.81

 

CMYK 81 / 81 / 0 / 41

HEX #00007ECE

RGBA 0 0 126 0.81

HSLA 240, 1%, 0.25%, 0.81

LABA 12.65, 46.97, -63.97, 0.81

 

CMYK 74 / 80 / 0 / 22

HEX #3528C8

RGB 53 40 200

HSL 244.88, 0.67%, 0.47%

LAB 30.51, 54.83, -79.31

 

CMYK 52 / 80 / 0 / 22

HEX #6128C8

RGB 97 40 200

HSL 261.38, 0.67%, 0.47%

LAB 34.46, 59.25, -72.66

 

CMYK 30 / 80 / 0 / 22

HEX #8C28C8

RGB 140 40 200

HSL 277.5, 0.67%, 0.47%

LAB 40.02, 65.53, -63.33

 

CMYK 9 / 80 / 0 / 22

HEX #B728C8

RGB 183 40 200

HSL 293.63, 0.67%, 0.47%

LAB 46.65, 73.06, -52.28

 

CMYK 0 / 80 / 13 / 22

HEX #C828AE

RGB 200 40 174

HSL 309.75, 0.67%, 0.47%

LAB 48.07, 72.44, -34.65

 

CMYK 74 / 80 / 0 / 22

HEX #3528C8

RGB 53 40 200

HSL 244.88, 0.67%, 0.47%

LAB 30.51, 54.83, -79.31

 

CMYK 80 / 80 / 0 / 22

HEX #2828C8

RGB 40 40 200

HSL 240, 0.67%, 0.47%

LAB 29.76, 54, -80.57

 

CMYK 74 / 80 / 0 / 22

HEX #3528C8

RGB 53 40 200

HSL 244.88, 0.67%, 0.47%

LAB 30.51, 54.83, -79.31

 

CMYK 83 / 91 / 0 / 14

HEX #2514DC

RGB 37 20 220

HSL 245.1, 0.83%, 0.47%

LAB 29.57, 67.22, -92.51

 

CMYK 91 / 100 / 0 / 6

HEX #1501EF

RGB 21 1 239

HSL 245.04, 0.99%, 0.47%

LAB 30.43, 75.36, -101.95

 

CMYK 74 / 80 / 0 / 22

HEX #3528C8

RGB 53 40 200

HSL 244.88, 0.67%, 0.47%

LAB 30.51, 54.83, -79.31

 

CMYK 62 / 67 / 0 / 29

HEX #453BB5

RGB 69 59 181

HSL 244.92, 0.51%, 0.47%

LAB 33.41, 40.32, -63.29

 

CMYK 47 / 52 / 0 / 37

HEX #564EA1

RGB 86 78 161

HSL 245.78, 0.35%, 0.47%

LAB 37.84, 25.5, -44.12

 

CMYK 28 / 31 / 0 / 44

HEX #66628E

RGB 102 98 142

HSL 245.45, 0.18%, 0.47%

LAB 43.53, 11.99, -23.67

 

CMYK 4 / 5 / 0 / 52

HEX #76757B

RGB 118 117 123

HSL 250, 0.03%, 0.47%

LAB 49.5, 1.61, -3.16

 

CMYK 80 / 44 / 0 / 22

HEX #2870C8

RGB 40 112 200

HSL 213, 0.67%, 0.47%

LAB 47.25, 9.61, -52.02

 

CMYK 80 / 66 / 0 / 22

HEX #2845C8

RGB 40 69 200

HSL 229.13, 0.67%, 0.47%

LAB 35.75, 37.37, -70.69

 

CMYK 74 / 80 / 0 / 22

HEX #3528C8

RGB 53 40 200

HSL 244.88, 0.67%, 0.47%

LAB 30.51, 54.83, -79.31

 

CMYK 52 / 80 / 0 / 22

HEX #6028C8

RGB 96 40 200

HSL 261, 0.67%, 0.47%

LAB 34.34, 59.12, -72.85

 

CMYK 31 / 80 / 0 / 22

HEX #8B28C8

RGB 139 40 200

HSL 277.13, 0.67%, 0.47%

LAB 39.88, 65.36, -63.57

 

CMYK 73 / 80 / 0 / 49

HEX #231A83

RGB 35 26 131

HSL 245.14, 0.67%, 0.31%

LAB 18.95, 38.67, -56.62

 

CMYK 73 / 80 / 0 / 35

HEX #2C21A6

RGB 44 33 166

HSL 244.96, 0.67%, 0.39%

LAB 24.88, 47.09, -68.42

 

CMYK 74 / 80 / 0 / 22

HEX #3528C8

RGB 53 40 200

HSL 244.88, 0.67%, 0.47%

LAB 30.51, 54.83, -79.31

 

CMYK 65 / 71 / 0 / 15

HEX #4D40D9

RGB 77 64 217

HSL 245.1, 0.67%, 0.55%

LAB 38.3, 49.97, -76.25

 

CMYK 51 / 56 / 0 / 12

HEX #6D62E0

RGB 109 98 224

HSL 245.24, 0.67%, 0.63%

LAB 48.72, 37.62, -63.14

 

CMYK 73 / 80 / 0 / 21

HEX #3628CA

RGB 54 40 202

HSL 245.19, 0.67%, 0.47%

LAB 30.8, 55.51, -79.99

 

CMYK 0 / 80 / 23 / 22

HEX #C8289B

RGB 200 40 155

HSL 316.88, 0.67%, 0.47%

LAB 47.19, 69.93, -24.75

 

CMYK 55 / 0 / 80 / 22

HEX #5AC828

RGB 90 200 40

HSL 101.25, 0.67%, 0.47%

LAB 71.98, -57.8, 64.26

 

CMYK 73 / 80 / 0 / 21

HEX #3628CA

RGB 54 40 202

HSL 245.19, 0.67%, 0.47%

LAB 30.8, 55.51, -79.99

 

CMYK 0 / 74 / 80 / 22

HEX #C83528

RGB 200 53 40

HSL 4.88, 0.67%, 0.47%

LAB 45.61, 56.84, 42.29

 

CMYK 80 / 0 / 74 / 22

HEX #28C835

RGB 40 200 53

HSL 124.88, 0.67%, 0.47%

LAB 70.88, -66.7, 58.64

 

CMYK 73 / 80 / 0 / 21

HEX #3628CA

RGB 54 40 202

HSL 245.19, 0.67%, 0.47%

LAB 30.8, 55.51, -79.99

 

CMYK 0 / 80 / 23 / 22

HEX #C8289B

RGB 200 40 155

HSL 316.88, 0.67%, 0.47%

LAB 47.19, 69.93, -24.75

 

CMYK 7 / 0 / 80 / 22

HEX #BBC828

RGB 187 200 40

HSL 64.88, 0.67%, 0.47%

LAB 77.3, -22.73, 71.04

 

CMYK 80 / 0 / 58 / 22

HEX #28C855

RGB 40 200 85

HSL 136.88, 0.67%, 0.47%

LAB 71.16, -63.34, 45.71

 

CMYK 73 / 80 / 0 / 21

HEX #3628CA

RGB 54 40 202

HSL 245.19, 0.67%, 0.47%

LAB 30.8, 55.51, -79.99

 

CMYK 0 / 80 / 47 / 22

HEX #C8286A

RGB 200 40 106

HSL 335.25, 0.67%, 0.47%

LAB 45.41, 64.71, 2.43

 

CMYK 7 / 0 / 80 / 22

HEX #BBC828

RGB 187 200 40

HSL 64.88, 0.67%, 0.47%

LAB 77.3, -22.73, 71.04

 

CMYK 80 / 0 / 34 / 22

HEX #28C885

RGB 40 200 133

HSL 154.88, 0.67%, 0.47%

LAB 71.86, -55.13, 22.48

 

Description

Color code: HEX #3628CACE | qconv.com Color code: HEX #3628CACE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 40 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 40 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 65 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 65% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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