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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #361D5E it is the complementary color #C9E2A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #361D5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #361D5E shade: #3B1D59, #4C2F6C, #5D417F, #6E5392 and #7F65A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #361D5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #361D5E shade: #361D5E, #250B4B, #140038, #030025 and #000012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #361D5E shade: #361D5E, #471D5E, #591D5E, #5E1D51 and #5E1D40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #361D5E shade: #361D5E, #241D5E and #1D1D5E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #361D5E shade matches the following richer shades: #361D5E, #331368 and #310971

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #361D5E shade: #361D5E, #382754, #3A314A, #3D3A40 and #3F4436

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #361D5E shade: #1D265E, #241D5E, #361D5E, #471D5E and #581D5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #361D5E shade: #12091F, #24133E, #361D5E, #48267D and #5A309D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #361D5E shade: #361D5E, #5E1D38 and #1E5E1D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #361D5E shade: #361D5E, #5E361D and #1D5E36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #361D5E shade: #361D5E, #5E1D38, #455E1D and #1D5E43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #361D5E shade: #361D5E, #5E1D24, #455E1D and #1D5E56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 69 / 0 / 63

HEX #361D5E

RGB 54 29 94

HSL 263.08, 0.53%, 0.24%

LAB 17.79, 28.01, -34.49

 

Complementary color

CMYK 11 / 0 / 29 / 11

HEX #C9E2A1

RGB 201 226 161

HSL 83.08, 0.53%, 0.76%

LAB 86.69, -19.24, 29.12

 

CMYK 34 / 67 / 0 / 65

HEX #3B1D59

RGB 59 29 89

HSL 270, 0.51%, 0.23%

LAB 18.05, 27.8, -30.69

 

CMYK 30 / 56 / 0 / 58

HEX #4C2F6C

RGB 76 47 108

HSL 268.52, 0.39%, 0.3%

LAB 25.72, 26.76, -30.74

 

CMYK 27 / 49 / 0 / 50

HEX #5D417F

RGB 93 65 127

HSL 267.1, 0.32%, 0.38%

LAB 33.22, 25.72, -30.71

 

CMYK 25 / 43 / 0 / 43

HEX #6E5392

RGB 110 83 146

HSL 265.71, 0.28%, 0.45%

LAB 40.54, 24.77, -30.69

 

CMYK 23 / 39 / 0 / 35

HEX #7F65A5

RGB 127 101 165

HSL 264.38, 0.26%, 0.52%

LAB 47.67, 23.93, -30.69

 

CMYK 43 / 69 / 0 / 63

HEX #361D5E

RGB 54 29 94

HSL 263.08, 0.53%, 0.24%

LAB 17.79, 28.01, -34.49

 

CMYK 51 / 85 / 0 / 71

HEX #250B4B

RGB 37 11 75

HSL 264.38, 0.74%, 0.17%

LAB 10.11, 28.91, -34.19

 

CMYK 64 / 100 / 0 / 78

HEX #140038

RGB 20 0 56

HSL 261.43, 1%, 0.11%

LAB 3.92, 23.77, -30.85

 

CMYK 92 / 100 / 0 / 85

HEX #030025

RGB 3 0 37

HSL 244.86, 1%, 0.07%

LAB 1.38, 9.26, -20.6

 

CMYK 100 / 100 / 0 / 93

HEX #000012

RGB 0 0 18

HSL 240, 1%, 0.04%

LAB 0.39, 2.77, -7.54

 

CMYK 43 / 69 / 0 / 63

HEX #361D5E

RGB 54 29 94

HSL 263.08, 0.53%, 0.24%

LAB 17.79, 28.01, -34.49

 

CMYK 24 / 69 / 0 / 63

HEX #471D5E

RGB 71 29 94

HSL 278.77, 0.53%, 0.24%

LAB 20.15, 32.25, -30.56

 

CMYK 5 / 69 / 0 / 63

HEX #591D5E

RGB 89 29 94

HSL 295.38, 0.53%, 0.24%

LAB 23.04, 37.04, -25.78

 

CMYK 0 / 69 / 14 / 63

HEX #5E1D51

RGB 94 29 81

HSL 312, 0.53%, 0.24%

LAB 23.18, 36.03, -16.85

 

CMYK 0 / 69 / 32 / 63

HEX #5E1D40

RGB 94 29 64

HSL 327.69, 0.53%, 0.24%

LAB 22.4, 33.34, -6.51

 

CMYK 43 / 69 / 0 / 63

HEX #361D5E

RGB 54 29 94

HSL 263.08, 0.53%, 0.24%

LAB 17.79, 28.01, -34.49

 

CMYK 62 / 69 / 0 / 63

HEX #241D5E

RGB 36 29 94

HSL 246.46, 0.53%, 0.24%

LAB 15.81, 24.13, -37.79

 

CMYK 69 / 69 / 0 / 63

HEX #1D1D5E

RGB 29 29 94

HSL 240, 0.53%, 0.24%

LAB 15.21, 22.89, -38.79

 

CMYK 43 / 69 / 0 / 63

HEX #361D5E

RGB 54 29 94

HSL 263.08, 0.53%, 0.24%

LAB 17.79, 28.01, -34.49

 

CMYK 51 / 82 / 0 / 59

HEX #331368

RGB 51 19 104

HSL 262.59, 0.69%, 0.24%

LAB 16.35, 35.87, -43.46

 

CMYK 57 / 92 / 0 / 56

HEX #310971

RGB 49 9 113

HSL 263.08, 0.85%, 0.24%

LAB 15.7, 42.15, -50.42

 

CMYK 43 / 69 / 0 / 63

HEX #361D5E

RGB 54 29 94

HSL 263.08, 0.53%, 0.24%

LAB 17.79, 28.01, -34.49

 

CMYK 33 / 54 / 0 / 67

HEX #382754

RGB 56 39 84

HSL 262.67, 0.37%, 0.24%

LAB 19.77, 19.11, -24.62

 

CMYK 22 / 34 / 0 / 71

HEX #3A314A

RGB 58 49 74

HSL 261.6, 0.2%, 0.24%

LAB 22.27, 10.11, -13.97

 

CMYK 5 / 9 / 0 / 75

HEX #3D3A40

RGB 61 58 64

HSL 270, 0.05%, 0.24%

LAB 24.92, 2.66, -3.24

 

CMYK 7 / 0 / 21 / 73

HEX #3F4436

RGB 63 68 54

HSL 81.43, 0.11%, 0.24%

LAB 28, -5.06, 7.8

 

CMYK 69 / 60 / 0 / 63

HEX #1D265E

RGB 29 38 94

HSL 231.69, 0.53%, 0.24%

LAB 17.72, 16.46, -34.72

 

CMYK 62 / 69 / 0 / 63

HEX #241D5E

RGB 36 29 94

HSL 246.46, 0.53%, 0.24%

LAB 15.81, 24.13, -37.79

 

CMYK 43 / 69 / 0 / 63

HEX #361D5E

RGB 54 29 94

HSL 263.08, 0.53%, 0.24%

LAB 17.79, 28.01, -34.49

 

CMYK 24 / 69 / 0 / 63

HEX #471D5E

RGB 71 29 94

HSL 278.77, 0.53%, 0.24%

LAB 20.15, 32.25, -30.56

 

CMYK 6 / 69 / 0 / 63

HEX #581D5E

RGB 88 29 94

HSL 294.46, 0.53%, 0.24%

LAB 22.87, 36.77, -26.06

 

CMYK 42 / 71 / 0 / 88

HEX #12091F

RGB 18 9 31

HSL 264.55, 0.55%, 0.08%

LAB 3.82, 7.89, -12.08

 

CMYK 42 / 69 / 0 / 76

HEX #24133E

RGB 36 19 62

HSL 263.72, 0.53%, 0.16%

LAB 10.47, 19.9, -24.47

 

CMYK 43 / 69 / 0 / 63

HEX #361D5E

RGB 54 29 94

HSL 263.08, 0.53%, 0.24%

LAB 17.79, 28.01, -34.49

 

CMYK 42 / 70 / 0 / 51

HEX #48267D

RGB 72 38 125

HSL 263.45, 0.53%, 0.32%

LAB 24.46, 35.84, -43.64

 

CMYK 43 / 69 / 0 / 38

HEX #5A309D

RGB 90 48 157

HSL 263.12, 0.53%, 0.4%

LAB 31.17, 42.99, -52.47

 

CMYK 43 / 69 / 0 / 63

HEX #361D5E

RGB 54 29 94

HSL 263.08, 0.53%, 0.24%

LAB 17.79, 28.01, -34.49

 

CMYK 0 / 69 / 40 / 63

HEX #5E1D38

RGB 94 29 56

HSL 335.08, 0.53%, 0.24%

LAB 22.1, 32.27, -1.46

 

CMYK 68 / 0 / 69 / 63

HEX #1E5E1D

RGB 30 94 29

HSL 119.08, 0.53%, 0.24%

LAB 34.74, -34.42, 30.44

 

CMYK 43 / 69 / 0 / 63

HEX #361D5E

RGB 54 29 94

HSL 263.08, 0.53%, 0.24%

LAB 17.79, 28.01, -34.49

 

CMYK 0 / 43 / 69 / 63

HEX #5E361D

RGB 94 54 29

HSL 23.08, 0.53%, 0.24%

LAB 27.04, 15.31, 23.03

 

CMYK 69 / 0 / 43 / 63

HEX #1D5E36

RGB 29 94 54

HSL 143.08, 0.53%, 0.24%

LAB 35.07, -30.61, 17.08

 

CMYK 43 / 69 / 0 / 63

HEX #361D5E

RGB 54 29 94

HSL 263.08, 0.53%, 0.24%

LAB 17.79, 28.01, -34.49

 

CMYK 0 / 69 / 40 / 63

HEX #5E1D38

RGB 94 29 56

HSL 335.08, 0.53%, 0.24%

LAB 22.1, 32.27, -1.46

 

CMYK 27 / 0 / 69 / 63

HEX #455E1D

RGB 69 94 29

HSL 83.08, 0.53%, 0.24%

LAB 36.67, -20.69, 33.09

 

CMYK 69 / 0 / 29 / 63

HEX #1D5E43

RGB 29 94 67

HSL 155.08, 0.53%, 0.24%

LAB 35.34, -27.65, 9.59

 

CMYK 43 / 69 / 0 / 63

HEX #361D5E

RGB 54 29 94

HSL 263.08, 0.53%, 0.24%

LAB 17.79, 28.01, -34.49

 

CMYK 0 / 69 / 62 / 63

HEX #5E1D24

RGB 94 29 36

HSL 353.54, 0.53%, 0.24%

LAB 21.53, 30.15, 11.59

 

CMYK 27 / 0 / 69 / 63

HEX #455E1D

RGB 69 94 29

HSL 83.08, 0.53%, 0.24%

LAB 36.67, -20.69, 33.09

 

CMYK 69 / 0 / 9 / 63

HEX #1D5E56

RGB 29 94 86

HSL 172.62, 0.53%, 0.24%

LAB 35.87, -22.4, -1.42

 

Description

Color code: HEX #361D5E | qconv.com Color code: HEX #361D5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 29 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 29 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 69 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 69% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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