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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34C92D it is the complementary color #CB36D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34C92D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34C92D shade: #39C928, #4ADB3B, #5BED4E, #6CFF61 and #7DFF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34C92D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34C92D shade: #34C92D, #23B71A, #12A507, #019300 and #008100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34C92D shade: #34C82D, #5EC82D, #87C82D, #B1C82D and #C8B42D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34C92D shade: #34C82D, #2DC850, #2DC87A, #2DC8A3 and #2DC2C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34C92D shade matches the following richer shades: #34C82D, #22DB19 and #10EF06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34C92D shade: #34C82D, #46B441, #58A055, #6A8C69 and #7C787D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34C92D shade: #87C82D, #5EC82D, #35C82D, #2DC84F and #2DC878

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34C92D shade: #23841E, #2BA626, #34C82D, #4FD648 and #6FDD6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34C92D shade: #34C92D, #2DB0C8 and #C82D73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34C92D shade: #34C92D, #2D35C8 and #C82D35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34C92D shade: #34C92D, #2DB0C8, #C02DC8 and #C8442D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34C92D shade: #34C92D, #2D82C8, #C02DC8 and #C8732D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 78 / 21

HEX #34C92D

RGB 52 201 45

HSL 117.31, 0.63%, 0.48%

LAB 71.35, -65.93, 61.82

 

Complementary color

CMYK 3 / 74 / 0 / 18

HEX #CB36D2

RGB 203 54 210

HSL 297.31, 0.63%, 0.52%

LAB 51.82, 74.64, -49.59

 

CMYK 72 / 0 / 80 / 21

HEX #39C928

RGB 57 201 40

HSL 113.66, 0.67%, 0.47%

LAB 71.42, -65.41, 63.41

 

CMYK 66 / 0 / 73 / 14

HEX #4ADB3B

RGB 74 219 59

HSL 114.38, 0.69%, 0.55%

LAB 77.54, -66.8, 63.47

 

CMYK 62 / 0 / 67 / 7

HEX #5BED4E

RGB 91 237 78

HSL 115.09, 0.82%, 0.62%

LAB 83.62, -67.73, 62.94

 

CMYK 58 / 0 / 62 / 0

HEX #6CFF61

RGB 108 255 97

HSL 115.82, 1%, 0.69%

LAB 89.66, -68.34, 62.08

 

CMYK 51 / 0 / 55 / 0

HEX #7DFF74

RGB 125 255 116

HSL 116.12, 1%, 0.73%

LAB 90.39, -62.14, 54.87

 

CMYK 74 / 0 / 78 / 21

HEX #34C92D

RGB 52 201 45

HSL 117.31, 0.63%, 0.48%

LAB 71.35, -65.93, 61.82

 

CMYK 81 / 0 / 86 / 28

HEX #23B71A

RGB 35 183 26

HSL 116.56, 0.75%, 0.41%

LAB 65.2, -63.86, 61.2

 

CMYK 89 / 0 / 96 / 35

HEX #12A507

RGB 18 165 7

HSL 115.82, 0.92%, 0.34%

LAB 59.02, -60.95, 59.2

 

CMYK 99 / 0 / 100 / 42

HEX #019300

RGB 1 147 0

HSL 119.59, 1%, 0.29%

LAB 52.81, -57.1, 55.18

 

CMYK 100 / 0 / 100 / 49

HEX #008100

RGB 0 129 0

HSL 120, 1%, 0.25%

LAB 46.58, -51.99, 50.18

 

CMYK 74 / 0 / 78 / 22

HEX #34C82D

RGB 52 200 45

HSL 117.29, 0.63%, 0.48%

LAB 71.03, -65.61, 61.51

 

CMYK 53 / 0 / 78 / 22

HEX #5EC82D

RGB 94 200 45

HSL 101.03, 0.63%, 0.48%

LAB 72.15, -56.44, 62.98

 

CMYK 33 / 0 / 78 / 22

HEX #87C82D

RGB 135 200 45

HSL 85.16, 0.63%, 0.48%

LAB 73.96, -43.16, 65.34

 

CMYK 12 / 0 / 78 / 22

HEX #B1C82D

RGB 177 200 45

HSL 68.9, 0.63%, 0.48%

LAB 76.59, -26.71, 68.71

 

CMYK 0 / 10 / 78 / 22

HEX #C8B42D

RGB 200 180 45

HSL 52.26, 0.63%, 0.48%

LAB 72.97, -6.87, 66.11

 

CMYK 74 / 0 / 78 / 22

HEX #34C82D

RGB 52 200 45

HSL 117.29, 0.63%, 0.48%

LAB 71.03, -65.61, 61.51

 

CMYK 78 / 0 / 60 / 22

HEX #2DC850

RGB 45 200 80

HSL 133.55, 0.63%, 0.48%

LAB 71.18, -63.35, 48.03

 

CMYK 78 / 0 / 39 / 22

HEX #2DC87A

RGB 45 200 122

HSL 149.81, 0.63%, 0.48%

LAB 71.74, -56.76, 28.1

 

CMYK 78 / 0 / 19 / 22

HEX #2DC8A3

RGB 45 200 163

HSL 165.68, 0.63%, 0.48%

LAB 72.57, -47.7, 7.41

 

CMYK 78 / 3 / 0 / 22

HEX #2DC2C8

RGB 45 194 200

HSL 182.32, 0.63%, 0.48%

LAB 71.77, -34.87, -13.9

 

CMYK 74 / 0 / 78 / 22

HEX #34C82D

RGB 52 200 45

HSL 117.29, 0.63%, 0.48%

LAB 71.03, -65.61, 61.51

 

CMYK 84 / 0 / 89 / 14

HEX #22DB19

RGB 34 219 25

HSL 117.22, 0.8%, 0.48%

LAB 76.72, -74.4, 71.48

 

CMYK 93 / 0 / 97 / 6

HEX #10EF06

RGB 16 239 6

HSL 117.42, 0.95%, 0.48%

LAB 82.84, -81.43, 78.78

 

CMYK 74 / 0 / 78 / 22

HEX #34C82D

RGB 52 200 45

HSL 117.29, 0.63%, 0.48%

LAB 71.03, -65.61, 61.51

 

CMYK 61 / 0 / 64 / 29

HEX #46B441

RGB 70 180 65

HSL 117.39, 0.47%, 0.48%

LAB 65.22, -53.68, 48.08

 

CMYK 45 / 0 / 47 / 37

HEX #58A055

RGB 88 160 85

HSL 117.6, 0.31%, 0.48%

LAB 59.77, -38.23, 32.13

 

CMYK 24 / 0 / 25 / 45

HEX #6A8C69

RGB 106 140 105

HSL 118.29, 0.14%, 0.48%

LAB 54.91, -19.19, 14.92

 

CMYK 1 / 4 / 0 / 51

HEX #7C787D

RGB 124 120 125

HSL 288, 0.02%, 0.48%

LAB 50.92, 2.52, -2.2

 

CMYK 33 / 0 / 78 / 22

HEX #87C82D

RGB 135 200 45

HSL 85.16, 0.63%, 0.48%

LAB 73.96, -43.16, 65.34

 

CMYK 53 / 0 / 78 / 22

HEX #5EC82D

RGB 94 200 45

HSL 101.03, 0.63%, 0.48%

LAB 72.15, -56.44, 62.98

 

CMYK 74 / 0 / 78 / 22

HEX #35C82D

RGB 53 200 45

HSL 116.9, 0.63%, 0.48%

LAB 71.05, -65.46, 61.54

 

CMYK 78 / 0 / 61 / 22

HEX #2DC84F

RGB 45 200 79

HSL 133.16, 0.63%, 0.48%

LAB 71.17, -63.48, 48.47

 

CMYK 78 / 0 / 40 / 22

HEX #2DC878

RGB 45 200 120

HSL 149.03, 0.63%, 0.48%

LAB 71.71, -57.14, 29.1

 

CMYK 73 / 0 / 77 / 48

HEX #23841E

RGB 35 132 30

HSL 117.06, 0.63%, 0.32%

LAB 48.2, -47.34, 44.11

 

CMYK 74 / 0 / 77 / 35

HEX #2BA626

RGB 43 166 38

HSL 117.66, 0.63%, 0.4%

LAB 59.82, -56.72, 52.83

 

CMYK 74 / 0 / 78 / 22

HEX #34C82D

RGB 52 200 45

HSL 117.29, 0.63%, 0.48%

LAB 71.03, -65.61, 61.51

 

CMYK 63 / 0 / 66 / 16

HEX #4FD648

RGB 79 214 72

HSL 117.04, 0.63%, 0.56%

LAB 76.21, -63.01, 57.25

 

CMYK 50 / 0 / 52 / 13

HEX #6FDD6A

RGB 111 221 106

HSL 117.39, 0.63%, 0.64%

LAB 79.69, -54.03, 46.52

 

CMYK 74 / 0 / 78 / 21

HEX #34C92D

RGB 52 201 45

HSL 117.31, 0.63%, 0.48%

LAB 71.35, -65.93, 61.82

 

CMYK 78 / 12 / 0 / 22

HEX #2DB0C8

RGB 45 176 200

HSL 189.29, 0.63%, 0.48%

LAB 66.35, -26.14, -22.1

 

CMYK 0 / 78 / 43 / 22

HEX #C82D73

RGB 200 45 115

HSL 332.9, 0.63%, 0.48%

LAB 46.17, 64.14, -2.01

 

CMYK 74 / 0 / 78 / 21

HEX #34C92D

RGB 52 201 45

HSL 117.31, 0.63%, 0.48%

LAB 71.35, -65.93, 61.82

 

CMYK 78 / 74 / 0 / 22

HEX #2D35C8

RGB 45 53 200

HSL 236.9, 0.63%, 0.48%

LAB 32.42, 47.44, -76.15

 

CMYK 0 / 78 / 74 / 22

HEX #C82D35

RGB 200 45 53

HSL 356.9, 0.63%, 0.48%

LAB 44.82, 59.91, 34.15

 

CMYK 74 / 0 / 78 / 21

HEX #34C92D

RGB 52 201 45

HSL 117.31, 0.63%, 0.48%

LAB 71.35, -65.93, 61.82

 

CMYK 78 / 12 / 0 / 22

HEX #2DB0C8

RGB 45 176 200

HSL 189.29, 0.63%, 0.48%

LAB 66.35, -26.14, -22.1

 

CMYK 4 / 78 / 0 / 22

HEX #C02DC8

RGB 192 45 200

HSL 296.9, 0.63%, 0.48%

LAB 48.58, 73.43, -49.12

 

CMYK 0 / 66 / 78 / 22

HEX #C8442D

RGB 200 68 45

HSL 8.9, 0.63%, 0.48%

LAB 47.76, 51.26, 41.83

 

CMYK 74 / 0 / 78 / 21

HEX #34C92D

RGB 52 201 45

HSL 117.31, 0.63%, 0.48%

LAB 71.35, -65.93, 61.82

 

CMYK 78 / 35 / 0 / 22

HEX #2D82C8

RGB 45 130 200

HSL 207.1, 0.63%, 0.48%

LAB 52.61, -0.9, -43.47

 

CMYK 4 / 78 / 0 / 22

HEX #C02DC8

RGB 192 45 200

HSL 296.9, 0.63%, 0.48%

LAB 48.58, 73.43, -49.12

 

CMYK 0 / 43 / 78 / 22

HEX #C8732D

RGB 200 115 45

HSL 27.1, 0.63%, 0.48%

LAB 56.81, 28.18, 50.93

 

Description

Color code: HEX #34C92D | qconv.com Color code: HEX #34C92D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 201 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 201 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 78 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 78% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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