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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35D5E2 it is the complementary color #CA2A1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35D5E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #35D5E2 shade: #3AD5DD, #4BE7F0, #5CF9FF, #6DFFFF and #7EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35D5E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #35D5E2 shade: #35D5E2, #24C3CF, #13B1BC, #029FA9 and #008D96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #35D5E2 shade: #36D5E2, #36A6E2, #3678E2, #364AE2 and #5036E2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #35D5E2 shade: #36D5E2, #36A6E2, #3678E2, #364AE2 and #3636E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #35D5E2 shade matches the following richer shades: #36D5E2 and #23E5F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #35D5E2 shade: #36D5E2, #48C5CF, #5BB5BD, #6DA6AA and #809698

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #35D5E2 shade: #36E291, #36E2BF, #36D6E2, #36A8E2 and #367BE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #35D5E2 shade: #18A2AD, #1DC3D1, #36D5E2, #5ADCE7 and #7EE4EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #35D5E2 shade: #35D5E2, #6436E2 and #E2A836

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #35D5E2 shade: #35D5E2, #E236D6 and #D6E236

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #35D5E2 shade: #35D5E2, #6436E2, #E24136 and #B4E236

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #35D5E2 shade: #35D5E2, #9736E2, #E24136 and #80E236

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 6 / 0 / 11

HEX #35D5E2

RGB 53 213 226

HSL 184.51, 0.75%, 0.55%

LAB 78.37, -35.24, -17.99

 

Complementary color

CMYK 0 / 79 / 86 / 21

HEX #CA2A1D

RGB 202 42 29

HSL 4.51, 0.75%, 0.45%

LAB 44.66, 60.61, 47.12

 

CMYK 74 / 4 / 0 / 13

HEX #3AD5DD

RGB 58 213 221

HSL 182.94, 0.71%, 0.55%

LAB 78.29, -36.19, -15.41

 

CMYK 69 / 4 / 0 / 6

HEX #4BE7F0

RGB 75 231 240

HSL 183.27, 0.85%, 0.62%

LAB 84.45, -37.02, -16.22

 

CMYK 64 / 2 / 0 / 0

HEX #5CF9FF

RGB 92 249 255

HSL 182.21, 1%, 0.68%

LAB 90.44, -38.76, -15.05

 

CMYK 57 / 0 / 0 / 0

HEX #6DFFFF

RGB 109 255 255

HSL 180, 1%, 0.71%

LAB 92.57, -38.78, -11.81

 

CMYK 51 / 0 / 0 / 0

HEX #7EFFFF

RGB 126 255 255

HSL 180, 1%, 0.75%

LAB 93.09, -35.63, -10.98

 

CMYK 77 / 6 / 0 / 11

HEX #35D5E2

RGB 53 213 226

HSL 184.51, 0.75%, 0.55%

LAB 78.37, -35.24, -17.99

 

CMYK 83 / 6 / 0 / 19

HEX #24C3CF

RGB 36 195 207

HSL 184.21, 0.7%, 0.48%

LAB 72.17, -34, -17.12

 

CMYK 90 / 6 / 0 / 26

HEX #13B1BC

RGB 19 177 188

HSL 183.91, 0.82%, 0.41%

LAB 65.91, -32.43, -16.15

 

CMYK 99 / 6 / 0 / 34

HEX #029FA9

RGB 2 159 169

HSL 183.59, 0.98%, 0.34%

LAB 59.59, -30.51, -15.08

 

CMYK 100 / 6 / 0 / 41

HEX #008D96

RGB 0 141 150

HSL 183.6, 1%, 0.29%

LAB 53.22, -28, -13.85

 

CMYK 76 / 6 / 0 / 11

HEX #36D5E2

RGB 54 213 226

HSL 184.53, 0.75%, 0.55%

LAB 78.38, -35.14, -17.96

 

CMYK 76 / 27 / 0 / 11

HEX #36A6E2

RGB 54 166 226

HSL 200.93, 0.75%, 0.55%

LAB 64.6, -11.26, -39.14

 

CMYK 76 / 47 / 0 / 11

HEX #3678E2

RGB 54 120 226

HSL 216.98, 0.75%, 0.55%

LAB 51.51, 15.86, -59.92

 

CMYK 76 / 67 / 0 / 11

HEX #364AE2

RGB 54 74 226

HSL 233.02, 0.75%, 0.55%

LAB 39.87, 44.7, -78.86

 

CMYK 65 / 76 / 0 / 11

HEX #5036E2

RGB 80 54 226

HSL 249.07, 0.75%, 0.55%

LAB 37.54, 58.21, -82.63

 

CMYK 76 / 6 / 0 / 11

HEX #36D5E2

RGB 54 213 226

HSL 184.53, 0.75%, 0.55%

LAB 78.38, -35.14, -17.96

 

CMYK 76 / 27 / 0 / 11

HEX #36A6E2

RGB 54 166 226

HSL 200.93, 0.75%, 0.55%

LAB 64.6, -11.26, -39.14

 

CMYK 76 / 47 / 0 / 11

HEX #3678E2

RGB 54 120 226

HSL 216.98, 0.75%, 0.55%

LAB 51.51, 15.86, -59.92

 

CMYK 76 / 67 / 0 / 11

HEX #364AE2

RGB 54 74 226

HSL 233.02, 0.75%, 0.55%

LAB 39.87, 44.7, -78.86

 

CMYK 76 / 76 / 0 / 11

HEX #3636E2

RGB 54 54 226

HSL 240, 0.75%, 0.55%

LAB 35.82, 55.96, -85.54

 

CMYK 76 / 6 / 0 / 11

HEX #36D5E2

RGB 54 213 226

HSL 184.53, 0.75%, 0.55%

LAB 78.38, -35.14, -17.96

 

CMYK 86 / 6 / 0 / 4

HEX #23E5F4

RGB 35 229 244

HSL 184.31, 0.9%, 0.55%

LAB 83.4, -38.65, -19.97

 

CMYK 76 / 6 / 0 / 11

HEX #36D5E2

RGB 54 213 226

HSL 184.53, 0.75%, 0.55%

LAB 78.38, -35.14, -17.96

 

CMYK 65 / 5 / 0 / 19

HEX #48C5CF

RGB 72 197 207

HSL 184.44, 0.58%, 0.55%

LAB 73.43, -30.86, -15.15

 

CMYK 52 / 4 / 0 / 26

HEX #5BB5BD

RGB 91 181 189

HSL 184.9, 0.43%, 0.55%

LAB 68.71, -24.62, -12.33

 

CMYK 36 / 2 / 0 / 33

HEX #6DA6AA

RGB 109 166 170

HSL 183.93, 0.26%, 0.55%

LAB 64.5, -17.51, -7.99

 

CMYK 16 / 1 / 0 / 40

HEX #809698

RGB 128 150 152

HSL 185, 0.1%, 0.55%

LAB 60.49, -7.31, -3.67

 

CMYK 76 / 0 / 36 / 11

HEX #36E291

RGB 54 226 145

HSL 151.74, 0.75%, 0.55%

LAB 80.3, -60.76, 27.68

 

CMYK 76 / 0 / 15 / 11

HEX #36E2BF

RGB 54 226 191

HSL 167.79, 0.75%, 0.55%

LAB 81.26, -50.48, 4.95

 

CMYK 76 / 5 / 0 / 11

HEX #36D6E2

RGB 54 214 226

HSL 184.19, 0.75%, 0.55%

LAB 78.68, -35.61, -17.52

 

CMYK 76 / 26 / 0 / 11

HEX #36A8E2

RGB 54 168 226

HSL 200.23, 0.75%, 0.55%

LAB 65.18, -12.36, -38.23

 

CMYK 76 / 46 / 0 / 11

HEX #367BE2

RGB 54 123 226

HSL 215.93, 0.75%, 0.55%

LAB 52.33, 13.99, -58.6

 

CMYK 86 / 6 / 0 / 32

HEX #18A2AD

RGB 24 162 173

HSL 184.43, 0.76%, 0.39%

LAB 60.83, -29.65, -15.45

 

CMYK 86 / 7 / 0 / 18

HEX #1DC3D1

RGB 29 195 209

HSL 184.67, 0.76%, 0.47%

LAB 72.16, -33.87, -18.23

 

CMYK 76 / 6 / 0 / 11

HEX #36D5E2

RGB 54 213 226

HSL 184.53, 0.75%, 0.55%

LAB 78.38, -35.14, -17.96

 

CMYK 61 / 5 / 0 / 9

HEX #5ADCE7

RGB 90 220 231

HSL 184.68, 0.75%, 0.63%

LAB 81.36, -32.19, -16.06

 

CMYK 47 / 3 / 0 / 7

HEX #7EE4EC

RGB 126 228 236

HSL 184.36, 0.74%, 0.71%

LAB 84.99, -27.69, -13.15

 

CMYK 77 / 6 / 0 / 11

HEX #35D5E2

RGB 53 213 226

HSL 184.51, 0.75%, 0.55%

LAB 78.37, -35.24, -17.99

 

CMYK 56 / 76 / 0 / 11

HEX #6436E2

RGB 100 54 226

HSL 256.05, 0.75%, 0.55%

LAB 39.31, 60.49, -79.67

 

CMYK 0 / 26 / 76 / 11

HEX #E2A836

RGB 226 168 54

HSL 39.77, 0.75%, 0.55%

LAB 72.52, 11.1, 63.48

 

CMYK 77 / 6 / 0 / 11

HEX #35D5E2

RGB 53 213 226

HSL 184.51, 0.75%, 0.55%

LAB 78.37, -35.24, -17.99

 

CMYK 0 / 76 / 5 / 11

HEX #E236D6

RGB 226 54 214

HSL 304.19, 0.75%, 0.55%

LAB 55.75, 79.92, -45.41

 

CMYK 5 / 0 / 76 / 11

HEX #D6E236

RGB 214 226 54

HSL 64.19, 0.75%, 0.55%

LAB 86.48, -23.58, 76.06

 

CMYK 77 / 6 / 0 / 11

HEX #35D5E2

RGB 53 213 226

HSL 184.51, 0.75%, 0.55%

LAB 78.37, -35.24, -17.99

 

CMYK 56 / 76 / 0 / 11

HEX #6436E2

RGB 100 54 226

HSL 256.05, 0.75%, 0.55%

LAB 39.31, 60.49, -79.67

 

CMYK 0 / 71 / 76 / 11

HEX #E24136

RGB 226 65 54

HSL 3.84, 0.75%, 0.55%

LAB 52.08, 61.21, 42.98

 

CMYK 20 / 0 / 76 / 11

HEX #B4E236

RGB 180 226 54

HSL 76.05, 0.75%, 0.55%

LAB 84.15, -37.2, 73.07

 

CMYK 77 / 6 / 0 / 11

HEX #35D5E2

RGB 53 213 226

HSL 184.51, 0.75%, 0.55%

LAB 78.37, -35.24, -17.99

 

CMYK 33 / 76 / 0 / 11

HEX #9736E2

RGB 151 54 226

HSL 273.84, 0.75%, 0.55%

LAB 45.23, 68, -69.73

 

CMYK 0 / 71 / 76 / 11

HEX #E24136

RGB 226 65 54

HSL 3.84, 0.75%, 0.55%

LAB 52.08, 61.21, 42.98

 

CMYK 43 / 0 / 76 / 11

HEX #80E236

RGB 128 226 54

HSL 94.19, 0.75%, 0.55%

LAB 81.43, -55.64, 69.53

 

Description

Color code: HEX #35D5E2 | qconv.com Color code: HEX #35D5E2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 213 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 213 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 6 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 6% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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