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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34E65D it is the complementary color #CB19A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34E65D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34E65D shade: #39E658, #4AF86B, #5BFF7E, #6CFF91 and #7DFFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34E65D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34E65D shade: #34E65D, #23D44A, #12C237, #01B024 and #009E11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34E65D shade: #33E65C, #3AE633, #6AE633, #9AE633 and #CBE633

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34E65D shade: #33E65C, #33E68C, #33E6BD, #33DFE6 and #33AEE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34E65D shade matches the following richer shades: #33E65C and #20F852

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34E65D shade: #33E65C, #45D366, #58C170, #6AAE7A and #7D9B84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34E65D shade: #6BE633, #3CE633, #33E65A, #33E689 and #33E6B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34E65D shade: #16B039, #1AD545, #33E65C, #57EA79 and #7CEF97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34E65D shade: #34E65D, #339BE6 and #E63354

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34E65D shade: #34E65D, #5A33E6 and #E65A33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34E65D shade: #34E65D, #339BE6, #E633BF and #E67D33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34E65D shade: #34E65D, #3365E6, #E633BF and #E6B333

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 60 / 10

HEX #34E65D

RGB 52 230 93

HSL 133.82, 0.78%, 0.55%

LAB 80.8, -70.55, 53.4

 

Complementary color

CMYK 0 / 88 / 20 / 20

HEX #CB19A2

RGB 203 25 162

HSL 313.82, 0.78%, 0.45%

LAB 46.98, 74.56, -29.22

 

CMYK 75 / 0 / 62 / 10

HEX #39E658

RGB 57 230 88

HSL 130.75, 0.78%, 0.56%

LAB 80.83, -70.47, 55.61

 

CMYK 70 / 0 / 57 / 3

HEX #4AF86B

RGB 74 248 107

HSL 131.38, 0.93%, 0.63%

LAB 86.83, -71.53, 54.34

 

CMYK 64 / 0 / 51 / 0

HEX #5BFF7E

RGB 91 255 126

HSL 132.8, 1%, 0.68%

LAB 89.51, -68.46, 49.01

 

CMYK 58 / 0 / 43 / 0

HEX #6CFF91

RGB 108 255 145

HSL 135.1, 1%, 0.71%

LAB 90.21, -62.25, 40.93

 

CMYK 51 / 0 / 36 / 0

HEX #7DFFA4

RGB 125 255 164

HSL 138, 1%, 0.75%

LAB 91.03, -55.27, 32.75

 

CMYK 77 / 0 / 60 / 10

HEX #34E65D

RGB 52 230 93

HSL 133.82, 0.78%, 0.55%

LAB 80.8, -70.55, 53.4

 

CMYK 83 / 0 / 65 / 17

HEX #23D44A

RGB 35 212 74

HSL 133.22, 0.72%, 0.48%

LAB 74.79, -68.95, 54.66

 

CMYK 91 / 0 / 72 / 24

HEX #12C237

RGB 18 194 55

HSL 132.61, 0.83%, 0.42%

LAB 68.74, -66.73, 55.65

 

CMYK 99 / 0 / 80 / 31

HEX #01B024

RGB 1 176 36

HSL 132, 0.99%, 0.35%

LAB 62.66, -63.82, 56.07

 

CMYK 100 / 0 / 89 / 38

HEX #009E11

RGB 0 158 17

HSL 126.46, 1%, 0.31%

LAB 56.58, -59.74, 55.44

 

CMYK 78 / 0 / 60 / 10

HEX #33E65C

RGB 51 230 92

HSL 133.74, 0.78%, 0.55%

LAB 80.78, -70.79, 53.8

 

CMYK 75 / 0 / 78 / 10

HEX #3AE633

RGB 58 230 51

HSL 117.65, 0.78%, 0.55%

LAB 80.59, -73.5, 68.92

 

CMYK 54 / 0 / 78 / 10

HEX #6AE633

RGB 106 230 51

HSL 101.56, 0.78%, 0.55%

LAB 81.78, -63.65, 70.47

 

CMYK 33 / 0 / 78 / 10

HEX #9AE633

RGB 154 230 51

HSL 85.47, 0.78%, 0.55%

LAB 83.81, -48.71, 73.1

 

CMYK 12 / 0 / 78 / 10

HEX #CBE633

RGB 203 230 51

HSL 69.05, 0.78%, 0.55%

LAB 86.77, -30.06, 76.89

 

CMYK 78 / 0 / 60 / 10

HEX #33E65C

RGB 51 230 92

HSL 133.74, 0.78%, 0.55%

LAB 80.78, -70.79, 53.8

 

CMYK 78 / 0 / 39 / 10

HEX #33E68C

RGB 51 230 140

HSL 149.83, 0.78%, 0.55%

LAB 81.4, -63.5, 31.68

 

CMYK 78 / 0 / 18 / 10

HEX #33E6BD

RGB 51 230 189

HSL 166.26, 0.78%, 0.55%

LAB 82.36, -52.92, 7.59

 

CMYK 78 / 3 / 0 / 10

HEX #33DFE6

RGB 51 223 230

HSL 182.35, 0.78%, 0.55%

LAB 81.4, -38.87, -15.56

 

CMYK 78 / 24 / 0 / 10

HEX #33AEE6

RGB 51 174 230

HSL 198.77, 0.78%, 0.55%

LAB 67.04, -14.57, -37.53

 

CMYK 78 / 0 / 60 / 10

HEX #33E65C

RGB 51 230 92

HSL 133.74, 0.78%, 0.55%

LAB 80.78, -70.79, 53.8

 

CMYK 87 / 0 / 67 / 3

HEX #20F852

RGB 32 248 82

HSL 133.89, 0.94%, 0.55%

LAB 86.03, -79.08, 63.69

 

CMYK 78 / 0 / 60 / 10

HEX #33E65C

RGB 51 230 92

HSL 133.74, 0.78%, 0.55%

LAB 80.78, -70.79, 53.8

 

CMYK 67 / 0 / 52 / 17

HEX #45D366

RGB 69 211 102

HSL 133.94, 0.62%, 0.55%

LAB 75.33, -60.41, 42.83

 

CMYK 54 / 0 / 42 / 24

HEX #58C170

RGB 88 193 112

HSL 133.71, 0.46%, 0.55%

LAB 70.44, -47.95, 31.78

 

CMYK 39 / 0 / 30 / 32

HEX #6AAE7A

RGB 106 174 122

HSL 134.12, 0.3%, 0.55%

LAB 65.55, -32.88, 20.08

 

CMYK 19 / 0 / 15 / 39

HEX #7D9B84

RGB 125 155 132

HSL 134, 0.13%, 0.55%

LAB 61.19, -15.2, 8.64

 

CMYK 53 / 0 / 78 / 10

HEX #6BE633

RGB 107 230 51

HSL 101.23, 0.78%, 0.55%

LAB 81.82, -63.38, 70.51

 

CMYK 74 / 0 / 78 / 10

HEX #3CE633

RGB 60 230 51

HSL 116.98, 0.78%, 0.55%

LAB 80.62, -73.21, 68.96

 

CMYK 78 / 0 / 61 / 10

HEX #33E65A

RGB 51 230 90

HSL 133.07, 0.78%, 0.55%

LAB 80.76, -71.02, 54.64

 

CMYK 78 / 0 / 40 / 10

HEX #33E689

RGB 51 230 137

HSL 148.83, 0.78%, 0.55%

LAB 81.35, -64.05, 33.13

 

CMYK 78 / 0 / 20 / 10

HEX #33E6B9

RGB 51 230 185

HSL 164.92, 0.78%, 0.55%

LAB 82.27, -53.89, 9.57

 

CMYK 88 / 0 / 68 / 31

HEX #16B039

RGB 22 176 57

HSL 133.64, 0.78%, 0.39%

LAB 62.94, -60.81, 48.73

 

CMYK 88 / 0 / 68 / 16

HEX #1AD545

RGB 26 213 69

HSL 133.8, 0.78%, 0.47%

LAB 74.97, -70.52, 56.86

 

CMYK 78 / 0 / 60 / 10

HEX #33E65C

RGB 51 230 92

HSL 133.74, 0.78%, 0.55%

LAB 80.78, -70.79, 53.8

 

CMYK 63 / 0 / 48 / 8

HEX #57EA79

RGB 87 234 121

HSL 133.88, 0.78%, 0.63%

LAB 83.05, -62.49, 43.34

 

CMYK 48 / 0 / 37 / 6

HEX #7CEF97

RGB 124 239 151

HSL 134.09, 0.78%, 0.71%

LAB 86.13, -51.21, 32.74

 

CMYK 77 / 0 / 60 / 10

HEX #34E65D

RGB 52 230 93

HSL 133.82, 0.78%, 0.55%

LAB 80.8, -70.55, 53.4

 

CMYK 78 / 33 / 0 / 10

HEX #339BE6

RGB 51 155 230

HSL 205.14, 0.78%, 0.55%

LAB 61.53, -4.02, -46.18

 

CMYK 0 / 78 / 63 / 10

HEX #E63354

RGB 230 51 84

HSL 348.94, 0.78%, 0.55%

LAB 51.65, 68.23, 25.36

 

CMYK 77 / 0 / 60 / 10

HEX #34E65D

RGB 52 230 93

HSL 133.82, 0.78%, 0.55%

LAB 80.8, -70.55, 53.4

 

CMYK 61 / 78 / 0 / 10

HEX #5A33E6

RGB 90 51 230

HSL 253.07, 0.78%, 0.55%

LAB 38.3, 61.78, -83.65

 

CMYK 0 / 61 / 78 / 10

HEX #E65A33

RGB 230 90 51

HSL 13.07, 0.78%, 0.55%

LAB 56.46, 52.38, 49.28

 

CMYK 77 / 0 / 60 / 10

HEX #34E65D

RGB 52 230 93

HSL 133.82, 0.78%, 0.55%

LAB 80.8, -70.55, 53.4

 

CMYK 78 / 33 / 0 / 10

HEX #339BE6

RGB 51 155 230

HSL 205.14, 0.78%, 0.55%

LAB 61.53, -4.02, -46.18

 

CMYK 0 / 78 / 17 / 10

HEX #E633BF

RGB 230 51 191

HSL 313.07, 0.78%, 0.55%

LAB 55.02, 78.36, -33.32

 

CMYK 0 / 46 / 78 / 10

HEX #E67D33

RGB 230 125 51

HSL 24.8, 0.78%, 0.55%

LAB 63.12, 35.42, 55.84

 

CMYK 77 / 0 / 60 / 10

HEX #34E65D

RGB 52 230 93

HSL 133.82, 0.78%, 0.55%

LAB 80.8, -70.55, 53.4

 

CMYK 78 / 56 / 0 / 10

HEX #3365E6

RGB 51 101 230

HSL 223.24, 0.78%, 0.55%

LAB 46.61, 29.01, -70.1

 

CMYK 0 / 78 / 17 / 10

HEX #E633BF

RGB 230 51 191

HSL 313.07, 0.78%, 0.55%

LAB 55.02, 78.36, -33.32

 

CMYK 0 / 22 / 78 / 10

HEX #E6B333

RGB 230 179 51

HSL 42.91, 0.78%, 0.55%

LAB 75.64, 6.88, 67.62

 

Description

Color code: HEX #34E65D | qconv.com Color code: HEX #34E65D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 230 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 230 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 60 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 60% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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