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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #357DAE it is the complementary color #CA8251. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #357DAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #357DAE shade: #3A7DA9, #4B8FBC, #5CA1CF, #6DB3E2 and #7EC5F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #357DAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #357DAE shade: #357DAE, #246B9B, #135988, #024775 and #003562

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #357DAE shade: #367EB0, #365EB0, #363DB0, #5036B0 and #7136B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #357DAE shade: #367EB0, #365EB0, #363DB0 and #3636B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #357DAE shade matches the following richer shades: #367EB0, #2382C2 and #1185D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #357DAE shade: #367EB0, #487B9D, #5B778A, #6E7478 and #807065

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #357DAE shade: #36B09F, #369FB0, #367FB0, #365EB0 and #363EB0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #357DAE shade: #235170, #2C6890, #367EB0, #4893C7 and #68A6D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #357DAE shade: #357DAE, #7F36B0 and #B0B036

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #357DAE shade: #357DAE, #B0367F and #7FB036

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #357DAE shade: #357DAE, #7F36B0, #B06736 and #67B036

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #357DAE shade: #357DAE, #A336B0, #B06736 and #42B036

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 28 / 0 / 32

HEX #357DAE

RGB 53 125 174

HSL 204.3, 0.53%, 0.45%

LAB 50.07, -6.2, -32.52

 

Complementary color

CMYK 0 / 36 / 60 / 21

HEX #CA8251

RGB 202 130 81

HSL 24.3, 0.53%, 0.55%

LAB 60.88, 22.93, 37.69

 

CMYK 66 / 26 / 0 / 34

HEX #3A7DA9

RGB 58 125 169

HSL 203.78, 0.49%, 0.45%

LAB 50.02, -7.1, -29.7

 

CMYK 60 / 24 / 0 / 26

HEX #4B8FBC

RGB 75 143 188

HSL 203.89, 0.46%, 0.52%

LAB 56.85, -7.95, -29.93

 

CMYK 56 / 22 / 0 / 19

HEX #5CA1CF

RGB 92 161 207

HSL 204, 0.55%, 0.59%

LAB 63.57, -8.6, -30.14

 

CMYK 52 / 21 / 0 / 11

HEX #6DB3E2

RGB 109 179 226

HSL 204.1, 0.67%, 0.66%

LAB 70.16, -9.12, -30.36

 

CMYK 49 / 20 / 0 / 4

HEX #7EC5F5

RGB 126 197 245

HSL 204.2, 0.86%, 0.73%

LAB 76.66, -9.53, -30.58

 

CMYK 70 / 28 / 0 / 32

HEX #357DAE

RGB 53 125 174

HSL 204.3, 0.53%, 0.45%

LAB 50.07, -6.2, -32.52

 

CMYK 77 / 31 / 0 / 39

HEX #246B9B

RGB 36 107 155

HSL 204.2, 0.62%, 0.37%

LAB 43.15, -4.8, -32.28

 

CMYK 86 / 35 / 0 / 47

HEX #135988

RGB 19 89 136

HSL 204.1, 0.75%, 0.3%

LAB 36.1, -2.88, -31.99

 

CMYK 98 / 39 / 0 / 54

HEX #024775

RGB 2 71 117

HSL 204, 0.97%, 0.23%

LAB 28.91, -0.32, -31.64

 

CMYK 100 / 46 / 0 / 62

HEX #003562

RGB 0 53 98

HSL 207.55, 1%, 0.19%

LAB 21.68, 3.57, -31.01

 

CMYK 69 / 28 / 0 / 31

HEX #367EB0

RGB 54 126 176

HSL 204.59, 0.53%, 0.45%

LAB 50.5, -5.93, -33.01

 

CMYK 69 / 47 / 0 / 31

HEX #365EB0

RGB 54 94 176

HSL 220.33, 0.53%, 0.45%

LAB 41.1, 13.87, -47.92

 

CMYK 69 / 65 / 0 / 31

HEX #363DB0

RGB 54 61 176

HSL 236.56, 0.53%, 0.45%

LAB 32.38, 35.31, -62.05

 

CMYK 55 / 69 / 0 / 31

HEX #5036B0

RGB 80 54 176

HSL 252.79, 0.53%, 0.45%

LAB 32.87, 43.37, -61.17

 

CMYK 36 / 69 / 0 / 31

HEX #7136B0

RGB 113 54 176

HSL 269.02, 0.53%, 0.45%

LAB 36.52, 49.48, -55.06

 

CMYK 69 / 28 / 0 / 31

HEX #367EB0

RGB 54 126 176

HSL 204.59, 0.53%, 0.45%

LAB 50.5, -5.93, -33.01

 

CMYK 69 / 47 / 0 / 31

HEX #365EB0

RGB 54 94 176

HSL 220.33, 0.53%, 0.45%

LAB 41.1, 13.87, -47.92

 

CMYK 69 / 65 / 0 / 31

HEX #363DB0

RGB 54 61 176

HSL 236.56, 0.53%, 0.45%

LAB 32.38, 35.31, -62.05

 

CMYK 69 / 69 / 0 / 31

HEX #3636B0

RGB 54 54 176

HSL 240, 0.53%, 0.45%

LAB 30.78, 39.63, -64.68

 

CMYK 69 / 28 / 0 / 31

HEX #367EB0

RGB 54 126 176

HSL 204.59, 0.53%, 0.45%

LAB 50.5, -5.93, -33.01

 

CMYK 82 / 33 / 0 / 24

HEX #2382C2

RGB 35 130 194

HSL 204.15, 0.69%, 0.45%

LAB 52.08, -4.15, -40.9

 

CMYK 92 / 38 / 0 / 16

HEX #1185D5

RGB 17 133 213

HSL 204.49, 0.85%, 0.45%

LAB 53.71, 0.03, -49.12

 

CMYK 69 / 28 / 0 / 31

HEX #367EB0

RGB 54 126 176

HSL 204.59, 0.53%, 0.45%

LAB 50.5, -5.93, -33.01

 

CMYK 54 / 22 / 0 / 38

HEX #487B9D

RGB 72 123 157

HSL 204, 0.37%, 0.45%

LAB 49.47, -7.03, -23.51

 

CMYK 34 / 14 / 0 / 46

HEX #5B778A

RGB 91 119 138

HSL 204.26, 0.21%, 0.45%

LAB 48.58, -5.19, -13.62

 

CMYK 8 / 3 / 0 / 53

HEX #6E7478

RGB 110 116 120

HSL 204, 0.04%, 0.45%

LAB 48.46, -1.4, -2.99

 

CMYK 0 / 13 / 21 / 50

HEX #807065

RGB 128 112 101

HSL 24.44, 0.12%, 0.45%

LAB 48.41, 4.34, 8.41

 

CMYK 69 / 0 / 10 / 31

HEX #36B09F

RGB 54 176 159

HSL 171.64, 0.53%, 0.45%

LAB 65.23, -37.18, -1.01

 

CMYK 69 / 10 / 0 / 31

HEX #369FB0

RGB 54 159 176

HSL 188.36, 0.53%, 0.45%

LAB 60.53, -24.01, -17.55

 

CMYK 69 / 28 / 0 / 31

HEX #367FB0

RGB 54 127 176

HSL 204.1, 0.53%, 0.45%

LAB 50.8, -6.52, -32.54

 

CMYK 69 / 47 / 0 / 31

HEX #365EB0

RGB 54 94 176

HSL 220.33, 0.53%, 0.45%

LAB 41.1, 13.87, -47.92

 

CMYK 69 / 65 / 0 / 31

HEX #363EB0

RGB 54 62 176

HSL 236.07, 0.53%, 0.45%

LAB 32.62, 34.68, -61.66

 

CMYK 69 / 28 / 0 / 56

HEX #235170

RGB 35 81 112

HSL 204.16, 0.52%, 0.29%

LAB 32.73, -4.93, -22.43

 

CMYK 69 / 28 / 0 / 44

HEX #2C6890

RGB 44 104 144

HSL 204, 0.53%, 0.37%

LAB 41.92, -5.83, -27.63

 

CMYK 69 / 28 / 0 / 31

HEX #367EB0

RGB 54 126 176

HSL 204.59, 0.53%, 0.45%

LAB 50.5, -5.93, -33.01

 

CMYK 64 / 26 / 0 / 22

HEX #4893C7

RGB 72 147 199

HSL 204.57, 0.53%, 0.53%

LAB 58.39, -7.19, -33.77

 

CMYK 50 / 20 / 0 / 18

HEX #68A6D0

RGB 104 166 208

HSL 204.23, 0.53%, 0.61%

LAB 65.57, -8.42, -27.56

 

CMYK 70 / 28 / 0 / 32

HEX #357DAE

RGB 53 125 174

HSL 204.3, 0.53%, 0.45%

LAB 50.07, -6.2, -32.52

 

CMYK 28 / 69 / 0 / 31

HEX #7F36B0

RGB 127 54 176

HSL 275.9, 0.53%, 0.45%

LAB 38.35, 52.38, -52.02

 

CMYK 0 / 0 / 69 / 31

HEX #B0B036

RGB 176 176 54

HSL 60, 0.53%, 0.45%

LAB 69.86, -14.81, 59.26

 

CMYK 70 / 28 / 0 / 32

HEX #357DAE

RGB 53 125 174

HSL 204.3, 0.53%, 0.45%

LAB 50.07, -6.2, -32.52

 

CMYK 0 / 69 / 28 / 31

HEX #B0367F

RGB 176 54 127

HSL 324.1, 0.53%, 0.45%

LAB 43.36, 55.96, -14.03

 

CMYK 28 / 0 / 69 / 31

HEX #7FB036

RGB 127 176 54

HSL 84.1, 0.53%, 0.45%

LAB 66.39, -35.01, 54.64

 

CMYK 70 / 28 / 0 / 32

HEX #357DAE

RGB 53 125 174

HSL 204.3, 0.53%, 0.45%

LAB 50.07, -6.2, -32.52

 

CMYK 28 / 69 / 0 / 31

HEX #7F36B0

RGB 127 54 176

HSL 275.9, 0.53%, 0.45%

LAB 38.35, 52.38, -52.02

 

CMYK 0 / 41 / 69 / 31

HEX #B06736

RGB 176 103 54

HSL 24.1, 0.53%, 0.45%

LAB 50.92, 25.03, 39.43

 

CMYK 41 / 0 / 69 / 31

HEX #67B036

RGB 103 176 54

HSL 95.9, 0.53%, 0.45%

LAB 65.12, -43.67, 52.93

 

CMYK 70 / 28 / 0 / 32

HEX #357DAE

RGB 53 125 174

HSL 204.3, 0.53%, 0.45%

LAB 50.07, -6.2, -32.52

 

CMYK 7 / 69 / 0 / 31

HEX #A336B0

RGB 163 54 176

HSL 293.61, 0.53%, 0.45%

LAB 43.59, 60.29, -43.31

 

CMYK 0 / 41 / 69 / 31

HEX #B06736

RGB 176 103 54

HSL 24.1, 0.53%, 0.45%

LAB 50.92, 25.03, 39.43

 

CMYK 63 / 0 / 69 / 31

HEX #42B036

RGB 66 176 54

HSL 114.1, 0.53%, 0.45%

LAB 63.73, -54.24, 51.04

 

Description

Color code: HEX #357DAE | qconv.com Color code: HEX #357DAE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 125 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 125 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 28 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 28% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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