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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #351A5E it is the complementary color #CAE5A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #351A5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #351A5E shade: #3A1A59, #4B2C6C, #5C3E7F, #6D5092 and #7E62A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #351A5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #351A5E shade: #351A5E, #24084B, #130038, #020025 and #000012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #351A5E shade: #361A60, #481A60, #5B1A60, #601A51 and #601A3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #351A5E shade: #361A60, #231A60 and #1A1A60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #351A5E shade matches the following richer shades: #361A60, #331069 and #310673

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #351A5E shade: #361A60, #382456, #3A2E4C, #3C3842 and #3E4138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #351A5E shade: #1A2460, #221A60, #351A60, #471A60 and #5A1A60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #351A5E shade: #11081F, #23113F, #361A60, #482380 and #5A2CA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #351A5E shade: #351A5E, #601A37 and #1B601A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #351A5E shade: #351A5E, #60351A and #1A6035

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #351A5E shade: #351A5E, #601A37, #45601A and #1A6043

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #351A5E shade: #351A5E, #601A22, #45601A and #1A6057

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 72 / 0 / 63

HEX #351A5E

RGB 53 26 94

HSL 263.82, 0.57%, 0.24%

LAB 17.01, 29.56, -35.76

 

Complementary color

CMYK 12 / 0 / 30 / 10

HEX #CAE5A1

RGB 202 229 161

HSL 83.82, 0.57%, 0.76%

LAB 87.57, -20.35, 30.3

 

CMYK 35 / 71 / 0 / 65

HEX #3A1A59

RGB 58 26 89

HSL 270.48, 0.55%, 0.23%

LAB 17.27, 29.3, -31.96

 

CMYK 31 / 59 / 0 / 58

HEX #4B2C6C

RGB 75 44 108

HSL 269.06, 0.42%, 0.3%

LAB 24.89, 28.32, -32.08

 

CMYK 28 / 51 / 0 / 50

HEX #5C3E7F

RGB 92 62 127

HSL 267.69, 0.34%, 0.37%

LAB 32.38, 27.27, -32.06

 

CMYK 25 / 45 / 0 / 43

HEX #6D5092

RGB 109 80 146

HSL 266.36, 0.29%, 0.44%

LAB 39.69, 26.29, -32.03

 

CMYK 24 / 41 / 0 / 35

HEX #7E62A5

RGB 126 98 165

HSL 265.07, 0.27%, 0.52%

LAB 46.83, 25.41, -32.02

 

CMYK 44 / 72 / 0 / 63

HEX #351A5E

RGB 53 26 94

HSL 263.82, 0.57%, 0.24%

LAB 17.01, 29.56, -35.76

 

CMYK 52 / 89 / 0 / 71

HEX #24084B

RGB 36 8 75

HSL 265.07, 0.81%, 0.16%

LAB 9.46, 30.23, -35.27

 

CMYK 66 / 100 / 0 / 78

HEX #130038

RGB 19 0 56

HSL 260.36, 1%, 0.11%

LAB 3.83, 23.44, -31.01

 

CMYK 95 / 100 / 0 / 85

HEX #020025

RGB 2 0 37

HSL 243.24, 1%, 0.07%

LAB 1.32, 9, -20.7

 

CMYK 100 / 100 / 0 / 93

HEX #000012

RGB 0 0 18

HSL 240, 1%, 0.04%

LAB 0.39, 2.77, -7.54

 

CMYK 44 / 73 / 0 / 62

HEX #361A60

RGB 54 26 96

HSL 264, 0.57%, 0.24%

LAB 17.31, 30.37, -36.59

 

CMYK 25 / 73 / 0 / 62

HEX #481A60

RGB 72 26 96

HSL 279.43, 0.57%, 0.24%

LAB 19.89, 34.56, -32.3

 

CMYK 5 / 73 / 0 / 62

HEX #5B1A60

RGB 91 26 96

HSL 295.71, 0.57%, 0.24%

LAB 23.02, 39.31, -27.1

 

CMYK 0 / 73 / 16 / 62

HEX #601A51

RGB 96 26 81

HSL 312.86, 0.57%, 0.24%

LAB 23.07, 37.94, -17

 

CMYK 0 / 73 / 35 / 62

HEX #601A3E

RGB 96 26 62

HSL 329.14, 0.57%, 0.24%

LAB 22.21, 35.09, -5.4

 

CMYK 44 / 73 / 0 / 62

HEX #361A60

RGB 54 26 96

HSL 264, 0.57%, 0.24%

LAB 17.31, 30.37, -36.59

 

CMYK 64 / 73 / 0 / 62

HEX #231A60

RGB 35 26 96

HSL 247.71, 0.57%, 0.24%

LAB 15.17, 26.65, -40.17

 

CMYK 73 / 73 / 0 / 62

HEX #1A1A60

RGB 26 26 96

HSL 240, 0.57%, 0.24%

LAB 14.42, 25.25, -41.44

 

CMYK 44 / 73 / 0 / 62

HEX #361A60

RGB 54 26 96

HSL 264, 0.57%, 0.24%

LAB 17.31, 30.37, -36.59

 

CMYK 51 / 85 / 0 / 59

HEX #331069

RGB 51 16 105

HSL 263.6, 0.74%, 0.24%

LAB 15.97, 37.54, -44.73

 

CMYK 57 / 95 / 0 / 55

HEX #310673

RGB 49 6 115

HSL 263.67, 0.9%, 0.24%

LAB 15.6, 43.69, -51.88

 

CMYK 44 / 73 / 0 / 62

HEX #361A60

RGB 54 26 96

HSL 264, 0.57%, 0.24%

LAB 17.31, 30.37, -36.59

 

CMYK 35 / 58 / 0 / 66

HEX #382456

RGB 56 36 86

HSL 264, 0.41%, 0.24%

LAB 19.12, 21.7, -27

 

CMYK 24 / 39 / 0 / 70

HEX #3A2E4C

RGB 58 46 76

HSL 264, 0.25%, 0.24%

LAB 21.49, 12.71, -16.53

 

CMYK 9 / 15 / 0 / 74

HEX #3C3842

RGB 60 56 66

HSL 264, 0.08%, 0.24%

LAB 24.27, 4.06, -5.56

 

CMYK 5 / 0 / 14 / 75

HEX #3E4138

RGB 62 65 56

HSL 80, 0.07%, 0.24%

LAB 26.99, -3.21, 5.07

 

CMYK 73 / 63 / 0 / 62

HEX #1A2460

RGB 26 36 96

HSL 231.43, 0.57%, 0.24%

LAB 17.11, 18.19, -37.03

 

CMYK 65 / 73 / 0 / 62

HEX #221A60

RGB 34 26 96

HSL 246.86, 0.57%, 0.24%

LAB 15.08, 26.48, -40.32

 

CMYK 45 / 73 / 0 / 62

HEX #351A60

RGB 53 26 96

HSL 263.14, 0.57%, 0.24%

LAB 17.18, 30.16, -36.81

 

CMYK 26 / 73 / 0 / 62

HEX #471A60

RGB 71 26 96

HSL 278.57, 0.57%, 0.24%

LAB 19.73, 34.31, -32.55

 

CMYK 6 / 73 / 0 / 62

HEX #5A1A60

RGB 90 26 96

HSL 294.86, 0.57%, 0.24%

LAB 22.85, 39.05, -27.39

 

CMYK 45 / 74 / 0 / 88

HEX #11081F

RGB 17 8 31

HSL 263.48, 0.59%, 0.08%

LAB 3.54, 7.9, -12.51

 

CMYK 44 / 73 / 0 / 75

HEX #23113F

RGB 35 17 63

HSL 263.48, 0.58%, 0.16%

LAB 9.93, 21.27, -26.06

 

CMYK 44 / 73 / 0 / 62

HEX #361A60

RGB 54 26 96

HSL 264, 0.57%, 0.24%

LAB 17.31, 30.37, -36.59

 

CMYK 44 / 73 / 0 / 50

HEX #482380

RGB 72 35 128

HSL 263.87, 0.57%, 0.32%

LAB 24.12, 38.32, -46.09

 

CMYK 44 / 73 / 0 / 37

HEX #5A2CA0

RGB 90 44 160

HSL 263.79, 0.57%, 0.4%

LAB 30.67, 45.86, -55.1

 

CMYK 44 / 72 / 0 / 63

HEX #351A5E

RGB 53 26 94

HSL 263.82, 0.57%, 0.24%

LAB 17.01, 29.56, -35.76

 

CMYK 0 / 73 / 43 / 62

HEX #601A37

RGB 96 26 55

HSL 335.14, 0.57%, 0.24%

LAB 21.95, 34.21, -0.95

 

CMYK 72 / 0 / 73 / 62

HEX #1B601A

RGB 27 96 26

HSL 119.14, 0.57%, 0.24%

LAB 35.35, -36.24, 32.47

 

CMYK 44 / 72 / 0 / 63

HEX #351A5E

RGB 53 26 94

HSL 263.82, 0.57%, 0.24%

LAB 17.01, 29.56, -35.76

 

CMYK 0 / 45 / 73 / 62

HEX #60351A

RGB 96 53 26

HSL 23.14, 0.57%, 0.24%

LAB 27.04, 16.66, 24.89

 

CMYK 73 / 0 / 45 / 62

HEX #1A6035

RGB 26 96 53

HSL 143.14, 0.57%, 0.24%

LAB 35.68, -32.32, 18.46

 

CMYK 44 / 72 / 0 / 63

HEX #351A5E

RGB 53 26 94

HSL 263.82, 0.57%, 0.24%

LAB 17.01, 29.56, -35.76

 

CMYK 0 / 73 / 43 / 62

HEX #601A37

RGB 96 26 55

HSL 335.14, 0.57%, 0.24%

LAB 21.95, 34.21, -0.95

 

CMYK 28 / 0 / 73 / 62

HEX #45601A

RGB 69 96 26

HSL 83.14, 0.57%, 0.24%

LAB 37.31, -21.97, 35.14

 

CMYK 73 / 0 / 30 / 62

HEX #1A6043

RGB 26 96 67

HSL 155.14, 0.57%, 0.24%

LAB 35.97, -29.18, 10.44

 

CMYK 44 / 72 / 0 / 63

HEX #351A5E

RGB 53 26 94

HSL 263.82, 0.57%, 0.24%

LAB 17.01, 29.56, -35.76

 

CMYK 0 / 73 / 65 / 62

HEX #601A22

RGB 96 26 34

HSL 353.14, 0.57%, 0.24%

LAB 21.36, 32.14, 12.82

 

CMYK 28 / 0 / 73 / 62

HEX #45601A

RGB 69 96 26

HSL 83.14, 0.57%, 0.24%

LAB 37.31, -21.97, 35.14

 

CMYK 73 / 0 / 9 / 62

HEX #1A6057

RGB 26 96 87

HSL 172.29, 0.57%, 0.24%

LAB 36.51, -23.65, -1.11

 

Description

Color code: HEX #351A5E | qconv.com Color code: HEX #351A5E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 26 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 26 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 72 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 72% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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