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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #361D45 it is the complementary color #C9E2BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #361D45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #361D45 shade: #3B1D40, #4C2F53, #5D4166, #6E5379 and #7F658C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #361D45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #361D45 shade: #361D45, #250B32, #14001F, #03000C and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #361D45 shade: #351D44, #401D44, #441D3E, #441D33 and #441D28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #361D45 shade: #351D44, #2B1D44, #201D44 and #1D1D44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #361D45 shade matches the following richer shades: #351D44, #37154C, #390D54 and #3B055C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #361D45 shade: #351D44, #33243C, #312C35, #30342D and #2E3C25

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #361D45 shade: #201D44, #2A1D44, #351D44, #401D44 and #441D3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #361D45 shade: #08040A, #1F1027, #351D44, #4C2961 and #63357E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #361D45 shade: #361D45, #441D24 and #1D4425

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #361D45 shade: #361D45, #44351D and #1D4435

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #361D45 shade: #361D45, #441D24, #2C441D and #1D443D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #361D45 shade: #361D45, #44211D, #2C441D and #1D4044

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 58 / 0 / 73

HEX #361D45

RGB 54 29 69

HSL 277.5, 0.41%, 0.19%

LAB 15.97, 20.84, -20.46

 

Complementary color

CMYK 11 / 0 / 18 / 11

HEX #C9E2BA

RGB 201 226 186

HSL 97.5, 0.41%, 0.81%

LAB 87.17, -15.43, 16.82

 

CMYK 8 / 55 / 0 / 75

HEX #3B1D40

RGB 59 29 64

HSL 291.43, 0.38%, 0.18%

LAB 16.4, 21.27, -16.25

 

CMYK 8 / 43 / 0 / 67

HEX #4C2F53

RGB 76 47 83

HSL 288.33, 0.28%, 0.25%

LAB 24.3, 20.36, -16.66

 

CMYK 9 / 36 / 0 / 60

HEX #5D4166

RGB 93 65 102

HSL 285.41, 0.22%, 0.33%

LAB 31.96, 19.5, -16.97

 

CMYK 9 / 31 / 0 / 53

HEX #6E5379

RGB 110 83 121

HSL 282.63, 0.19%, 0.4%

LAB 39.38, 18.74, -17.26

 

CMYK 9 / 28 / 0 / 45

HEX #7F658C

RGB 127 101 140

HSL 280, 0.16%, 0.47%

LAB 46.6, 18.06, -17.55

 

CMYK 22 / 58 / 0 / 73

HEX #361D45

RGB 54 29 69

HSL 277.5, 0.41%, 0.19%

LAB 15.97, 20.84, -20.46

 

CMYK 26 / 78 / 0 / 80

HEX #250B32

RGB 37 11 50

HSL 280, 0.64%, 0.12%

LAB 7.79, 21.68, -20.09

 

CMYK 35 / 100 / 0 / 88

HEX #14001F

RGB 20 0 31

HSL 278.71, 1%, 0.06%

LAB 2.24, 12.31, -14.45

 

CMYK 75 / 100 / 0 / 95

HEX #03000C

RGB 3 0 12

HSL 255, 1%, 0.02%

LAB 0.41, 2.47, -4.31

 

CMYK 22 / 57 / 0 / 73

HEX #351D44

RGB 53 29 68

HSL 276.92, 0.4%, 0.19%

LAB 15.76, 20.24, -20.1

 

CMYK 6 / 57 / 0 / 73

HEX #401D44

RGB 64 29 68

HSL 293.85, 0.4%, 0.19%

LAB 17.4, 23.93, -17.41

 

CMYK 0 / 57 / 9 / 73

HEX #441D3E

RGB 68 29 62

HSL 309.23, 0.4%, 0.19%

LAB 17.72, 24.02, -12.7

 

CMYK 0 / 57 / 25 / 73

HEX #441D33

RGB 68 29 51

HSL 326.15, 0.4%, 0.19%

LAB 17.21, 21.93, -5.75

 

CMYK 0 / 57 / 41 / 73

HEX #441D28

RGB 68 29 40

HSL 343.08, 0.4%, 0.19%

LAB 16.8, 20.17, 1.47

 

CMYK 22 / 57 / 0 / 73

HEX #351D44

RGB 53 29 68

HSL 276.92, 0.4%, 0.19%

LAB 15.76, 20.24, -20.1

 

CMYK 37 / 57 / 0 / 73

HEX #2B1D44

RGB 43 29 68

HSL 261.54, 0.4%, 0.19%

LAB 14.45, 17.01, -22.25

 

CMYK 53 / 57 / 0 / 73

HEX #201D44

RGB 32 29 68

HSL 244.62, 0.4%, 0.19%

LAB 13.25, 13.74, -24.25

 

CMYK 57 / 57 / 0 / 73

HEX #1D1D44

RGB 29 29 68

HSL 240, 0.4%, 0.19%

LAB 12.97, 12.93, -24.72

 

CMYK 22 / 57 / 0 / 73

HEX #351D44

RGB 53 29 68

HSL 276.92, 0.4%, 0.19%

LAB 15.76, 20.24, -20.1

 

CMYK 28 / 72 / 0 / 70

HEX #37154C

RGB 55 21 76

HSL 277.09, 0.57%, 0.19%

LAB 14.79, 27.85, -27.16

 

CMYK 32 / 85 / 0 / 67

HEX #390D54

RGB 57 13 84

HSL 277.18, 0.73%, 0.19%

LAB 14.39, 34.27, -33.26

 

CMYK 36 / 95 / 0 / 64

HEX #3B055C

RGB 59 5 92

HSL 277.24, 0.9%, 0.19%

LAB 14.46, 39.51, -38.53

 

CMYK 22 / 57 / 0 / 73

HEX #351D44

RGB 53 29 68

HSL 276.92, 0.4%, 0.19%

LAB 15.76, 20.24, -20.1

 

CMYK 15 / 40 / 0 / 76

HEX #33243C

RGB 51 36 60

HSL 277.5, 0.25%, 0.19%

LAB 16.95, 12.61, -12.69

 

CMYK 8 / 17 / 0 / 79

HEX #312C35

RGB 49 44 53

HSL 273.33, 0.09%, 0.19%

LAB 18.85, 4.39, -4.95

 

CMYK 8 / 0 / 13 / 80

HEX #30342D

RGB 48 52 45

HSL 94.29, 0.07%, 0.19%

LAB 21.11, -3.34, 3.84

 

CMYK 23 / 0 / 38 / 76

HEX #2E3C25

RGB 46 60 37

HSL 96.52, 0.24%, 0.19%

LAB 23.49, -10.88, 12.41

 

CMYK 53 / 57 / 0 / 73

HEX #201D44

RGB 32 29 68

HSL 244.62, 0.4%, 0.19%

LAB 13.25, 13.74, -24.25

 

CMYK 38 / 57 / 0 / 73

HEX #2A1D44

RGB 42 29 68

HSL 260, 0.4%, 0.19%

LAB 14.33, 16.7, -22.45

 

CMYK 22 / 57 / 0 / 73

HEX #351D44

RGB 53 29 68

HSL 276.92, 0.4%, 0.19%

LAB 15.76, 20.24, -20.1

 

CMYK 6 / 57 / 0 / 73

HEX #401D44

RGB 64 29 68

HSL 293.85, 0.4%, 0.19%

LAB 17.4, 23.93, -17.41

 

CMYK 0 / 57 / 9 / 73

HEX #441D3E

RGB 68 29 62

HSL 309.23, 0.4%, 0.19%

LAB 17.72, 24.02, -12.7

 

CMYK 20 / 60 / 0 / 96

HEX #08040A

RGB 8 4 10

HSL 280, 0.43%, 0.03%

LAB 1.45, 1.88, -1.9

 

CMYK 21 / 59 / 0 / 85

HEX #1F1027

RGB 31 16 39

HSL 279.13, 0.42%, 0.11%

LAB 7.3, 13.22, -12.74

 

CMYK 22 / 57 / 0 / 73

HEX #351D44

RGB 53 29 68

HSL 276.92, 0.4%, 0.19%

LAB 15.76, 20.24, -20.1

 

CMYK 22 / 58 / 0 / 62

HEX #4C2961

RGB 76 41 97

HSL 277.5, 0.41%, 0.27%

LAB 23.62, 27.53, -26.95

 

CMYK 21 / 58 / 0 / 51

HEX #63357E

RGB 99 53 126

HSL 277.81, 0.41%, 0.35%

LAB 31.13, 34.36, -33.37

 

CMYK 22 / 58 / 0 / 73

HEX #361D45

RGB 54 29 69

HSL 277.5, 0.41%, 0.19%

LAB 15.97, 20.84, -20.46

 

CMYK 0 / 57 / 47 / 73

HEX #441D24

RGB 68 29 36

HSL 349.23, 0.4%, 0.19%

LAB 16.68, 19.62, 4.15

 

CMYK 57 / 0 / 46 / 73

HEX #1D4425

RGB 29 68 37

HSL 132.31, 0.4%, 0.19%

LAB 25.35, -21.85, 14.66

 

CMYK 22 / 58 / 0 / 73

HEX #361D45

RGB 54 29 69

HSL 277.5, 0.41%, 0.19%

LAB 15.97, 20.84, -20.46

 

CMYK 0 / 22 / 57 / 73

HEX #44351D

RGB 68 53 29

HSL 36.92, 0.4%, 0.19%

LAB 23.22, 3.11, 17.59

 

CMYK 57 / 0 / 22 / 73

HEX #1D4435

RGB 29 68 53

HSL 156.92, 0.4%, 0.19%

LAB 25.72, -18.1, 4.92

 

CMYK 22 / 58 / 0 / 73

HEX #361D45

RGB 54 29 69

HSL 277.5, 0.41%, 0.19%

LAB 15.97, 20.84, -20.46

 

CMYK 0 / 57 / 47 / 73

HEX #441D24

RGB 68 29 36

HSL 349.23, 0.4%, 0.19%

LAB 16.68, 19.62, 4.15

 

CMYK 35 / 0 / 57 / 73

HEX #2C441D

RGB 44 68 29

HSL 96.92, 0.4%, 0.19%

LAB 26.04, -17.62, 20.55

 

CMYK 57 / 0 / 10 / 73

HEX #1D443D

RGB 29 68 61

HSL 169.23, 0.4%, 0.19%

LAB 25.96, -15.85, 0.02

 

CMYK 22 / 58 / 0 / 73

HEX #361D45

RGB 54 29 69

HSL 277.5, 0.41%, 0.19%

LAB 15.97, 20.84, -20.46

 

CMYK 0 / 51 / 57 / 73

HEX #44211D

RGB 68 33 29

HSL 6.15, 0.4%, 0.19%

LAB 17.49, 16.27, 10.21

 

CMYK 35 / 0 / 57 / 73

HEX #2C441D

RGB 44 68 29

HSL 96.92, 0.4%, 0.19%

LAB 26.04, -17.62, 20.55

 

CMYK 57 / 6 / 0 / 73

HEX #1D4044

RGB 29 64 68

HSL 186.15, 0.4%, 0.19%

LAB 24.78, -11.3, -6.34

 

Description

Color code: HEX #361D45 | qconv.com Color code: HEX #361D45 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 29 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 29 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 58 magenta, none yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 58% 0% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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