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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35CF3E it is the complementary color #CA30C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35CF3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #35CF3E shade: #3ACF39, #4BE14C, #5CF35F, #6DFF72 and #7EFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35CF3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #35CF3E shade: #35CF3E, #24BD2B, #13AB18, #029905 and #008700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #35CF3E shade: #35D03E, #55D035, #7FD035, #A9D035 and #D0CC35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #35CF3E shade: #35D03E, #35D067, #35D091, #35D0BB and #35BAD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #35CF3E shade matches the following richer shades: #35D03E, #20E42C and #0CF81A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #35CF3E shade: #35D03E, #49BB4F, #5DA761, #719373 and #857F85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #35CF3E shade: #7FD035, #56D035, #35D03C, #35D066 and #35D08F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #35CF3E shade: #229028, #2AB132, #35D03E, #56D75E and #77DF7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #35CF3E shade: #35CF3E, #35A9D0 and #D0356B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #35CF3E shade: #35CF3E, #3C35D0 and #D03C35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #35CF3E shade: #35CF3E, #35A9D0, #D035C8 and #D05B35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #35CF3E shade: #35CF3E, #357AD0, #D035C8 and #D08A35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 70 / 19

HEX #35CF3E

RGB 53 207 62

HSL 123.51, 0.62%, 0.51%

LAB 73.37, -66.36, 57.97

 

Complementary color

CMYK 0 / 76 / 4 / 21

HEX #CA30C1

RGB 202 48 193

HSL 303.51, 0.62%, 0.49%

LAB 50.12, 73.51, -42.51

 

CMYK 72 / 0 / 72 / 19

HEX #3ACF39

RGB 58 207 57

HSL 119.6, 0.61%, 0.52%

LAB 73.43, -65.98, 59.9

 

CMYK 67 / 0 / 66 / 12

HEX #4BE14C

RGB 75 225 76

HSL 120.4, 0.71%, 0.59%

LAB 79.54, -67.15, 59.23

 

CMYK 62 / 0 / 61 / 5

HEX #5CF35F

RGB 92 243 95

HSL 121.19, 0.86%, 0.66%

LAB 85.61, -67.91, 58.24

 

CMYK 57 / 0 / 55 / 0

HEX #6DFF72

RGB 109 255 114

HSL 122.05, 1%, 0.71%

LAB 89.85, -66.26, 55.01

 

CMYK 51 / 0 / 48 / 0

HEX #7EFF85

RGB 126 255 133

HSL 123.26, 1%, 0.75%

LAB 90.62, -59.75, 47.32

 

CMYK 74 / 0 / 70 / 19

HEX #35CF3E

RGB 53 207 62

HSL 123.51, 0.62%, 0.51%

LAB 73.37, -66.36, 57.97

 

CMYK 81 / 0 / 77 / 26

HEX #24BD2B

RGB 36 189 43

HSL 122.75, 0.68%, 0.44%

LAB 67.24, -64.58, 58.38

 

CMYK 89 / 0 / 86 / 33

HEX #13AB18

RGB 19 171 24

HSL 121.97, 0.8%, 0.37%

LAB 61.07, -62.03, 57.91

 

CMYK 99 / 0 / 97 / 40

HEX #029905

RGB 2 153 5

HSL 121.19, 0.97%, 0.3%

LAB 54.87, -58.59, 56.03

 

CMYK 100 / 0 / 100 / 47

HEX #008700

RGB 0 135 0

HSL 120, 1%, 0.26%

LAB 48.67, -53.73, 51.86

 

CMYK 75 / 0 / 70 / 18

HEX #35D03E

RGB 53 208 62

HSL 123.48, 0.62%, 0.51%

LAB 73.69, -66.67, 58.3

 

CMYK 59 / 0 / 75 / 18

HEX #55D035

RGB 85 208 53

HSL 107.61, 0.62%, 0.51%

LAB 74.38, -61.11, 62.46

 

CMYK 39 / 0 / 75 / 18

HEX #7FD035

RGB 127 208 53

HSL 91.35, 0.62%, 0.51%

LAB 76, -48.88, 64.59

 

CMYK 19 / 0 / 75 / 18

HEX #A9D035

RGB 169 208 53

HSL 75.1, 0.62%, 0.51%

LAB 78.35, -33.35, 67.67

 

CMYK 0 / 2 / 75 / 18

HEX #D0CC35

RGB 208 204 53

HSL 58.45, 0.62%, 0.51%

LAB 80.1, -15.35, 70.33

 

CMYK 75 / 0 / 70 / 18

HEX #35D03E

RGB 53 208 62

HSL 123.48, 0.62%, 0.51%

LAB 73.69, -66.67, 58.3

 

CMYK 75 / 0 / 50 / 18

HEX #35D067

RGB 53 208 103

HSL 139.35, 0.62%, 0.51%

LAB 74.09, -61.8, 40.74

 

CMYK 75 / 0 / 30 / 18

HEX #35D091

RGB 53 208 145

HSL 155.61, 0.62%, 0.51%

LAB 74.77, -54.12, 20.15

 

CMYK 75 / 0 / 10 / 18

HEX #35D0BB

RGB 53 208 187

HSL 171.87, 0.62%, 0.51%

LAB 75.73, -44.01, -0.95

 

CMYK 75 / 11 / 0 / 18

HEX #35BAD0

RGB 53 186 208

HSL 188.52, 0.62%, 0.51%

LAB 69.77, -27.73, -21.27

 

CMYK 75 / 0 / 70 / 18

HEX #35D03E

RGB 53 208 62

HSL 123.48, 0.62%, 0.51%

LAB 73.69, -66.67, 58.3

 

CMYK 86 / 0 / 81 / 11

HEX #20E42C

RGB 32 228 44

HSL 123.67, 0.78%, 0.51%

LAB 79.6, -76.26, 69.83

 

CMYK 95 / 0 / 90 / 3

HEX #0CF81A

RGB 12 248 26

HSL 123.56, 0.94%, 0.51%

LAB 85.65, -83.54, 78.9

 

CMYK 75 / 0 / 70 / 18

HEX #35D03E

RGB 53 208 62

HSL 123.48, 0.62%, 0.51%

LAB 73.69, -66.67, 58.3

 

CMYK 61 / 0 / 58 / 27

HEX #49BB4F

RGB 73 187 79

HSL 123.16, 0.46%, 0.51%

LAB 67.67, -53.97, 44.56

 

CMYK 44 / 0 / 42 / 35

HEX #5DA761

RGB 93 167 97

HSL 123.24, 0.3%, 0.51%

LAB 62.36, -37.96, 29.17

 

CMYK 23 / 0 / 22 / 42

HEX #719373

RGB 113 147 115

HSL 123.53, 0.14%, 0.51%

LAB 57.67, -18.48, 13.15

 

CMYK 0 / 5 / 0 / 48

HEX #857F85

RGB 133 127 133

HSL 300, 0.02%, 0.51%

LAB 53.88, 3.44, -2.44

 

CMYK 39 / 0 / 75 / 18

HEX #7FD035

RGB 127 208 53

HSL 91.35, 0.62%, 0.51%

LAB 76, -48.88, 64.59

 

CMYK 59 / 0 / 75 / 18

HEX #56D035

RGB 86 208 53

HSL 107.23, 0.62%, 0.51%

LAB 74.41, -60.87, 62.5

 

CMYK 75 / 0 / 71 / 18

HEX #35D03C

RGB 53 208 60

HSL 122.71, 0.62%, 0.51%

LAB 73.67, -66.84, 59.03

 

CMYK 75 / 0 / 51 / 18

HEX #35D066

RGB 53 208 102

HSL 138.97, 0.62%, 0.51%

LAB 74.08, -61.95, 41.21

 

CMYK 75 / 0 / 31 / 18

HEX #35D08F

RGB 53 208 143

HSL 154.84, 0.62%, 0.51%

LAB 74.73, -54.55, 21.15

 

CMYK 76 / 0 / 72 / 44

HEX #229028

RGB 34 144 40

HSL 123.27, 0.62%, 0.35%

LAB 52.33, -50.75, 44.46

 

CMYK 76 / 0 / 72 / 31

HEX #2AB132

RGB 42 177 50

HSL 123.56, 0.62%, 0.43%

LAB 63.48, -59.49, 52.18

 

CMYK 75 / 0 / 70 / 18

HEX #35D03E

RGB 53 208 62

HSL 123.48, 0.62%, 0.51%

LAB 73.69, -66.67, 58.3

 

CMYK 60 / 0 / 56 / 16

HEX #56D75E

RGB 86 215 94

HSL 123.72, 0.62%, 0.59%

LAB 76.91, -59.46, 48.59

 

CMYK 47 / 0 / 44 / 13

HEX #77DF7D

RGB 119 223 125

HSL 123.46, 0.62%, 0.67%

LAB 80.84, -50.04, 38.81

 

CMYK 74 / 0 / 70 / 19

HEX #35CF3E

RGB 53 207 62

HSL 123.51, 0.62%, 0.51%

LAB 73.37, -66.36, 57.97

 

CMYK 75 / 19 / 0 / 18

HEX #35A9D0

RGB 53 169 208

HSL 195.1, 0.62%, 0.51%

LAB 64.71, -19.05, -29.03

 

CMYK 0 / 75 / 49 / 18

HEX #D0356B

RGB 208 53 107

HSL 339.1, 0.62%, 0.51%

LAB 48.28, 63.12, 6.14

 

CMYK 74 / 0 / 70 / 19

HEX #35CF3E

RGB 53 207 62

HSL 123.51, 0.62%, 0.51%

LAB 73.37, -66.36, 57.97

 

CMYK 71 / 75 / 0 / 18

HEX #3C35D0

RGB 60 53 208

HSL 242.71, 0.62%, 0.51%

LAB 34.11, 51.31, -78

 

CMYK 0 / 71 / 75 / 18

HEX #D03C35

RGB 208 60 53

HSL 2.71, 0.62%, 0.51%

LAB 48.13, 57.33, 38.29

 

CMYK 74 / 0 / 70 / 19

HEX #35CF3E

RGB 53 207 62

HSL 123.51, 0.62%, 0.51%

LAB 73.37, -66.36, 57.97

 

CMYK 75 / 19 / 0 / 18

HEX #35A9D0

RGB 53 169 208

HSL 195.1, 0.62%, 0.51%

LAB 64.71, -19.05, -29.03

 

CMYK 0 / 75 / 4 / 18

HEX #D035C8

RGB 208 53 200

HSL 303.1, 0.62%, 0.51%

LAB 51.98, 74.39, -43.55

 

CMYK 0 / 56 / 75 / 18

HEX #D05B35

RGB 208 91 53

HSL 14.71, 0.62%, 0.51%

LAB 53.11, 44.03, 43.7

 

CMYK 74 / 0 / 70 / 19

HEX #35CF3E

RGB 53 207 62

HSL 123.51, 0.62%, 0.51%

LAB 73.37, -66.36, 57.97

 

CMYK 75 / 41 / 0 / 18

HEX #357AD0

RGB 53 122 208

HSL 213.29, 0.62%, 0.51%

LAB 50.96, 7.86, -50.63

 

CMYK 0 / 75 / 4 / 18

HEX #D035C8

RGB 208 53 200

HSL 303.1, 0.62%, 0.51%

LAB 51.98, 74.39, -43.55

 

CMYK 0 / 34 / 75 / 18

HEX #D08A35

RGB 208 138 53

HSL 32.9, 0.62%, 0.51%

LAB 63.21, 19.46, 54.12

 

Description

Color code: HEX #35CF3E | qconv.com Color code: HEX #35CF3E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 207 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 207 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 70 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 70% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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