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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #352F5E it is the complementary color #CAD0A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #352F5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #352F5E shade: #3A2F59, #4B416C, #5C537F, #6D6592 and #7E77A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #352F5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #352F5E shade: #352F5E, #241D4B, #130B38, #020025 and #000012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #352F5E shade: #36305F, #43305F, #4F305F, #5C305F and #5F3055

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #352F5E shade: #36305F and #30305F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #352F5E shade matches the following richer shades: #36305F, #2D246B, #251976, #1C0D82 and #13028D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #352F5E shade: #36305F, #3E3B53, #474748, #50523C and #585E31

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #352F5E shade: #30435F, #30375F, #35305F, #42305F and #4E305F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #352F5E shade: #171428, #262244, #36305F, #453E7A and #554B96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #352F5E shade: #352F5E, #5F3050 and #3D5F30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #352F5E shade: #352F5E, #5F3530 and #305F35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #352F5E shade: #352F5E, #5F3050, #595F30 and #305F3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #352F5E shade: #352F5E, #5F3042, #595F30 and #305F4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 50 / 0 / 63

HEX #352F5E

RGB 53 47 94

HSL 247.66, 0.33%, 0.28%

LAB 22.3, 15.88, -27.25

 

Complementary color

CMYK 3 / 0 / 23 / 18

HEX #CAD0A1

RGB 202 208 161

HSL 67.66, 0.33%, 0.72%

LAB 81.97, -9.84, 22.71

 

CMYK 35 / 47 / 0 / 65

HEX #3A2F59

RGB 58 47 89

HSL 255.71, 0.31%, 0.27%

LAB 22.49, 15.83, -23.62

 

CMYK 31 / 40 / 0 / 58

HEX #4B416C

RGB 75 65 108

HSL 253.95, 0.25%, 0.34%

LAB 30.3, 14.87, -23.51

 

CMYK 28 / 35 / 0 / 50

HEX #5C537F

RGB 92 83 127

HSL 252.27, 0.21%, 0.41%

LAB 37.83, 14.1, -23.49

 

CMYK 25 / 31 / 0 / 43

HEX #6D6592

RGB 109 101 146

HSL 250.67, 0.18%, 0.48%

LAB 45.13, 13.44, -23.53

 

CMYK 24 / 28 / 0 / 35

HEX #7E77A5

RGB 126 119 165

HSL 249.13, 0.2%, 0.56%

LAB 52.23, 12.88, -23.63

 

CMYK 44 / 50 / 0 / 63

HEX #352F5E

RGB 53 47 94

HSL 247.66, 0.33%, 0.28%

LAB 22.3, 15.88, -27.25

 

CMYK 52 / 61 / 0 / 71

HEX #241D4B

RGB 36 29 75

HSL 249.13, 0.44%, 0.2%

LAB 14.18, 17.33, -27.57

 

CMYK 66 / 80 / 0 / 78

HEX #130B38

RGB 19 11 56

HSL 250.67, 0.67%, 0.13%

LAB 5.99, 18.38, -27.51

 

CMYK 95 / 100 / 0 / 85

HEX #020025

RGB 2 0 37

HSL 243.24, 1%, 0.07%

LAB 1.32, 9, -20.7

 

CMYK 100 / 100 / 0 / 93

HEX #000012

RGB 0 0 18

HSL 240, 1%, 0.04%

LAB 0.39, 2.77, -7.54

 

CMYK 43 / 49 / 0 / 63

HEX #36305F

RGB 54 48 95

HSL 247.66, 0.33%, 0.28%

LAB 22.74, 15.81, -27.2

 

CMYK 29 / 49 / 0 / 63

HEX #43305F

RGB 67 48 95

HSL 264.26, 0.33%, 0.28%

LAB 24.11, 19.78, -24.94

 

CMYK 17 / 49 / 0 / 63

HEX #4F305F

RGB 79 48 95

HSL 279.57, 0.33%, 0.28%

LAB 25.57, 23.67, -22.54

 

CMYK 3 / 49 / 0 / 63

HEX #5C305F

RGB 92 48 95

HSL 296.17, 0.33%, 0.28%

LAB 27.34, 27.99, -19.64

 

CMYK 0 / 49 / 11 / 63

HEX #5F3055

RGB 95 48 85

HSL 312.77, 0.33%, 0.28%

LAB 27.3, 27, -13.12

 

CMYK 43 / 49 / 0 / 63

HEX #36305F

RGB 54 48 95

HSL 247.66, 0.33%, 0.28%

LAB 22.74, 15.81, -27.2

 

CMYK 49 / 49 / 0 / 63

HEX #30305F

RGB 48 48 95

HSL 240, 0.33%, 0.28%

LAB 22.19, 14.12, -28.1

 

CMYK 43 / 49 / 0 / 63

HEX #36305F

RGB 54 48 95

HSL 247.66, 0.33%, 0.28%

LAB 22.74, 15.81, -27.2

 

CMYK 58 / 66 / 0 / 58

HEX #2D246B

RGB 45 36 107

HSL 247.61, 0.5%, 0.28%

LAB 19.56, 25.8, -40.2

 

CMYK 69 / 79 / 0 / 54

HEX #251976

RGB 37 25 118

HSL 247.74, 0.65%, 0.28%

LAB 17.44, 35.11, -50.81

 

CMYK 78 / 90 / 0 / 49

HEX #1C0D82

RGB 28 13 130

HSL 247.69, 0.82%, 0.28%

LAB 16.24, 43.94, -60.5

 

CMYK 87 / 99 / 0 / 45

HEX #13028D

RGB 19 2 141

HSL 247.34, 0.97%, 0.28%

LAB 16.03, 50.51, -67.79

 

CMYK 43 / 49 / 0 / 63

HEX #36305F

RGB 54 48 95

HSL 247.66, 0.33%, 0.28%

LAB 22.74, 15.81, -27.2

 

CMYK 25 / 29 / 0 / 67

HEX #3E3B53

RGB 62 59 83

HSL 247.5, 0.17%, 0.28%

LAB 26.09, 7.32, -14.02

 

CMYK 1 / 1 / 0 / 72

HEX #474748

RGB 71 71 72

HSL 240, 0.01%, 0.28%

LAB 30.19, 0.22, -0.6

 

CMYK 2 / 0 / 27 / 68

HEX #50523C

RGB 80 82 60

HSL 65.45, 0.15%, 0.28%

LAB 34.12, -5.05, 12.68

 

CMYK 6 / 0 / 48 / 63

HEX #585E31

RGB 88 94 49

HSL 68, 0.31%, 0.28%

LAB 38.38, -10.08, 24.91

 

CMYK 49 / 29 / 0 / 63

HEX #30435F

RGB 48 67 95

HSL 215.74, 0.33%, 0.28%

LAB 28.03, 1.13, -18.91

 

CMYK 49 / 42 / 0 / 63

HEX #30375F

RGB 48 55 95

HSL 231.06, 0.33%, 0.28%

LAB 24.28, 9.26, -24.79

 

CMYK 44 / 49 / 0 / 63

HEX #35305F

RGB 53 48 95

HSL 246.38, 0.33%, 0.28%

LAB 22.64, 15.52, -27.36

 

CMYK 31 / 49 / 0 / 63

HEX #42305F

RGB 66 48 95

HSL 262.98, 0.33%, 0.28%

LAB 23.99, 19.46, -25.13

 

CMYK 18 / 49 / 0 / 63

HEX #4E305F

RGB 78 48 95

HSL 278.3, 0.33%, 0.28%

LAB 25.44, 23.34, -22.75

 

CMYK 43 / 50 / 0 / 84

HEX #171428

RGB 23 20 40

HSL 249, 0.33%, 0.12%

LAB 7.55, 7.56, -13.18

 

CMYK 44 / 50 / 0 / 73

HEX #262244

RGB 38 34 68

HSL 247.06, 0.33%, 0.2%

LAB 15.35, 11.87, -20.87

 

CMYK 43 / 49 / 0 / 63

HEX #36305F

RGB 54 48 95

HSL 247.66, 0.33%, 0.28%

LAB 22.74, 15.81, -27.2

 

CMYK 43 / 49 / 0 / 52

HEX #453E7A

RGB 69 62 122

HSL 247, 0.33%, 0.36%

LAB 29.7, 19.26, -33.33

 

CMYK 43 / 50 / 0 / 41

HEX #554B96

RGB 85 75 150

HSL 248, 0.33%, 0.44%

LAB 36.3, 23.77, -39.97

 

CMYK 44 / 50 / 0 / 63

HEX #352F5E

RGB 53 47 94

HSL 247.66, 0.33%, 0.28%

LAB 22.3, 15.88, -27.25

 

CMYK 0 / 49 / 16 / 63

HEX #5F3050

RGB 95 48 80

HSL 319.15, 0.33%, 0.28%

LAB 27.09, 26.06, -10.16

 

CMYK 36 / 0 / 49 / 63

HEX #3D5F30

RGB 61 95 48

HSL 103.4, 0.33%, 0.28%

LAB 36.72, -22.27, 22.99

 

CMYK 44 / 50 / 0 / 63

HEX #352F5E

RGB 53 47 94

HSL 247.66, 0.33%, 0.28%

LAB 22.3, 15.88, -27.25

 

CMYK 0 / 44 / 49 / 63

HEX #5F3530

RGB 95 53 48

HSL 6.38, 0.33%, 0.28%

LAB 27.28, 18.2, 11.3

 

CMYK 49 / 0 / 44 / 63

HEX #305F35

RGB 48 95 53

HSL 126.38, 0.33%, 0.28%

LAB 36.12, -26.08, 19.18

 

CMYK 44 / 50 / 0 / 63

HEX #352F5E

RGB 53 47 94

HSL 247.66, 0.33%, 0.28%

LAB 22.3, 15.88, -27.25

 

CMYK 0 / 49 / 16 / 63

HEX #5F3050

RGB 95 48 80

HSL 319.15, 0.33%, 0.28%

LAB 27.09, 26.06, -10.16

 

CMYK 6 / 0 / 49 / 63

HEX #595F30

RGB 89 95 48

HSL 67.66, 0.33%, 0.28%

LAB 38.76, -10.32, 25.96

 

CMYK 49 / 0 / 34 / 63

HEX #305F3F

RGB 48 95 63

HSL 139.15, 0.33%, 0.28%

LAB 36.31, -24.12, 13.48

 

CMYK 44 / 50 / 0 / 63

HEX #352F5E

RGB 53 47 94

HSL 247.66, 0.33%, 0.28%

LAB 22.3, 15.88, -27.25

 

CMYK 0 / 49 / 31 / 63

HEX #5F3042

RGB 95 48 66

HSL 337.02, 0.33%, 0.28%

LAB 26.56, 23.69, -1.66

 

CMYK 6 / 0 / 49 / 63

HEX #595F30

RGB 89 95 48

HSL 67.66, 0.33%, 0.28%

LAB 38.76, -10.32, 25.96

 

CMYK 49 / 0 / 19 / 63

HEX #305F4D

RGB 48 95 77

HSL 157.02, 0.33%, 0.28%

LAB 36.65, -20.89, 5.38

 

Description

Color code: HEX #352F5E | qconv.com Color code: HEX #352F5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 47 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 47 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 50 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 50% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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