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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35DFDC it is the complementary color #CA2023. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35DFDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #35DFDC shade: #3ADFD7, #4BF1EA, #5CFFFD, #6DFFFF and #7EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35DFDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #35DFDC shade: #35DFDC, #24CDC9, #13BBB6, #02A9A3 and #009790

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #35DFDC shade: #34DFDC, #34DFAE, #34DF80, #34DF52 and #45DF34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #35DFDC shade: #34DFDC, #34B4DF, #3486DF, #3458DF and #3434DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #35DFDC shade matches the following richer shades: #34DFDC and #21F2EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #35DFDC shade: #34DFDC, #47CCCA, #5AB9B8, #6DA6A5 and #809393

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #35DFDC shade: #34DF7E, #34DFAC, #34DFDA, #34B7DF and #348ADF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #35DFDC shade: #1AA7A4, #20CBC8, #34DFDC, #58E5E2 and #7BEAE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #35DFDC shade: #35DFDC, #5134DF and #DF9534

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #35DFDC shade: #35DFDC, #DA34DF and #DFDA34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #35DFDC shade: #35DFDC, #5134DF, #DF343A and #C3DF34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #35DFDC shade: #35DFDC, #8434DF, #DF343A and #8FDF34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 1 / 13

HEX #35DFDC

RGB 53 223 220

HSL 178.94, 0.73%, 0.54%

LAB 81.13, -41.55, -10.64

 

Complementary color

CMYK 0 / 84 / 83 / 21

HEX #CA2023

RGB 202 32 35

HSL 358.94, 0.73%, 0.46%

LAB 43.82, 63.29, 43.34

 

CMYK 74 / 0 / 4 / 13

HEX #3ADFD7

RGB 58 223 215

HSL 177.09, 0.72%, 0.55%

LAB 81.06, -42.43, -8.07

 

CMYK 69 / 0 / 3 / 5

HEX #4BF1EA

RGB 75 241 234

HSL 177.47, 0.86%, 0.62%

LAB 87.17, -43.2, -9

 

CMYK 64 / 0 / 1 / 0

HEX #5CFFFD

RGB 92 255 253

HSL 179.26, 1%, 0.68%

LAB 92.08, -42.01, -11.55

 

CMYK 57 / 0 / 0 / 0

HEX #6DFFFF

RGB 109 255 255

HSL 180, 1%, 0.71%

LAB 92.57, -38.78, -11.81

 

CMYK 51 / 0 / 0 / 0

HEX #7EFFFF

RGB 126 255 255

HSL 180, 1%, 0.75%

LAB 93.09, -35.63, -10.98

 

CMYK 76 / 0 / 1 / 13

HEX #35DFDC

RGB 53 223 220

HSL 178.94, 0.73%, 0.54%

LAB 81.13, -41.55, -10.64

 

CMYK 82 / 0 / 2 / 20

HEX #24CDC9

RGB 36 205 201

HSL 178.58, 0.7%, 0.47%

LAB 74.99, -40.4, -9.63

 

CMYK 90 / 0 / 3 / 27

HEX #13BBB6

RGB 19 187 182

HSL 178.21, 0.82%, 0.4%

LAB 68.79, -38.91, -8.52

 

CMYK 99 / 0 / 4 / 34

HEX #02A9A3

RGB 2 169 163

HSL 177.84, 0.98%, 0.34%

LAB 62.54, -37.09, -7.29

 

CMYK 100 / 0 / 5 / 41

HEX #009790

RGB 0 151 144

HSL 177.22, 1%, 0.3%

LAB 56.23, -34.7, -5.88

 

CMYK 77 / 0 / 1 / 13

HEX #34DFDC

RGB 52 223 220

HSL 178.95, 0.73%, 0.54%

LAB 81.11, -41.65, -10.67

 

CMYK 77 / 0 / 22 / 13

HEX #34DFAE

RGB 52 223 174

HSL 162.81, 0.73%, 0.54%

LAB 79.93, -53.61, 12.04

 

CMYK 77 / 0 / 43 / 13

HEX #34DF80

RGB 52 223 128

HSL 146.67, 0.73%, 0.54%

LAB 79.08, -63.07, 34.69

 

CMYK 77 / 0 / 63 / 13

HEX #34DF52

RGB 52 223 82

HSL 130.53, 0.73%, 0.54%

LAB 78.53, -69.58, 55.54

 

CMYK 69 / 0 / 77 / 13

HEX #45DF34

RGB 69 223 52

HSL 114.04, 0.73%, 0.54%

LAB 78.63, -69.5, 66.8

 

CMYK 77 / 0 / 1 / 13

HEX #34DFDC

RGB 52 223 220

HSL 178.95, 0.73%, 0.54%

LAB 81.11, -41.65, -10.67

 

CMYK 77 / 19 / 0 / 13

HEX #34B4DF

RGB 52 180 223

HSL 195.09, 0.73%, 0.54%

LAB 68.53, -19.99, -31.39

 

CMYK 77 / 40 / 0 / 13

HEX #3486DF

RGB 52 134 223

HSL 211.23, 0.73%, 0.54%

LAB 55.18, 5.93, -52.35

 

CMYK 77 / 61 / 0 / 13

HEX #3458DF

RGB 52 88 223

HSL 227.37, 0.73%, 0.54%

LAB 42.82, 34.79, -72.32

 

CMYK 77 / 77 / 0 / 13

HEX #3434DF

RGB 52 52 223

HSL 240, 0.73%, 0.54%

LAB 35.03, 55.91, -85.13

 

CMYK 77 / 0 / 1 / 13

HEX #34DFDC

RGB 52 223 220

HSL 178.95, 0.73%, 0.54%

LAB 81.11, -41.65, -10.67

 

CMYK 86 / 0 / 1 / 5

HEX #21F2EF

RGB 33 242 239

HSL 179.14, 0.89%, 0.54%

LAB 87.03, -46.02, -11.89

 

CMYK 77 / 0 / 1 / 13

HEX #34DFDC

RGB 52 223 220

HSL 178.95, 0.73%, 0.54%

LAB 81.11, -41.65, -10.67

 

CMYK 65 / 0 / 1 / 20

HEX #47CCCA

RGB 71 204 202

HSL 179.1, 0.57%, 0.54%

LAB 75.32, -35.75, -9.61

 

CMYK 51 / 0 / 1 / 27

HEX #5AB9B8

RGB 90 185 184

HSL 179.37, 0.4%, 0.54%

LAB 69.71, -28.17, -8.1

 

CMYK 34 / 0 / 1 / 35

HEX #6DA6A5

RGB 109 166 165

HSL 178.95, 0.24%, 0.54%

LAB 64.35, -18.75, -5.41

 

CMYK 13 / 0 / 0 / 42

HEX #809393

RGB 128 147 147

HSL 180, 0.08%, 0.54%

LAB 59.49, -6.75, -2.29

 

CMYK 77 / 0 / 43 / 13

HEX #34DF7E

RGB 52 223 126

HSL 145.96, 0.73%, 0.54%

LAB 79.05, -63.42, 35.65

 

CMYK 77 / 0 / 23 / 13

HEX #34DFAC

RGB 52 223 172

HSL 162.11, 0.73%, 0.54%

LAB 79.89, -54.08, 13.03

 

CMYK 77 / 0 / 2 / 13

HEX #34DFDA

RGB 52 223 218

HSL 178.25, 0.73%, 0.54%

LAB 81.05, -42.21, -9.69

 

CMYK 77 / 18 / 0 / 13

HEX #34B7DF

RGB 52 183 223

HSL 194.04, 0.73%, 0.54%

LAB 69.42, -21.54, -30.03

 

CMYK 77 / 38 / 0 / 13

HEX #348ADF

RGB 52 138 223

HSL 209.82, 0.73%, 0.54%

LAB 56.32, 3.52, -50.54

 

CMYK 84 / 0 / 2 / 35

HEX #1AA7A4

RGB 26 167 164

HSL 178.72, 0.73%, 0.38%

LAB 62.12, -34.69, -8.45

 

CMYK 84 / 0 / 1 / 20

HEX #20CBC8

RGB 32 203 200

HSL 178.95, 0.73%, 0.46%

LAB 74.31, -40.07, -10.1

 

CMYK 77 / 0 / 1 / 13

HEX #34DFDC

RGB 52 223 220

HSL 178.95, 0.73%, 0.54%

LAB 81.11, -41.65, -10.67

 

CMYK 62 / 0 / 1 / 10

HEX #58E5E2

RGB 88 229 226

HSL 178.72, 0.73%, 0.62%

LAB 83.76, -38.09, -9.83

 

CMYK 47 / 0 / 0 / 8

HEX #7BEAE9

RGB 123 234 233

HSL 179.46, 0.73%, 0.7%

LAB 86.47, -31.98, -9.36

 

CMYK 76 / 0 / 1 / 13

HEX #35DFDC

RGB 53 223 220

HSL 178.94, 0.73%, 0.54%

LAB 81.13, -41.55, -10.64

 

CMYK 64 / 77 / 0 / 13

HEX #5134DF

RGB 81 52 223

HSL 250.18, 0.73%, 0.54%

LAB 36.99, 58.41, -81.83

 

CMYK 0 / 33 / 77 / 13

HEX #DF9534

RGB 223 149 52

HSL 34.04, 0.73%, 0.54%

LAB 67.6, 19.89, 59.43

 

CMYK 76 / 0 / 1 / 13

HEX #35DFDC

RGB 53 223 220

HSL 178.94, 0.73%, 0.54%

LAB 81.13, -41.55, -10.64

 

CMYK 2 / 77 / 0 / 13

HEX #DA34DF

RGB 218 52 223

HSL 298.25, 0.73%, 0.54%

LAB 54.75, 80.24, -52.18

 

CMYK 0 / 2 / 77 / 13

HEX #DFDA34

RGB 223 218 52

HSL 58.25, 0.73%, 0.54%

LAB 85.04, -16.03, 75.6

 

CMYK 76 / 0 / 1 / 13

HEX #35DFDC

RGB 53 223 220

HSL 178.94, 0.73%, 0.54%

LAB 81.13, -41.55, -10.64

 

CMYK 64 / 77 / 0 / 13

HEX #5134DF

RGB 81 52 223

HSL 250.18, 0.73%, 0.54%

LAB 36.99, 58.41, -81.83

 

CMYK 0 / 77 / 74 / 13

HEX #DF343A

RGB 223 52 58

HSL 357.89, 0.73%, 0.54%

LAB 50.04, 64.72, 38.37

 

CMYK 13 / 0 / 77 / 13

HEX #C3DF34

RGB 195 223 52

HSL 69.82, 0.73%, 0.54%

LAB 84.29, -29.97, 74.15

 

CMYK 76 / 0 / 1 / 13

HEX #35DFDC

RGB 53 223 220

HSL 178.94, 0.73%, 0.54%

LAB 81.13, -41.55, -10.64

 

CMYK 41 / 77 / 0 / 13

HEX #8434DF

RGB 132 52 223

HSL 268.07, 0.73%, 0.54%

LAB 42.29, 65.05, -72.92

 

CMYK 0 / 77 / 74 / 13

HEX #DF343A

RGB 223 52 58

HSL 357.89, 0.73%, 0.54%

LAB 50.04, 64.72, 38.37

 

CMYK 36 / 0 / 77 / 13

HEX #8FDF34

RGB 143 223 52

HSL 88.07, 0.73%, 0.54%

LAB 81.22, -49.61, 70.18

 

Description

Color code: HEX #35DFDC | qconv.com Color code: HEX #35DFDC | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 223 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 223 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 1 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 1% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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