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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #357D04CE it is the complementary color #CA82FBCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #357D04CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #357D04CE shade: #3A7D00CE, #4B8F12CE, #5CA125CE, #6DB338CE and #7EC54BCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #357D04CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #357D04CE shade: #357D04CE, #246B00CE, #135900CE, #024700CE and #003500CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #357D04CE shade: #347C04, #557C04, #757C04, #7C6204 and #7C4204

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #357D04CE shade: #347C04, #147C04, #047C14, #047C34 and #047C55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #357D04CE shade matches the following richer shades: #347C04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #357D04CE shade: #347C04, #36710E, #386718, #3A5D23 and #3C522D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #357D04CE shade: #767C04, #567C04, #367C04, #167C04 and #047C12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #357D04CE shade: #122C01, #235403, #347C04, #45A405 and #56CC06

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #357D04CE shade: #357D04, #047C62 and #7C0466

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #357D04CE shade: #357D04, #04367C and #7C0436

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #357D04CE shade: #357D04, #047C62, #4A047C and #7C041E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #357D04CE shade: #357D04, #04727C, #4A047C and #7C0E04

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 78 / 41

HEX #357D04CE

RGBA 53 125 4 0.81

HSLA 95.7, 0.94%, 0.25%, 0.81

LABA 46.22, -41.8, 49.47, 0.81

 

Complementary color

CMYK 16 / 39 / 0 / 1

HEX #CA82FBCE

RGBA 202 130 251 0.81

HSLA 275.7, 0.94%, 0.75%, 0.81

LABA 66.13, 48.97, -49.84, 0.81

 

CMYK 43 / 0 / 81 / 41

HEX #3A7D00CE

RGBA 58 125 0 0.81

HSLA 92.16, 1%, 0.25%, 0.81

LABA 46.4, -40.41, 50.55, 0.81

 

CMYK 39 / 0 / 71 / 36

HEX #4B8F12CE

RGBA 75 143 18 0.81

HSLA 92.64, 0.78%, 0.32%, 0.81

LABA 53.15, -41.55, 52.82, 0.81

 

CMYK 35 / 0 / 62 / 30

HEX #5CA125CE

RGBA 92 161 37 0.81

HSLA 93.39, 0.63%, 0.39%, 0.81

LABA 59.8, -42.3, 53.69, 0.81

 

CMYK 32 / 0 / 56 / 24

HEX #6DB338CE

RGBA 109 179 56 0.81

HSLA 94.15, 0.52%, 0.46%, 0.81

LABA 66.35, -42.74, 53.5, 0.81

 

CMYK 29 / 0 / 50 / 18

HEX #7EC54BCE

RGBA 126 197 75 0.81

HSLA 94.92, 0.51%, 0.53%, 0.81

LABA 72.81, -42.97, 52.79, 0.81

 

CMYK 47 / 0 / 78 / 41

HEX #357D04CE

RGBA 53 125 4 0.81

HSLA 95.7, 0.94%, 0.25%, 0.81

LABA 46.22, -41.8, 49.47, 0.81

 

CMYK 54 / 0 / 81 / 47

HEX #246B00CE

RGBA 36 107 0 0.81

HSLA 99.81, 1%, 0.21%, 0.81

LABA 39.4, -39.85, 44.69, 0.81

 

CMYK 64 / 0 / 81 / 53

HEX #135900CE

RGBA 19 89 0 0.81

HSLA 107.19, 1%, 0.17%, 0.81

LABA 32.44, -37.23, 38.97, 0.81

 

CMYK 79 / 0 / 81 / 58

HEX #024700CE

RGBA 2 71 0 0.81

HSLA 118.31, 1%, 0.14%, 0.81

LABA 25.32, -33.93, 32.89, 0.81

 

CMYK 81 / 0 / 81 / 64

HEX #003500CE

RGBA 0 53 0 0.81

HSLA 120, 1%, 0.1%, 0.81

LABA 18.13, -28.35, 25.18, 0.81

 

CMYK 58 / 0 / 97 / 51

HEX #347C04

RGB 52 124 4

HSL 96, 0.94%, 0.25%

LAB 45.84, -41.71, 49.15

 

CMYK 31 / 0 / 97 / 51

HEX #557C04

RGB 85 124 4

HSL 79.5, 0.94%, 0.25%

LAB 47.44, -29.95, 51.1

 

CMYK 6 / 0 / 97 / 51

HEX #757C04

RGB 117 124 4

HSL 63.5, 0.94%, 0.25%

LAB 49.74, -15.82, 53.89

 

CMYK 0 / 21 / 97 / 51

HEX #7C6204

RGB 124 98 4

HSL 47, 0.94%, 0.25%

LAB 42.81, 2.15, 48.97

 

CMYK 0 / 47 / 97 / 51

HEX #7C4204

RGB 124 66 4

HSL 31, 0.94%, 0.25%

LAB 34.38, 21.11, 42.93

 

CMYK 58 / 0 / 97 / 51

HEX #347C04

RGB 52 124 4

HSL 96, 0.94%, 0.25%

LAB 45.84, -41.71, 49.15

 

CMYK 84 / 0 / 97 / 51

HEX #147C04

RGB 20 124 4

HSL 112, 0.94%, 0.25%

LAB 45.04, -48.49, 48.17

 

CMYK 97 / 0 / 84 / 51

HEX #047C14

RGB 4 124 20

HSL 128, 0.94%, 0.25%

LAB 44.93, -49.28, 44.18

 

CMYK 97 / 0 / 58 / 51

HEX #047C34

RGB 4 124 52

HSL 144, 0.94%, 0.25%

LAB 45.21, -45.82, 30.85

 

CMYK 97 / 0 / 31 / 51

HEX #047C55

RGB 4 124 85

HSL 160.5, 0.94%, 0.25%

LAB 45.77, -39.21, 13.24

 

CMYK 58 / 0 / 97 / 51

HEX #347C04

RGB 52 124 4

HSL 96, 0.94%, 0.25%

LAB 45.84, -41.71, 49.15

 

CMYK 58 / 0 / 97 / 51

HEX #347C04

RGB 52 124 4

HSL 96, 0.94%, 0.25%

LAB 45.84, -41.71, 49.15

 

CMYK 52 / 0 / 88 / 56

HEX #36710E

RGB 54 113 14

HSL 95.76, 0.78%, 0.25%

LAB 42.19, -36.33, 43.82

 

CMYK 46 / 0 / 77 / 60

HEX #386718

RGB 56 103 24

HSL 95.7, 0.62%, 0.25%

LAB 38.91, -30.7, 37.37

 

CMYK 38 / 0 / 62 / 64

HEX #3A5D23

RGB 58 93 35

HSL 96.21, 0.45%, 0.25%

LAB 35.69, -24.14, 28.83

 

CMYK 27 / 0 / 45 / 68

HEX #3C522D

RGB 60 82 45

HSL 95.68, 0.29%, 0.25%

LAB 32.22, -16.19, 19.03

 

CMYK 5 / 0 / 97 / 51

HEX #767C04

RGB 118 124 4

HSL 63, 0.94%, 0.25%

LAB 49.83, -15.35, 53.99

 

CMYK 31 / 0 / 97 / 51

HEX #567C04

RGB 86 124 4

HSL 79, 0.94%, 0.25%

LAB 47.5, -29.54, 51.18

 

CMYK 56 / 0 / 97 / 51

HEX #367C04

RGB 54 124 4

HSL 95, 0.94%, 0.25%

LAB 45.92, -41.11, 49.24

 

CMYK 82 / 0 / 97 / 51

HEX #167C04

RGB 22 124 4

HSL 111, 0.94%, 0.25%

LAB 45.07, -48.22, 48.2

 

CMYK 97 / 0 / 85 / 51

HEX #047C12

RGB 4 124 18

HSL 127, 0.94%, 0.25%

LAB 44.92, -49.4, 44.76

 

CMYK 59 / 0 / 98 / 83

HEX #122C01

RGB 18 44 1

HSL 96.28, 0.96%, 0.09%

LAB 15.13, -19.2, 21.21

 

CMYK 58 / 0 / 96 / 67

HEX #235403

RGB 35 84 3

HSL 96.3, 0.93%, 0.17%

LAB 31.12, -30.96, 37.04

 

CMYK 58 / 0 / 97 / 51

HEX #347C04

RGB 52 124 4

HSL 96, 0.94%, 0.25%

LAB 45.84, -41.71, 49.15

 

CMYK 58 / 0 / 97 / 36

HEX #45A405

RGB 69 164 5

HSL 95.85, 0.94%, 0.33%

LAB 59.73, -51.76, 60.49

 

CMYK 58 / 0 / 97 / 20

HEX #56CC06

RGB 86 204 6

HSL 95.76, 0.94%, 0.41%

LAB 73.01, -61.33, 71.3

 

CMYK 58 / 0 / 97 / 51

HEX #357D04

RGB 53 125 4

HSL 95.7, 0.94%, 0.25%

LAB 46.22, -41.8, 49.47

 

CMYK 97 / 0 / 21 / 51

HEX #047C62

RGB 4 124 98

HSL 167, 0.94%, 0.25%

LAB 46.07, -35.82, 6.04

 

CMYK 0 / 97 / 18 / 51

HEX #7C0466

RGB 124 4 102

HSL 311, 0.94%, 0.25%

LAB 27.66, 53.65, -23.29

 

CMYK 58 / 0 / 97 / 51

HEX #357D04

RGB 53 125 4

HSL 95.7, 0.94%, 0.25%

LAB 46.22, -41.8, 49.47

 

CMYK 97 / 56 / 0 / 51

HEX #04367C

RGB 4 54 124

HSL 215, 0.94%, 0.25%

LAB 24.06, 14.76, -43.85

 

CMYK 0 / 97 / 56 / 51

HEX #7C0436

RGB 124 4 54

HSL 335, 0.94%, 0.25%

LAB 25.68, 48.43, 5.88

 

CMYK 58 / 0 / 97 / 51

HEX #357D04

RGB 53 125 4

HSL 95.7, 0.94%, 0.25%

LAB 46.22, -41.8, 49.47

 

CMYK 97 / 0 / 21 / 51

HEX #047C62

RGB 4 124 98

HSL 167, 0.94%, 0.25%

LAB 46.07, -35.82, 6.04

 

CMYK 40 / 97 / 0 / 51

HEX #4A047C

RGB 74 4 124

HSL 275, 0.94%, 0.25%

LAB 20.04, 49.2, -50.23

 

CMYK 0 / 97 / 76 / 51

HEX #7C041E

RGB 124 4 30

HSL 347, 0.94%, 0.25%

LAB 25.15, 46.99, 21.59

 

CMYK 58 / 0 / 97 / 51

HEX #357D04

RGB 53 125 4

HSL 95.7, 0.94%, 0.25%

LAB 46.22, -41.8, 49.47

 

CMYK 97 / 8 / 0 / 51

HEX #04727C

RGB 4 114 124

HSL 185, 0.94%, 0.25%

LAB 43.53, -22.89, -13.22

 

CMYK 40 / 97 / 0 / 51

HEX #4A047C

RGB 74 4 124

HSL 275, 0.94%, 0.25%

LAB 20.04, 49.2, -50.23

 

CMYK 0 / 89 / 97 / 51

HEX #7C0E04

RGB 124 14 4

HSL 5, 0.94%, 0.25%

LAB 25.59, 44.26, 36.15

 

Description

Color code: HEX #357D04CE | qconv.com Color code: HEX #357D04CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 125 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 125 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 78 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 78% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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