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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #355C92 it is the complementary color #CAA36D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #355C92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #355C92 shade: #3A5C8D, #4B6EA0, #5C80B3, #6D92C6 and #7EA4D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #355C92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #355C92 shade: #355C92, #244A7F, #13386C, #022659 and #001446

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #355C92 shade: #355C92, #354392, #403592, #593592 and #723592

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #355C92 shade: #355C92, #354392 and #353592

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #355C92 shade matches the following richer shades: #355C92, #2559A2, #1557B2 and #0454C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #355C92 shade: #355C92, #455F82, #556172, #656462 and #756652

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #355C92 shade: #358F92, #357692, #355D92, #354492 and #3E3592

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #355C92 shade: #1F3656, #2A4974, #355C92, #406FB1 and #5784C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #355C92 shade: #355C92, #7C3592 and #839235

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #355C92 shade: #355C92, #92355D and #5D9235

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #355C92 shade: #355C92, #7C3592, #926A35 and #4B9235

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #355C92 shade: #355C92, #92358C, #926A35 and #35923B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 37 / 0 / 43

HEX #355C92

RGB 53 92 146

HSL 214.84, 0.47%, 0.39%

LAB 38.7, 4, -33.87

 

Complementary color

CMYK 0 / 19 / 46 / 21

HEX #CAA36D

RGB 202 163 109

HSL 34.84, 0.47%, 0.61%

LAB 69.37, 7.41, 33.42

 

CMYK 59 / 35 / 0 / 45

HEX #3A5C8D

RGB 58 92 141

HSL 215.42, 0.42%, 0.39%

LAB 38.69, 3.28, -30.86

 

CMYK 53 / 31 / 0 / 37

HEX #4B6EA0

RGB 75 110 160

HSL 215.29, 0.36%, 0.46%

LAB 45.89, 2.38, -30.83

 

CMYK 49 / 28 / 0 / 30

HEX #5C80B3

RGB 92 128 179

HSL 215.17, 0.36%, 0.53%

LAB 52.91, 1.68, -30.85

 

CMYK 45 / 26 / 0 / 22

HEX #6D92C6

RGB 109 146 198

HSL 215.06, 0.44%, 0.6%

LAB 59.79, 1.12, -30.9

 

CMYK 42 / 24 / 0 / 15

HEX #7EA4D9

RGB 126 164 217

HSL 214.95, 0.54%, 0.67%

LAB 66.52, 0.66, -30.98

 

CMYK 64 / 37 / 0 / 43

HEX #355C92

RGB 53 92 146

HSL 214.84, 0.47%, 0.39%

LAB 38.7, 4, -33.87

 

CMYK 72 / 42 / 0 / 50

HEX #244A7F

RGB 36 74 127

HSL 214.95, 0.56%, 0.32%

LAB 31.36, 5.52, -33.94

 

CMYK 82 / 48 / 0 / 58

HEX #13386C

RGB 19 56 108

HSL 215.06, 0.7%, 0.25%

LAB 23.83, 7.69, -34.01

 

CMYK 98 / 57 / 0 / 65

HEX #022659

RGB 2 38 89

HSL 215.17, 0.96%, 0.18%

LAB 16.11, 10.73, -34.05

 

CMYK 100 / 71 / 0 / 73

HEX #001446

RGB 0 20 70

HSL 222.86, 1%, 0.14%

LAB 8.5, 15.64, -33.46

 

CMYK 64 / 37 / 0 / 43

HEX #355C92

RGB 53 92 146

HSL 214.84, 0.47%, 0.39%

LAB 38.7, 4, -33.87

 

CMYK 64 / 54 / 0 / 43

HEX #354392

RGB 53 67 146

HSL 230.97, 0.47%, 0.39%

LAB 31.45, 20.47, -45.45

 

CMYK 56 / 64 / 0 / 43

HEX #403592

RGB 64 53 146

HSL 247.1, 0.47%, 0.39%

LAB 28.67, 31.7, -49.93

 

CMYK 39 / 64 / 0 / 43

HEX #593592

RGB 89 53 146

HSL 263.23, 0.47%, 0.39%

LAB 31.22, 37, -45.68

 

CMYK 22 / 64 / 0 / 43

HEX #723592

RGB 114 53 146

HSL 279.35, 0.47%, 0.39%

LAB 34.39, 43.02, -40.4

 

CMYK 64 / 37 / 0 / 43

HEX #355C92

RGB 53 92 146

HSL 214.84, 0.47%, 0.39%

LAB 38.7, 4, -33.87

 

CMYK 64 / 54 / 0 / 43

HEX #354392

RGB 53 67 146

HSL 230.97, 0.47%, 0.39%

LAB 31.45, 20.47, -45.45

 

CMYK 64 / 64 / 0 / 43

HEX #353592

RGB 53 53 146

HSL 240, 0.47%, 0.39%

LAB 27.79, 29.74, -51.41

 

CMYK 64 / 37 / 0 / 43

HEX #355C92

RGB 53 92 146

HSL 214.84, 0.47%, 0.39%

LAB 38.7, 4, -33.87

 

CMYK 77 / 45 / 0 / 36

HEX #2559A2

RGB 37 89 162

HSL 215.04, 0.63%, 0.39%

LAB 38.1, 9.39, -44.46

 

CMYK 88 / 51 / 0 / 30

HEX #1557B2

RGB 21 87 178

HSL 214.78, 0.79%, 0.39%

LAB 38.18, 15.56, -53.85

 

CMYK 98 / 57 / 0 / 24

HEX #0454C2

RGB 4 84 194

HSL 214.74, 0.96%, 0.39%

LAB 38.31, 23.25, -63.03

 

CMYK 64 / 37 / 0 / 43

HEX #355C92

RGB 53 92 146

HSL 214.84, 0.47%, 0.39%

LAB 38.7, 4, -33.87

 

CMYK 47 / 27 / 0 / 49

HEX #455F82

RGB 69 95 130

HSL 214.43, 0.31%, 0.39%

LAB 39.68, 0.47, -22.58

 

CMYK 25 / 15 / 0 / 55

HEX #556172

RGB 85 97 114

HSL 215.17, 0.15%, 0.39%

LAB 40.73, -0.43, -11.13

 

CMYK 0 / 1 / 3 / 60

HEX #656462

RGB 101 100 98

HSL 40, 0.02%, 0.39%

LAB 42.4, -0.01, 1.26

 

CMYK 0 / 13 / 30 / 54

HEX #756652

RGB 117 102 82

HSL 34.29, 0.18%, 0.39%

LAB 44.08, 2.62, 13.51

 

CMYK 64 / 2 / 0 / 43

HEX #358F92

RGB 53 143 146

HSL 181.94, 0.47%, 0.39%

LAB 54.53, -25.2, -9.49

 

CMYK 64 / 19 / 0 / 43

HEX #357692

RGB 53 118 146

HSL 198.06, 0.47%, 0.39%

LAB 46.7, -11.74, -21.39

 

CMYK 64 / 36 / 0 / 43

HEX #355D92

RGB 53 93 146

HSL 214.19, 0.47%, 0.39%

LAB 39, 3.37, -33.39

 

CMYK 64 / 53 / 0 / 43

HEX #354492

RGB 53 68 146

HSL 230.32, 0.47%, 0.39%

LAB 31.73, 19.81, -45.01

 

CMYK 58 / 64 / 0 / 43

HEX #3E3592

RGB 62 53 146

HSL 245.81, 0.47%, 0.39%

LAB 28.5, 31.33, -50.21

 

CMYK 64 / 37 / 0 / 66

HEX #1F3656

RGB 31 54 86

HSL 214.91, 0.47%, 0.23%

LAB 22.31, 2.23, -22.07

 

CMYK 64 / 37 / 0 / 55

HEX #2A4974

RGB 42 73 116

HSL 214.86, 0.47%, 0.31%

LAB 30.68, 3.14, -28.12

 

CMYK 64 / 37 / 0 / 43

HEX #355C92

RGB 53 92 146

HSL 214.84, 0.47%, 0.39%

LAB 38.7, 4, -33.87

 

CMYK 64 / 37 / 0 / 31

HEX #406FB1

RGB 64 111 177

HSL 215.04, 0.47%, 0.47%

LAB 46.49, 5.19, -39.88

 

CMYK 55 / 32 / 0 / 24

HEX #5784C2

RGB 87 132 194

HSL 214.77, 0.47%, 0.55%

LAB 54.47, 2.85, -37.01

 

CMYK 64 / 37 / 0 / 43

HEX #355C92

RGB 53 92 146

HSL 214.84, 0.47%, 0.39%

LAB 38.7, 4, -33.87

 

CMYK 15 / 64 / 0 / 43

HEX #7C3592

RGB 124 53 146

HSL 285.81, 0.47%, 0.39%

LAB 35.8, 45.54, -38.07

 

CMYK 10 / 0 / 64 / 43

HEX #839235

RGB 131 146 53

HSL 69.68, 0.47%, 0.39%

LAB 57.69, -18.86, 46

 

CMYK 64 / 37 / 0 / 43

HEX #355C92

RGB 53 92 146

HSL 214.84, 0.47%, 0.39%

LAB 38.7, 4, -33.87

 

CMYK 0 / 64 / 36 / 43

HEX #92355D

RGB 146 53 93

HSL 334.19, 0.47%, 0.39%

LAB 36.83, 43.09, -3.13

 

CMYK 36 / 0 / 64 / 43

HEX #5D9235

RGB 93 146 53

HSL 94.19, 0.47%, 0.39%

LAB 55.22, -34.18, 42.59

 

CMYK 64 / 37 / 0 / 43

HEX #355C92

RGB 53 92 146

HSL 214.84, 0.47%, 0.39%

LAB 38.7, 4, -33.87

 

CMYK 15 / 64 / 0 / 43

HEX #7C3592

RGB 124 53 146

HSL 285.81, 0.47%, 0.39%

LAB 35.8, 45.54, -38.07

 

CMYK 0 / 27 / 64 / 43

HEX #926A35

RGB 146 106 53

HSL 34.19, 0.47%, 0.39%

LAB 47.85, 10.05, 35.46

 

CMYK 49 / 0 / 64 / 43

HEX #4B9235

RGB 75 146 53

HSL 105.81, 0.47%, 0.39%

LAB 54.36, -40.31, 41.39

 

CMYK 64 / 37 / 0 / 43

HEX #355C92

RGB 53 92 146

HSL 214.84, 0.47%, 0.39%

LAB 38.7, 4, -33.87

 

CMYK 0 / 64 / 4 / 43

HEX #92358C

RGB 146 53 140

HSL 303.87, 0.47%, 0.39%

LAB 38.81, 50.13, -29.42

 

CMYK 0 / 27 / 64 / 43

HEX #926A35

RGB 146 106 53

HSL 34.19, 0.47%, 0.39%

LAB 47.85, 10.05, 35.46

 

CMYK 64 / 0 / 60 / 43

HEX #35923B

RGB 53 146 59

HSL 123.87, 0.47%, 0.39%

LAB 53.63, -45.62, 37.52

 

Description

Color code: HEX #355C92 | qconv.com Color code: HEX #355C92 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 92 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 92 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 37 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 37% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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