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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34C343 it is the complementary color #CB3CBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34C343. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34C343 shade: #39C33E, #4AD551, #5BE764, #6CF977 and #7DFF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34C343. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34C343 shade: #34C343, #23B130, #129F1D, #018D0A and #007B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34C343 shade: #33C142, #4BC133, #71C133, #97C133 and #BEC133

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34C343 shade: #33C142, #33C169, #33C18F, #33C1B5 and #33A7C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34C343 shade matches the following richer shades: #33C142, #20D533 and #0CE923

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34C343 shade: #33C142, #47AE52, #5B9A62, #6F8671 and #837281

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34C343 shade: #71C133, #4BC133, #33C142, #33C167 and #33C18D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34C343 shade: #22802C, #2BA137, #33C142, #4ED05C and #6FD97A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34C343 shade: #34C343, #3397C1 and #C1335E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34C343 shade: #34C343, #4233C1 and #C14233

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34C343 shade: #34C343, #3397C1, #C133B3 and #C15E33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34C343 shade: #34C343, #336CC1, #C133B3 and #C18933

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 66 / 24

HEX #34C343

RGB 52 195 67

HSL 126.29, 0.58%, 0.48%

LAB 69.59, -62.17, 51.93

 

Complementary color

CMYK 0 / 70 / 7 / 20

HEX #CB3CBC

RGB 203 60 188

HSL 306.29, 0.58%, 0.52%

LAB 51.33, 69.24, -37.68

 

CMYK 71 / 0 / 68 / 24

HEX #39C33E

RGB 57 195 62

HSL 122.17, 0.55%, 0.49%

LAB 69.65, -61.83, 54.06

 

CMYK 65 / 0 / 62 / 16

HEX #4AD551

RGB 74 213 81

HSL 123.02, 0.62%, 0.56%

LAB 75.85, -62.79, 53.07

 

CMYK 61 / 0 / 57 / 9

HEX #5BE764

RGB 91 231 100

HSL 123.86, 0.74%, 0.63%

LAB 82, -63.38, 51.89

 

CMYK 57 / 0 / 52 / 2

HEX #6CF977

RGB 108 249 119

HSL 124.68, 0.92%, 0.7%

LAB 88.1, -63.71, 50.63

 

CMYK 51 / 0 / 46 / 0

HEX #7DFF8A

RGB 125 255 138

HSL 126, 1%, 0.75%

LAB 90.65, -59.31, 44.98

 

CMYK 73 / 0 / 66 / 24

HEX #34C343

RGB 52 195 67

HSL 126.29, 0.58%, 0.48%

LAB 69.59, -62.17, 51.93

 

CMYK 80 / 0 / 73 / 31

HEX #23B130

RGB 35 177 48

HSL 125.49, 0.67%, 0.42%

LAB 63.36, -60.62, 52.77

 

CMYK 89 / 0 / 82 / 38

HEX #129F1D

RGB 18 159 29

HSL 124.68, 0.8%, 0.35%

LAB 57.09, -58.29, 52.93

 

CMYK 99 / 0 / 93 / 45

HEX #018D0A

RGB 1 141 10

HSL 123.86, 0.99%, 0.28%

LAB 50.78, -55.05, 51.76

 

CMYK 100 / 0 / 100 / 52

HEX #007B00

RGB 0 123 0

HSL 120, 1%, 0.24%

LAB 44.47, -50.24, 48.49

 

CMYK 74 / 0 / 66 / 24

HEX #33C142

RGB 51 193 66

HSL 126.34, 0.58%, 0.48%

LAB 68.92, -61.78, 51.61

 

CMYK 61 / 0 / 74 / 24

HEX #4BC133

RGB 75 193 51

HSL 109.86, 0.58%, 0.48%

LAB 69.38, -58.4, 58.07

 

CMYK 41 / 0 / 74 / 24

HEX #71C133

RGB 113 193 51

HSL 93.8, 0.58%, 0.48%

LAB 70.79, -47.57, 59.95

 

CMYK 22 / 0 / 74 / 24

HEX #97C133

RGB 151 193 51

HSL 77.75, 0.58%, 0.48%

LAB 72.86, -33.65, 62.68

 

CMYK 2 / 0 / 74 / 24

HEX #BEC133

RGB 190 193 51

HSL 61.27, 0.58%, 0.48%

LAB 75.65, -17.57, 66.32

 

CMYK 74 / 0 / 66 / 24

HEX #33C142

RGB 51 193 66

HSL 126.34, 0.58%, 0.48%

LAB 68.92, -61.78, 51.61

 

CMYK 74 / 0 / 46 / 24

HEX #33C169

RGB 51 193 105

HSL 142.82, 0.58%, 0.48%

LAB 69.37, -56.47, 33.79

 

CMYK 74 / 0 / 26 / 24

HEX #33C18F

RGB 51 193 143

HSL 158.87, 0.58%, 0.48%

LAB 70.05, -48.89, 14.67

 

CMYK 74 / 0 / 6 / 24

HEX #33C1B5

RGB 51 193 181

HSL 174.93, 0.58%, 0.48%

LAB 70.99, -39.24, -4.66

 

CMYK 74 / 13 / 0 / 24

HEX #33A7C1

RGB 51 167 193

HSL 190.99, 0.58%, 0.48%

LAB 63.5, -23.13, -22.56

 

CMYK 74 / 0 / 66 / 24

HEX #33C142

RGB 51 193 66

HSL 126.34, 0.58%, 0.48%

LAB 68.92, -61.78, 51.61

 

CMYK 85 / 0 / 76 / 16

HEX #20D533

RGB 32 213 51

HSL 126.3, 0.74%, 0.48%

LAB 74.91, -71.55, 63.29

 

CMYK 95 / 0 / 85 / 9

HEX #0CE923

RGB 12 233 35

HSL 126.24, 0.9%, 0.48%

LAB 81, -79.23, 73.21

 

CMYK 74 / 0 / 66 / 24

HEX #33C142

RGB 51 193 66

HSL 126.34, 0.58%, 0.48%

LAB 68.92, -61.78, 51.61

 

CMYK 59 / 0 / 53 / 32

HEX #47AE52

RGB 71 174 82

HSL 126.41, 0.42%, 0.48%

LAB 63.53, -49.11, 38.16

 

CMYK 41 / 0 / 36 / 40

HEX #5B9A62

RGB 91 154 98

HSL 126.67, 0.26%, 0.48%

LAB 58.24, -32.48, 23.21

 

CMYK 17 / 0 / 16 / 47

HEX #6F8671

RGB 111 134 113

HSL 125.22, 0.09%, 0.48%

LAB 53.62, -12.64, 8.58

 

CMYK 0 / 13 / 2 / 49

HEX #837281

RGB 131 114 129

HSL 307.06, 0.07%, 0.48%

LAB 50.03, 9.47, -5.8

 

CMYK 41 / 0 / 74 / 24

HEX #71C133

RGB 113 193 51

HSL 93.8, 0.58%, 0.48%

LAB 70.79, -47.57, 59.95

 

CMYK 61 / 0 / 74 / 24

HEX #4BC133

RGB 75 193 51

HSL 109.86, 0.58%, 0.48%

LAB 69.38, -58.4, 58.07

 

CMYK 74 / 0 / 66 / 24

HEX #33C142

RGB 51 193 66

HSL 126.34, 0.58%, 0.48%

LAB 68.92, -61.78, 51.61

 

CMYK 74 / 0 / 47 / 24

HEX #33C167

RGB 51 193 103

HSL 141.97, 0.58%, 0.48%

LAB 69.34, -56.81, 34.77

 

CMYK 74 / 0 / 27 / 24

HEX #33C18D

RGB 51 193 141

HSL 158.03, 0.58%, 0.48%

LAB 70.01, -49.35, 15.69

 

CMYK 73 / 0 / 66 / 50

HEX #22802C

RGB 34 128 44

HSL 126.38, 0.58%, 0.32%

LAB 46.92, -44.73, 36.88

 

CMYK 73 / 0 / 66 / 37

HEX #2BA137

RGB 43 161 55

HSL 126.1, 0.58%, 0.4%

LAB 58.3, -53.52, 44.6

 

CMYK 74 / 0 / 66 / 24

HEX #33C142

RGB 51 193 66

HSL 126.34, 0.58%, 0.48%

LAB 68.92, -61.78, 51.61

 

CMYK 63 / 0 / 56 / 18

HEX #4ED05C

RGB 78 208 92

HSL 126.46, 0.58%, 0.56%

LAB 74.51, -58.92, 46.62

 

CMYK 49 / 0 / 44 / 15

HEX #6FD97A

RGB 111 217 122

HSL 126.23, 0.58%, 0.64%

LAB 78.7, -50.21, 37.51

 

CMYK 73 / 0 / 66 / 24

HEX #34C343

RGB 52 195 67

HSL 126.29, 0.58%, 0.48%

LAB 69.59, -62.17, 51.93

 

CMYK 74 / 22 / 0 / 24

HEX #3397C1

RGB 51 151 193

HSL 197.75, 0.58%, 0.48%

LAB 58.68, -14.65, -29.97

 

CMYK 0 / 74 / 51 / 24

HEX #C1335E

RGB 193 51 94

HSL 341.83, 0.58%, 0.48%

LAB 44.96, 58.44, 9.05

 

CMYK 73 / 0 / 66 / 24

HEX #34C343

RGB 52 195 67

HSL 126.29, 0.58%, 0.48%

LAB 69.59, -62.17, 51.93

 

CMYK 66 / 74 / 0 / 24

HEX #4233C1

RGB 66 51 193

HSL 246.34, 0.58%, 0.48%

LAB 32.65, 48.3, -71.64

 

CMYK 0 / 66 / 74 / 24

HEX #C14233

RGB 193 66 51

HSL 6.34, 0.58%, 0.48%

LAB 46.28, 49.95, 36.6

 

CMYK 73 / 0 / 66 / 24

HEX #34C343

RGB 52 195 67

HSL 126.29, 0.58%, 0.48%

LAB 69.59, -62.17, 51.93

 

CMYK 74 / 22 / 0 / 24

HEX #3397C1

RGB 51 151 193

HSL 197.75, 0.58%, 0.48%

LAB 58.68, -14.65, -29.97

 

CMYK 0 / 74 / 7 / 24

HEX #C133B3

RGB 193 51 179

HSL 305.92, 0.58%, 0.48%

LAB 48.21, 68.56, -37.46

 

CMYK 0 / 51 / 74 / 24

HEX #C15E33

RGB 193 94 51

HSL 18.17, 0.58%, 0.48%

LAB 51.36, 36.67, 42.16

 

CMYK 73 / 0 / 66 / 24

HEX #34C343

RGB 52 195 67

HSL 126.29, 0.58%, 0.48%

LAB 69.59, -62.17, 51.93

 

CMYK 74 / 44 / 0 / 24

HEX #336CC1

RGB 51 108 193

HSL 215.92, 0.58%, 0.48%

LAB 46.01, 10.79, -49.95

 

CMYK 0 / 74 / 7 / 24

HEX #C133B3

RGB 193 51 179

HSL 305.92, 0.58%, 0.48%

LAB 48.21, 68.56, -37.46

 

CMYK 0 / 29 / 74 / 24

HEX #C18933

RGB 193 137 51

HSL 36.34, 0.58%, 0.48%

LAB 61.19, 13.42, 52.37

 

Description

Color code: HEX #34C343 | qconv.com Color code: HEX #34C343 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 195 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 195 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 66 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 66% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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