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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34D9ED it is the complementary color #CB2612. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34D9ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34D9ED shade: #39D9E8, #4AEBFB, #5BFDFF, #6CFFFF and #7DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34D9ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34D9ED shade: #34D9ED, #23C7DA, #12B5C7, #01A3B4 and #0091A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34D9ED shade: #35DAED, #35A8ED, #3576ED, #3545ED and #5835ED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34D9ED shade: #35DAED, #35A8ED, #3576ED, #3545ED and #3535ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34D9ED shade matches the following richer shades: #35DAED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34D9ED shade: #35DAED, #47CCDC, #59BECA, #6AB0B8 and #7CA2A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34D9ED shade: #35ED9E, #35EDCF, #35DBED, #35AAED and #3579ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34D9ED shade: #11ADC0, #14CFE5, #35DAED, #5BE1F1 and #81E8F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34D9ED shade: #34D9ED, #6D35ED and #EDB635

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34D9ED shade: #34D9ED, #ED35DB and #DBED35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34D9ED shade: #34D9ED, #6D35ED, #ED4835 and #B6ED35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34D9ED shade: #34D9ED, #A435ED, #ED4835 and #7FED35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 8 / 0 / 7

HEX #34D9ED

RGB 52 217 237

HSL 186.49, 0.84%, 0.57%

LAB 79.88, -33.91, -21.57

 

Complementary color

CMYK 0 / 81 / 91 / 20

HEX #CB2612

RGB 203 38 18

HSL 6.49, 0.84%, 0.43%

LAB 44.41, 61.79, 51.76

 

CMYK 75 / 6 / 0 / 9

HEX #39D9E8

RGB 57 217 232

HSL 185.14, 0.79%, 0.57%

LAB 79.8, -34.92, -19.02

 

CMYK 71 / 6 / 0 / 2

HEX #4AEBFB

RGB 74 235 251

HSL 185.42, 0.96%, 0.64%

LAB 85.93, -35.85, -19.79

 

CMYK 64 / 1 / 0 / 0

HEX #5BFDFF

RGB 91 253 255

HSL 180.73, 1%, 0.68%

LAB 91.55, -40.72, -13.39

 

CMYK 58 / 0 / 0 / 0

HEX #6CFFFF

RGB 108 255 255

HSL 180, 1%, 0.71%

LAB 92.54, -38.95, -11.86

 

CMYK 51 / 0 / 0 / 0

HEX #7DFFFF

RGB 125 255 255

HSL 180, 1%, 0.75%

LAB 93.06, -35.82, -11.04

 

CMYK 78 / 8 / 0 / 7

HEX #34D9ED

RGB 52 217 237

HSL 186.49, 0.84%, 0.57%

LAB 79.88, -33.91, -21.57

 

CMYK 84 / 9 / 0 / 15

HEX #23C7DA

RGB 35 199 218

HSL 186.23, 0.72%, 0.5%

LAB 73.72, -32.58, -20.74

 

CMYK 91 / 9 / 0 / 22

HEX #12B5C7

RGB 18 181 199

HSL 185.97, 0.83%, 0.43%

LAB 67.5, -30.9, -19.82

 

CMYK 99 / 9 / 0 / 29

HEX #01A3B4

RGB 1 163 180

HSL 185.7, 0.99%, 0.35%

LAB 61.22, -28.9, -18.82

 

CMYK 100 / 10 / 0 / 37

HEX #0091A1

RGB 0 145 161

HSL 185.96, 1%, 0.32%

LAB 54.89, -26.31, -17.65

 

CMYK 78 / 8 / 0 / 7

HEX #35DAED

RGB 53 218 237

HSL 186.2, 0.84%, 0.57%

LAB 80.19, -34.29, -21.1

 

CMYK 78 / 29 / 0 / 7

HEX #35A8ED

RGB 53 168 237

HSL 202.5, 0.84%, 0.57%

LAB 65.65, -8.68, -43.54

 

CMYK 78 / 50 / 0 / 7

HEX #3576ED

RGB 53 118 237

HSL 218.8, 0.84%, 0.57%

LAB 51.64, 21.06, -65.87

 

CMYK 78 / 71 / 0 / 7

HEX #3545ED

RGB 53 69 237

HSL 234.78, 0.84%, 0.57%

LAB 39.79, 51.26, -85.23

 

CMYK 63 / 78 / 0 / 7

HEX #5835ED

RGB 88 53 237

HSL 251.41, 0.84%, 0.57%

LAB 39.13, 62.63, -86.25

 

CMYK 78 / 8 / 0 / 7

HEX #35DAED

RGB 53 218 237

HSL 186.2, 0.84%, 0.57%

LAB 80.19, -34.29, -21.1

 

CMYK 78 / 29 / 0 / 7

HEX #35A8ED

RGB 53 168 237

HSL 202.5, 0.84%, 0.57%

LAB 65.65, -8.68, -43.54

 

CMYK 78 / 50 / 0 / 7

HEX #3576ED

RGB 53 118 237

HSL 218.8, 0.84%, 0.57%

LAB 51.64, 21.06, -65.87

 

CMYK 78 / 71 / 0 / 7

HEX #3545ED

RGB 53 69 237

HSL 234.78, 0.84%, 0.57%

LAB 39.79, 51.26, -85.23

 

CMYK 78 / 78 / 0 / 7

HEX #3535ED

RGB 53 53 237

HSL 240, 0.84%, 0.57%

LAB 36.78, 59.79, -90.22

 

CMYK 78 / 8 / 0 / 7

HEX #35DAED

RGB 53 218 237

HSL 186.2, 0.84%, 0.57%

LAB 80.19, -34.29, -21.1

 

CMYK 78 / 8 / 0 / 7

HEX #35DAED

RGB 53 218 237

HSL 186.2, 0.84%, 0.57%

LAB 80.19, -34.29, -21.1

 

CMYK 68 / 7 / 0 / 14

HEX #47CCDC

RGB 71 204 220

HSL 186.44, 0.68%, 0.57%

LAB 75.88, -30.59, -18.49

 

CMYK 56 / 6 / 0 / 21

HEX #59BECA

RGB 89 190 202

HSL 186.37, 0.52%, 0.57%

LAB 71.7, -25.91, -14.98

 

CMYK 42 / 4 / 0 / 28

HEX #6AB0B8

RGB 106 176 184

HSL 186.15, 0.35%, 0.57%

LAB 67.71, -19.92, -11.01

 

CMYK 25 / 2 / 0 / 35

HEX #7CA2A6

RGB 124 162 166

HSL 185.71, 0.19%, 0.57%

LAB 64.06, -11.95, -6.31

 

CMYK 78 / 0 / 33 / 7

HEX #35ED9E

RGB 53 237 158

HSL 154.24, 0.84%, 0.57%

LAB 83.86, -62.33, 25.82

 

CMYK 78 / 0 / 13 / 7

HEX #35EDCF

RGB 53 237 207

HSL 170.22, 0.84%, 0.57%

LAB 84.91, -51.07, 1.8

 

CMYK 78 / 8 / 0 / 7

HEX #35DBED

RGB 53 219 237

HSL 185.87, 0.84%, 0.57%

LAB 80.48, -34.76, -20.66

 

CMYK 78 / 28 / 0 / 7

HEX #35AAED

RGB 53 170 237

HSL 201.85, 0.84%, 0.57%

LAB 66.23, -9.79, -42.64

 

CMYK 78 / 49 / 0 / 7

HEX #3579ED

RGB 53 121 237

HSL 217.83, 0.84%, 0.57%

LAB 52.45, 19.19, -64.57

 

CMYK 91 / 10 / 0 / 25

HEX #11ADC0

RGB 17 173 192

HSL 186.51, 0.84%, 0.41%

LAB 64.81, -29.31, -20.04

 

CMYK 91 / 10 / 0 / 10

HEX #14CFE5

RGB 20 207 229

HSL 186.32, 0.84%, 0.49%

LAB 76.33, -33.75, -22.71

 

CMYK 78 / 8 / 0 / 7

HEX #35DAED

RGB 53 218 237

HSL 186.2, 0.84%, 0.57%

LAB 80.19, -34.29, -21.1

 

CMYK 62 / 7 / 0 / 5

HEX #5BE1F1

RGB 91 225 241

HSL 186.4, 0.84%, 0.65%

LAB 83.14, -31.61, -18.68

 

CMYK 47 / 5 / 0 / 4

HEX #81E8F4

RGB 129 232 244

HSL 186.26, 0.84%, 0.73%

LAB 86.46, -26.91, -15.14

 

CMYK 78 / 8 / 0 / 7

HEX #34D9ED

RGB 52 217 237

HSL 186.49, 0.84%, 0.57%

LAB 79.88, -33.91, -21.57

 

CMYK 54 / 78 / 0 / 7

HEX #6D35ED

RGB 109 53 237

HSL 258.26, 0.84%, 0.57%

LAB 41.08, 64.95, -82.97

 

CMYK 0 / 23 / 78 / 7

HEX #EDB635

RGB 237 182 53

HSL 42.07, 0.84%, 0.57%

LAB 77.11, 8.37, 68.55

 

CMYK 78 / 8 / 0 / 7

HEX #34D9ED

RGB 52 217 237

HSL 186.49, 0.84%, 0.57%

LAB 79.88, -33.91, -21.57

 

CMYK 0 / 78 / 8 / 7

HEX #ED35DB

RGB 237 53 219

HSL 305.87, 0.84%, 0.57%

LAB 57.72, 83.13, -45.01

 

CMYK 8 / 0 / 78 / 7

HEX #DBED35

RGB 219 237 53

HSL 65.87, 0.84%, 0.57%

LAB 89.81, -26.81, 79.49

 

CMYK 78 / 8 / 0 / 7

HEX #34D9ED

RGB 52 217 237

HSL 186.49, 0.84%, 0.57%

LAB 79.88, -33.91, -21.57

 

CMYK 54 / 78 / 0 / 7

HEX #6D35ED

RGB 109 53 237

HSL 258.26, 0.84%, 0.57%

LAB 41.08, 64.95, -82.97

 

CMYK 0 / 70 / 78 / 7

HEX #ED4835

RGB 237 72 53

HSL 6.2, 0.84%, 0.57%

LAB 54.97, 62.09, 47.14

 

CMYK 23 / 0 / 78 / 7

HEX #B6ED35

RGB 182 237 53

HSL 77.93, 0.84%, 0.57%

LAB 87.37, -41.36, 76.38

 

CMYK 78 / 8 / 0 / 7

HEX #34D9ED

RGB 52 217 237

HSL 186.49, 0.84%, 0.57%

LAB 79.88, -33.91, -21.57

 

CMYK 31 / 78 / 0 / 7

HEX #A435ED

RGB 164 53 237

HSL 276.2, 0.84%, 0.57%

LAB 47.69, 72.83, -71.88

 

CMYK 0 / 70 / 78 / 7

HEX #ED4835

RGB 237 72 53

HSL 6.2, 0.84%, 0.57%

LAB 54.97, 62.09, 47.14

 

CMYK 46 / 0 / 78 / 7

HEX #7FED35

RGB 127 237 53

HSL 95.87, 0.84%, 0.57%

LAB 84.66, -60.18, 72.87

 

Description

Color code: HEX #34D9ED | qconv.com Color code: HEX #34D9ED | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 217 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 217 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 8 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 8% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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