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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #356299 it is the complementary color #CA9D66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #356299. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #356299 shade: #3A6294, #4B74A7, #5C86BA, #6D98CD and #7EAAE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #356299. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #356299 shade: #356299, #245086, #133E73, #022C60 and #001A4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #356299 shade: #346198, #344698, #3D3498, #583498 and #733498

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #356299 shade: #346198, #344698 and #343498

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #356299 shade matches the following richer shades: #346198, #245FA8, #135EB9 and #035CC9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #356299 shade: #346198, #456387, #556477, #666666 and #766856

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #356299 shade: #349698, #347C98, #346198, #344698 and #3C3498

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #356299 shade: #1F3A5B, #294D79, #346198, #3F75B7 and #598AC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #356299 shade: #356299, #7F3498 and #899834

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #356299 shade: #356299, #983461 and #619834

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #356299 shade: #356299, #7F3498, #986B34 and #4D9834

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #356299 shade: #356299, #983493, #986B34 and #349839

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 36 / 0 / 40

HEX #356299

RGB 53 98 153

HSL 213, 0.49%, 0.4%

LAB 40.88, 2.72, -34.62

 

Complementary color

CMYK 0 / 22 / 50 / 21

HEX #CA9D66

RGB 202 157 102

HSL 33, 0.49%, 0.6%

LAB 67.75, 9.97, 35.06

 

CMYK 61 / 34 / 0 / 42

HEX #3A6294

RGB 58 98 148

HSL 213.33, 0.44%, 0.4%

LAB 40.85, 1.94, -31.66

 

CMYK 55 / 31 / 0 / 35

HEX #4B74A7

RGB 75 116 167

HSL 213.26, 0.38%, 0.47%

LAB 47.98, 1.01, -31.67

 

CMYK 51 / 28 / 0 / 27

HEX #5C86BA

RGB 92 134 186

HSL 213.19, 0.41%, 0.55%

LAB 54.94, 0.3, -31.7

 

CMYK 47 / 26 / 0 / 20

HEX #6D98CD

RGB 109 152 205

HSL 213.13, 0.49%, 0.62%

LAB 61.75, -0.27, -31.77

 

CMYK 44 / 24 / 0 / 12

HEX #7EAAE0

RGB 126 170 224

HSL 213.06, 0.61%, 0.69%

LAB 68.44, -0.74, -31.87

 

CMYK 65 / 36 / 0 / 40

HEX #356299

RGB 53 98 153

HSL 213, 0.49%, 0.4%

LAB 40.88, 2.72, -34.62

 

CMYK 73 / 40 / 0 / 47

HEX #245086

RGB 36 80 134

HSL 213.06, 0.58%, 0.33%

LAB 33.63, 4.26, -34.65

 

CMYK 83 / 46 / 0 / 55

HEX #133E73

RGB 19 62 115

HSL 213.13, 0.72%, 0.26%

LAB 26.22, 6.43, -34.65

 

CMYK 98 / 54 / 0 / 62

HEX #022C60

RGB 2 44 96

HSL 213.19, 0.96%, 0.19%

LAB 18.62, 9.43, -34.62

 

CMYK 100 / 66 / 0 / 70

HEX #001A4D

RGB 0 26 77

HSL 219.74, 1%, 0.15%

LAB 11.1, 14.19, -34.07

 

CMYK 66 / 36 / 0 / 40

HEX #346198

RGB 52 97 152

HSL 213, 0.49%, 0.4%

LAB 40.49, 2.81, -34.66

 

CMYK 66 / 54 / 0 / 40

HEX #344698

RGB 52 70 152

HSL 229.2, 0.49%, 0.4%

LAB 32.65, 20.48, -47.18

 

CMYK 60 / 66 / 0 / 40

HEX #3D3498

RGB 61 52 152

HSL 245.4, 0.49%, 0.4%

LAB 28.68, 33.77, -53.6

 

CMYK 42 / 66 / 0 / 40

HEX #583498

RGB 88 52 152

HSL 261.6, 0.49%, 0.4%

LAB 31.34, 39.01, -49.15

 

CMYK 24 / 66 / 0 / 40

HEX #733498

RGB 115 52 152

HSL 277.8, 0.49%, 0.4%

LAB 34.74, 45.15, -43.5

 

CMYK 66 / 36 / 0 / 40

HEX #346198

RGB 52 97 152

HSL 213, 0.49%, 0.4%

LAB 40.49, 2.81, -34.66

 

CMYK 66 / 54 / 0 / 40

HEX #344698

RGB 52 70 152

HSL 229.2, 0.49%, 0.4%

LAB 32.65, 20.48, -47.18

 

CMYK 66 / 66 / 0 / 40

HEX #343498

RGB 52 52 152

HSL 240, 0.49%, 0.4%

LAB 27.99, 32.33, -54.76

 

CMYK 66 / 36 / 0 / 40

HEX #346198

RGB 52 97 152

HSL 213, 0.49%, 0.4%

LAB 40.49, 2.81, -34.66

 

CMYK 79 / 43 / 0 / 34

HEX #245FA8

RGB 36 95 168

HSL 213.18, 0.65%, 0.4%

LAB 40.22, 7.7, -44.63

 

CMYK 90 / 49 / 0 / 27

HEX #135EB9

RGB 19 94 185

HSL 212.89, 0.81%, 0.4%

LAB 40.65, 13.63, -53.97

 

CMYK 99 / 54 / 0 / 21

HEX #035CC9

RGB 3 92 201

HSL 213.03, 0.97%, 0.4%

LAB 41.04, 20.72, -62.65

 

CMYK 66 / 36 / 0 / 40

HEX #346198

RGB 52 97 152

HSL 213, 0.49%, 0.4%

LAB 40.49, 2.81, -34.66

 

CMYK 49 / 27 / 0 / 47

HEX #456387

RGB 69 99 135

HSL 212.73, 0.32%, 0.4%

LAB 41.12, -0.42, -23.38

 

CMYK 29 / 16 / 0 / 53

HEX #556477

RGB 85 100 119

HSL 213.53, 0.17%, 0.4%

LAB 41.81, -0.93, -12.54

 

CMYK 0 / 0 / 0 / 60

HEX #666666

RGB 102 102 102

HSL 0, 0%, 0.4%

LAB 43.19, 0, -0.01

 

CMYK 0 / 12 / 27 / 54

HEX #766856

RGB 118 104 86

HSL 33.75, 0.16%, 0.4%

LAB 44.84, 2.47, 12.18

 

CMYK 66 / 1 / 0 / 40

HEX #349698

RGB 52 150 152

HSL 181.2, 0.49%, 0.4%

LAB 56.89, -27.1, -9.41

 

CMYK 66 / 18 / 0 / 40

HEX #347C98

RGB 52 124 152

HSL 196.8, 0.49%, 0.4%

LAB 48.78, -13.33, -21.72

 

CMYK 66 / 36 / 0 / 40

HEX #346198

RGB 52 97 152

HSL 213, 0.49%, 0.4%

LAB 40.49, 2.81, -34.66

 

CMYK 66 / 54 / 0 / 40

HEX #344698

RGB 52 70 152

HSL 229.2, 0.49%, 0.4%

LAB 32.65, 20.48, -47.18

 

CMYK 61 / 66 / 0 / 40

HEX #3C3498

RGB 60 52 152

HSL 244.8, 0.49%, 0.4%

LAB 28.6, 33.6, -53.74

 

CMYK 66 / 36 / 0 / 64

HEX #1F3A5B

RGB 31 58 91

HSL 213, 0.49%, 0.24%

LAB 23.91, 1.4, -22.83

 

CMYK 66 / 36 / 0 / 53

HEX #294D79

RGB 41 77 121

HSL 213, 0.49%, 0.32%

LAB 32.17, 2.16, -28.91

 

CMYK 66 / 36 / 0 / 40

HEX #346198

RGB 52 97 152

HSL 213, 0.49%, 0.4%

LAB 40.49, 2.81, -34.66

 

CMYK 66 / 36 / 0 / 28

HEX #3F75B7

RGB 63 117 183

HSL 213, 0.49%, 0.48%

LAB 48.51, 3.43, -40.17

 

CMYK 55 / 30 / 0 / 22

HEX #598AC6

RGB 89 138 198

HSL 213.03, 0.49%, 0.56%

LAB 56.46, 1.03, -36.15

 

CMYK 65 / 36 / 0 / 40

HEX #356299

RGB 53 98 153

HSL 213, 0.49%, 0.4%

LAB 40.88, 2.72, -34.62

 

CMYK 16 / 66 / 0 / 40

HEX #7F3498

RGB 127 52 152

HSL 285, 0.49%, 0.4%

LAB 36.43, 48.03, -40.69

 

CMYK 10 / 0 / 66 / 40

HEX #899834

RGB 137 152 52

HSL 69, 0.49%, 0.4%

LAB 59.91, -19.44, 48.93

 

CMYK 65 / 36 / 0 / 40

HEX #356299

RGB 53 98 153

HSL 213, 0.49%, 0.4%

LAB 40.88, 2.72, -34.62

 

CMYK 0 / 66 / 36 / 40

HEX #983461

RGB 152 52 97

HSL 333, 0.49%, 0.4%

LAB 37.83, 45.95, -4.07

 

CMYK 36 / 0 / 66 / 40

HEX #619834

RGB 97 152 52

HSL 93, 0.49%, 0.4%

LAB 57.31, -35.53, 45.39

 

CMYK 65 / 36 / 0 / 40

HEX #356299

RGB 53 98 153

HSL 213, 0.49%, 0.4%

LAB 40.88, 2.72, -34.62

 

CMYK 16 / 66 / 0 / 40

HEX #7F3498

RGB 127 52 152

HSL 285, 0.49%, 0.4%

LAB 36.43, 48.03, -40.69

 

CMYK 0 / 30 / 66 / 40

HEX #986B34

RGB 152 107 52

HSL 33, 0.49%, 0.4%

LAB 48.81, 12.12, 37.26

 

CMYK 49 / 0 / 66 / 40

HEX #4D9834

RGB 77 152 52

HSL 105, 0.49%, 0.4%

LAB 56.37, -42.28, 44.09

 

CMYK 65 / 36 / 0 / 40

HEX #356299

RGB 53 98 153

HSL 213, 0.49%, 0.4%

LAB 40.88, 2.72, -34.62

 

CMYK 0 / 66 / 3 / 40

HEX #983493

RGB 152 52 147

HSL 303, 0.49%, 0.4%

LAB 39.98, 53.32, -31.79

 

CMYK 0 / 30 / 66 / 40

HEX #986B34

RGB 152 107 52

HSL 33, 0.49%, 0.4%

LAB 48.81, 12.12, 37.26

 

CMYK 66 / 0 / 63 / 40

HEX #349839

RGB 52 152 57

HSL 123, 0.49%, 0.4%

LAB 55.57, -48.35, 40.69

 

Description

Color code: HEX #356299 | qconv.com Color code: HEX #356299 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 98 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 98 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 36 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 36% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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