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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34C798 it is the complementary color #CB3867. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34C798. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34C798 shade: #39C793, #4AD9A6, #5BEBB9, #6CFDCC and #7DFFDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34C798. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34C798 shade: #34C798, #23B585, #12A372, #01915F and #007F4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34C798 shade: #33C798, #33C770, #33C748, #46C733 and #6EC733

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34C798 shade: #33C798, #33C7BF, #33A6C7, #337FC7 and #3357C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34C798 shade matches the following richer shades: #33C798, #1FDB9F and #0BEFA6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34C798 shade: #33C798, #47B290, #5C9E89, #708A82 and #84767A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34C798 shade: #33C747, #33C76E, #33C796, #33C7BD and #33A9C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34C798 shade: #228565, #2BA67F, #33C798, #51D2A9 and #72DBB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34C798 shade: #34C798, #3347C7 and #C75B33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34C798 shade: #34C798, #9633C7 and #C79633

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34C798 shade: #34C798, #3347C7, #C73364 and #C7B333

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34C798 shade: #34C798, #4C33C7, #C73364 and #AEC733

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 24 / 22

HEX #34C798

RGB 52 199 152

HSL 160.82, 0.59%, 0.49%

LAB 72.12, -49.12, 12.73

 

Complementary color

CMYK 0 / 72 / 49 / 20

HEX #CB3867

RGB 203 56 103

HSL 340.82, 0.59%, 0.51%

LAB 47.63, 60.36, 7.53

 

CMYK 71 / 0 / 26 / 22

HEX #39C793

RGB 57 199 147

HSL 158.03, 0.56%, 0.5%

LAB 72.11, -49.58, 15.41

 

CMYK 66 / 0 / 24 / 15

HEX #4AD9A6

RGB 74 217 166

HSL 158.6, 0.65%, 0.57%

LAB 78.37, -50.01, 14.11

 

CMYK 61 / 0 / 21 / 8

HEX #5BEBB9

RGB 91 235 185

HSL 159.17, 0.78%, 0.64%

LAB 84.56, -50.26, 12.93

 

CMYK 57 / 0 / 19 / 1

HEX #6CFDCC

RGB 108 253 204

HSL 159.72, 0.97%, 0.71%

LAB 90.69, -50.38, 11.83

 

CMYK 51 / 0 / 13 / 0

HEX #7DFFDF

RGB 125 255 223

HSL 165.23, 1%, 0.75%

LAB 92.22, -43.52, 4.3

 

CMYK 74 / 0 / 24 / 22

HEX #34C798

RGB 52 199 152

HSL 160.82, 0.59%, 0.49%

LAB 72.12, -49.12, 12.73

 

CMYK 81 / 0 / 27 / 29

HEX #23B585

RGB 35 181 133

HSL 160.27, 0.68%, 0.42%

LAB 65.83, -48.28, 14.15

 

CMYK 89 / 0 / 30 / 36

HEX #12A372

RGB 18 163 114

HSL 159.72, 0.8%, 0.35%

LAB 59.47, -47.03, 15.73

 

CMYK 99 / 0 / 34 / 43

HEX #01915F

RGB 1 145 95

HSL 159.17, 0.99%, 0.29%

LAB 53.04, -45.35, 17.49

 

CMYK 100 / 0 / 40 / 50

HEX #007F4C

RGB 0 127 76

HSL 155.91, 1%, 0.25%

LAB 46.58, -42.74, 19.5

 

CMYK 74 / 0 / 24 / 22

HEX #33C798

RGB 51 199 152

HSL 160.95, 0.59%, 0.49%

LAB 72.11, -49.24, 12.7

 

CMYK 74 / 0 / 44 / 22

HEX #33C770

RGB 51 199 112

HSL 144.73, 0.59%, 0.49%

LAB 71.36, -57.44, 32.79

 

CMYK 74 / 0 / 64 / 22

HEX #33C748

RGB 51 199 72

HSL 128.51, 0.59%, 0.49%

LAB 70.88, -63.11, 51.24

 

CMYK 65 / 0 / 74 / 22

HEX #46C733

RGB 70 199 51

HSL 112.3, 0.59%, 0.49%

LAB 71.14, -61.57, 59.78

 

CMYK 45 / 0 / 74 / 22

HEX #6EC733

RGB 110 199 51

HSL 96.08, 0.59%, 0.49%

LAB 72.5, -50.94, 61.58

 

CMYK 74 / 0 / 24 / 22

HEX #33C798

RGB 51 199 152

HSL 160.95, 0.59%, 0.49%

LAB 72.11, -49.24, 12.7

 

CMYK 74 / 0 / 4 / 22

HEX #33C7BF

RGB 51 199 191

HSL 176.76, 0.59%, 0.49%

LAB 73.1, -39.15, -7

 

CMYK 74 / 17 / 0 / 22

HEX #33A6C7

RGB 51 166 199

HSL 193.38, 0.59%, 0.49%

LAB 63.43, -20.67, -26.02

 

CMYK 74 / 36 / 0 / 22

HEX #337FC7

RGB 51 127 199

HSL 209.19, 0.59%, 0.49%

LAB 51.84, 1.27, -44.1

 

CMYK 74 / 56 / 0 / 22

HEX #3357C7

RGB 51 87 199

HSL 225.41, 0.59%, 0.49%

LAB 40.64, 26.54, -62.09

 

CMYK 74 / 0 / 24 / 22

HEX #33C798

RGB 51 199 152

HSL 160.95, 0.59%, 0.49%

LAB 72.11, -49.24, 12.7

 

CMYK 86 / 0 / 27 / 14

HEX #1FDB9F

RGB 31 219 159

HSL 160.85, 0.75%, 0.49%

LAB 78.14, -57.4, 17.4

 

CMYK 95 / 0 / 31 / 6

HEX #0BEFA6

RGB 11 239 166

HSL 160.79, 0.91%, 0.49%

LAB 84.26, -64.16, 22.2

 

CMYK 74 / 0 / 24 / 22

HEX #33C798

RGB 51 199 152

HSL 160.95, 0.59%, 0.49%

LAB 72.11, -49.24, 12.7

 

CMYK 60 / 0 / 19 / 30

HEX #47B290

RGB 71 178 144

HSL 160.93, 0.43%, 0.49%

LAB 65.9, -38.96, 8.32

 

CMYK 42 / 0 / 13 / 38

HEX #5C9E89

RGB 92 158 137

HSL 160.91, 0.26%, 0.49%

LAB 60.37, -26.16, 4.4

 

CMYK 19 / 0 / 6 / 46

HEX #708A82

RGB 112 138 130

HSL 161.54, 0.1%, 0.49%

LAB 55.31, -10.98, 1.21

 

CMYK 0 / 11 / 8 / 48

HEX #84767A

RGB 132 118 122

HSL 342.86, 0.06%, 0.49%

LAB 51, 6.14, -0.23

 

CMYK 74 / 0 / 64 / 22

HEX #33C747

RGB 51 199 71

HSL 128.11, 0.59%, 0.49%

LAB 70.87, -63.22, 51.65

 

CMYK 74 / 0 / 45 / 22

HEX #33C76E

RGB 51 199 110

HSL 143.92, 0.59%, 0.49%

LAB 71.33, -57.79, 33.77

 

CMYK 74 / 0 / 25 / 22

HEX #33C796

RGB 51 199 150

HSL 160.14, 0.59%, 0.49%

LAB 72.06, -49.71, 13.71

 

CMYK 74 / 0 / 5 / 22

HEX #33C7BD

RGB 51 199 189

HSL 175.95, 0.59%, 0.49%

LAB 73.04, -39.71, -6

 

CMYK 74 / 15 / 0 / 22

HEX #33A9C7

RGB 51 169 199

HSL 192.16, 0.59%, 0.49%

LAB 64.33, -22.23, -24.63

 

CMYK 74 / 0 / 24 / 48

HEX #228565

RGB 34 133 101

HSL 160.61, 0.59%, 0.33%

LAB 49.56, -36.04, 9.3

 

CMYK 74 / 0 / 23 / 35

HEX #2BA67F

RGB 43 166 127

HSL 160.98, 0.59%, 0.41%

LAB 61.06, -42.59, 10.78

 

CMYK 74 / 0 / 24 / 22

HEX #33C798

RGB 51 199 152

HSL 160.95, 0.59%, 0.49%

LAB 72.11, -49.24, 12.7

 

CMYK 61 / 0 / 20 / 18

HEX #51D2A9

RGB 81 210 169

HSL 160.93, 0.59%, 0.57%

LAB 76.5, -45.17, 9.9

 

CMYK 48 / 0 / 16 / 14

HEX #72DBB9

RGB 114 219 185

HSL 160.57, 0.59%, 0.65%

LAB 80.6, -38.48, 7.38

 

CMYK 74 / 0 / 24 / 22

HEX #34C798

RGB 52 199 152

HSL 160.82, 0.59%, 0.49%

LAB 72.12, -49.12, 12.73

 

CMYK 74 / 64 / 0 / 22

HEX #3347C7

RGB 51 71 199

HSL 231.89, 0.59%, 0.49%

LAB 36.62, 36.79, -68.66

 

CMYK 0 / 54 / 74 / 22

HEX #C75B33

RGB 199 91 51

HSL 16.22, 0.59%, 0.49%

LAB 51.68, 40.53, 42.78

 

CMYK 74 / 0 / 24 / 22

HEX #34C798

RGB 52 199 152

HSL 160.82, 0.59%, 0.49%

LAB 72.12, -49.12, 12.73

 

CMYK 25 / 74 / 0 / 22

HEX #9633C7

RGB 150 51 199

HSL 280.14, 0.59%, 0.49%

LAB 42.73, 63.21, -58.29

 

CMYK 0 / 25 / 74 / 22

HEX #C79633

RGB 199 150 51

HSL 40.14, 0.59%, 0.49%

LAB 65.12, 8.94, 56.49

 

CMYK 74 / 0 / 24 / 22

HEX #34C798

RGB 52 199 152

HSL 160.82, 0.59%, 0.49%

LAB 72.12, -49.12, 12.73

 

CMYK 74 / 64 / 0 / 22

HEX #3347C7

RGB 51 71 199

HSL 231.89, 0.59%, 0.49%

LAB 36.62, 36.79, -68.66

 

CMYK 0 / 74 / 50 / 22

HEX #C73364

RGB 199 51 100

HSL 340.14, 0.59%, 0.49%

LAB 46.22, 60.66, 7.27

 

CMYK 0 / 10 / 74 / 22

HEX #C7B333

RGB 199 179 51

HSL 51.89, 0.59%, 0.49%

LAB 72.64, -6.54, 63.75

 

CMYK 74 / 0 / 24 / 22

HEX #34C798

RGB 52 199 152

HSL 160.82, 0.59%, 0.49%

LAB 72.12, -49.12, 12.73

 

CMYK 62 / 74 / 0 / 22

HEX #4C33C7

RGB 76 51 199

HSL 250.14, 0.59%, 0.49%

LAB 34.04, 51.31, -72.83

 

CMYK 0 / 74 / 50 / 22

HEX #C73364

RGB 199 51 100

HSL 340.14, 0.59%, 0.49%

LAB 46.22, 60.66, 7.27

 

CMYK 13 / 0 / 74 / 22

HEX #AEC733

RGB 174 199 51

HSL 70.14, 0.59%, 0.49%

LAB 76.12, -27.2, 66.33

 

Description

Color code: HEX #34C798 | qconv.com Color code: HEX #34C798 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 199 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 199 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 24 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 24% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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