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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35D975 it is the complementary color #CA268A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35D975. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #35D975 shade: #3AD970, #4BEB83, #5CFD96, #6DFFA9 and #7EFFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35D975. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #35D975 shade: #35D975, #24C762, #13B54F, #02A33C and #009129

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #35D975 shade: #36D975, #36D949, #4ED936, #7AD936 and #A6D936

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #35D975 shade: #36D975, #36D9A1, #36D9CD, #36B8D9 and #368CD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #35D975 shade matches the following richer shades: #36D975 and #22EC71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #35D975 shade: #36D975, #49C57A, #5CB27E, #709E82 and #838B86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #35D975 shade: #4ED936, #36D949, #36D974, #36D9A0 and #36D9CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #35D975 shade: #1E9E50, #25C061, #36D975, #58DF8D and #7BE6A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #35D975 shade: #35D975, #367AD9 and #D93638

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #35D975 shade: #35D975, #7436D9 and #D97436

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #35D975 shade: #35D975, #367AD9, #D9369A and #D99536

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #35D975 shade: #35D975, #3649D9, #D9369A and #D9C636

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 46 / 15

HEX #35D975

RGB 53 217 117

HSL 143.41, 0.68%, 0.53%

LAB 77.08, -62.71, 37.61

 

Complementary color

CMYK 0 / 81 / 32 / 21

HEX #CA268A

RGB 202 38 138

HSL 323.41, 0.68%, 0.47%

LAB 46.68, 68.88, -15.25

 

CMYK 73 / 0 / 48 / 15

HEX #3AD970

RGB 58 217 112

HSL 140.38, 0.68%, 0.54%

LAB 77.1, -62.82, 40.12

 

CMYK 68 / 0 / 44 / 8

HEX #4BEB83

RGB 75 235 131

HSL 141, 0.8%, 0.61%

LAB 83.21, -63.5, 38.61

 

CMYK 64 / 0 / 41 / 1

HEX #5CFD96

RGB 92 253 150

HSL 141.61, 0.98%, 0.68%

LAB 89.27, -63.91, 37.18

 

CMYK 57 / 0 / 34 / 0

HEX #6DFFA9

RGB 109 255 169

HSL 144.66, 1%, 0.71%

LAB 90.61, -58, 29.59

 

CMYK 51 / 0 / 26 / 0

HEX #7EFFBC

RGB 126 255 188

HSL 148.84, 1%, 0.75%

LAB 91.5, -50.68, 21.26

 

CMYK 76 / 0 / 46 / 15

HEX #35D975

RGB 53 217 117

HSL 143.41, 0.68%, 0.53%

LAB 77.08, -62.71, 37.61

 

CMYK 82 / 0 / 51 / 22

HEX #24C762

RGB 36 199 98

HSL 142.82, 0.69%, 0.46%

LAB 70.94, -61.58, 39.23

 

CMYK 90 / 0 / 56 / 29

HEX #13B54F

RGB 19 181 79

HSL 142.22, 0.81%, 0.39%

LAB 64.76, -59.91, 40.89

 

CMYK 99 / 0 / 63 / 36

HEX #02A33C

RGB 2 163 60

HSL 141.61, 0.98%, 0.32%

LAB 58.54, -57.63, 42.5

 

CMYK 100 / 0 / 72 / 43

HEX #009129

RGB 0 145 41

HSL 136.97, 1%, 0.28%

LAB 52.3, -54.28, 43.9

 

CMYK 75 / 0 / 46 / 15

HEX #36D975

RGB 54 217 117

HSL 143.19, 0.68%, 0.53%

LAB 77.1, -62.58, 37.64

 

CMYK 75 / 0 / 66 / 15

HEX #36D949

RGB 54 217 73

HSL 126.99, 0.68%, 0.53%

LAB 76.61, -68.35, 57.14

 

CMYK 64 / 0 / 75 / 15

HEX #4ED936

RGB 78 217 54

HSL 111.17, 0.68%, 0.53%

LAB 76.99, -65.68, 64.64

 

CMYK 44 / 0 / 75 / 15

HEX #7AD936

RGB 122 217 54

HSL 94.97, 0.68%, 0.53%

LAB 78.48, -54.03, 66.6

 

CMYK 24 / 0 / 75 / 15

HEX #A6D936

RGB 166 217 54

HSL 78.77, 0.68%, 0.53%

LAB 80.74, -38.56, 69.55

 

CMYK 75 / 0 / 46 / 15

HEX #36D975

RGB 54 217 117

HSL 143.19, 0.68%, 0.53%

LAB 77.1, -62.58, 37.64

 

CMYK 75 / 0 / 26 / 15

HEX #36D9A1

RGB 54 217 161

HSL 159.39, 0.68%, 0.53%

LAB 77.87, -54, 16

 

CMYK 75 / 0 / 6 / 15

HEX #36D9CD

RGB 54 217 205

HSL 175.58, 0.68%, 0.53%

LAB 78.94, -42.97, -5.89

 

CMYK 75 / 15 / 0 / 15

HEX #36B8D9

RGB 54 184 217

HSL 192.15, 0.68%, 0.53%

LAB 69.52, -23.77, -26.58

 

CMYK 75 / 35 / 0 / 15

HEX #368CD9

RGB 54 140 217

HSL 208.34, 0.68%, 0.53%

LAB 56.63, 0.4, -46.68

 

CMYK 75 / 0 / 46 / 15

HEX #36D975

RGB 54 217 117

HSL 143.19, 0.68%, 0.53%

LAB 77.1, -62.58, 37.64

 

CMYK 86 / 0 / 52 / 7

HEX #22EC71

RGB 34 236 113

HSL 143.47, 0.84%, 0.53%

LAB 82.66, -71.59, 46.46

 

CMYK 75 / 0 / 46 / 15

HEX #36D975

RGB 54 217 117

HSL 143.19, 0.68%, 0.53%

LAB 77.1, -62.58, 37.64

 

CMYK 63 / 0 / 38 / 23

HEX #49C57A

RGB 73 197 122

HSL 143.71, 0.52%, 0.53%

LAB 71.39, -51.16, 27.74

 

CMYK 48 / 0 / 29 / 30

HEX #5CB27E

RGB 92 178 126

HSL 143.72, 0.36%, 0.53%

LAB 66.23, -37.97, 18.75

 

CMYK 29 / 0 / 18 / 38

HEX #709E82

RGB 112 158 130

HSL 143.48, 0.19%, 0.53%

LAB 61.23, -21.59, 9.7

 

CMYK 6 / 0 / 4 / 45

HEX #838B86

RGB 131 139 134

HSL 142.5, 0.03%, 0.53%

LAB 57.09, -3.92, 1.65

 

CMYK 64 / 0 / 75 / 15

HEX #4ED936

RGB 78 217 54

HSL 111.17, 0.68%, 0.53%

LAB 76.99, -65.68, 64.64

 

CMYK 75 / 0 / 66 / 15

HEX #36D949

RGB 54 217 73

HSL 126.99, 0.68%, 0.53%

LAB 76.61, -68.35, 57.14

 

CMYK 75 / 0 / 47 / 15

HEX #36D974

RGB 54 217 116

HSL 142.82, 0.68%, 0.53%

LAB 77.08, -62.74, 38.12

 

CMYK 75 / 0 / 26 / 15

HEX #36D9A0

RGB 54 217 160

HSL 159.02, 0.68%, 0.53%

LAB 77.84, -54.22, 16.5

 

CMYK 75 / 0 / 6 / 15

HEX #36D9CB

RGB 54 217 203

HSL 174.85, 0.68%, 0.53%

LAB 78.88, -43.51, -4.91

 

CMYK 81 / 0 / 49 / 38

HEX #1E9E50

RGB 30 158 80

HSL 143.44, 0.68%, 0.37%

LAB 57.38, -50.9, 31.36

 

CMYK 81 / 0 / 49 / 25

HEX #25C061

RGB 37 192 97

HSL 143.23, 0.68%, 0.45%

LAB 68.72, -59.25, 36.95

 

CMYK 75 / 0 / 46 / 15

HEX #36D975

RGB 54 217 117

HSL 143.19, 0.68%, 0.53%

LAB 77.1, -62.58, 37.64

 

CMYK 61 / 0 / 37 / 13

HEX #58DF8D

RGB 88 223 141

HSL 143.56, 0.68%, 0.61%

LAB 80.05, -54.89, 29.52

 

CMYK 47 / 0 / 28 / 10

HEX #7BE6A5

RGB 123 230 165

HSL 143.55, 0.68%, 0.69%

LAB 83.72, -45.21, 22.31

 

CMYK 76 / 0 / 46 / 15

HEX #35D975

RGB 53 217 117

HSL 143.41, 0.68%, 0.53%

LAB 77.08, -62.71, 37.61

 

CMYK 75 / 44 / 0 / 15

HEX #367AD9

RGB 54 122 217

HSL 214.97, 0.68%, 0.53%

LAB 51.51, 11.3, -54.84

 

CMYK 0 / 75 / 74 / 15

HEX #D93638

RGB 217 54 56

HSL 359.26, 0.68%, 0.53%

LAB 49.1, 62.26, 38.14

 

CMYK 76 / 0 / 46 / 15

HEX #35D975

RGB 53 217 117

HSL 143.41, 0.68%, 0.53%

LAB 77.08, -62.71, 37.61

 

CMYK 47 / 75 / 0 / 15

HEX #7436D9

RGB 116 54 217

HSL 262.82, 0.68%, 0.53%

LAB 40.18, 60.33, -73.02

 

CMYK 0 / 47 / 75 / 15

HEX #D97436

RGB 217 116 54

HSL 22.82, 0.68%, 0.53%

LAB 59.44, 34.99, 50.23

 

CMYK 76 / 0 / 46 / 15

HEX #35D975

RGB 53 217 117

HSL 143.41, 0.68%, 0.53%

LAB 77.08, -62.71, 37.61

 

CMYK 75 / 44 / 0 / 15

HEX #367AD9

RGB 54 122 217

HSL 214.97, 0.68%, 0.53%

LAB 51.51, 11.3, -54.84

 

CMYK 0 / 75 / 29 / 15

HEX #D9369A

RGB 217 54 154

HSL 323.19, 0.68%, 0.53%

LAB 51.52, 69.94, -17.23

 

CMYK 0 / 31 / 75 / 15

HEX #D99536

RGB 217 149 54

HSL 34.97, 0.68%, 0.53%

LAB 66.91, 17.41, 57.71

 

CMYK 76 / 0 / 46 / 15

HEX #35D975

RGB 53 217 117

HSL 143.41, 0.68%, 0.53%

LAB 77.08, -62.71, 37.61

 

CMYK 75 / 66 / 0 / 15

HEX #3649D9

RGB 54 73 217

HSL 233.01, 0.68%, 0.53%

LAB 38.83, 42.19, -75.43

 

CMYK 0 / 75 / 29 / 15

HEX #D9369A

RGB 217 54 154

HSL 323.19, 0.68%, 0.53%

LAB 51.52, 69.94, -17.23

 

CMYK 0 / 9 / 75 / 15

HEX #D9C636

RGB 217 198 54

HSL 53.01, 0.68%, 0.53%

LAB 79.27, -8.46, 69.52

 

Description

Color code: HEX #35D975 | qconv.com Color code: HEX #35D975 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 217 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 217 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 46 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 46% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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