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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34D54F it is the complementary color #CB2AB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34D54F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34D54F shade: #39D54A, #4AE75D, #5BF970, #6CFF83 and #7DFF96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34D54F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34D54F shade: #34D54F, #23C33C, #12B129, #019F16 and #008D03

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34D54F shade: #34D54F, #44D534, #70D534, #9BD534 and #C7D534

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34D54F shade: #34D54F, #34D57A, #34D5A6, #34D5D2 and #34AED5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34D54F shade matches the following richer shades: #34D54F, #20E942 and #0CFD35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34D54F shade: #34D54F, #48C25C, #5BAE69, #6F9A76 and #838684

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34D54F shade: #6FD534, #44D534, #34D54F, #34D57A and #34D5A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34D54F shade: #1F9833, #26BA3F, #34D54F, #56DC6D and #78E38A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34D54F shade: #34D54F, #349AD5 and #D5345A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34D54F shade: #34D54F, #4F34D5 and #D54F34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34D54F shade: #34D54F, #349AD5, #D534BA and #D56F34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34D54F shade: #34D54F, #346AD5, #D534BA and #D5A034

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 63 / 16

HEX #34D54F

RGB 52 213 79

HSL 130.06, 0.66%, 0.52%

LAB 75.38, -66.73, 53.28

 

Complementary color

CMYK 0 / 79 / 13 / 20

HEX #CB2AB0

RGB 203 42 176

HSL 310.06, 0.66%, 0.48%

LAB 48.87, 72.86, -34.55

 

CMYK 73 / 0 / 65 / 16

HEX #39D54A

RGB 57 213 74

HSL 126.54, 0.65%, 0.53%

LAB 75.42, -66.53, 55.45

 

CMYK 68 / 0 / 60 / 9

HEX #4AE75D

RGB 74 231 93

HSL 127.26, 0.77%, 0.6%

LAB 81.51, -67.55, 54.31

 

CMYK 63 / 0 / 55 / 2

HEX #5BF970

RGB 91 249 112

HSL 127.97, 0.93%, 0.67%

LAB 87.56, -68.22, 53.06

 

CMYK 58 / 0 / 49 / 0

HEX #6CFF83

RGB 108 255 131

HSL 129.39, 1%, 0.71%

LAB 90.02, -64.3, 47.4

 

CMYK 51 / 0 / 41 / 0

HEX #7DFF96

RGB 125 255 150

HSL 131.54, 1%, 0.75%

LAB 90.82, -57.54, 39.39

 

CMYK 76 / 0 / 63 / 16

HEX #34D54F

RGB 52 213 79

HSL 130.06, 0.66%, 0.52%

LAB 75.38, -66.73, 53.28

 

CMYK 82 / 0 / 69 / 24

HEX #23C33C

RGB 35 195 60

HSL 129.38, 0.7%, 0.45%

LAB 69.27, -65.14, 54.34

 

CMYK 90 / 0 / 77 / 31

HEX #12B129

RGB 18 177 41

HSL 128.68, 0.82%, 0.38%

LAB 63.12, -62.84, 54.95

 

CMYK 99 / 0 / 86 / 38

HEX #019F16

RGB 1 159 22

HSL 127.97, 0.99%, 0.31%

LAB 56.94, -59.75, 54.64

 

CMYK 100 / 0 / 98 / 45

HEX #008D03

RGB 0 141 3

HSL 121.28, 1%, 0.28%

LAB 50.75, -55.35, 52.98

 

CMYK 76 / 0 / 63 / 16

HEX #34D54F

RGB 52 213 79

HSL 130.06, 0.66%, 0.52%

LAB 75.38, -66.73, 53.28

 

CMYK 68 / 0 / 76 / 16

HEX #44D534

RGB 68 213 52

HSL 114.04, 0.66%, 0.52%

LAB 75.49, -66.5, 63.74

 

CMYK 47 / 0 / 76 / 16

HEX #70D534

RGB 112 213 52

HSL 97.64, 0.66%, 0.52%

LAB 76.85, -55.68, 65.52

 

CMYK 27 / 0 / 76 / 16

HEX #9BD534

RGB 155 213 52

HSL 81.61, 0.66%, 0.52%

LAB 78.93, -41.05, 68.24

 

CMYK 7 / 0 / 76 / 16

HEX #C7D534

RGB 199 213 52

HSL 65.22, 0.66%, 0.52%

LAB 81.83, -23.58, 71.99

 

CMYK 76 / 0 / 63 / 16

HEX #34D54F

RGB 52 213 79

HSL 130.06, 0.66%, 0.52%

LAB 75.38, -66.73, 53.28

 

CMYK 76 / 0 / 43 / 16

HEX #34D57A

RGB 52 213 122

HSL 146.09, 0.66%, 0.52%

LAB 75.9, -60.58, 33.58

 

CMYK 76 / 0 / 22 / 16

HEX #34D5A6

RGB 52 213 166

HSL 162.48, 0.66%, 0.52%

LAB 76.72, -51.49, 11.73

 

CMYK 76 / 0 / 1 / 16

HEX #34D5D2

RGB 52 213 210

HSL 178.88, 0.66%, 0.52%

LAB 77.86, -40, -10.18

 

CMYK 76 / 18 / 0 / 16

HEX #34AED5

RGB 52 174 213

HSL 194.53, 0.66%, 0.52%

LAB 66.37, -20.14, -29.23

 

CMYK 76 / 0 / 63 / 16

HEX #34D54F

RGB 52 213 79

HSL 130.06, 0.66%, 0.52%

LAB 75.38, -66.73, 53.28

 

CMYK 86 / 0 / 72 / 9

HEX #20E942

RGB 32 233 66

HSL 130.15, 0.82%, 0.52%

LAB 81.28, -76.18, 64.62

 

CMYK 95 / 0 / 79 / 1

HEX #0CFD35

RGB 12 253 53

HSL 130.21, 0.98%, 0.52%

LAB 87.28, -83.69, 74.55

 

CMYK 76 / 0 / 63 / 16

HEX #34D54F

RGB 52 213 79

HSL 130.06, 0.66%, 0.52%

LAB 75.38, -66.73, 53.28

 

CMYK 63 / 0 / 53 / 24

HEX #48C25C

RGB 72 194 92

HSL 129.84, 0.5%, 0.52%

LAB 69.99, -55.07, 41.14

 

CMYK 48 / 0 / 40 / 32

HEX #5BAE69

RGB 91 174 105

HSL 130.12, 0.34%, 0.52%

LAB 64.58, -40.32, 27.81

 

CMYK 28 / 0 / 23 / 40

HEX #6F9A76

RGB 111 154 118

HSL 129.77, 0.18%, 0.52%

LAB 59.71, -22.23, 14.29

 

CMYK 2 / 0 / 1 / 47

HEX #838684

RGB 131 134 132

HSL 140, 0.01%, 0.52%

LAB 55.63, -1.5, 0.68

 

CMYK 48 / 0 / 76 / 16

HEX #6FD534

RGB 111 213 52

HSL 98.01, 0.66%, 0.52%

LAB 76.81, -55.98, 65.47

 

CMYK 68 / 0 / 76 / 16

HEX #44D534

RGB 68 213 52

HSL 114.04, 0.66%, 0.52%

LAB 75.49, -66.5, 63.74

 

CMYK 76 / 0 / 63 / 16

HEX #34D54F

RGB 52 213 79

HSL 130.06, 0.66%, 0.52%

LAB 75.38, -66.73, 53.28

 

CMYK 76 / 0 / 43 / 16

HEX #34D57A

RGB 52 213 122

HSL 146.09, 0.66%, 0.52%

LAB 75.9, -60.58, 33.58

 

CMYK 76 / 0 / 23 / 16

HEX #34D5A5

RGB 52 213 165

HSL 162.11, 0.66%, 0.52%

LAB 76.7, -51.73, 12.23

 

CMYK 80 / 0 / 66 / 40

HEX #1F9833

RGB 31 152 51

HSL 129.92, 0.66%, 0.36%

LAB 55.06, -52.76, 42.72

 

CMYK 80 / 0 / 66 / 27

HEX #26BA3F

RGB 38 186 63

HSL 130.14, 0.66%, 0.44%

LAB 66.43, -61.66, 50.08

 

CMYK 76 / 0 / 63 / 16

HEX #34D54F

RGB 52 213 79

HSL 130.06, 0.66%, 0.52%

LAB 75.38, -66.73, 53.28

 

CMYK 61 / 0 / 50 / 14

HEX #56DC6D

RGB 86 220 109

HSL 130.3, 0.66%, 0.6%

LAB 78.62, -59.31, 43.6

 

CMYK 47 / 0 / 39 / 11

HEX #78E38A

RGB 120 227 138

HSL 130.09, 0.66%, 0.68%

LAB 82.25, -49.43, 34.15

 

CMYK 76 / 0 / 63 / 16

HEX #34D54F

RGB 52 213 79

HSL 130.06, 0.66%, 0.52%

LAB 75.38, -66.73, 53.28

 

CMYK 76 / 28 / 0 / 16

HEX #349AD5

RGB 52 154 213

HSL 201.99, 0.66%, 0.52%

LAB 60.47, -9.32, -38.41

 

CMYK 0 / 76 / 58 / 16

HEX #D5345A

RGB 213 52 90

HSL 345.84, 0.66%, 0.52%

LAB 48.69, 63.55, 17.23

 

CMYK 76 / 0 / 63 / 16

HEX #34D54F

RGB 52 213 79

HSL 130.06, 0.66%, 0.52%

LAB 75.38, -66.73, 53.28

 

CMYK 63 / 76 / 0 / 16

HEX #4F34D5

RGB 79 52 213

HSL 250.06, 0.66%, 0.52%

LAB 35.83, 55.29, -77.99

 

CMYK 0 / 63 / 76 / 16

HEX #D54F34

RGB 213 79 52

HSL 10.06, 0.66%, 0.52%

LAB 51.82, 51.31, 43.09

 

CMYK 76 / 0 / 63 / 16

HEX #34D54F

RGB 52 213 79

HSL 130.06, 0.66%, 0.52%

LAB 75.38, -66.73, 53.28

 

CMYK 76 / 28 / 0 / 16

HEX #349AD5

RGB 52 154 213

HSL 201.99, 0.66%, 0.52%

LAB 60.47, -9.32, -38.41

 

CMYK 0 / 76 / 13 / 16

HEX #D534BA

RGB 213 52 186

HSL 310.06, 0.66%, 0.52%

LAB 52, 73.7, -35.35

 

CMYK 0 / 48 / 76 / 16

HEX #D56F34

RGB 213 111 52

HSL 21.99, 0.66%, 0.52%

LAB 57.81, 35.89, 49.32

 

CMYK 76 / 0 / 63 / 16

HEX #34D54F

RGB 52 213 79

HSL 130.06, 0.66%, 0.52%

LAB 75.38, -66.73, 53.28

 

CMYK 76 / 50 / 0 / 16

HEX #346AD5

RGB 52 106 213

HSL 219.88, 0.66%, 0.52%

LAB 46.77, 19.64, -60.21

 

CMYK 0 / 76 / 13 / 16

HEX #D534BA

RGB 213 52 186

HSL 310.06, 0.66%, 0.52%

LAB 52, 73.7, -35.35

 

CMYK 0 / 25 / 76 / 16

HEX #D5A034

RGB 213 160 52

HSL 40.25, 0.66%, 0.52%

LAB 69.14, 9.68, 60.52

 

Description

Color code: HEX #34D54F | qconv.com Color code: HEX #34D54F | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 213 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 213 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 63 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 63% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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