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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3530903F it is the complementary color #CACF6F3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3530903F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3530903F shade: #3A308B3F, #4B429E3F, #5C54B13F, #6D66C43F and #7E78D73F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3530903F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3530903F shade: #3530903F, #241E7D3F, #130C6A3F, #0200573F and #0000443F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3530903F shade: #363091, #503091, #6A3091, #843091 and #913085

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3530903F shade: #363091 and #303091

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3530903F shade matches the following richer shades: #363091, #2721A1, #1911B1 and #0B01C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3530903F shade: #363091, #444082, #525072, #605F62 and #6E6F53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3530903F shade: #305F91, #304591, #353091, #4F3091 and #693091

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3530903F shade: #1F1C53, #2A2672, #363091, #413BB0 and #5650C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3530903F shade: #353090, #913079 and #529130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3530903F shade: #353090, #913530 and #309135

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3530903F shade: #353090, #913079, #8D9130 and #309149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3530903F shade: #353090, #91305C, #8D9130 and #309166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 17 / 0 / 11

HEX #3530903F

RGBA 53 48 144 0.25

HSLA 243.13, 0.5%, 0.38%, 0.25

LABA 26.4, 32.25, -52.43, 0.25

 

Complementary color

CMYK 1 / 0 / 12 / 5

HEX #CACF6F3F

RGBA 202 207 111 0.25

HSLA 63.13, 0.5%, 0.62%, 0.25

LABA 80.92, -15.38, 46.82, 0.25

 

CMYK 15 / 16 / 0 / 11

HEX #3A308B3F

RGBA 58 48 139 0.25

HSLA 246.59, 0.49%, 0.37%, 0.25

LABA 26.38, 31.41, -49.35, 0.25

 

CMYK 13 / 15 / 0 / 10

HEX #4B429E3F

RGBA 75 66 158 0.25

HSLA 245.87, 0.41%, 0.44%, 0.25

LABA 33.69, 29.63, -49.05, 0.25

 

CMYK 12 / 13 / 0 / 8

HEX #5C54B13F

RGBA 92 84 177 0.25

HSLA 245.16, 0.37%, 0.51%, 0.25

LABA 40.88, 28.11, -48.72, 0.25

 

CMYK 11 / 12 / 0 / 6

HEX #6D66C43F

RGBA 109 102 196 0.25

HSLA 244.47, 0.44%, 0.58%, 0.25

LABA 47.93, 26.82, -48.42, 0.25

 

CMYK 10 / 11 / 0 / 4

HEX #7E78D73F

RGBA 126 120 215 0.25

HSLA 243.79, 0.54%, 0.66%, 0.25

LABA 54.84, 25.7, -48.17, 0.25

 

CMYK 16 / 17 / 0 / 11

HEX #3530903F

RGBA 53 48 144 0.25

HSLA 243.13, 0.5%, 0.38%, 0.25

LABA 26.4, 32.25, -52.43, 0.25

 

CMYK 18 / 19 / 0 / 13

HEX #241E7D3F

RGBA 36 30 125 0.25

HSLA 243.79, 0.61%, 0.3%, 0.25

LABA 19.16, 34.46, -52.46, 0.25

 

CMYK 21 / 22 / 0 / 15

HEX #130C6A3F

RGBA 19 12 106 0.25

HSLA 244.47, 0.8%, 0.23%, 0.25

LABA 12.23, 36.34, -51.67, 0.25

 

CMYK 24 / 25 / 0 / 16

HEX #0200573F

RGBA 2 0 87 0.25

HSLA 241.38, 1%, 0.17%, 0.25

LABA 6.33, 35.65, -48.81, 0.25

 

CMYK 25 / 25 / 0 / 18

HEX #0000443F

RGBA 0 0 68 0.25

HSLA 240, 1%, 0.13%, 0.25

LABA 3.77, 25.91, -39.82, 0.25

 

CMYK 63 / 67 / 0 / 43

HEX #363091

RGB 54 48 145

HSL 243.71, 0.5%, 0.38%

LAB 26.57, 32.75, -52.77

 

CMYK 45 / 67 / 0 / 43

HEX #503091

RGB 80 48 145

HSL 259.79, 0.5%, 0.38%

LAB 29.07, 37.6, -48.6

 

CMYK 27 / 67 / 0 / 43

HEX #6A3091

RGB 106 48 145

HSL 275.88, 0.5%, 0.38%

LAB 32.31, 43.38, -43.2

 

CMYK 9 / 67 / 0 / 43

HEX #843091

RGB 132 48 145

HSL 291.96, 0.5%, 0.38%

LAB 36.11, 49.65, -36.9

 

CMYK 0 / 67 / 8 / 43

HEX #913085

RGB 145 48 133

HSL 307.42, 0.5%, 0.38%

LAB 37.53, 50.8, -27.15

 

CMYK 63 / 67 / 0 / 43

HEX #363091

RGB 54 48 145

HSL 243.71, 0.5%, 0.38%

LAB 26.57, 32.75, -52.77

 

CMYK 67 / 67 / 0 / 43

HEX #303091

RGB 48 48 145

HSL 240, 0.5%, 0.38%

LAB 26.12, 31.83, -53.53

 

CMYK 63 / 67 / 0 / 43

HEX #363091

RGB 54 48 145

HSL 243.71, 0.5%, 0.38%

LAB 26.57, 32.75, -52.77

 

CMYK 76 / 80 / 0 / 37

HEX #2721A1

RGB 39 33 161

HSL 242.81, 0.66%, 0.38%

LAB 23.97, 45.1, -66.89

 

CMYK 86 / 90 / 0 / 31

HEX #1911B1

RGB 25 17 177

HSL 243, 0.82%, 0.38%

LAB 22.94, 56.09, -78.31

 

CMYK 94 / 99 / 0 / 25

HEX #0B01C0

RGB 11 1 192

HSL 243.14, 0.99%, 0.38%

LAB 23.33, 63.82, -86.6

 

CMYK 63 / 67 / 0 / 43

HEX #363091

RGB 54 48 145

HSL 243.71, 0.5%, 0.38%

LAB 26.57, 32.75, -52.77

 

CMYK 48 / 51 / 0 / 49

HEX #444082

RGB 68 64 130

HSL 243.64, 0.34%, 0.38%

LAB 30.66, 20.24, -36.81

 

CMYK 28 / 30 / 0 / 55

HEX #525072

RGB 82 80 114

HSL 243.53, 0.18%, 0.38%

LAB 35.49, 9.16, -19.16

 

CMYK 2 / 3 / 0 / 62

HEX #605F62

RGB 96 95 98

HSL 260, 0.02%, 0.38%

LAB 40.5, 1.03, -1.57

 

CMYK 1 / 0 / 25 / 56

HEX #6E6F53

RGB 110 111 83

HSL 62.14, 0.14%, 0.38%

LAB 46.05, -5.47, 15.51

 

CMYK 67 / 34 / 0 / 43

HEX #305F91

RGB 48 95 145

HSL 210.93, 0.5%, 0.38%

LAB 39.34, 0.79, -32.28

 

CMYK 67 / 52 / 0 / 43

HEX #304591

RGB 48 69 145

HSL 227.01, 0.5%, 0.38%

LAB 31.64, 17.86, -44.55

 

CMYK 63 / 67 / 0 / 43

HEX #353091

RGB 53 48 145

HSL 243.09, 0.5%, 0.38%

LAB 26.49, 32.59, -52.91

 

CMYK 46 / 67 / 0 / 43

HEX #4F3091

RGB 79 48 145

HSL 259.18, 0.5%, 0.38%

LAB 28.96, 37.39, -48.78

 

CMYK 28 / 67 / 0 / 43

HEX #693091

RGB 105 48 145

HSL 275.26, 0.5%, 0.38%

LAB 32.17, 43.15, -43.43

 

CMYK 63 / 66 / 0 / 67

HEX #1F1C53

RGB 31 28 83

HSL 243.27, 0.5%, 0.22%

LAB 14.1, 19.8, -33.21

 

CMYK 63 / 67 / 0 / 55

HEX #2A2672

RGB 42 38 114

HSL 243.16, 0.5%, 0.3%

LAB 20.41, 26.37, -43.35

 

CMYK 63 / 67 / 0 / 43

HEX #363091

RGB 54 48 145

HSL 243.71, 0.5%, 0.38%

LAB 26.57, 32.75, -52.77

 

CMYK 63 / 66 / 0 / 31

HEX #413BB0

RGB 65 59 176

HSL 243.08, 0.5%, 0.46%

LAB 32.67, 38.09, -61.55

 

CMYK 56 / 59 / 0 / 23

HEX #5650C5

RGB 86 80 197

HSL 243.08, 0.5%, 0.54%

LAB 40.81, 35.64, -60.56

 

CMYK 63 / 67 / 0 / 44

HEX #353090

RGB 53 48 144

HSL 243.13, 0.5%, 0.38%

LAB 26.4, 32.25, -52.43

 

CMYK 0 / 67 / 17 / 43

HEX #913079

RGB 145 48 121

HSL 314.85, 0.5%, 0.38%

LAB 36.96, 48.88, -20.6

 

CMYK 43 / 0 / 67 / 43

HEX #529130

RGB 82 145 48

HSL 98.97, 0.5%, 0.38%

LAB 54.3, -38.09, 43.66

 

CMYK 63 / 67 / 0 / 44

HEX #353090

RGB 53 48 144

HSL 243.13, 0.5%, 0.38%

LAB 26.4, 32.25, -52.43

 

CMYK 0 / 63 / 67 / 43

HEX #913530

RGB 145 53 48

HSL 3.09, 0.5%, 0.38%

LAB 35.56, 38.55, 23.64

 

CMYK 67 / 0 / 63 / 43

HEX #309135

RGB 48 145 53

HSL 123.09, 0.5%, 0.38%

LAB 53.1, -47.1, 39.72

 

CMYK 63 / 67 / 0 / 44

HEX #353090

RGB 53 48 144

HSL 243.13, 0.5%, 0.38%

LAB 26.4, 32.25, -52.43

 

CMYK 0 / 67 / 17 / 43

HEX #913079

RGB 145 48 121

HSL 314.85, 0.5%, 0.38%

LAB 36.96, 48.88, -20.6

 

CMYK 3 / 0 / 67 / 43

HEX #8D9130

RGB 141 145 48

HSL 62.47, 0.5%, 0.38%

LAB 58.16, -14.32, 48.9

 

CMYK 67 / 0 / 50 / 43

HEX #309149

RGB 48 145 73

HSL 135.46, 0.5%, 0.38%

LAB 53.34, -44.3, 30.03

 

CMYK 63 / 67 / 0 / 44

HEX #353090

RGB 53 48 144

HSL 243.13, 0.5%, 0.38%

LAB 26.4, 32.25, -52.43

 

CMYK 0 / 67 / 37 / 43

HEX #91305C

RGB 145 48 92

HSL 332.78, 0.5%, 0.38%

LAB 35.8, 44.89, -4.03

 

CMYK 3 / 0 / 67 / 43

HEX #8D9130

RGB 141 145 48

HSL 62.47, 0.5%, 0.38%

LAB 58.16, -14.32, 48.9

 

CMYK 67 / 0 / 30 / 43

HEX #309166

RGB 48 145 102

HSL 153.4, 0.5%, 0.38%

LAB 53.86, -38.67, 14.77

 

Description

Color code: HEX #3530903F | qconv.com Color code: HEX #3530903F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 48 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 48 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 17 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 17% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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