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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35EB92 it is the complementary color #CA146D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35EB92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #35EB92 shade: #3AEB8D, #4BFDA0, #5CFFB3, #6DFFC6 and #7EFFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35EB92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #35EB92 shade: #35EB92, #24D97F, #13C76C, #02B559 and #00A346

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #35EB92 shade: #33EB91, #33EB5F, #38EB33, #6AEB33 and #9BEB33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #35EB92 shade: #33EB91, #33EBC2, #33E2EB, #33B0EB and #337EEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #35EB92 shade matches the following richer shades: #33EB91 and #21FD91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #35EB92 shade: #33EB91, #45D990, #57C690, #69B490 and #7BA28F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #35EB92 shade: #39EB33, #33EB5E, #33EB8F, #33EBC0 and #33E5EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #35EB92 shade: #12B967, #16DE7C, #33EB91, #58EFA5 and #7EF2B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #35EB92 shade: #35EB92, #336AEB and #EB4533

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #35EB92 shade: #35EB92, #8F33EB and #EB8F33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #35EB92 shade: #35EB92, #336AEB, #EB338F and #EBB433

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #35EB92 shade: #35EB92, #3333EB, #EB338F and #EBEB33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 38 / 8

HEX #35EB92

RGB 53 235 146

HSL 150.66, 0.82%, 0.56%

LAB 83.05, -63.94, 30.84

 

Complementary color

CMYK 0 / 90 / 46 / 21

HEX #CA146D

RGB 202 20 109

HSL 330.66, 0.82%, 0.44%

LAB 44.46, 69.55, -0.76

 

CMYK 75 / 0 / 40 / 8

HEX #3AEB8D

RGB 58 235 141

HSL 148.14, 0.82%, 0.57%

LAB 83.04, -64.26, 33.36

 

CMYK 70 / 0 / 37 / 1

HEX #4BFDA0

RGB 75 253 160

HSL 148.65, 0.98%, 0.64%

LAB 89.06, -64.95, 31.87

 

CMYK 64 / 0 / 30 / 0

HEX #5CFFB3

RGB 92 255 179

HSL 152.02, 1%, 0.68%

LAB 90.34, -59.35, 24.1

 

CMYK 57 / 0 / 22 / 0

HEX #6DFFC6

RGB 109 255 198

HSL 156.58, 1%, 0.71%

LAB 91.17, -52.3, 15.6

 

CMYK 51 / 0 / 15 / 0

HEX #7EFFD9

RGB 126 255 217

HSL 162.33, 1%, 0.75%

LAB 92.12, -44.65, 7.24

 

CMYK 77 / 0 / 38 / 8

HEX #35EB92

RGB 53 235 146

HSL 150.66, 0.82%, 0.56%

LAB 83.05, -63.94, 30.84

 

CMYK 83 / 0 / 41 / 15

HEX #24D97F

RGB 36 217 127

HSL 150.17, 0.72%, 0.5%

LAB 77, -62.83, 32.44

 

CMYK 90 / 0 / 46 / 22

HEX #13C76C

RGB 19 199 108

HSL 149.67, 0.83%, 0.43%

LAB 70.92, -61.28, 34.17

 

CMYK 99 / 0 / 51 / 29

HEX #02B559

RGB 2 181 89

HSL 149.16, 0.98%, 0.36%

LAB 64.79, -59.24, 35.99

 

CMYK 100 / 0 / 57 / 36

HEX #00A346

RGB 0 163 70

HSL 145.77, 1%, 0.32%

LAB 58.64, -56.38, 37.89

 

CMYK 78 / 0 / 38 / 8

HEX #33EB91

RGB 51 235 145

HSL 150.65, 0.82%, 0.56%

LAB 83, -64.35, 31.28

 

CMYK 78 / 0 / 60 / 8

HEX #33EB5F

RGB 51 235 95

HSL 134.35, 0.82%, 0.56%

LAB 82.35, -72.01, 54.3

 

CMYK 76 / 0 / 78 / 8

HEX #38EB33

RGB 56 235 51

HSL 118.37, 0.82%, 0.56%

LAB 82.11, -75.27, 70.35

 

CMYK 55 / 0 / 78 / 8

HEX #6AEB33

RGB 106 235 51

HSL 102.07, 0.82%, 0.56%

LAB 83.29, -65.4, 71.9

 

CMYK 34 / 0 / 78 / 8

HEX #9BEB33

RGB 155 235 51

HSL 86.09, 0.82%, 0.56%

LAB 85.31, -50.43, 74.5

 

CMYK 78 / 0 / 38 / 8

HEX #33EB91

RGB 51 235 145

HSL 150.65, 0.82%, 0.56%

LAB 83, -64.35, 31.28

 

CMYK 78 / 0 / 17 / 8

HEX #33EBC2

RGB 51 235 194

HSL 166.63, 0.82%, 0.56%

LAB 83.97, -53.71, 7.27

 

CMYK 78 / 4 / 0 / 8

HEX #33E2EB

RGB 51 226 235

HSL 182.93, 0.82%, 0.56%

LAB 82.43, -38.78, -16.66

 

CMYK 78 / 25 / 0 / 8

HEX #33B0EB

RGB 51 176 235

HSL 199.24, 0.82%, 0.56%

LAB 67.84, -13.95, -39.03

 

CMYK 78 / 46 / 0 / 8

HEX #337EEB

RGB 51 126 235

HSL 215.54, 0.82%, 0.56%

LAB 53.63, 15.13, -61.56

 

CMYK 78 / 0 / 38 / 8

HEX #33EB91

RGB 51 235 145

HSL 150.65, 0.82%, 0.56%

LAB 83, -64.35, 31.28

 

CMYK 87 / 0 / 43 / 1

HEX #21FD91

RGB 33 253 145

HSL 150.55, 0.98%, 0.56%

LAB 88.27, -72.05, 38.16

 

CMYK 78 / 0 / 38 / 8

HEX #33EB91

RGB 51 235 145

HSL 150.65, 0.82%, 0.56%

LAB 83, -64.35, 31.28

 

CMYK 68 / 0 / 34 / 15

HEX #45D990

RGB 69 217 144

HSL 150.41, 0.66%, 0.56%

LAB 77.82, -55.47, 24.89

 

CMYK 56 / 0 / 27 / 22

HEX #57C690

RGB 87 198 144

HSL 150.81, 0.49%, 0.56%

LAB 72.51, -44.3, 17.69

 

CMYK 42 / 0 / 20 / 29

HEX #69B490

RGB 105 180 144

HSL 151.2, 0.33%, 0.56%

LAB 67.77, -31.66, 11.15

 

CMYK 24 / 0 / 12 / 36

HEX #7BA28F

RGB 123 162 143

HSL 150.77, 0.17%, 0.56%

LAB 63.37, -17.35, 5.56

 

CMYK 76 / 0 / 78 / 8

HEX #39EB33

RGB 57 235 51

HSL 118.04, 0.82%, 0.56%

LAB 82.12, -75.13, 70.37

 

CMYK 78 / 0 / 60 / 8

HEX #33EB5E

RGB 51 235 94

HSL 134.02, 0.82%, 0.56%

LAB 82.34, -72.13, 54.73

 

CMYK 78 / 0 / 39 / 8

HEX #33EB8F

RGB 51 235 143

HSL 150, 0.82%, 0.56%

LAB 82.97, -64.72, 32.24

 

CMYK 78 / 0 / 18 / 8

HEX #33EBC0

RGB 51 235 192

HSL 165.98, 0.82%, 0.56%

LAB 83.93, -54.2, 8.26

 

CMYK 78 / 3 / 0 / 8

HEX #33E5EB

RGB 51 229 235

HSL 181.96, 0.82%, 0.56%

LAB 83.31, -40.14, -15.34

 

CMYK 90 / 0 / 44 / 27

HEX #12B967

RGB 18 185 103

HSL 150.54, 0.82%, 0.4%

LAB 66.37, -57.42, 30.88

 

CMYK 90 / 0 / 44 / 13

HEX #16DE7C

RGB 22 222 124

HSL 150.6, 0.82%, 0.48%

LAB 78.38, -66.06, 35.73

 

CMYK 78 / 0 / 38 / 8

HEX #33EB91

RGB 51 235 145

HSL 150.65, 0.82%, 0.56%

LAB 83, -64.35, 31.28

 

CMYK 63 / 0 / 31 / 6

HEX #58EFA5

RGB 88 239 165

HSL 150.6, 0.83%, 0.64%

LAB 85.26, -56.6, 24.26

 

CMYK 48 / 0 / 24 / 5

HEX #7EF2B9

RGB 126 242 185

HSL 150.52, 0.82%, 0.72%

LAB 87.7, -45.75, 17.51

 

CMYK 77 / 0 / 38 / 8

HEX #35EB92

RGB 53 235 146

HSL 150.66, 0.82%, 0.56%

LAB 83.05, -63.94, 30.84

 

CMYK 78 / 55 / 0 / 8

HEX #336AEB

RGB 51 106 235

HSL 222.07, 0.82%, 0.56%

LAB 48.27, 27.68, -70.22

 

CMYK 0 / 71 / 78 / 8

HEX #EB4533

RGB 235 69 51

HSL 5.87, 0.82%, 0.56%

LAB 54.19, 62.48, 47.27

 

CMYK 77 / 0 / 38 / 8

HEX #35EB92

RGB 53 235 146

HSL 150.66, 0.82%, 0.56%

LAB 83.05, -63.94, 30.84

 

CMYK 39 / 78 / 0 / 8

HEX #8F33EB

RGB 143 51 235

HSL 270, 0.82%, 0.56%

LAB 44.53, 69.84, -76.03

 

CMYK 0 / 39 / 78 / 8

HEX #EB8F33

RGB 235 143 51

HSL 30, 0.82%, 0.56%

LAB 67.68, 28.06, 60.43

 

CMYK 77 / 0 / 38 / 8

HEX #35EB92

RGB 53 235 146

HSL 150.66, 0.82%, 0.56%

LAB 83.05, -63.94, 30.84

 

CMYK 78 / 55 / 0 / 8

HEX #336AEB

RGB 51 106 235

HSL 222.07, 0.82%, 0.56%

LAB 48.27, 27.68, -70.22

 

CMYK 0 / 78 / 39 / 8

HEX #EB338F

RGB 235 51 143

HSL 330, 0.82%, 0.56%

LAB 54.04, 74.05, -6.58

 

CMYK 0 / 23 / 78 / 8

HEX #EBB433

RGB 235 180 51

HSL 42.07, 0.82%, 0.56%

LAB 76.4, 8.49, 68.51

 

CMYK 77 / 0 / 38 / 8

HEX #35EB92

RGB 53 235 146

HSL 150.66, 0.82%, 0.56%

LAB 83.05, -63.94, 30.84

 

CMYK 78 / 78 / 0 / 8

HEX #3333EB

RGB 51 51 235

HSL 240, 0.82%, 0.56%

LAB 36.12, 60.04, -90.18

 

CMYK 0 / 78 / 39 / 8

HEX #EB338F

RGB 235 51 143

HSL 330, 0.82%, 0.56%

LAB 54.04, 74.05, -6.58

 

CMYK 0 / 0 / 78 / 8

HEX #EBEB33

RGB 235 235 51

HSL 60, 0.82%, 0.56%

LAB 90.47, -19.38, 81.07

 

Description

Color code: HEX #35EB92 | qconv.com Color code: HEX #35EB92 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 235 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 235 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 38 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 38% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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