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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34DA80 it is the complementary color #CB257F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34DA80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34DA80 shade: #39DA7B, #4AEC8E, #5BFEA1, #6CFFB4 and #7DFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34DA80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34DA80 shade: #34DA80, #23C86D, #12B65A, #01A447 and #009234

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34DA80 shade: #34DA80, #34DA54, #42DA34, #6FDA34 and #9BDA34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34DA80 shade: #34DA80, #34DAAD, #34DAD9, #34AEDA and #3481DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34DA80 shade matches the following richer shades: #34DA80 and #21ED7F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34DA80 shade: #34DA80, #48C682, #5BB383, #6FA085 and #828C87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34DA80 shade: #42DA34, #34DA53, #34DA7F, #34DAAB and #34DAD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34DA80 shade: #1D9F58, #24C26C, #34DA80, #57E096 and #7AE7AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34DA80 shade: #34DA80, #346EDA and #DA3D34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34DA80 shade: #34DA80, #7F34DA and #DA7F34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34DA80 shade: #34DA80, #346EDA, #DA348F and #DAA034

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34DA80 shade: #34DA80, #343DDA, #DA348F and #DAD234

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 41 / 15

HEX #34DA80

RGB 52 218 128

HSL 147.47, 0.69%, 0.53%

LAB 77.54, -61.3, 32.68

 

Complementary color

CMYK 0 / 82 / 37 / 20

HEX #CB257F

RGB 203 37 127

HSL 327.47, 0.69%, 0.47%

LAB 46.38, 68.19, -8.99

 

CMYK 74 / 0 / 44 / 15

HEX #39DA7B

RGB 57 218 123

HSL 144.6, 0.69%, 0.54%

LAB 77.54, -61.52, 35.23

 

CMYK 69 / 0 / 40 / 7

HEX #4AEC8E

RGB 74 236 142

HSL 145.19, 0.81%, 0.61%

LAB 83.65, -62.16, 33.72

 

CMYK 64 / 0 / 37 / 0

HEX #5BFEA1

RGB 91 254 161

HSL 145.77, 0.99%, 0.68%

LAB 89.71, -62.55, 32.31

 

CMYK 58 / 0 / 29 / 0

HEX #6CFFB4

RGB 108 255 180

HSL 149.39, 1%, 0.71%

LAB 90.78, -56.15, 24.26

 

CMYK 51 / 0 / 22 / 0

HEX #7DFFC7

RGB 125 255 199

HSL 154.15, 1%, 0.75%

LAB 91.69, -48.71, 15.89

 

CMYK 76 / 0 / 41 / 15

HEX #34DA80

RGB 52 218 128

HSL 147.47, 0.69%, 0.53%

LAB 77.54, -61.3, 32.68

 

CMYK 83 / 0 / 46 / 22

HEX #23C86D

RGB 35 200 109

HSL 146.91, 0.7%, 0.46%

LAB 71.4, -60.22, 34.31

 

CMYK 90 / 0 / 51 / 29

HEX #12B65A

RGB 18 182 90

HSL 146.34, 0.82%, 0.39%

LAB 65.22, -58.63, 36.04

 

CMYK 99 / 0 / 57 / 36

HEX #01A447

RGB 1 164 71

HSL 145.77, 0.99%, 0.32%

LAB 58.99, -56.51, 37.82

 

CMYK 100 / 0 / 64 / 43

HEX #009234

RGB 0 146 52

HSL 141.37, 1%, 0.29%

LAB 52.74, -53.36, 39.59

 

CMYK 76 / 0 / 41 / 15

HEX #34DA80

RGB 52 218 128

HSL 147.47, 0.69%, 0.53%

LAB 77.54, -61.3, 32.68

 

CMYK 76 / 0 / 61 / 15

HEX #34DA54

RGB 52 218 84

HSL 131.57, 0.69%, 0.53%

LAB 76.99, -67.77, 52.95

 

CMYK 70 / 0 / 76 / 15

HEX #42DA34

RGB 66 218 52

HSL 114.94, 0.69%, 0.53%

LAB 77.01, -68.46, 65.21

 

CMYK 49 / 0 / 76 / 15

HEX #6FDA34

RGB 111 218 52

HSL 98.67, 0.69%, 0.53%

LAB 78.33, -57.86, 66.94

 

CMYK 29 / 0 / 76 / 15

HEX #9BDA34

RGB 155 218 52

HSL 82.77, 0.69%, 0.53%

LAB 80.38, -43.23, 69.61

 

CMYK 76 / 0 / 41 / 15

HEX #34DA80

RGB 52 218 128

HSL 147.47, 0.69%, 0.53%

LAB 77.54, -61.3, 32.68

 

CMYK 76 / 0 / 21 / 15

HEX #34DAAD

RGB 52 218 173

HSL 163.73, 0.69%, 0.53%

LAB 78.4, -51.84, 10.39

 

CMYK 76 / 0 / 0 / 15

HEX #34DAD9

RGB 52 218 217

HSL 179.64, 0.69%, 0.53%

LAB 79.55, -40.26, -11.4

 

CMYK 76 / 20 / 0 / 15

HEX #34AEDA

RGB 52 174 218

HSL 195.9, 0.69%, 0.53%

LAB 66.57, -18.49, -31.68

 

CMYK 76 / 41 / 0 / 15

HEX #3481DA

RGB 52 129 218

HSL 212.17, 0.69%, 0.53%

LAB 53.48, 7.13, -52.25

 

CMYK 76 / 0 / 41 / 15

HEX #34DA80

RGB 52 218 128

HSL 147.47, 0.69%, 0.53%

LAB 77.54, -61.3, 32.68

 

CMYK 86 / 0 / 46 / 7

HEX #21ED7F

RGB 33 237 127

HSL 147.65, 0.85%, 0.53%

LAB 83.14, -69.82, 40.36

 

CMYK 76 / 0 / 41 / 15

HEX #34DA80

RGB 52 218 128

HSL 147.47, 0.69%, 0.53%

LAB 77.54, -61.3, 32.68

 

CMYK 64 / 0 / 34 / 22

HEX #48C682

RGB 72 198 130

HSL 147.62, 0.53%, 0.53%

LAB 71.81, -50.23, 24.1

 

CMYK 49 / 0 / 27 / 30

HEX #5BB383

RGB 91 179 131

HSL 147.27, 0.37%, 0.53%

LAB 66.6, -37.68, 16.53

 

CMYK 31 / 0 / 17 / 37

HEX #6FA085

RGB 111 160 133

HSL 146.94, 0.21%, 0.53%

LAB 61.84, -22.32, 8.88

 

CMYK 7 / 0 / 4 / 45

HEX #828C87

RGB 130 140 135

HSL 150, 0.04%, 0.53%

LAB 57.32, -4.65, 1.41

 

CMYK 70 / 0 / 76 / 15

HEX #42DA34

RGB 66 218 52

HSL 114.94, 0.69%, 0.53%

LAB 77.01, -68.46, 65.21

 

CMYK 76 / 0 / 62 / 15

HEX #34DA53

RGB 52 218 83

HSL 131.2, 0.69%, 0.53%

LAB 76.98, -67.89, 53.37

 

CMYK 76 / 0 / 42 / 15

HEX #34DA7F

RGB 52 218 127

HSL 147.11, 0.69%, 0.53%

LAB 77.52, -61.48, 33.17

 

CMYK 76 / 0 / 22 / 15

HEX #34DAAB

RGB 52 218 171

HSL 163.01, 0.69%, 0.53%

LAB 78.35, -52.32, 11.39

 

CMYK 76 / 0 / 1 / 15

HEX #34DAD7

RGB 52 218 215

HSL 178.92, 0.69%, 0.53%

LAB 79.49, -40.83, -10.42

 

CMYK 82 / 0 / 45 / 38

HEX #1D9F58

RGB 29 159 88

HSL 147.23, 0.69%, 0.37%

LAB 57.81, -49.97, 27.7

 

CMYK 81 / 0 / 44 / 24

HEX #24C26C

RGB 36 194 108

HSL 147.34, 0.69%, 0.45%

LAB 69.5, -58.19, 32.38

 

CMYK 76 / 0 / 41 / 15

HEX #34DA80

RGB 52 218 128

HSL 147.47, 0.69%, 0.53%

LAB 77.54, -61.3, 32.68

 

CMYK 61 / 0 / 33 / 12

HEX #57E096

RGB 87 224 150

HSL 147.59, 0.69%, 0.61%

LAB 80.48, -53.8, 25.47

 

CMYK 47 / 0 / 26 / 9

HEX #7AE7AC

RGB 122 231 172

HSL 147.52, 0.69%, 0.69%

LAB 84.11, -44.56, 19.21

 

CMYK 76 / 0 / 41 / 15

HEX #34DA80

RGB 52 218 128

HSL 147.47, 0.69%, 0.53%

LAB 77.54, -61.3, 32.68

 

CMYK 76 / 50 / 0 / 15

HEX #346EDA

RGB 52 110 218

HSL 219.04, 0.69%, 0.53%

LAB 48.19, 18.96, -60.75

 

CMYK 0 / 72 / 76 / 15

HEX #DA3D34

RGB 218 61 52

HSL 3.25, 0.69%, 0.53%

LAB 50.09, 60.07, 41.5

 

CMYK 76 / 0 / 41 / 15

HEX #34DA80

RGB 52 218 128

HSL 147.47, 0.69%, 0.53%

LAB 77.54, -61.3, 32.68

 

CMYK 42 / 76 / 0 / 15

HEX #7F34DA

RGB 127 52 218

HSL 267.11, 0.69%, 0.53%

LAB 41.26, 63.1, -71.77

 

CMYK 0 / 42 / 76 / 15

HEX #DA7F34

RGB 218 127 52

HSL 27.11, 0.69%, 0.53%

LAB 61.94, 29.54, 53.7

 

CMYK 76 / 0 / 41 / 15

HEX #34DA80

RGB 52 218 128

HSL 147.47, 0.69%, 0.53%

LAB 77.54, -61.3, 32.68

 

CMYK 76 / 50 / 0 / 15

HEX #346EDA

RGB 52 110 218

HSL 219.04, 0.69%, 0.53%

LAB 48.19, 18.96, -60.75

 

CMYK 0 / 76 / 34 / 15

HEX #DA348F

RGB 218 52 143

HSL 327.11, 0.69%, 0.53%

LAB 51.09, 69.55, -11.32

 

CMYK 0 / 27 / 76 / 15

HEX #DAA034

RGB 218 160 52

HSL 39.04, 0.69%, 0.53%

LAB 69.68, 11.85, 61.23

 

CMYK 76 / 0 / 41 / 15

HEX #34DA80

RGB 52 218 128

HSL 147.47, 0.69%, 0.53%

LAB 77.54, -61.3, 32.68

 

CMYK 76 / 72 / 0 / 15

HEX #343DDA

RGB 52 61 218

HSL 236.75, 0.69%, 0.53%

LAB 36.23, 49.43, -80.28

 

CMYK 0 / 76 / 34 / 15

HEX #DA348F

RGB 218 52 143

HSL 327.11, 0.69%, 0.53%

LAB 51.09, 69.55, -11.32

 

CMYK 0 / 4 / 76 / 15

HEX #DAD234

RGB 218 210 52

HSL 57.11, 0.69%, 0.53%

LAB 82.51, -14.16, 73.17

 

Description

Color code: HEX #34DA80 | qconv.com Color code: HEX #34DA80 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 218 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 218 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 41 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 41% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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