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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34E05E it is the complementary color #CB1FA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34E05E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34E05E shade: #39E059, #4AF26C, #5BFF7F, #6CFF92 and #7DFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34E05E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34E05E shade: #34E05E, #23CE4B, #12BC38, #01AA25 and #009812

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34E05E shade: #33E15D, #37E133, #66E133, #95E133 and #C4E133

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34E05E shade: #33E15D, #33E18C, #33E1BB, #33D7E1 and #33A8E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34E05E shade matches the following richer shades: #33E15D and #20F354

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34E05E shade: #33E15D, #46CE67, #59BB71, #6CA87A and #7F9584

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34E05E shade: #67E133, #39E133, #33E15B, #33E18A and #33E1B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34E05E shade: #19A83C, #1ECC49, #33E15D, #57E67A and #7BEB96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34E05E shade: #34E05E, #3395E1 and #E13350

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34E05E shade: #34E05E, #5B33E1 and #E15B33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34E05E shade: #34E05E, #3395E1, #E133B8 and #E17E33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34E05E shade: #34E05E, #3361E1, #E133B8 and #E1B233

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 58 / 12

HEX #34E05E

RGB 52 224 94

HSL 134.65, 0.74%, 0.54%

LAB 78.95, -68.51, 50.81

 

Complementary color

CMYK 0 / 85 / 21 / 20

HEX #CB1FA1

RGB 203 31 161

HSL 314.65, 0.74%, 0.46%

LAB 47.3, 73.36, -28.11

 

CMYK 75 / 0 / 60 / 12

HEX #39E059

RGB 57 224 89

HSL 131.5, 0.73%, 0.55%

LAB 78.99, -68.43, 53.08

 

CMYK 69 / 0 / 55 / 5

HEX #4AF26C

RGB 74 242 108

HSL 132.14, 0.87%, 0.62%

LAB 85.02, -69.41, 51.75

 

CMYK 64 / 0 / 50 / 0

HEX #5BFF7F

RGB 91 255 127

HSL 133.17, 1%, 0.68%

LAB 89.52, -68.33, 48.56

 

CMYK 58 / 0 / 43 / 0

HEX #6CFF92

RGB 108 255 146

HSL 135.51, 1%, 0.71%

LAB 90.22, -62.09, 40.46

 

CMYK 51 / 0 / 35 / 0

HEX #7DFFA5

RGB 125 255 165

HSL 138.46, 1%, 0.75%

LAB 91.05, -55.1, 32.27

 

CMYK 77 / 0 / 58 / 12

HEX #34E05E

RGB 52 224 94

HSL 134.65, 0.74%, 0.54%

LAB 78.95, -68.51, 50.81

 

CMYK 83 / 0 / 64 / 19

HEX #23CE4B

RGB 35 206 75

HSL 134.04, 0.71%, 0.47%

LAB 72.9, -67, 52.14

 

CMYK 90 / 0 / 70 / 26

HEX #12BC38

RGB 18 188 56

HSL 133.41, 0.83%, 0.4%

LAB 66.81, -64.86, 53.25

 

CMYK 99 / 0 / 78 / 33

HEX #01AA25

RGB 1 170 37

HSL 132.78, 0.99%, 0.34%

LAB 60.68, -62.02, 53.85

 

CMYK 100 / 0 / 88 / 40

HEX #009812

RGB 0 152 18

HSL 127.11, 1%, 0.3%

LAB 54.55, -57.98, 53.44

 

CMYK 77 / 0 / 59 / 12

HEX #33E15D

RGB 51 225 93

HSL 134.48, 0.74%, 0.54%

LAB 79.24, -69.08, 51.58

 

CMYK 76 / 0 / 77 / 12

HEX #37E133

RGB 55 225 51

HSL 118.62, 0.74%, 0.54%

LAB 78.98, -72.43, 67.36

 

CMYK 55 / 0 / 77 / 12

HEX #66E133

RGB 102 225 51

HSL 102.41, 0.74%, 0.54%

LAB 80.13, -62.93, 68.86

 

CMYK 34 / 0 / 77 / 12

HEX #95E133

RGB 149 225 51

HSL 86.21, 0.74%, 0.54%

LAB 82.1, -48.4, 71.41

 

CMYK 13 / 0 / 77 / 12

HEX #C4E133

RGB 196 225 51

HSL 70, 0.74%, 0.54%

LAB 84.91, -30.54, 75.03

 

CMYK 77 / 0 / 59 / 12

HEX #33E15D

RGB 51 225 93

HSL 134.48, 0.74%, 0.54%

LAB 79.24, -69.08, 51.58

 

CMYK 77 / 0 / 38 / 12

HEX #33E18C

RGB 51 225 140

HSL 150.69, 0.74%, 0.54%

LAB 79.87, -61.72, 29.65

 

CMYK 77 / 0 / 17 / 12

HEX #33E1BB

RGB 51 225 187

HSL 166.9, 0.74%, 0.54%

LAB 80.82, -51.38, 6.43

 

CMYK 77 / 4 / 0 / 12

HEX #33D7E1

RGB 51 215 225

HSL 183.45, 0.74%, 0.54%

LAB 78.89, -36.66, -16.66

 

CMYK 77 / 25 / 0 / 12

HEX #33A8E1

RGB 51 168 225

HSL 199.66, 0.74%, 0.54%

LAB 65.08, -13.03, -37.85

 

CMYK 77 / 0 / 59 / 12

HEX #33E15D

RGB 51 225 93

HSL 134.48, 0.74%, 0.54%

LAB 79.24, -69.08, 51.58

 

CMYK 87 / 0 / 65 / 5

HEX #20F354

RGB 32 243 84

HSL 134.79, 0.9%, 0.54%

LAB 84.51, -77.44, 61.26

 

CMYK 77 / 0 / 59 / 12

HEX #33E15D

RGB 51 225 93

HSL 134.48, 0.74%, 0.54%

LAB 79.24, -69.08, 51.58

 

CMYK 66 / 0 / 50 / 19

HEX #46CE67

RGB 70 206 103

HSL 134.56, 0.58%, 0.54%

LAB 73.82, -58.29, 40.48

 

CMYK 52 / 0 / 40 / 27

HEX #59BB71

RGB 89 187 113

HSL 134.69, 0.42%, 0.54%

LAB 68.65, -45.05, 28.92

 

CMYK 36 / 0 / 27 / 34

HEX #6CA87A

RGB 108 168 122

HSL 134, 0.26%, 0.54%

LAB 63.83, -29.41, 17.75

 

CMYK 15 / 0 / 11 / 42

HEX #7F9584

RGB 127 149 132

HSL 133.64, 0.09%, 0.54%

LAB 59.59, -11.28, 6.37

 

CMYK 54 / 0 / 77 / 12

HEX #67E133

RGB 103 225 51

HSL 102.07, 0.74%, 0.54%

LAB 80.16, -62.67, 68.9

 

CMYK 75 / 0 / 77 / 12

HEX #39E133

RGB 57 225 51

HSL 117.93, 0.74%, 0.54%

LAB 79.02, -72.14, 67.4

 

CMYK 77 / 0 / 60 / 12

HEX #33E15B

RGB 51 225 91

HSL 133.79, 0.74%, 0.54%

LAB 79.22, -69.32, 52.44

 

CMYK 77 / 0 / 39 / 12

HEX #33E18A

RGB 51 225 138

HSL 150, 0.74%, 0.54%

LAB 79.83, -62.09, 30.62

 

CMYK 77 / 0 / 18 / 12

HEX #33E1B8

RGB 51 225 184

HSL 165.86, 0.74%, 0.54%

LAB 80.75, -52.12, 7.91

 

CMYK 85 / 0 / 64 / 34

HEX #19A83C

RGB 25 168 60

HSL 134.69, 0.74%, 0.38%

LAB 60.37, -57.68, 44.61

 

CMYK 85 / 0 / 64 / 20

HEX #1ECC49

RGB 30 204 73

HSL 134.83, 0.74%, 0.46%

LAB 72.19, -67.07, 52.19

 

CMYK 77 / 0 / 59 / 12

HEX #33E15D

RGB 51 225 93

HSL 134.48, 0.74%, 0.54%

LAB 79.24, -69.08, 51.58

 

CMYK 62 / 0 / 47 / 10

HEX #57E67A

RGB 87 230 122

HSL 134.69, 0.74%, 0.62%

LAB 81.85, -60.88, 41.35

 

CMYK 48 / 0 / 36 / 8

HEX #7BEB96

RGB 123 235 150

HSL 134.46, 0.74%, 0.7%

LAB 84.91, -49.99, 31.61

 

CMYK 77 / 0 / 58 / 12

HEX #34E05E

RGB 52 224 94

HSL 134.65, 0.74%, 0.54%

LAB 78.95, -68.51, 50.81

 

CMYK 77 / 34 / 0 / 12

HEX #3395E1

RGB 51 149 225

HSL 206.21, 0.74%, 0.54%

LAB 59.56, -2.34, -46.53

 

CMYK 0 / 77 / 64 / 12

HEX #E13350

RGB 225 51 80

HSL 350, 0.74%, 0.54%

LAB 50.63, 66.62, 26.27

 

CMYK 77 / 0 / 58 / 12

HEX #34E05E

RGB 52 224 94

HSL 134.65, 0.74%, 0.54%

LAB 78.95, -68.51, 50.81

 

CMYK 60 / 77 / 0 / 12

HEX #5B33E1

RGB 91 51 225

HSL 253.79, 0.74%, 0.54%

LAB 37.89, 60.51, -81.46

 

CMYK 0 / 60 / 77 / 12

HEX #E15B33

RGB 225 91 51

HSL 13.79, 0.74%, 0.54%

LAB 55.82, 50.16, 48.37

 

CMYK 77 / 0 / 58 / 12

HEX #34E05E

RGB 52 224 94

HSL 134.65, 0.74%, 0.54%

LAB 78.95, -68.51, 50.81

 

CMYK 77 / 34 / 0 / 12

HEX #3395E1

RGB 51 149 225

HSL 206.21, 0.74%, 0.54%

LAB 59.56, -2.34, -46.53

 

CMYK 0 / 77 / 18 / 12

HEX #E133B8

RGB 225 51 184

HSL 314.14, 0.74%, 0.54%

LAB 53.85, 76.36, -31.15

 

CMYK 0 / 44 / 77 / 12

HEX #E17E33

RGB 225 126 51

HSL 25.86, 0.74%, 0.54%

LAB 62.65, 32.89, 55.15

 

CMYK 77 / 0 / 58 / 12

HEX #34E05E

RGB 52 224 94

HSL 134.65, 0.74%, 0.54%

LAB 78.95, -68.51, 50.81

 

CMYK 77 / 57 / 0 / 12

HEX #3361E1

RGB 51 97 225

HSL 224.14, 0.74%, 0.54%

LAB 45.21, 29.71, -69.56

 

CMYK 0 / 77 / 18 / 12

HEX #E133B8

RGB 225 51 184

HSL 314.14, 0.74%, 0.54%

LAB 53.85, 76.36, -31.15

 

CMYK 0 / 21 / 77 / 12

HEX #E1B233

RGB 225 178 51

HSL 43.79, 0.74%, 0.54%

LAB 74.88, 5.25, 66.74

 

Description

Color code: HEX #34E05E | qconv.com Color code: HEX #34E05E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 224 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 224 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 58 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 58% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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