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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35FB81 it is the complementary color #CA047E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35FB81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #35FB81 shade: #3AFB7C, #4BFF8F, #5CFFA2, #6DFFB5 and #7EFFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35FB81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #35FB81 shade: #35FB81, #24E96E, #13D75B, #02C548 and #00B335

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #35FB81 shade: #37FB82, #37FB4D, #56FB37, #8AFB37 and #BFFB37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #35FB81 shade: #37FB82, #37FBB7, #37FBEC, #37D5FB and #37A0FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #35FB81 shade matches the following richer shades: #37FB82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #35FB81 shade: #37FB82, #48EA86, #58DA8A, #69C98E and #79B992

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #35FB81 shade: #54FB37, #37FB4E, #37FB82, #37FBB6 and #37FBEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #35FB81 shade: #04DB57, #0FFA69, #37FB82, #60FC9B and #88FDB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #35FB81 shade: #35FB81, #3789FB and #FB373A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #35FB81 shade: #35FB81, #8237FB and #FB8237

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #35FB81 shade: #35FB81, #3789FB, #FB37B0 and #FBA937

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #35FB81 shade: #35FB81, #374EFB, #FB37B0 and #FBE437

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 49 / 2

HEX #35FB81

RGB 53 251 129

HSL 143.03, 0.96%, 0.6%

LAB 87.65, -72.29, 45.13

 

Complementary color

CMYK 0 / 98 / 38 / 21

HEX #CA047E

RGB 202 4 126

HSL 323.03, 0.96%, 0.4%

LAB 44.45, 72.8, -11.31

 

CMYK 77 / 0 / 51 / 2

HEX #3AFB7C

RGB 58 251 124

HSL 140.52, 0.96%, 0.61%

LAB 87.65, -72.47, 47.51

 

CMYK 71 / 0 / 44 / 0

HEX #4BFF8F

RGB 75 255 143

HSL 142.67, 1%, 0.65%

LAB 89.39, -68.61, 40.7

 

CMYK 64 / 0 / 36 / 0

HEX #5CFFA2

RGB 92 255 162

HSL 145.77, 1%, 0.68%

LAB 90.05, -62.57, 32.26

 

CMYK 57 / 0 / 29 / 0

HEX #6DFFB5

RGB 109 255 181

HSL 149.59, 1%, 0.71%

LAB 90.83, -55.75, 23.82

 

CMYK 51 / 0 / 22 / 0

HEX #7EFFC8

RGB 126 255 200

HSL 154.42, 1%, 0.75%

LAB 91.74, -48.28, 15.46

 

CMYK 79 / 0 / 49 / 2

HEX #35FB81

RGB 53 251 129

HSL 143.03, 0.96%, 0.6%

LAB 87.65, -72.29, 45.13

 

CMYK 85 / 0 / 53 / 9

HEX #24E96E

RGB 36 233 110

HSL 142.54, 0.82%, 0.53%

LAB 81.72, -70.91, 46.72

 

CMYK 91 / 0 / 58 / 16

HEX #13D75B

RGB 19 215 91

HSL 142.04, 0.84%, 0.46%

LAB 75.76, -69.04, 48.32

 

CMYK 99 / 0 / 63 / 23

HEX #02C548

RGB 2 197 72

HSL 141.54, 0.98%, 0.39%

LAB 69.76, -66.63, 49.85

 

CMYK 100 / 0 / 70 / 30

HEX #00B335

RGB 0 179 53

HSL 137.77, 1%, 0.35%

LAB 63.75, -63.36, 51.17

 

CMYK 78 / 0 / 48 / 2

HEX #37FB82

RGB 55 251 130

HSL 142.96, 0.96%, 0.6%

LAB 87.69, -71.92, 44.71

 

CMYK 78 / 0 / 69 / 2

HEX #37FB4D

RGB 55 251 77

HSL 126.73, 0.96%, 0.6%

LAB 87.16, -78.24, 66.84

 

CMYK 66 / 0 / 78 / 2

HEX #56FB37

RGB 86 251 55

HSL 110.51, 0.96%, 0.6%

LAB 87.61, -74.95, 74.63

 

CMYK 45 / 0 / 78 / 2

HEX #8AFB37

RGB 138 251 55

HSL 94.59, 0.96%, 0.6%

LAB 89.24, -62, 76.75

 

CMYK 24 / 0 / 78 / 2

HEX #BFFB37

RGB 191 251 55

HSL 78.37, 0.96%, 0.6%

LAB 91.84, -43.99, 80.09

 

CMYK 78 / 0 / 48 / 2

HEX #37FB82

RGB 55 251 130

HSL 142.96, 0.96%, 0.6%

LAB 87.69, -71.92, 44.71

 

CMYK 78 / 0 / 27 / 2

HEX #37FBB7

RGB 55 251 183

HSL 159.18, 0.96%, 0.6%

LAB 88.56, -62.07, 19.47

 

CMYK 78 / 0 / 6 / 2

HEX #37FBEC

RGB 55 251 236

HSL 175.41, 0.96%, 0.6%

LAB 89.8, -49.15, -6.19

 

CMYK 78 / 15 / 0 / 2

HEX #37D5FB

RGB 55 213 251

HSL 191.63, 0.96%, 0.6%

LAB 79.25, -27.38, -29.98

 

CMYK 78 / 36 / 0 / 2

HEX #37A0FB

RGB 55 160 251

HSL 207.86, 0.96%, 0.6%

LAB 64.1, 0.99, -53.66

 

CMYK 78 / 0 / 48 / 2

HEX #37FB82

RGB 55 251 130

HSL 142.96, 0.96%, 0.6%

LAB 87.69, -71.92, 44.71

 

CMYK 78 / 0 / 48 / 2

HEX #37FB82

RGB 55 251 130

HSL 142.96, 0.96%, 0.6%

LAB 87.69, -71.92, 44.71

 

CMYK 69 / 0 / 43 / 8

HEX #48EA86

RGB 72 234 134

HSL 142.96, 0.79%, 0.6%

LAB 82.88, -63.13, 36.7

 

CMYK 60 / 0 / 37 / 15

HEX #58DA8A

RGB 88 218 138

HSL 143.08, 0.64%, 0.6%

LAB 78.49, -53.46, 28.98

 

CMYK 48 / 0 / 29 / 21

HEX #69C98E

RGB 105 201 142

HSL 143.13, 0.47%, 0.6%

LAB 74.02, -41.64, 20.93

 

CMYK 35 / 0 / 21 / 27

HEX #79B992

RGB 121 185 146

HSL 143.44, 0.31%, 0.6%

LAB 70.06, -28.94, 13.4

 

CMYK 67 / 0 / 78 / 2

HEX #54FB37

RGB 84 251 55

HSL 111.12, 0.96%, 0.6%

LAB 87.56, -75.33, 74.57

 

CMYK 78 / 0 / 69 / 2

HEX #37FB4E

RGB 55 251 78

HSL 127.04, 0.96%, 0.6%

LAB 87.17, -78.15, 66.49

 

CMYK 78 / 0 / 48 / 2

HEX #37FB82

RGB 55 251 130

HSL 142.96, 0.96%, 0.6%

LAB 87.69, -71.92, 44.71

 

CMYK 78 / 0 / 27 / 2

HEX #37FBB6

RGB 55 251 182

HSL 158.88, 0.96%, 0.6%

LAB 88.54, -62.29, 19.96

 

CMYK 78 / 0 / 6 / 2

HEX #37FBEB

RGB 55 251 235

HSL 175.1, 0.96%, 0.6%

LAB 89.77, -49.42, -5.71

 

CMYK 98 / 0 / 60 / 14

HEX #04DB57

RGB 4 219 87

HSL 143.16, 0.96%, 0.44%

LAB 76.91, -71.36, 51.43

 

CMYK 94 / 0 / 58 / 2

HEX #0FFA69

RGB 15 250 105

HSL 142.98, 0.96%, 0.52%

LAB 86.75, -78.02, 54.96

 

CMYK 78 / 0 / 48 / 2

HEX #37FB82

RGB 55 251 130

HSL 142.96, 0.96%, 0.6%

LAB 87.69, -71.92, 44.71

 

CMYK 62 / 0 / 38 / 1

HEX #60FC9B

RGB 96 252 155

HSL 142.69, 0.96%, 0.68%

LAB 89.15, -61.93, 34.57

 

CMYK 46 / 0 / 28 / 1

HEX #88FDB5

RGB 136 253 181

HSL 143.08, 0.97%, 0.76%

LAB 91.15, -48.73, 24.41

 

CMYK 79 / 0 / 49 / 2

HEX #35FB81

RGB 53 251 129

HSL 143.03, 0.96%, 0.6%

LAB 87.65, -72.29, 45.13

 

CMYK 78 / 45 / 0 / 2

HEX #3789FB

RGB 55 137 251

HSL 214.9, 0.96%, 0.6%

LAB 57.72, 14.67, -63.84

 

CMYK 0 / 78 / 77 / 2

HEX #FB373A

RGB 251 55 58

HSL 359.08, 0.96%, 0.6%

LAB 55.63, 71.82, 45.99

 

CMYK 79 / 0 / 49 / 2

HEX #35FB81

RGB 53 251 129

HSL 143.03, 0.96%, 0.6%

LAB 87.65, -72.29, 45.13

 

CMYK 48 / 78 / 0 / 2

HEX #8237FB

RGB 130 55 251

HSL 262.96, 0.96%, 0.6%

LAB 44.86, 70.3, -84.54

 

CMYK 0 / 48 / 78 / 2

HEX #FB8237

RGB 251 130 55

HSL 22.96, 0.96%, 0.6%

LAB 67.09, 41.29, 58.96

 

CMYK 79 / 0 / 49 / 2

HEX #35FB81

RGB 53 251 129

HSL 143.03, 0.96%, 0.6%

LAB 87.65, -72.29, 45.13

 

CMYK 78 / 45 / 0 / 2

HEX #3789FB

RGB 55 137 251

HSL 214.9, 0.96%, 0.6%

LAB 57.72, 14.67, -63.84

 

CMYK 0 / 78 / 30 / 2

HEX #FB37B0

RGB 251 55 176

HSL 322.96, 0.96%, 0.6%

LAB 58.39, 80.22, -19.13

 

CMYK 0 / 33 / 78 / 2

HEX #FBA937

RGB 251 169 55

HSL 34.9, 0.96%, 0.6%

LAB 75.55, 21.18, 66.95

 

CMYK 79 / 0 / 49 / 2

HEX #35FB81

RGB 53 251 129

HSL 143.03, 0.96%, 0.6%

LAB 87.65, -72.29, 45.13

 

CMYK 78 / 69 / 0 / 2

HEX #374EFB

RGB 55 78 251

HSL 232.96, 0.96%, 0.6%

LAB 43.1, 50.9, -87.64

 

CMYK 0 / 78 / 30 / 2

HEX #FB37B0

RGB 251 55 176

HSL 322.96, 0.96%, 0.6%

LAB 58.39, 80.22, -19.13

 

CMYK 0 / 9 / 78 / 2

HEX #FBE437

RGB 251 228 55

HSL 52.96, 0.96%, 0.6%

LAB 89.99, -9.17, 80.04

 

Description

Color code: HEX #35FB81 | qconv.com Color code: HEX #35FB81 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 251 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 251 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 49 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 49% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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