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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35DBBF it is the complementary color #CA2440. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35DBBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #35DBBF shade: #3ADBBA, #4BEDCD, #5CFFE0, #6DFFF3 and #7EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35DBBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #35DBBF shade: #35DBBF, #24C9AC, #13B799, #02A586 and #009373

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #35DBBF shade: #33DBBF, #33DB91, #33DB64, #33DB37 and #5DDB33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #35DBBF shade: #33DBBF, #33CADB, #339DDB, #3370DB and #3342DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #35DBBF shade matches the following richer shades: #33DBBF and #20EECC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #35DBBF shade: #33DBBF, #47C8B2, #5AB4A5, #6DA198 and #818D8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #35DBBF shade: #33DB63, #33DB90, #33DBBC, #33CDDB and #33A0DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #35DBBF shade: #1CA089, #22C3A8, #33DBBF, #56E1CA and #79E7D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #35DBBF shade: #35DBBF, #3633DB and #DB7933

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #35DBBF shade: #35DBBF, #BC33DB and #DBBC33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #35DBBF shade: #35DBBF, #3633DB, #DB3352 and #D8DB33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #35DBBF shade: #35DBBF, #6833DB, #DB3352 and #A6DB33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 13 / 14

HEX #35DBBF

RGB 53 219 191

HSL 169.88, 0.7%, 0.53%

LAB 79.15, -47.67, 1.89

 

Complementary color

CMYK 0 / 82 / 68 / 21

HEX #CA2440

RGB 202 36 64

HSL 349.88, 0.7%, 0.47%

LAB 44.5, 63.43, 27.27

 

CMYK 74 / 0 / 15 / 14

HEX #3ADBBA

RGB 58 219 186

HSL 167.7, 0.69%, 0.54%

LAB 79.1, -48.37, 4.5

 

CMYK 68 / 0 / 14 / 7

HEX #4BEDCD

RGB 75 237 205

HSL 168.15, 0.82%, 0.61%

LAB 85.24, -48.97, 3.38

 

CMYK 64 / 0 / 12 / 0

HEX #5CFFE0

RGB 92 255 224

HSL 168.59, 1%, 0.68%

LAB 91.31, -49.4, 2.34

 

CMYK 57 / 0 / 5 / 0

HEX #6DFFF3

RGB 109 255 243

HSL 175.07, 1%, 0.71%

LAB 92.24, -41.86, -6.09

 

CMYK 51 / 0 / 0 / 0

HEX #7EFFFF

RGB 126 255 255

HSL 180, 1%, 0.75%

LAB 93.09, -35.63, -10.98

 

CMYK 76 / 0 / 13 / 14

HEX #35DBBF

RGB 53 219 191

HSL 169.88, 0.7%, 0.53%

LAB 79.15, -47.67, 1.89

 

CMYK 82 / 0 / 14 / 21

HEX #24C9AC

RGB 36 201 172

HSL 169.45, 0.7%, 0.46%

LAB 72.98, -46.67, 3.11

 

CMYK 90 / 0 / 16 / 28

HEX #13B799

RGB 19 183 153

HSL 169.02, 0.81%, 0.4%

LAB 66.75, -45.33, 4.46

 

CMYK 99 / 0 / 19 / 35

HEX #02A586

RGB 2 165 134

HSL 168.59, 0.98%, 0.33%

LAB 60.47, -43.62, 5.96

 

CMYK 100 / 0 / 22 / 42

HEX #009373

RGB 0 147 115

HSL 166.94, 1%, 0.29%

LAB 54.14, -41.26, 7.67

 

CMYK 77 / 0 / 13 / 14

HEX #33DBBF

RGB 51 219 191

HSL 170, 0.7%, 0.53%

LAB 79.12, -47.88, 1.84

 

CMYK 77 / 0 / 34 / 14

HEX #33DB91

RGB 51 219 145

HSL 153.57, 0.7%, 0.53%

LAB 78.12, -58.54, 24.72

 

CMYK 77 / 0 / 54 / 14

HEX #33DB64

RGB 51 219 100

HSL 137.5, 0.7%, 0.53%

LAB 77.45, -66.22, 46.27

 

CMYK 77 / 0 / 75 / 14

HEX #33DB37

RGB 51 219 55

HSL 121.43, 0.7%, 0.53%

LAB 77.07, -70.91, 64.2

 

CMYK 58 / 0 / 77 / 14

HEX #5DDB33

RGB 93 219 51

HSL 105, 0.7%, 0.53%

LAB 78.01, -63.12, 66.73

 

CMYK 77 / 0 / 13 / 14

HEX #33DBBF

RGB 51 219 191

HSL 170, 0.7%, 0.53%

LAB 79.12, -47.88, 1.84

 

CMYK 77 / 8 / 0 / 14

HEX #33CADB

RGB 51 202 219

HSL 186.07, 0.7%, 0.53%

LAB 74.86, -32.34, -19.53

 

CMYK 77 / 28 / 0 / 14

HEX #339DDB

RGB 51 157 219

HSL 202.14, 0.7%, 0.53%

LAB 61.6, -9.02, -39.98

 

CMYK 77 / 49 / 0 / 14

HEX #3370DB

RGB 51 112 219

HSL 218.21, 0.7%, 0.53%

LAB 48.77, 17.95, -60.39

 

CMYK 77 / 70 / 0 / 14

HEX #3342DB

RGB 51 66 219

HSL 234.64, 0.7%, 0.53%

LAB 37.33, 46.8, -79.05

 

CMYK 77 / 0 / 13 / 14

HEX #33DBBF

RGB 51 219 191

HSL 170, 0.7%, 0.53%

LAB 79.12, -47.88, 1.84

 

CMYK 87 / 0 / 14 / 7

HEX #20EECC

RGB 32 238 204

HSL 170.1, 0.86%, 0.53%

LAB 84.9, -53.88, 3.34

 

CMYK 77 / 0 / 13 / 14

HEX #33DBBF

RGB 51 219 191

HSL 170, 0.7%, 0.53%

LAB 79.12, -47.88, 1.84

 

CMYK 65 / 0 / 11 / 22

HEX #47C8B2

RGB 71 200 178

HSL 169.77, 0.54%, 0.53%

LAB 73.46, -40.35, 0.63

 

CMYK 50 / 0 / 8 / 29

HEX #5AB4A5

RGB 90 180 165

HSL 170, 0.38%, 0.53%

LAB 67.67, -30.65, -0.63

 

CMYK 32 / 0 / 6 / 37

HEX #6DA198

RGB 109 161 152

HSL 169.62, 0.22%, 0.53%

LAB 62.51, -19.27, -0.83

 

CMYK 9 / 0 / 1 / 45

HEX #818D8B

RGB 129 141 139

HSL 170, 0.05%, 0.53%

LAB 57.64, -4.75, -0.43

 

CMYK 77 / 0 / 55 / 14

HEX #33DB63

RGB 51 219 99

HSL 137.14, 0.7%, 0.53%

LAB 77.44, -66.35, 46.72

 

CMYK 77 / 0 / 34 / 14

HEX #33DB90

RGB 51 219 144

HSL 153.21, 0.7%, 0.53%

LAB 78.1, -58.74, 25.21

 

CMYK 77 / 0 / 14 / 14

HEX #33DBBC

RGB 51 219 188

HSL 168.93, 0.7%, 0.53%

LAB 79.04, -48.65, 3.33

 

CMYK 77 / 6 / 0 / 14

HEX #33CDDB

RGB 51 205 219

HSL 185, 0.7%, 0.53%

LAB 75.75, -33.77, -18.18

 

CMYK 77 / 27 / 0 / 14

HEX #33A0DB

RGB 51 160 219

HSL 201.07, 0.7%, 0.53%

LAB 62.47, -10.7, -38.61

 

CMYK 83 / 0 / 14 / 37

HEX #1CA089

RGB 28 160 137

HSL 169.55, 0.7%, 0.37%

LAB 59.15, -39.14, 2.41

 

CMYK 83 / 0 / 14 / 24

HEX #22C3A8

RGB 34 195 168

HSL 169.94, 0.7%, 0.45%

LAB 71.01, -45.36, 2.42

 

CMYK 77 / 0 / 13 / 14

HEX #33DBBF

RGB 51 219 191

HSL 170, 0.7%, 0.53%

LAB 79.12, -47.88, 1.84

 

CMYK 62 / 0 / 10 / 12

HEX #56E1CA

RGB 86 225 202

HSL 170.07, 0.7%, 0.61%

LAB 81.89, -42.85, 0.12

 

CMYK 48 / 0 / 8 / 9

HEX #79E7D5

RGB 121 231 213

HSL 170.18, 0.7%, 0.69%

LAB 85.01, -35.9, -1.01

 

CMYK 76 / 0 / 13 / 14

HEX #35DBBF

RGB 53 219 191

HSL 169.88, 0.7%, 0.53%

LAB 79.15, -47.67, 1.89

 

CMYK 75 / 77 / 0 / 14

HEX #3633DB

RGB 54 51 219

HSL 241.07, 0.7%, 0.53%

LAB 34.53, 55.31, -83.66

 

CMYK 0 / 45 / 77 / 14

HEX #DB7933

RGB 219 121 51

HSL 25, 0.7%, 0.53%

LAB 60.76, 33.07, 53.02

 

CMYK 76 / 0 / 13 / 14

HEX #35DBBF

RGB 53 219 191

HSL 169.88, 0.7%, 0.53%

LAB 79.15, -47.67, 1.89

 

CMYK 14 / 77 / 0 / 14

HEX #BC33DB

RGB 188 51 219

HSL 288.93, 0.7%, 0.53%

LAB 49.71, 74.17, -58.25

 

CMYK 0 / 14 / 77 / 14

HEX #DBBC33

RGB 219 188 51

HSL 48.93, 0.7%, 0.53%

LAB 76.84, -2.57, 68.33

 

CMYK 76 / 0 / 13 / 14

HEX #35DBBF

RGB 53 219 191

HSL 169.88, 0.7%, 0.53%

LAB 79.15, -47.67, 1.89

 

CMYK 75 / 77 / 0 / 14

HEX #3633DB

RGB 54 51 219

HSL 241.07, 0.7%, 0.53%

LAB 34.53, 55.31, -83.66

 

CMYK 0 / 77 / 63 / 14

HEX #DB3352

RGB 219 51 82

HSL 348.93, 0.7%, 0.53%

LAB 49.54, 65.04, 23.43

 

CMYK 1 / 0 / 77 / 14

HEX #D8DB33

RGB 216 219 51

HSL 61.07, 0.7%, 0.53%

LAB 84.74, -19.48, 75.42

 

CMYK 76 / 0 / 13 / 14

HEX #35DBBF

RGB 53 219 191

HSL 169.88, 0.7%, 0.53%

LAB 79.15, -47.67, 1.89

 

CMYK 53 / 77 / 0 / 14

HEX #6833DB

RGB 104 51 219

HSL 258.93, 0.7%, 0.53%

LAB 38.59, 60.47, -76.82

 

CMYK 0 / 77 / 63 / 14

HEX #DB3352

RGB 219 51 82

HSL 348.93, 0.7%, 0.53%

LAB 49.54, 65.04, 23.43

 

CMYK 24 / 0 / 77 / 14

HEX #A6DB33

RGB 166 219 51

HSL 78.93, 0.7%, 0.53%

LAB 81.3, -39.59, 71

 

Description

Color code: HEX #35DBBF | qconv.com Color code: HEX #35DBBF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 219 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 219 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 13 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 13% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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