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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #356CADCE it is the complementary color #CA9352CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #356CADCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #356CADCE shade: #3A6CA8CE, #4B7EBBCE, #5C90CECE, #6DA2E1CE and #7EB4F4CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #356CADCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #356CADCE shade: #356CADCE, #245A9ACE, #134887CE, #023674CE and #002461CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #356CADCE shade: #356BAC, #354BAC, #3E35AC, #5E35AC and #7F35AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #356CADCE shade: #356BAC, #354BAC and #3535AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #356CADCE shade matches the following richer shades: #356BAC, #236ABE and #1068D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #356CADCE shade: #356BAC, #476D9A, #596E87, #6B7075 and #7D7163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #356CADCE shade: #35ACAC, #358CAC, #356CAC, #354DAC and #3D35AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #356CADCE shade: #21446D, #2B588C, #356BAC, #447FC6 and #6495CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #356CADCE shade: #356CAD, #8C35AC and #9CAC35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #356CADCE shade: #356CAD, #AC356C and #6CAC35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #356CADCE shade: #356CAD, #8C35AC, #AC7435 and #54AC35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #356CADCE shade: #356CAD, #AC35A8, #AC7435 and #35AC39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 30 / 0 / 26

HEX #356CADCE

RGBA 53 108 173 0.81

HSLA 212.5, 0.53%, 0.44%, 0.81

LABA 44.94, 3.71, -40.03, 0.81

 

Complementary color

CMYK 0 / 22 / 48 / 17

HEX #CA9352CE

RGBA 202 147 82 0.81

HSLA 32.5, 0.53%, 0.56%, 0.81

LABA 64.99, 13.72, 42.08, 0.81

 

CMYK 53 / 29 / 0 / 28

HEX #3A6CA8CE

RGBA 58 108 168 0.81

HSLA 212.73, 0.49%, 0.44%, 0.81

LABA 44.87, 2.77, -37.19, 0.81

 

CMYK 49 / 26 / 0 / 22

HEX #4B7EBBCE

RGBA 75 126 187 0.81

HSLA 212.68, 0.45%, 0.51%, 0.81

LABA 51.84, 1.62, -37.18, 0.81

 

CMYK 45 / 24 / 0 / 16

HEX #5C90CECE

RGBA 92 144 206 0.81

HSLA 212.63, 0.54%, 0.58%, 0.81

LABA 58.68, 0.72, -37.2, 0.81

 

CMYK 42 / 23 / 0 / 10

HEX #6DA2E1CE

RGBA 109 162 225 0.81

HSLA 212.59, 0.66%, 0.65%, 0.81

LABA 65.38, -0, -37.23, 0.81

 

CMYK 39 / 21 / 0 / 3

HEX #7EB4F4CE

RGBA 126 180 244 0.81

HSLA 212.54, 0.84%, 0.73%, 0.81

LABA 71.97, -0.6, -37.29, 0.81

 

CMYK 56 / 30 / 0 / 26

HEX #356CADCE

RGBA 53 108 173 0.81

HSLA 212.5, 0.53%, 0.44%, 0.81

LABA 44.94, 3.71, -40.03, 0.81

 

CMYK 62 / 34 / 0 / 32

HEX #245A9ACE

RGBA 36 90 154 0.81

HSLA 212.54, 0.62%, 0.37%, 0.81

LABA 37.88, 5.5, -40.03, 0.81

 

CMYK 70 / 38 / 0 / 38

HEX #134887CE

RGBA 19 72 135 0.81

HSLA 212.59, 0.75%, 0.3%, 0.81

LABA 30.69, 7.91, -39.99, 0.81

 

CMYK 80 / 43 / 0 / 44

HEX #023674CE

RGBA 2 54 116 0.81

HSLA 212.63, 0.97%, 0.23%, 0.81

LABA 23.38, 11.1, -39.89, 0.81

 

CMYK 81 / 51 / 0 / 50

HEX #002461CE

RGBA 0 36 97 0.81

HSLA 217.73, 1%, 0.19%, 0.81

LABA 16.13, 15.72, -39.34, 0.81

 

CMYK 69 / 38 / 0 / 33

HEX #356BAC

RGB 53 107 172

HSL 212.77, 0.53%, 0.44%

LAB 44.59, 3.97, -40

 

CMYK 69 / 56 / 0 / 33

HEX #354BAC

RGB 53 75 172

HSL 228.91, 0.53%, 0.44%

LAB 35.53, 24.68, -54.53

 

CMYK 64 / 69 / 0 / 33

HEX #3E35AC

RGB 62 53 172

HSL 244.54, 0.53%, 0.44%

LAB 30.76, 39.93, -62.3

 

CMYK 45 / 69 / 0 / 33

HEX #5E35AC

RGB 94 53 172

HSL 260.67, 0.53%, 0.44%

LAB 33.78, 45.23, -57.23

 

CMYK 26 / 69 / 0 / 33

HEX #7F35AC

RGB 127 53 172

HSL 277.31, 0.53%, 0.44%

LAB 37.91, 51.93, -50.35

 

CMYK 69 / 38 / 0 / 33

HEX #356BAC

RGB 53 107 172

HSL 212.77, 0.53%, 0.44%

LAB 44.59, 3.97, -40

 

CMYK 69 / 56 / 0 / 33

HEX #354BAC

RGB 53 75 172

HSL 228.91, 0.53%, 0.44%

LAB 35.53, 24.68, -54.53

 

CMYK 69 / 69 / 0 / 33

HEX #3535AC

RGB 53 53 172

HSL 240, 0.53%, 0.44%

LAB 30.11, 38.75, -63.38

 

CMYK 69 / 38 / 0 / 33

HEX #356BAC

RGB 53 107 172

HSL 212.77, 0.53%, 0.44%

LAB 44.59, 3.97, -40

 

CMYK 82 / 44 / 0 / 25

HEX #236ABE

RGB 35 106 190

HSL 212.52, 0.69%, 0.44%

LAB 44.78, 9.08, -50.22

 

CMYK 92 / 50 / 0 / 18

HEX #1068D0

RGB 16 104 208

HSL 212.5, 0.86%, 0.44%

LAB 45.03, 16.13, -60.2

 

CMYK 69 / 38 / 0 / 33

HEX #356BAC

RGB 53 107 172

HSL 212.77, 0.53%, 0.44%

LAB 44.59, 3.97, -40

 

CMYK 54 / 29 / 0 / 40

HEX #476D9A

RGB 71 109 154

HSL 212.53, 0.37%, 0.44%

LAB 45.1, 0.09, -28.54

 

CMYK 34 / 19 / 0 / 47

HEX #596E87

RGB 89 110 135

HSL 212.61, 0.21%, 0.44%

LAB 45.67, -1.32, -16.27

 

CMYK 9 / 4 / 0 / 54

HEX #6B7075

RGB 107 112 117

HSL 210, 0.04%, 0.44%

LAB 46.97, -0.82, -3.43

 

CMYK 0 / 10 / 21 / 51

HEX #7D7163

RGB 125 113 99

HSL 32.31, 0.12%, 0.44%

LAB 48.35, 2.2, 9.47

 

CMYK 69 / 0 / 0 / 33

HEX #35ACAC

RGB 53 172 172

HSL 180, 0.53%, 0.44%

LAB 64.36, -31.8, -9.54

 

CMYK 69 / 19 / 0 / 33

HEX #358CAC

RGB 53 140 172

HSL 196.13, 0.53%, 0.44%

LAB 54.54, -15.39, -24.43

 

CMYK 69 / 37 / 0 / 33

HEX #356CAC

RGB 53 108 172

HSL 212.27, 0.53%, 0.44%

LAB 44.89, 3.35, -39.53

 

CMYK 69 / 55 / 0 / 33

HEX #354DAC

RGB 53 77 172

HSL 227.9, 0.53%, 0.44%

LAB 36.07, 23.36, -53.67

 

CMYK 65 / 69 / 0 / 33

HEX #3D35AC

RGB 61 53 172

HSL 244.03, 0.53%, 0.44%

LAB 30.68, 39.79, -62.43

 

CMYK 70 / 38 / 0 / 57

HEX #21446D

RGB 33 68 109

HSL 212.37, 0.54%, 0.28%

LAB 28.28, 2.01, -27.53

 

CMYK 69 / 37 / 0 / 45

HEX #2B588C

RGB 43 88 140

HSL 212.16, 0.53%, 0.36%

LAB 36.72, 2.5, -33.4

 

CMYK 69 / 38 / 0 / 33

HEX #356BAC

RGB 53 107 172

HSL 212.77, 0.53%, 0.44%

LAB 44.59, 3.97, -40

 

CMYK 66 / 36 / 0 / 22

HEX #447FC6

RGB 68 127 198

HSL 212.77, 0.53%, 0.52%

LAB 52.38, 3.47, -42.64

 

CMYK 52 / 28 / 0 / 19

HEX #6495CF

RGB 100 149 207

HSL 212.52, 0.53%, 0.6%

LAB 60.52, -0.09, -34.84

 

CMYK 69 / 38 / 0 / 32

HEX #356CAD

RGB 53 108 173

HSL 212.5, 0.53%, 0.44%

LAB 44.94, 3.71, -40.03

 

CMYK 19 / 69 / 0 / 33

HEX #8C35AC

RGB 140 53 172

HSL 283.87, 0.53%, 0.44%

LAB 39.75, 54.77, -47.29

 

CMYK 9 / 0 / 69 / 33

HEX #9CAC35

RGB 156 172 53

HSL 68.07, 0.53%, 0.44%

LAB 67.15, -21.39, 56.42

 

CMYK 69 / 38 / 0 / 32

HEX #356CAD

RGB 53 108 173

HSL 212.5, 0.53%, 0.44%

LAB 44.94, 3.71, -40.03

 

CMYK 0 / 69 / 37 / 33

HEX #AC356C

RGB 172 53 108

HSL 332.27, 0.53%, 0.44%

LAB 41.84, 52.91, -4.64

 

CMYK 37 / 0 / 69 / 33

HEX #6CAC35

RGB 108 172 53

HSL 92.27, 0.53%, 0.44%

LAB 64.12, -40.32, 52.36

 

CMYK 69 / 38 / 0 / 32

HEX #356CAD

RGB 53 108 173

HSL 212.5, 0.53%, 0.44%

LAB 44.94, 3.71, -40.03

 

CMYK 19 / 69 / 0 / 33

HEX #8C35AC

RGB 140 53 172

HSL 283.87, 0.53%, 0.44%

LAB 39.75, 54.77, -47.29

 

CMYK 0 / 33 / 69 / 33

HEX #AC7435

RGB 172 116 53

HSL 31.76, 0.53%, 0.44%

LAB 53.51, 15.97, 42.65

 

CMYK 51 / 0 / 69 / 33

HEX #54AC35

RGB 84 172 53

HSL 104.37, 0.53%, 0.44%

LAB 63.05, -48.12, 50.91

 

CMYK 69 / 38 / 0 / 32

HEX #356CAD

RGB 53 108 173

HSL 212.5, 0.53%, 0.44%

LAB 44.94, 3.71, -40.03

 

CMYK 0 / 69 / 2 / 33

HEX #AC35A8

RGB 172 53 168

HSL 302.02, 0.53%, 0.44%

LAB 44.44, 61.35, -37.15

 

CMYK 0 / 33 / 69 / 33

HEX #AC7435

RGB 172 116 53

HSL 31.76, 0.53%, 0.44%

LAB 53.51, 15.97, 42.65

 

CMYK 69 / 0 / 67 / 33

HEX #35AC39

RGB 53 172 57

HSL 122.02, 0.53%, 0.44%

LAB 62.13, -55.29, 47.99

 

Description

Color code: HEX #356CADCE | qconv.com Color code: HEX #356CADCE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 108 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 108 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 30 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 30% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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