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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #352D693F it is the complementary color #CAD2963F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #352D693F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #352D693F shade: #3A2D643F, #4B3F773F, #5C518A3F, #6D639D3F and #7E75B03F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #352D693F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #352D693F shade: #352D693F, #241B563F, #1309433F, #0200303F and #00001D3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #352D693F shade: #342C68, #442C68, #542C68, #642C68 and #682C5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #352D693F shade: #342C68 and #2C2C68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #352D693F shade matches the following richer shades: #342C68, #2B2073, #23147F and #1A088B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #352D693F shade: #342C68, #3D385C, #464450, #4F5044 and #575C38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #352D693F shade: #2C4468, #2C3468, #342C68, #442C68 and #542C68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #352D693F shade: #17142E, #26204B, #342C68, #433984 and #5145A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #352D693F shade: #352D69, #682C54 and #3C682C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #352D693F shade: #352D69, #68342C and #2C6834

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #352D693F shade: #352D69, #682C54, #60682C and #2C6840

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #352D693F shade: #352D69, #682C42, #60682C and #2C6852

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 14 / 0 / 15

HEX #352D693F

RGBA 53 45 105 0.25

HSLA 248, 0.4%, 0.29%, 0.25

LABA 22.49, 20.89, -34.12, 0.25

 

Complementary color

CMYK 1 / 0 / 7 / 4

HEX #CAD2963F

RGBA 202 210 150 0.25

HSLA 68, 0.4%, 0.71%, 0.25

LABA 82.3, -12.4, 28.9, 0.25

 

CMYK 11 / 14 / 0 / 15

HEX #3A2D643F

RGBA 58 45 100 0.25

HSLA 254.18, 0.38%, 0.28%, 0.25

LABA 22.64, 20.58, -30.6, 0.25

 

CMYK 9 / 12 / 0 / 13

HEX #4B3F773F

RGBA 75 63 119 0.25

HSLA 252.86, 0.31%, 0.36%, 0.25

LABA 30.36, 19.38, -30.37, 0.25

 

CMYK 8 / 10 / 0 / 11

HEX #5C518A3F

RGBA 92 81 138 0.25

HSLA 251.58, 0.26%, 0.43%, 0.25

LABA 37.83, 18.4, -30.21, 0.25

 

CMYK 8 / 9 / 0 / 10

HEX #6D639D3F

RGBA 109 99 157 0.25

HSLA 250.34, 0.23%, 0.5%, 0.25

LABA 45.09, 17.57, -30.12, 0.25

 

CMYK 7 / 8 / 0 / 8

HEX #7E75B03F

RGBA 126 117 176 0.25

HSLA 249.15, 0.27%, 0.57%, 0.25

LABA 52.17, 16.86, -30.1, 0.25

 

CMYK 12 / 14 / 0 / 15

HEX #352D693F

RGBA 53 45 105 0.25

HSLA 248, 0.4%, 0.29%, 0.25

LABA 22.49, 20.89, -34.12, 0.25

 

CMYK 15 / 17 / 0 / 17

HEX #241B563F

RGBA 36 27 86 0.25

HSLA 249.15, 0.52%, 0.22%, 0.25

LABA 14.57, 22.63, -34.44, 0.25

 

CMYK 18 / 22 / 0 / 18

HEX #1309433F

RGBA 19 9 67 0.25

HSLA 250.34, 0.76%, 0.15%, 0.25

LABA 6.68, 24.22, -34.29, 0.25

 

CMYK 24 / 25 / 0 / 20

HEX #0200303F

RGBA 2 0 48 0.25

HSLA 242.5, 1%, 0.09%, 0.25

LABA 2.04, 14.07, -28, 0.25

 

CMYK 25 / 25 / 0 / 22

HEX #00001D3F

RGBA 0 0 29 0.25

HSLA 240, 1%, 0.06%, 0.25

LABA 0.8, 5.63, -15.14, 0.25

 

CMYK 50 / 58 / 0 / 59

HEX #342C68

RGB 52 44 104

HSL 248, 0.41%, 0.29%

LAB 22.06, 20.98, -34.18

 

CMYK 35 / 58 / 0 / 59

HEX #442C68

RGB 68 44 104

HSL 264, 0.41%, 0.29%

LAB 23.77, 25.24, -31.33

 

CMYK 19 / 58 / 0 / 59

HEX #542C68

RGB 84 44 104

HSL 280, 0.41%, 0.29%

LAB 25.82, 29.88, -27.94

 

CMYK 4 / 58 / 0 / 59

HEX #642C68

RGB 100 44 104

HSL 296, 0.41%, 0.29%

LAB 28.14, 34.68, -24.12

 

CMYK 0 / 58 / 13 / 59

HEX #682C5B

RGB 104 44 91

HSL 313, 0.41%, 0.29%

LAB 28.11, 33.43, -15.69

 

CMYK 50 / 58 / 0 / 59

HEX #342C68

RGB 52 44 104

HSL 248, 0.41%, 0.29%

LAB 22.06, 20.98, -34.18

 

CMYK 58 / 58 / 0 / 59

HEX #2C2C68

RGB 44 44 104

HSL 240, 0.41%, 0.29%

LAB 21.34, 19.09, -35.36

 

CMYK 50 / 58 / 0 / 59

HEX #342C68

RGB 52 44 104

HSL 248, 0.41%, 0.29%

LAB 22.06, 20.98, -34.18

 

CMYK 63 / 72 / 0 / 55

HEX #2B2073

RGB 43 32 115

HSL 247.95, 0.56%, 0.29%

LAB 19.16, 30.76, -46.04

 

CMYK 72 / 84 / 0 / 50

HEX #23147F

RGB 35 20 127

HSL 248.41, 0.73%, 0.29%

LAB 17.41, 40.46, -56.62

 

CMYK 81 / 94 / 0 / 45

HEX #1A088B

RGB 26 8 139

HSL 248.24, 0.89%, 0.29%

LAB 16.78, 48.17, -65.27

 

CMYK 50 / 58 / 0 / 59

HEX #342C68

RGB 52 44 104

HSL 248, 0.41%, 0.29%

LAB 22.06, 20.98, -34.18

 

CMYK 34 / 39 / 0 / 64

HEX #3D385C

RGB 61 56 92

HSL 248.33, 0.24%, 0.29%

LAB 25.54, 11.6, -20.77

 

CMYK 13 / 15 / 0 / 69

HEX #464450

RGB 70 68 80

HSL 250, 0.08%, 0.29%

LAB 29.45, 3.63, -6.88

 

CMYK 1 / 0 / 15 / 69

HEX #4F5044

RGB 79 80 68

HSL 65, 0.08%, 0.29%

LAB 33.6, -2.85, 6.94

 

CMYK 5 / 0 / 39 / 64

HEX #575C38

RGB 87 92 56

HSL 68.33, 0.24%, 0.29%

LAB 37.78, -8.47, 20.08

 

CMYK 58 / 35 / 0 / 59

HEX #2C4468

RGB 44 68 104

HSL 216, 0.41%, 0.29%

LAB 28.56, 2.53, -23.86

 

CMYK 58 / 50 / 0 / 59

HEX #2C3468

RGB 44 52 104

HSL 232, 0.41%, 0.29%

LAB 23.64, 13.5, -31.67

 

CMYK 50 / 58 / 0 / 59

HEX #342C68

RGB 52 44 104

HSL 248, 0.41%, 0.29%

LAB 22.06, 20.98, -34.18

 

CMYK 35 / 58 / 0 / 59

HEX #442C68

RGB 68 44 104

HSL 264, 0.41%, 0.29%

LAB 23.77, 25.24, -31.33

 

CMYK 19 / 58 / 0 / 59

HEX #542C68

RGB 84 44 104

HSL 280, 0.41%, 0.29%

LAB 25.82, 29.88, -27.94

 

CMYK 50 / 57 / 0 / 82

HEX #17142E

RGB 23 20 46

HSL 246.92, 0.39%, 0.13%

LAB 7.95, 9.77, -17.01

 

CMYK 49 / 57 / 0 / 71

HEX #26204B

RGB 38 32 75

HSL 248.37, 0.4%, 0.21%

LAB 15.24, 15.73, -25.87

 

CMYK 50 / 58 / 0 / 59

HEX #342C68

RGB 52 44 104

HSL 248, 0.41%, 0.29%

LAB 22.06, 20.98, -34.18

 

CMYK 49 / 57 / 0 / 48

HEX #433984

RGB 67 57 132

HSL 248, 0.4%, 0.37%

LAB 28.86, 25.22, -40.94

 

CMYK 50 / 57 / 0 / 37

HEX #5145A1

RGB 81 69 161

HSL 247.83, 0.4%, 0.45%

LAB 35.16, 30, -48.46

 

CMYK 50 / 57 / 0 / 59

HEX #352D69

RGB 53 45 105

HSL 248, 0.4%, 0.29%

LAB 22.49, 20.89, -34.12

 

CMYK 0 / 58 / 19 / 59

HEX #682C54

RGB 104 44 84

HSL 320, 0.41%, 0.29%

LAB 27.8, 32.21, -11.58

 

CMYK 42 / 0 / 58 / 59

HEX #3C682C

RGB 60 104 44

HSL 104, 0.41%, 0.29%

LAB 39.65, -27.66, 28.75

 

CMYK 50 / 57 / 0 / 59

HEX #352D69

RGB 53 45 105

HSL 248, 0.4%, 0.29%

LAB 22.49, 20.89, -34.12

 

CMYK 0 / 50 / 58 / 59

HEX #68342C

RGB 104 52 44

HSL 8, 0.41%, 0.29%

LAB 28.33, 22.34, 15.55

 

CMYK 58 / 0 / 50 / 59

HEX #2C6834

RGB 44 104 52

HSL 128, 0.41%, 0.29%

LAB 39.04, -31.65, 23.46

 

CMYK 50 / 57 / 0 / 59

HEX #352D69

RGB 53 45 105

HSL 248, 0.4%, 0.29%

LAB 22.49, 20.89, -34.12

 

CMYK 0 / 58 / 19 / 59

HEX #682C54

RGB 104 44 84

HSL 320, 0.41%, 0.29%

LAB 27.8, 32.21, -11.58

 

CMYK 8 / 0 / 58 / 59

HEX #60682C

RGB 96 104 44

HSL 68, 0.41%, 0.29%

LAB 42.11, -12.63, 32.24

 

CMYK 58 / 0 / 38 / 59

HEX #2C6840

RGB 44 104 64

HSL 140, 0.41%, 0.29%

LAB 39.25, -29.43, 16.81

 

CMYK 50 / 57 / 0 / 59

HEX #352D69

RGB 53 45 105

HSL 248, 0.4%, 0.29%

LAB 22.49, 20.89, -34.12

 

CMYK 0 / 58 / 37 / 59

HEX #682C42

RGB 104 44 66

HSL 338, 0.41%, 0.29%

LAB 27.12, 29.46, -0.67

 

CMYK 8 / 0 / 58 / 59

HEX #60682C

RGB 96 104 44

HSL 68, 0.41%, 0.29%

LAB 42.11, -12.63, 32.24

 

CMYK 58 / 0 / 21 / 59

HEX #2C6852

RGB 44 104 82

HSL 158, 0.41%, 0.29%

LAB 39.66, -25.33, 6.58

 

Description

Color code: HEX #352D693F | qconv.com Color code: HEX #352D693F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 45 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 45 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 14 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 14% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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