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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34E73A it is the complementary color #CB18C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34E73A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34E73A shade: #39E735, #4AF948, #5BFF5B, #6CFF6E and #7DFF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34E73A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34E73A shade: #34E73A, #23D527, #12C314, #01B101 and #009F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34E73A shade: #32E738, #5CE732, #8DE732, #BEE732 and #E7DF32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34E73A shade: #32E738, #32E769, #32E799, #32E7CA and #32D3E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34E73A shade matches the following richer shades: #32E738 and #1FF926

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34E73A shade: #32E738, #44D449, #57C25A, #69AF6C and #7C9D7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34E73A shade: #8CE732, #5CE732, #32E738, #32E768 and #32E798

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34E73A shade: #15B11A, #19D61F, #32E738, #57EB5C and #7BF07F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34E73A shade: #34E73A, #32BDE7 and #E73274

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34E73A shade: #34E73A, #3832E7 and #E73832

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34E73A shade: #34E73A, #32BDE7, #E732E1 and #E75C32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34E73A shade: #34E73A, #3286E7, #E732E1 and #E79232

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 75 / 9

HEX #34E73A

RGB 52 231 58

HSL 122.01, 0.79%, 0.55%

LAB 80.84, -74.16, 66.96

 

Complementary color

CMYK 0 / 88 / 3 / 20

HEX #CB18C5

RGB 203 24 197

HSL 302.01, 0.79%, 0.45%

LAB 48.74, 79.46, -47.02

 

CMYK 75 / 0 / 77 / 9

HEX #39E735

RGB 57 231 53

HSL 118.65, 0.79%, 0.56%

LAB 80.89, -73.82, 68.61

 

CMYK 70 / 0 / 71 / 2

HEX #4AF948

RGB 74 249 72

HSL 119.32, 0.94%, 0.63%

LAB 86.84, -75.34, 68.39

 

CMYK 64 / 0 / 64 / 0

HEX #5BFF5B

RGB 91 255 91

HSL 120, 1%, 0.68%

LAB 89.16, -72.54, 63.83

 

CMYK 58 / 0 / 57 / 0

HEX #6CFF6E

RGB 108 255 110

HSL 120.82, 1%, 0.71%

LAB 89.78, -66.96, 56.69

 

CMYK 51 / 0 / 49 / 0

HEX #7DFF81

RGB 125 255 129

HSL 121.85, 1%, 0.75%

LAB 90.54, -60.53, 49.09

 

CMYK 77 / 0 / 75 / 9

HEX #34E73A

RGB 52 231 58

HSL 122.01, 0.79%, 0.55%

LAB 80.84, -74.16, 66.96

 

CMYK 84 / 0 / 82 / 16

HEX #23D527

RGB 35 213 39

HSL 121.35, 0.72%, 0.49%

LAB 74.88, -72, 66.78

 

CMYK 91 / 0 / 90 / 24

HEX #12C314

RGB 18 195 20

HSL 120.68, 0.83%, 0.42%

LAB 68.9, -69.11, 65.58

 

CMYK 99 / 0 / 99 / 31

HEX #01B101

RGB 1 177 1

HSL 120, 0.99%, 0.35%

LAB 62.89, -65.46, 63.13

 

CMYK 100 / 0 / 100 / 38

HEX #009F00

RGB 0 159 0

HSL 120, 1%, 0.31%

LAB 56.88, -60.55, 58.44

 

CMYK 78 / 0 / 76 / 9

HEX #32E738

RGB 50 231 56

HSL 121.99, 0.79%, 0.55%

LAB 80.8, -74.55, 67.55

 

CMYK 60 / 0 / 78 / 9

HEX #5CE732

RGB 92 231 50

HSL 106.08, 0.79%, 0.55%

LAB 81.65, -67.5, 70.48

 

CMYK 39 / 0 / 78 / 9

HEX #8DE732

RGB 141 231 50

HSL 89.83, 0.79%, 0.55%

LAB 83.47, -53.61, 72.83

 

CMYK 18 / 0 / 78 / 9

HEX #BEE732

RGB 190 231 50

HSL 73.59, 0.79%, 0.55%

LAB 86.17, -35.73, 76.3

 

CMYK 0 / 3 / 78 / 9

HEX #E7DF32

RGB 231 223 50

HSL 57.35, 0.79%, 0.55%

LAB 86.99, -15.22, 78.17

 

CMYK 78 / 0 / 76 / 9

HEX #32E738

RGB 50 231 56

HSL 121.99, 0.79%, 0.55%

LAB 80.8, -74.55, 67.55

 

CMYK 78 / 0 / 55 / 9

HEX #32E769

RGB 50 231 105

HSL 138.23, 0.79%, 0.55%

LAB 81.21, -69.58, 48.47

 

CMYK 78 / 0 / 34 / 9

HEX #32E799

RGB 50 231 153

HSL 154.14, 0.79%, 0.55%

LAB 81.91, -61.46, 25.73

 

CMYK 78 / 0 / 13 / 9

HEX #32E7CA

RGB 50 231 202

HSL 170.39, 0.79%, 0.55%

LAB 82.96, -50.16, 1.6

 

CMYK 78 / 9 / 0 / 9

HEX #32D3E7

RGB 50 211 231

HSL 186.63, 0.79%, 0.55%

LAB 77.9, -33.07, -21.38

 

CMYK 78 / 0 / 76 / 9

HEX #32E738

RGB 50 231 56

HSL 121.99, 0.79%, 0.55%

LAB 80.8, -74.55, 67.55

 

CMYK 88 / 0 / 85 / 2

HEX #1FF926

RGB 31 249 38

HSL 121.93, 0.95%, 0.55%

LAB 86.1, -82.41, 77.14

 

CMYK 78 / 0 / 76 / 9

HEX #32E738

RGB 50 231 56

HSL 121.99, 0.79%, 0.55%

LAB 80.8, -74.55, 67.55

 

CMYK 68 / 0 / 66 / 17

HEX #44D449

RGB 68 212 73

HSL 122.08, 0.63%, 0.55%

LAB 75.32, -64.43, 55.81

 

CMYK 55 / 0 / 54 / 24

HEX #57C25A

RGB 87 194 90

HSL 121.68, 0.47%, 0.55%

LAB 70.42, -51.85, 42.73

 

CMYK 40 / 0 / 38 / 31

HEX #69AF6C

RGB 105 175 108

HSL 122.57, 0.3%, 0.55%

LAB 65.55, -36.09, 27.61

 

CMYK 21 / 0 / 20 / 38

HEX #7C9D7D

RGB 124 157 125

HSL 121.82, 0.14%, 0.55%

LAB 61.55, -17.93, 13.06

 

CMYK 39 / 0 / 78 / 9

HEX #8CE732

RGB 140 231 50

HSL 90.17, 0.79%, 0.55%

LAB 83.42, -53.94, 72.77

 

CMYK 60 / 0 / 78 / 9

HEX #5CE732

RGB 92 231 50

HSL 106.08, 0.79%, 0.55%

LAB 81.65, -67.5, 70.48

 

CMYK 78 / 0 / 76 / 9

HEX #32E738

RGB 50 231 56

HSL 121.99, 0.79%, 0.55%

LAB 80.8, -74.55, 67.55

 

CMYK 78 / 0 / 55 / 9

HEX #32E768

RGB 50 231 104

HSL 137.9, 0.79%, 0.55%

LAB 81.2, -69.71, 48.91

 

CMYK 78 / 0 / 34 / 9

HEX #32E798

RGB 50 231 152

HSL 153.81, 0.79%, 0.55%

LAB 81.89, -61.66, 26.22

 

CMYK 88 / 0 / 85 / 31

HEX #15B11A

RGB 21 177 26

HSL 121.92, 0.79%, 0.39%

LAB 63.08, -63.52, 59.24

 

CMYK 88 / 0 / 86 / 16

HEX #19D61F

RGB 25 214 31

HSL 121.9, 0.79%, 0.47%

LAB 75.08, -73.52, 68.83

 

CMYK 78 / 0 / 76 / 9

HEX #32E738

RGB 50 231 56

HSL 121.99, 0.79%, 0.55%

LAB 80.8, -74.55, 67.55

 

CMYK 63 / 0 / 61 / 8

HEX #57EB5C

RGB 87 235 92

HSL 122.03, 0.79%, 0.63%

LAB 83.03, -66.53, 56.56

 

CMYK 49 / 0 / 47 / 6

HEX #7BF07F

RGB 123 240 127

HSL 122.05, 0.8%, 0.71%

LAB 86.04, -55.51, 44.44

 

CMYK 77 / 0 / 75 / 9

HEX #34E73A

RGB 52 231 58

HSL 122.01, 0.79%, 0.55%

LAB 80.84, -74.16, 66.96

 

CMYK 78 / 18 / 0 / 9

HEX #32BDE7

RGB 50 189 231

HSL 193.92, 0.79%, 0.55%

LAB 71.45, -22.22, -31.25

 

CMYK 0 / 78 / 50 / 9

HEX #E73274

RGB 231 50 116

HSL 338.12, 0.79%, 0.55%

LAB 52.43, 70.93, 7.17

 

CMYK 77 / 0 / 75 / 9

HEX #34E73A

RGB 52 231 58

HSL 122.01, 0.79%, 0.55%

LAB 80.84, -74.16, 66.96

 

CMYK 76 / 78 / 0 / 9

HEX #3832E7

RGB 56 50 231

HSL 241.99, 0.79%, 0.55%

LAB 35.77, 59.62, -88.46

 

CMYK 0 / 76 / 78 / 9

HEX #E73832

RGB 231 56 50

HSL 1.99, 0.79%, 0.55%

LAB 51.89, 65.56, 45.22

 

CMYK 77 / 0 / 75 / 9

HEX #34E73A

RGB 52 231 58

HSL 122.01, 0.79%, 0.55%

LAB 80.84, -74.16, 66.96

 

CMYK 78 / 18 / 0 / 9

HEX #32BDE7

RGB 50 189 231

HSL 193.92, 0.79%, 0.55%

LAB 71.45, -22.22, -31.25

 

CMYK 0 / 78 / 3 / 9

HEX #E732E1

RGB 231 50 225

HSL 301.99, 0.79%, 0.55%

LAB 56.79, 83.56, -49.94

 

CMYK 0 / 60 / 78 / 9

HEX #E75C32

RGB 231 92 50

HSL 13.92, 0.79%, 0.55%

LAB 56.95, 51.81, 50.31

 

CMYK 77 / 0 / 75 / 9

HEX #34E73A

RGB 52 231 58

HSL 122.01, 0.79%, 0.55%

LAB 80.84, -74.16, 66.96

 

CMYK 78 / 42 / 0 / 9

HEX #3286E7

RGB 50 134 231

HSL 212.15, 0.79%, 0.55%

LAB 55.58, 8.64, -56.19

 

CMYK 0 / 78 / 3 / 9

HEX #E732E1

RGB 231 50 225

HSL 301.99, 0.79%, 0.55%

LAB 56.79, 83.56, -49.94

 

CMYK 0 / 37 / 78 / 9

HEX #E79232

RGB 231 146 50

HSL 31.82, 0.79%, 0.55%

LAB 67.86, 24.78, 60.81

 

Description

Color code: HEX #34E73A | qconv.com Color code: HEX #34E73A | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 231 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 231 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 75 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 75% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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