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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34BE5C it is the complementary color #CB41A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34BE5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34BE5C shade: #39BE57, #4AD06A, #5BE27D, #6CF490 and #7DFFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34BE5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34BE5C shade: #34BE5C, #23AC49, #129A36, #018823 and #007610

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34BE5C shade: #34BC5B, #34BC36, #56BC34, #7ABC34 and #9FBC34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34BE5C shade: #34BC5B, #34BC80, #34BCA5, #34AFBC and #348ABC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34BE5C shade matches the following richer shades: #34BC5B, #20D053 and #0DE34B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34BE5C shade: #34BC5B, #47A963, #5A956B, #6E8274 and #816F7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34BE5C shade: #56BC34, #34BC36, #34BC5A, #34BC7F and #34BCA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34BE5C shade: #227B3C, #2B9C4B, #34BC5B, #4BCE71 and #6CD78B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34BE5C shade: #34BE5C, #347ABC and #BC3443

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34BE5C shade: #34BE5C, #5A34BC and #BC5A34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34BE5C shade: #34BE5C, #347ABC, #BC3495 and #BC7634

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34BE5C shade: #34BE5C, #3451BC, #BC3495 and #BC9F34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 52 / 25

HEX #34BE5C

RGB 52 190 92

HSL 137.39, 0.57%, 0.47%

LAB 68.26, -57.32, 38.92

 

Complementary color

CMYK 0 / 68 / 20 / 20

HEX #CB41A3

RGB 203 65 163

HSL 317.39, 0.57%, 0.53%

LAB 50.83, 63.83, -23.83

 

CMYK 70 / 0 / 54 / 25

HEX #39BE57

RGB 57 190 87

HSL 133.53, 0.54%, 0.48%

LAB 68.3, -57.22, 41.43

 

CMYK 64 / 0 / 49 / 18

HEX #4AD06A

RGB 74 208 106

HSL 134.33, 0.59%, 0.55%

LAB 74.58, -57.8, 39.98

 

CMYK 60 / 0 / 45 / 11

HEX #5BE27D

RGB 91 226 125

HSL 135.11, 0.7%, 0.62%

LAB 80.79, -58.11, 38.56

 

CMYK 56 / 0 / 41 / 4

HEX #6CF490

RGB 108 244 144

HSL 135.88, 0.86%, 0.69%

LAB 86.95, -58.22, 37.21

 

CMYK 51 / 0 / 36 / 0

HEX #7DFFA3

RGB 125 255 163

HSL 137.54, 1%, 0.75%

LAB 91.02, -55.44, 33.23

 

CMYK 73 / 0 / 52 / 25

HEX #34BE5C

RGB 52 190 92

HSL 137.39, 0.57%, 0.47%

LAB 68.26, -57.32, 38.92

 

CMYK 80 / 0 / 58 / 33

HEX #23AC49

RGB 35 172 73

HSL 136.64, 0.66%, 0.41%

LAB 61.95, -56.23, 40.46

 

CMYK 88 / 0 / 65 / 40

HEX #129A36

RGB 18 154 54

HSL 135.88, 0.79%, 0.34%

LAB 55.59, -54.51, 41.92

 

CMYK 99 / 0 / 74 / 47

HEX #018823

RGB 1 136 35

HSL 135.11, 0.99%, 0.27%

LAB 49.17, -52.02, 43.05

 

CMYK 100 / 0 / 86 / 54

HEX #007610

RGB 0 118 16

HSL 128.14, 1%, 0.23%

LAB 42.75, -48.03, 43.33

 

CMYK 72 / 0 / 52 / 26

HEX #34BC5B

RGB 52 188 91

HSL 137.21, 0.57%, 0.47%

LAB 67.61, -56.76, 38.61

 

CMYK 72 / 0 / 71 / 26

HEX #34BC36

RGB 52 188 54

HSL 120.88, 0.57%, 0.47%

LAB 67.25, -61.11, 54.62

 

CMYK 54 / 0 / 72 / 26

HEX #56BC34

RGB 86 188 52

HSL 105, 0.57%, 0.47%

LAB 68.16, -53.74, 56.6

 

CMYK 35 / 0 / 72 / 26

HEX #7ABC34

RGB 122 188 52

HSL 89.12, 0.57%, 0.47%

LAB 69.72, -42.31, 58.67

 

CMYK 15 / 0 / 72 / 26

HEX #9FBC34

RGB 159 188 52

HSL 72.79, 0.57%, 0.47%

LAB 71.95, -28.03, 61.62

 

CMYK 72 / 0 / 52 / 26

HEX #34BC5B

RGB 52 188 91

HSL 137.21, 0.57%, 0.47%

LAB 67.61, -56.76, 38.61

 

CMYK 72 / 0 / 32 / 26

HEX #34BC80

RGB 52 188 128

HSL 153.53, 0.57%, 0.47%

LAB 68.21, -50.06, 20.19

 

CMYK 72 / 0 / 12 / 26

HEX #34BCA5

RGB 52 188 165

HSL 169.85, 0.57%, 0.47%

LAB 69.05, -41.23, 1.25

 

CMYK 72 / 7 / 0 / 26

HEX #34AFBC

RGB 52 175 188

HSL 185.74, 0.57%, 0.47%

LAB 65.76, -28.6, -16.33

 

CMYK 72 / 27 / 0 / 26

HEX #348ABC

RGB 52 138 188

HSL 202.06, 0.57%, 0.47%

LAB 54.59, -8.97, -33.5

 

CMYK 72 / 0 / 52 / 26

HEX #34BC5B

RGB 52 188 91

HSL 137.21, 0.57%, 0.47%

LAB 67.61, -56.76, 38.61

 

CMYK 85 / 0 / 60 / 18

HEX #20D053

RGB 32 208 83

HSL 137.39, 0.73%, 0.47%

LAB 73.57, -66.97, 49.41

 

CMYK 94 / 0 / 67 / 11

HEX #0DE34B

RGB 13 227 75

HSL 137.38, 0.89%, 0.47%

LAB 79.35, -74.74, 59.18

 

CMYK 72 / 0 / 52 / 26

HEX #34BC5B

RGB 52 188 91

HSL 137.21, 0.57%, 0.47%

LAB 67.61, -56.76, 38.61

 

CMYK 58 / 0 / 41 / 34

HEX #47A963

RGB 71 169 99

HSL 137.14, 0.41%, 0.47%

LAB 62.18, -44.44, 27.72

 

CMYK 40 / 0 / 28 / 42

HEX #5A956B

RGB 90 149 107

HSL 137.29, 0.25%, 0.47%

LAB 56.81, -28.76, 16.27

 

CMYK 15 / 0 / 11 / 49

HEX #6E8274

RGB 110 130 116

HSL 138, 0.08%, 0.47%

LAB 52.44, -10.21, 5.15

 

CMYK 0 / 14 / 4 / 49

HEX #816F7C

RGB 129 111 124

HSL 316.67, 0.08%, 0.47%

LAB 48.87, 9.49, -4.57

 

CMYK 54 / 0 / 72 / 26

HEX #56BC34

RGB 86 188 52

HSL 105, 0.57%, 0.47%

LAB 68.16, -53.74, 56.6

 

CMYK 72 / 0 / 71 / 26

HEX #34BC36

RGB 52 188 54

HSL 120.88, 0.57%, 0.47%

LAB 67.25, -61.11, 54.62

 

CMYK 72 / 0 / 52 / 26

HEX #34BC5A

RGB 52 188 90

HSL 136.76, 0.57%, 0.47%

LAB 67.6, -56.91, 39.09

 

CMYK 72 / 0 / 32 / 26

HEX #34BC7F

RGB 52 188 127

HSL 153.09, 0.57%, 0.47%

LAB 68.19, -50.27, 20.7

 

CMYK 72 / 0 / 13 / 26

HEX #34BCA3

RGB 52 188 163

HSL 168.97, 0.57%, 0.47%

LAB 69, -41.75, 2.27

 

CMYK 72 / 0 / 51 / 52

HEX #227B3C

RGB 34 123 60

HSL 137.53, 0.57%, 0.31%

LAB 45.4, -40.57, 26.96

 

CMYK 72 / 0 / 52 / 39

HEX #2B9C4B

RGB 43 156 75

HSL 136.99, 0.57%, 0.39%

LAB 56.88, -49.1, 33.37

 

CMYK 72 / 0 / 52 / 26

HEX #34BC5B

RGB 52 188 91

HSL 137.21, 0.57%, 0.47%

LAB 67.61, -56.76, 38.61

 

CMYK 64 / 0 / 45 / 19

HEX #4BCE71

RGB 75 206 113

HSL 137.4, 0.57%, 0.55%

LAB 74.08, -55.77, 35.88

 

CMYK 50 / 0 / 35 / 16

HEX #6CD78B

RGB 108 215 139

HSL 137.38, 0.57%, 0.63%

LAB 78.26, -47.41, 28.27

 

CMYK 73 / 0 / 52 / 25

HEX #34BE5C

RGB 52 190 92

HSL 137.39, 0.57%, 0.47%

LAB 68.26, -57.32, 38.92

 

CMYK 72 / 35 / 0 / 26

HEX #347ABC

RGB 52 122 188

HSL 209.12, 0.57%, 0.47%

LAB 49.83, 0.43, -40.98

 

CMYK 0 / 72 / 64 / 26

HEX #BC3443

RGB 188 52 67

HSL 353.38, 0.57%, 0.47%

LAB 43.58, 54.66, 23.71

 

CMYK 73 / 0 / 52 / 25

HEX #34BE5C

RGB 52 190 92

HSL 137.39, 0.57%, 0.47%

LAB 68.26, -57.32, 38.92

 

CMYK 52 / 72 / 0 / 26

HEX #5A34BC

RGB 90 52 188

HSL 256.76, 0.57%, 0.47%

LAB 34.52, 49.54, -65.54

 

CMYK 0 / 52 / 72 / 26

HEX #BC5A34

RGB 188 90 52

HSL 16.76, 0.57%, 0.47%

LAB 49.8, 36.8, 39.73

 

CMYK 73 / 0 / 52 / 25

HEX #34BE5C

RGB 52 190 92

HSL 137.39, 0.57%, 0.47%

LAB 68.26, -57.32, 38.92

 

CMYK 72 / 35 / 0 / 26

HEX #347ABC

RGB 52 122 188

HSL 209.12, 0.57%, 0.47%

LAB 49.83, 0.43, -40.98

 

CMYK 0 / 72 / 21 / 26

HEX #BC3495

RGB 188 52 149

HSL 317.21, 0.57%, 0.47%

LAB 46.07, 62.74, -23.05

 

CMYK 0 / 37 / 72 / 26

HEX #BC7634

RGB 188 118 52

HSL 29.12, 0.57%, 0.47%

LAB 55.98, 21.77, 46.37

 

CMYK 73 / 0 / 52 / 25

HEX #34BE5C

RGB 52 190 92

HSL 137.39, 0.57%, 0.47%

LAB 68.26, -57.32, 38.92

 

CMYK 72 / 57 / 0 / 26

HEX #3451BC

RGB 52 81 188

HSL 227.21, 0.57%, 0.47%

LAB 38.28, 26.5, -59.52

 

CMYK 0 / 72 / 21 / 26

HEX #BC3495

RGB 188 52 149

HSL 317.21, 0.57%, 0.47%

LAB 46.07, 62.74, -23.05

 

CMYK 0 / 15 / 72 / 26

HEX #BC9F34

RGB 188 159 52

HSL 47.21, 0.57%, 0.47%

LAB 66.32, -0.73, 56.9

 

Description

Color code: HEX #34BE5C | qconv.com Color code: HEX #34BE5C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 190 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 190 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 52 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 52% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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