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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #355F94 it is the complementary color #CAA06B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #355F94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #355F94 shade: #3A5F8F, #4B71A2, #5C83B5, #6D95C8 and #7EA7DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #355F94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #355F94 shade: #355F94, #244D81, #133B6E, #02295B and #001748

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #355F94 shade: #355E92, #354592, #3E3592, #573592 and #703592

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #355F94 shade: #355E92, #354592 and #353592

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #355F94 shade matches the following richer shades: #355E92, #255CA2, #155AB2 and #0458C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #355F94 shade: #355E92, #456082, #556272, #656462 and #756552

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #355F94 shade: #359192, #357892, #355F92, #354692 and #3C3592

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #355F94 shade: #1F3756, #2A4B74, #355E92, #4072B1 and #5786C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #355F94 shade: #355F94, #7B3592 and #849235

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #355F94 shade: #355F94, #92355F and #5F9235

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #355F94 shade: #355F94, #7B3592, #926835 and #4C9235

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #355F94 shade: #355F94, #92358E, #926835 and #359239

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 36 / 0 / 42

HEX #355F94

RGB 53 95 148

HSL 213.47, 0.47%, 0.39%

LAB 39.71, 2.82, -33.47

 

Complementary color

CMYK 0 / 21 / 47 / 21

HEX #CAA06B

RGB 202 160 107

HSL 33.47, 0.47%, 0.61%

LAB 68.58, 8.83, 33.47

 

CMYK 59 / 34 / 0 / 44

HEX #3A5F8F

RGB 58 95 143

HSL 213.88, 0.42%, 0.39%

LAB 39.69, 2.08, -30.48

 

CMYK 54 / 30 / 0 / 36

HEX #4B71A2

RGB 75 113 162

HSL 213.79, 0.37%, 0.46%

LAB 46.86, 1.2, -30.48

 

CMYK 49 / 28 / 0 / 29

HEX #5C83B5

RGB 92 131 181

HSL 213.71, 0.38%, 0.54%

LAB 53.86, 0.52, -30.52

 

CMYK 46 / 26 / 0 / 22

HEX #6D95C8

RGB 109 149 200

HSL 213.63, 0.45%, 0.61%

LAB 60.71, -0.02, -30.59

 

CMYK 42 / 24 / 0 / 14

HEX #7EA7DB

RGB 126 167 219

HSL 213.55, 0.56%, 0.68%

LAB 67.42, -0.46, -30.69

 

CMYK 64 / 36 / 0 / 42

HEX #355F94

RGB 53 95 148

HSL 213.47, 0.47%, 0.39%

LAB 39.71, 2.82, -33.47

 

CMYK 72 / 40 / 0 / 49

HEX #244D81

RGB 36 77 129

HSL 213.55, 0.56%, 0.32%

LAB 32.41, 4.3, -33.51

 

CMYK 83 / 46 / 0 / 57

HEX #133B6E

RGB 19 59 110

HSL 213.63, 0.71%, 0.25%

LAB 24.93, 6.42, -33.54

 

CMYK 98 / 55 / 0 / 64

HEX #02295B

RGB 2 41 91

HSL 213.71, 0.96%, 0.18%

LAB 17.25, 9.38, -33.54

 

CMYK 100 / 68 / 0 / 72

HEX #001748

RGB 0 23 72

HSL 220.83, 1%, 0.14%

LAB 9.65, 14.2, -32.98

 

CMYK 64 / 36 / 0 / 43

HEX #355E92

RGB 53 94 146

HSL 213.55, 0.47%, 0.39%

LAB 39.31, 2.73, -32.92

 

CMYK 64 / 53 / 0 / 43

HEX #354592

RGB 53 69 146

HSL 229.68, 0.47%, 0.39%

LAB 32.01, 19.14, -44.56

 

CMYK 58 / 64 / 0 / 43

HEX #3E3592

RGB 62 53 146

HSL 245.81, 0.47%, 0.39%

LAB 28.5, 31.33, -50.21

 

CMYK 40 / 64 / 0 / 43

HEX #573592

RGB 87 53 146

HSL 261.94, 0.47%, 0.39%

LAB 30.99, 36.54, -46.06

 

CMYK 23 / 64 / 0 / 43

HEX #703592

RGB 112 53 146

HSL 278.06, 0.47%, 0.39%

LAB 34.12, 42.52, -40.86

 

CMYK 64 / 36 / 0 / 43

HEX #355E92

RGB 53 94 146

HSL 213.55, 0.47%, 0.39%

LAB 39.31, 2.73, -32.92

 

CMYK 64 / 53 / 0 / 43

HEX #354592

RGB 53 69 146

HSL 229.68, 0.47%, 0.39%

LAB 32.01, 19.14, -44.56

 

CMYK 64 / 64 / 0 / 43

HEX #353592

RGB 53 53 146

HSL 240, 0.47%, 0.39%

LAB 27.79, 29.74, -51.41

 

CMYK 64 / 36 / 0 / 43

HEX #355E92

RGB 53 94 146

HSL 213.55, 0.47%, 0.39%

LAB 39.31, 2.73, -32.92

 

CMYK 77 / 43 / 0 / 36

HEX #255CA2

RGB 37 92 162

HSL 213.6, 0.63%, 0.39%

LAB 39, 7.44, -43.03

 

CMYK 88 / 49 / 0 / 30

HEX #155AB2

RGB 21 90 178

HSL 213.63, 0.79%, 0.39%

LAB 39.05, 13.57, -52.45

 

CMYK 98 / 55 / 0 / 24

HEX #0458C2

RGB 4 88 194

HSL 213.47, 0.96%, 0.39%

LAB 39.41, 20.59, -61.24

 

CMYK 64 / 36 / 0 / 43

HEX #355E92

RGB 53 94 146

HSL 213.55, 0.47%, 0.39%

LAB 39.31, 2.73, -32.92

 

CMYK 47 / 26 / 0 / 49

HEX #456082

RGB 69 96 130

HSL 213.44, 0.31%, 0.39%

LAB 39.99, -0.15, -22.11

 

CMYK 25 / 14 / 0 / 55

HEX #556272

RGB 85 98 114

HSL 213.1, 0.15%, 0.39%

LAB 41.03, -1.03, -10.68

 

CMYK 0 / 1 / 3 / 60

HEX #656462

RGB 101 100 98

HSL 40, 0.02%, 0.39%

LAB 42.4, -0.01, 1.26

 

CMYK 0 / 14 / 30 / 54

HEX #756552

RGB 117 101 82

HSL 32.57, 0.18%, 0.39%

LAB 43.8, 3.21, 13.12

 

CMYK 64 / 1 / 0 / 43

HEX #359192

RGB 53 145 146

HSL 180.65, 0.47%, 0.39%

LAB 55.16, -26.21, -8.55

 

CMYK 64 / 18 / 0 / 43

HEX #357892

RGB 53 120 146

HSL 196.77, 0.47%, 0.39%

LAB 47.32, -12.88, -20.43

 

CMYK 64 / 35 / 0 / 43

HEX #355F92

RGB 53 95 146

HSL 212.9, 0.47%, 0.39%

LAB 39.61, 2.1, -32.44

 

CMYK 64 / 52 / 0 / 43

HEX #354692

RGB 53 70 146

HSL 229.03, 0.47%, 0.39%

LAB 32.29, 18.47, -44.11

 

CMYK 59 / 64 / 0 / 43

HEX #3C3592

RGB 60 53 146

HSL 244.52, 0.47%, 0.39%

LAB 28.33, 30.96, -50.49

 

CMYK 64 / 36 / 0 / 66

HEX #1F3756

RGB 31 55 86

HSL 213.82, 0.47%, 0.23%

LAB 22.64, 1.54, -21.55

 

CMYK 64 / 35 / 0 / 55

HEX #2A4B74

RGB 42 75 116

HSL 213.24, 0.47%, 0.31%

LAB 31.31, 1.82, -27.13

 

CMYK 64 / 36 / 0 / 43

HEX #355E92

RGB 53 94 146

HSL 213.55, 0.47%, 0.39%

LAB 39.31, 2.73, -32.92

 

CMYK 64 / 36 / 0 / 31

HEX #4072B1

RGB 64 114 177

HSL 213.45, 0.47%, 0.47%

LAB 47.36, 3.34, -38.5

 

CMYK 55 / 31 / 0 / 24

HEX #5786C2

RGB 87 134 194

HSL 213.64, 0.47%, 0.55%

LAB 55.04, 1.67, -36.12

 

CMYK 64 / 36 / 0 / 42

HEX #355F94

RGB 53 95 148

HSL 213.47, 0.47%, 0.39%

LAB 39.71, 2.82, -33.47

 

CMYK 16 / 64 / 0 / 43

HEX #7B3592

RGB 123 53 146

HSL 285.16, 0.47%, 0.39%

LAB 35.66, 45.29, -38.31

 

CMYK 10 / 0 / 64 / 43

HEX #849235

RGB 132 146 53

HSL 69.03, 0.47%, 0.39%

LAB 57.77, -18.43, 46.11

 

CMYK 64 / 36 / 0 / 42

HEX #355F94

RGB 53 95 148

HSL 213.47, 0.47%, 0.39%

LAB 39.71, 2.82, -33.47

 

CMYK 0 / 64 / 35 / 43

HEX #92355F

RGB 146 53 95

HSL 332.9, 0.47%, 0.39%

LAB 36.9, 43.34, -4.3

 

CMYK 35 / 0 / 64 / 43

HEX #5F9235

RGB 95 146 53

HSL 92.9, 0.47%, 0.39%

LAB 55.33, -33.45, 42.74

 

CMYK 64 / 36 / 0 / 42

HEX #355F94

RGB 53 95 148

HSL 213.47, 0.47%, 0.39%

LAB 39.71, 2.82, -33.47

 

CMYK 16 / 64 / 0 / 43

HEX #7B3592

RGB 123 53 146

HSL 285.16, 0.47%, 0.39%

LAB 35.66, 45.29, -38.31

 

CMYK 0 / 29 / 64 / 43

HEX #926835

RGB 146 104 53

HSL 32.9, 0.47%, 0.39%

LAB 47.33, 11.21, 34.85

 

CMYK 48 / 0 / 64 / 43

HEX #4C9235

RGB 76 146 53

HSL 105.16, 0.47%, 0.39%

LAB 54.4, -40, 41.45

 

CMYK 64 / 36 / 0 / 42

HEX #355F94

RGB 53 95 148

HSL 213.47, 0.47%, 0.39%

LAB 39.71, 2.82, -33.47

 

CMYK 0 / 64 / 3 / 43

HEX #92358E

RGB 146 53 142

HSL 302.58, 0.47%, 0.39%

LAB 38.92, 50.48, -30.48

 

CMYK 0 / 29 / 64 / 43

HEX #926835

RGB 146 104 53

HSL 32.9, 0.47%, 0.39%

LAB 47.33, 11.21, 34.85

 

CMYK 64 / 0 / 61 / 43

HEX #359239

RGB 53 146 57

HSL 122.58, 0.47%, 0.39%

LAB 53.61, -45.87, 38.46

 

Description

Color code: HEX #355F94 | qconv.com Color code: HEX #355F94 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 95 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 95 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 36 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 36% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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