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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #355F75 it is the complementary color #CAA08A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #355F75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #355F75 shade: #3A5F70, #4B7183, #5C8396, #6D95A9 and #7EA7BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #355F75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #355F75 shade: #355F75, #244D62, #133B4F, #02293C and #001729

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #355F75 shade: #345E74, #344D74, #343C74, #3E3474 and #4F3474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #355F75 shade: #345E74, #344D74, #343C74 and #343474

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #355F75 shade matches the following richer shades: #345E74, #276282, #19678F and #0B6B9D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #355F75 shade: #345E74, #425A67, #4F5659, #5D514B and #6B4D3E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #355F75 shade: #347467, #347074, #345F74, #344E74 and #343D74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #355F75 shade: #1B303B, #274758, #345E74, #417591 and #4E8CAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #355F75 shade: #355F75, #563474 and #747034

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #355F75 shade: #355F75, #74345F and #5F7434

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #355F75 shade: #355F75, #563474, #744934 and #527434

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #355F75 shade: #355F75, #693474, #744934 and #3F7434

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 19 / 0 / 54

HEX #355F75

RGB 53 95 117

HSL 200.63, 0.38%, 0.33%

LAB 38.24, -7.86, -16.93

 

Complementary color

CMYK 0 / 21 / 32 / 21

HEX #CAA08A

RGB 202 160 138

HSL 20.63, 0.38%, 0.67%

LAB 69.14, 12.4, 17.39

 

CMYK 48 / 15 / 0 / 56

HEX #3A5F70

RGB 58 95 112

HSL 198.89, 0.32%, 0.33%

LAB 38.29, -8.16, -13.76

 

CMYK 43 / 14 / 0 / 49

HEX #4B7183

RGB 75 113 131

HSL 199.29, 0.27%, 0.4%

LAB 45.56, -8.36, -14.13

 

CMYK 39 / 13 / 0 / 41

HEX #5C8396

RGB 92 131 150

HSL 199.66, 0.24%, 0.47%

LAB 52.63, -8.5, -14.51

 

CMYK 36 / 12 / 0 / 34

HEX #6D95A9

RGB 109 149 169

HSL 200, 0.26%, 0.55%

LAB 59.54, -8.61, -14.88

 

CMYK 33 / 11 / 0 / 26

HEX #7EA7BC

RGB 126 167 188

HSL 200.32, 0.32%, 0.62%

LAB 66.29, -8.7, -15.25

 

CMYK 55 / 19 / 0 / 54

HEX #355F75

RGB 53 95 117

HSL 200.63, 0.38%, 0.33%

LAB 38.24, -7.86, -16.93

 

CMYK 63 / 21 / 0 / 62

HEX #244D62

RGB 36 77 98

HSL 200.32, 0.46%, 0.26%

LAB 30.79, -7.3, -16.6

 

CMYK 76 / 25 / 0 / 69

HEX #133B4F

RGB 19 59 79

HSL 200, 0.61%, 0.19%

LAB 23.1, -6.37, -16.23

 

CMYK 97 / 32 / 0 / 76

HEX #02293C

RGB 2 41 60

HSL 199.66, 0.94%, 0.12%

LAB 15.09, -4.97, -15.86

 

CMYK 100 / 44 / 0 / 84

HEX #001729

RGB 0 23 41

HSL 206.34, 1%, 0.08%

LAB 6.98, -1.15, -14.93

 

CMYK 55 / 19 / 0 / 55

HEX #345E74

RGB 52 94 116

HSL 200.63, 0.38%, 0.33%

LAB 37.84, -7.83, -16.95

 

CMYK 55 / 34 / 0 / 55

HEX #344D74

RGB 52 77 116

HSL 216.56, 0.38%, 0.33%

LAB 32.48, 2.82, -25.26

 

CMYK 55 / 48 / 0 / 55

HEX #343C74

RGB 52 60 116

HSL 232.5, 0.38%, 0.33%

LAB 27.36, 14.21, -33.37

 

CMYK 47 / 55 / 0 / 55

HEX #3E3474

RGB 62 52 116

HSL 249.38, 0.38%, 0.33%

LAB 25.98, 22.1, -35.52

 

CMYK 32 / 55 / 0 / 55

HEX #4F3474

RGB 79 52 116

HSL 265.31, 0.38%, 0.33%

LAB 27.79, 26.71, -32.53

 

CMYK 55 / 19 / 0 / 55

HEX #345E74

RGB 52 94 116

HSL 200.63, 0.38%, 0.33%

LAB 37.84, -7.83, -16.95

 

CMYK 55 / 34 / 0 / 55

HEX #344D74

RGB 52 77 116

HSL 216.56, 0.38%, 0.33%

LAB 32.48, 2.82, -25.26

 

CMYK 55 / 48 / 0 / 55

HEX #343C74

RGB 52 60 116

HSL 232.5, 0.38%, 0.33%

LAB 27.36, 14.21, -33.37

 

CMYK 55 / 55 / 0 / 55

HEX #343474

RGB 52 52 116

HSL 240, 0.38%, 0.33%

LAB 25.1, 19.67, -37

 

CMYK 55 / 19 / 0 / 55

HEX #345E74

RGB 52 94 116

HSL 200.63, 0.38%, 0.33%

LAB 37.84, -7.83, -16.95

 

CMYK 70 / 25 / 0 / 49

HEX #276282

RGB 39 98 130

HSL 201.1, 0.54%, 0.33%

LAB 39.2, -8.1, -23.43

 

CMYK 83 / 28 / 0 / 44

HEX #19678F

RGB 25 103 143

HSL 200.34, 0.7%, 0.33%

LAB 41.04, -8.19, -28.45

 

CMYK 93 / 32 / 0 / 38

HEX #0B6B9D

RGB 11 107 157

HSL 200.55, 0.87%, 0.33%

LAB 42.79, -6.26, -34.06

 

CMYK 55 / 19 / 0 / 55

HEX #345E74

RGB 52 94 116

HSL 200.63, 0.38%, 0.33%

LAB 37.84, -7.83, -16.95

 

CMYK 36 / 13 / 0 / 60

HEX #425A67

RGB 66 90 103

HSL 201.08, 0.22%, 0.33%

LAB 36.84, -5.46, -10.36

 

CMYK 11 / 3 / 0 / 65

HEX #4F5659

RGB 79 86 89

HSL 198, 0.06%, 0.33%

LAB 36.06, -2.07, -2.7

 

CMYK 0 / 13 / 19 / 64

HEX #5D514B

RGB 93 81 75

HSL 20, 0.11%, 0.33%

LAB 35.44, 3.84, 5.34

 

CMYK 0 / 28 / 42 / 58

HEX #6B4D3E

RGB 107 77 62

HSL 20, 0.27%, 0.33%

LAB 35.56, 10.5, 13.87

 

CMYK 55 / 0 / 11 / 55

HEX #347467

RGB 52 116 103

HSL 167.81, 0.38%, 0.33%

LAB 44.52, -23.95, 0.96

 

CMYK 55 / 3 / 0 / 55

HEX #347074

RGB 52 112 116

HSL 183.75, 0.38%, 0.33%

LAB 43.62, -18.14, -8.17

 

CMYK 55 / 18 / 0 / 55

HEX #345F74

RGB 52 95 116

HSL 199.69, 0.38%, 0.33%

LAB 38.16, -8.43, -16.46

 

CMYK 55 / 33 / 0 / 55

HEX #344E74

RGB 52 78 116

HSL 215.63, 0.38%, 0.33%

LAB 32.79, 2.17, -24.78

 

CMYK 55 / 47 / 0 / 55

HEX #343D74

RGB 52 61 116

HSL 231.56, 0.38%, 0.33%

LAB 27.65, 13.53, -32.9

 

CMYK 54 / 19 / 0 / 77

HEX #1B303B

RGB 27 48 59

HSL 200.63, 0.37%, 0.17%

LAB 18.64, -4.72, -9.58

 

CMYK 56 / 19 / 0 / 65

HEX #274758

RGB 39 71 88

HSL 200.82, 0.39%, 0.25%

LAB 28.49, -6.3, -13.72

 

CMYK 55 / 19 / 0 / 55

HEX #345E74

RGB 52 94 116

HSL 200.63, 0.38%, 0.33%

LAB 37.84, -7.83, -16.95

 

CMYK 55 / 19 / 0 / 43

HEX #417591

RGB 65 117 145

HSL 201, 0.38%, 0.41%

LAB 46.83, -8.97, -20.55

 

CMYK 55 / 19 / 0 / 32

HEX #4E8CAD

RGB 78 140 173

HSL 200.84, 0.38%, 0.49%

LAB 55.47, -10.38, -23.49

 

CMYK 55 / 19 / 0 / 54

HEX #355F75

RGB 53 95 117

HSL 200.63, 0.38%, 0.33%

LAB 38.24, -7.86, -16.93

 

CMYK 26 / 55 / 0 / 55

HEX #563474

RGB 86 52 116

HSL 271.88, 0.38%, 0.33%

LAB 28.63, 28.72, -31.14

 

CMYK 0 / 3 / 55 / 55

HEX #747034

RGB 116 112 52

HSL 56.25, 0.38%, 0.33%

LAB 46.38, -7.24, 33.47

 

CMYK 55 / 19 / 0 / 54

HEX #355F75

RGB 53 95 117

HSL 200.63, 0.38%, 0.33%

LAB 38.24, -7.86, -16.93

 

CMYK 0 / 55 / 18 / 55

HEX #74345F

RGB 116 52 95

HSL 319.69, 0.38%, 0.33%

LAB 31.8, 33.87, -12.47

 

CMYK 18 / 0 / 55 / 55

HEX #5F7434

RGB 95 116 52

HSL 79.69, 0.38%, 0.33%

LAB 45.87, -18.77, 32.44

 

CMYK 55 / 19 / 0 / 54

HEX #355F75

RGB 53 95 117

HSL 200.63, 0.38%, 0.33%

LAB 38.24, -7.86, -16.93

 

CMYK 26 / 55 / 0 / 55

HEX #563474

RGB 86 52 116

HSL 271.88, 0.38%, 0.33%

LAB 28.63, 28.72, -31.14

 

CMYK 0 / 37 / 55 / 55

HEX #744934

RGB 116 73 52

HSL 19.69, 0.38%, 0.33%

LAB 35.45, 15.87, 20.1

 

CMYK 29 / 0 / 55 / 55

HEX #527434

RGB 82 116 52

HSL 91.88, 0.38%, 0.33%

LAB 44.99, -24.15, 31.18

 

CMYK 55 / 19 / 0 / 54

HEX #355F75

RGB 53 95 117

HSL 200.63, 0.38%, 0.33%

LAB 38.24, -7.86, -16.93

 

CMYK 9 / 55 / 0 / 55

HEX #693474

RGB 105 52 116

HSL 289.69, 0.38%, 0.33%

LAB 31.16, 34.37, -26.97

 

CMYK 0 / 37 / 55 / 55

HEX #744934

RGB 116 73 52

HSL 19.69, 0.38%, 0.33%

LAB 35.45, 15.87, 20.1

 

CMYK 46 / 0 / 55 / 55

HEX #3F7434

RGB 63 116 52

HSL 109.69, 0.38%, 0.33%

LAB 43.94, -31.18, 29.67

 

Description

Color code: HEX #355F75 | qconv.com Color code: HEX #355F75 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 95 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 95 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 19 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 19% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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